Is there an issue? Send a MessageReason:
None
Deleted line(s) 18 (click to see context) :
Changed line(s) 29 (click to see context) from:
to:
* ''Spell Blanket: Collected Demos 2006-2009'' (2024, comprised of home recordings made by Trish and James for their unfinished fourth album)
Changed line(s) 35 (click to see context) from:
* NewSoundAlbum: Tender Buttons was a departure from the blissful psych-pop of their earlier work, favouring a rawer, stripped-back and overtly electronic sound with drum machines in place of actual live drums.
to:
* NewSoundAlbum: Tender Buttons ''Tender Buttons'' was a departure from the blissful psych-pop of their earlier work, favouring a rawer, stripped-back and overtly electronic sound with glitchy, square waveform-based synths and drum machines in place of actual live drums.
Is there an issue? Send a MessageReason:
None
Deleted line(s) 31 (click to see context) :
Changed line(s) 35 (click to see context) from:
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards" (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
to:
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, Ascension," which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards" (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
Changed line(s) 37 (click to see context) from:
* OneWordTitle: "Accidentals", "Corporeal" "Distorsion", "Hawk", "Illumination", "Locusts", "Minim", "Papercuts", "Pendulum", "Phantom", "Treatise", "Valerie".
to:
* OneWomanSong: "Valerie."
* OneWordTitle:"Accidentals", "Corporeal" "Distorsion", "Hawk", "Illumination", "Locusts", "Minim", "Papercuts", "Pendulum", "Phantom", "Treatise", "Valerie"."Accidentals," "Corporeal," "Distorsion," "Hawk," "Illumination," "Locusts," "Minim," "Papercuts," "Pendulum," "Phantom," "Treatise," "Valerie."
* RandomlyReversedLetters: "Tender" is written backwards on the ''Tender Buttons'' album cover.
* TitleTrack: ''Tender Buttons'' has one.
* OneWordTitle:
* RandomlyReversedLetters: "Tender" is written backwards on the ''Tender Buttons'' album cover.
* TitleTrack: ''Tender Buttons'' has one.
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards'' (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
to:
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards'' Backwards" (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
Is there an issue? Send a MessageReason:
None
Added DiffLines:
[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/broadcast_1.png]]
[[caption-width-right:350: James and Trish]]
Broadcast were an experimental pop band from [[UsefulNotes/TheWestMidlands Birmingham, England]]. Formed in 1995 by CreatorCouple Patricia 'Trish' Keenan and James Cargill, the band fused DreamPop with influence from psychedelia and electronic music from TheSixties, and anchored by Keenan's dispassionate, sing-songy vocals. Their music immediately drew comparisons to fellow retrofuturists Music/{{Stereolab}} (who released some of Broadcast's early singles through their label Duophonic), though they quickly forged their own identity.
The band signed with Creator/WarpRecords in 1997, who compiled their early releases as ''Work and Non Work'' to much acclaim. However, it would be a while till their official debut ''The Noise Made by People'' (which was hindered by a troubled production) hit the stores in 2000.
Although Broadcast formed as a traditional five-piece, by their third album ''Tender Buttons'' the band had reduced to just Keenan and Cargill, which allowed them to step away from pop songs and push their sound into more experimental territory, collaborating with The Focus Group (the musical project of visual artist Julian House, who designed all their sleeves), and getting increasingly into soundtrack work.
Sadly, the band's career was cut short when Trish passed away 2011 due to complications from pnuemonia, but their legacy and influence has continued to grow in recent years.
-----
!!Discography
[[AC: Studio Albums]]
* ''The Noise Made By People'' (2000)
* ''Haha Sound'' (2003)
* ''Tender Buttons'' (2005)
[[AC: Compilations]]
* ''Work and Non Work'' (1997)
* ''The Future Crayon'' (2006)
[[AC: Other Releases]]
* ''Microtronics Volume 1: Stereo Recorded Music for Links and Bridges'' (2003, tour EP)
* ''Microtronics Volume 2: Stereo Recorded Music for Links and Bridges'' (2005, tour EP)
* ''Broadcast and The Focus Group Investigate Witch Cults of the Radio Age'' (2009, collaboration)
* ''Mother Is the Milky Way'' (2009, tour EP)
* ''Film/BerberianSoundStudio'' (2013, soundtrack)
!!The tropes made by people:
* IconicOutfit: Trish is almost always seen wearing a white tunic in press shots and concerts.
* MinisculeRocking:
** On their studio albums and compilations: "Minus 3" (0:47), "Black Umbrellas" (1:08), "Oh How I Miss You" (1:17), "You and Me in Time" (1:25), "Misc" (1:34), "One Hour Empire" (1:42), "Bit 35" (1:49), "Distorsion" (2:02), "Violent Playground" (2:11), "Tears in the Typing Pool" (2:12)
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards'' (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
* NewSoundAlbum: Tender Buttons was a departure from the blissful psych-pop of their earlier work, favouring a rawer, stripped-back and overtly electronic sound with drum machines in place of actual live drums.
* OneWordTitle: "Accidentals", "Corporeal" "Distorsion", "Hawk", "Illumination", "Locusts", "Minim", "Papercuts", "Pendulum", "Phantom", "Treatise", "Valerie".
[[caption-width-right:350: James and Trish]]
Broadcast were an experimental pop band from [[UsefulNotes/TheWestMidlands Birmingham, England]]. Formed in 1995 by CreatorCouple Patricia 'Trish' Keenan and James Cargill, the band fused DreamPop with influence from psychedelia and electronic music from TheSixties, and anchored by Keenan's dispassionate, sing-songy vocals. Their music immediately drew comparisons to fellow retrofuturists Music/{{Stereolab}} (who released some of Broadcast's early singles through their label Duophonic), though they quickly forged their own identity.
The band signed with Creator/WarpRecords in 1997, who compiled their early releases as ''Work and Non Work'' to much acclaim. However, it would be a while till their official debut ''The Noise Made by People'' (which was hindered by a troubled production) hit the stores in 2000.
Although Broadcast formed as a traditional five-piece, by their third album ''Tender Buttons'' the band had reduced to just Keenan and Cargill, which allowed them to step away from pop songs and push their sound into more experimental territory, collaborating with The Focus Group (the musical project of visual artist Julian House, who designed all their sleeves), and getting increasingly into soundtrack work.
Sadly, the band's career was cut short when Trish passed away 2011 due to complications from pnuemonia, but their legacy and influence has continued to grow in recent years.
-----
!!Discography
[[AC: Studio Albums]]
* ''The Noise Made By People'' (2000)
* ''Haha Sound'' (2003)
* ''Tender Buttons'' (2005)
[[AC: Compilations]]
* ''Work and Non Work'' (1997)
* ''The Future Crayon'' (2006)
[[AC: Other Releases]]
* ''Microtronics Volume 1: Stereo Recorded Music for Links and Bridges'' (2003, tour EP)
* ''Microtronics Volume 2: Stereo Recorded Music for Links and Bridges'' (2005, tour EP)
* ''Broadcast and The Focus Group Investigate Witch Cults of the Radio Age'' (2009, collaboration)
* ''Mother Is the Milky Way'' (2009, tour EP)
* ''Film/BerberianSoundStudio'' (2013, soundtrack)
!!The tropes made by people:
* IconicOutfit: Trish is almost always seen wearing a white tunic in press shots and concerts.
* MinisculeRocking:
** On their studio albums and compilations: "Minus 3" (0:47), "Black Umbrellas" (1:08), "Oh How I Miss You" (1:17), "You and Me in Time" (1:25), "Misc" (1:34), "One Hour Empire" (1:42), "Bit 35" (1:49), "Distorsion" (2:02), "Violent Playground" (2:11), "Tears in the Typing Pool" (2:12)
** On their other releases: both ''Microphonics'' releases have no tracks above 2:07, and the longest track on the ''Berberian Sound Studio'' soundtrack (apart from "Our Darkest Sabbath" and "Teresa, Lark of Ascension, which are both three minutes) is 1:37. ''Mother Is the Milky Way'' has "Growing Backwards'' (0:20), "Creation Day the Travel Future Way" (0:34), "Innocence in Orbit" (0:38), "Never Trust a Rusty Bolt" (0:42), and "Through the Gates of Yesterday" (0:44). ''Investigate Witch Cults of the Radio Age'' has "Intro/Magnetic Tales" (0:39), "A Quiet Moment" (0:58), "What I Saw" (1:03), and "How Do You Get Along Sir?" (1:11)
* NewSoundAlbum: Tender Buttons was a departure from the blissful psych-pop of their earlier work, favouring a rawer, stripped-back and overtly electronic sound with drum machines in place of actual live drums.
* OneWordTitle: "Accidentals", "Corporeal" "Distorsion", "Hawk", "Illumination", "Locusts", "Minim", "Papercuts", "Pendulum", "Phantom", "Treatise", "Valerie".
