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Black Midi is a weird band from London. Though they're named after an infamously noisy genre of electronic music, they are in fact a GenreBusting rock act. Their complex sound blends elements of {{noise rock}}, {{math rock}}, {{post punk}}, {{post rock}}, {{progressive rock}}, and no wave into a cohesive but undefinable whole, marked by off-kilter grooves, improvisational jamming, and frontman Geordie Greep's bizarre vocals.

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Black Midi is a weird band from London. Though they're named after an infamously noisy genre of electronic music, they are in fact a GenreBusting rock act. Their complex sound blends elements of {{noise rock}}, {{math rock}}, {{post punk}}, {{post rock}}, {{progressive rock}}, {{jazz}} and no wave into a cohesive but undefinable whole, marked by off-kilter grooves, improvisational jamming, and frontman Geordie Greep's bizarre vocals.
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* LiteraryAllusionTitle: "Diamond Stuff" is named after the novel ''We are Diamond Stuff'' by Isabel Waidner.
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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Creator/MarleneDietrich

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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Creator/MarleneDietrichCreator/MarleneDietrich, Music/{{Hella}}, Music/{{Swans}}, Meredith Monk, Music/IgorStravinsky, Music/MilesDavis, Music/FrankZappa, Music/MarvinGaye, El Lebrijano, John Renbourn
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In 2021, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It released May 28th.

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In 2021, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It released May 28th. A third LP is currently in the works, with multiple songs having been debuted live.



* {{Improv}}: As stated above, virtually all of their material is constructed from extended jamming sessions, and also plays an important part in their live set. Their commitment to this even extends to the vocals, as Geordie is well known for never singing a song the same way twice.

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* {{Improv}}: As stated above, virtually all Most of their material is ''Schlagenheim'' was constructed from extended jamming sessions, and it also plays an important part in their live set. Their commitment to this even extends to the vocals, as Geordie is well known for never singing a song the same way twice. They curtailed this a bit on ''Cavalcade'', having gotten bored with improv and resolving to compose more of the material in advance.
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** "Ascending Forth" builds up over the course of its 9 minute runtime from a single acoustic guitar to a massive climax topped with a BigRockEnding.
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In 2021, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It is set to release May 28th.

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In 2021, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It is set to release released May 28th.
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* MotorMouth: The lyrics to "John L" are rapidly delivered spoken word.

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* MotorMouth: The lyrics to "John L" are rapidly delivered in spoken word.
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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Music/MeredithMonk, Music/MarleneDietrich

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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Music/MeredithMonk, Music/MarleneDietrichCreator/MarleneDietrich
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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Music/MarleneDietrich

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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown, Music/MeredithMonk, Music/MarleneDietrich
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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown

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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrownMusic/DannyBrown, Music/MarleneDietrich
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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips

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+ Influenced By: Music/{{Can}}, Music/KingCrimson, Mahavishnu Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/DeathGripsMusic/{{Deerhoof}}, Music/DeathGrips, Music/DannyBrown
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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/JohnMcLaughlin Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips
* Associated artists: Rosie Alena, Black Country New Road, Squid, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony]

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* + Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/JohnMcLaughlin Mahavishnu Orchestra]], Orchestra, Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips
* + Associated artists: Rosie Alena, Black Country New Road, Squid, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony]
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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/{{JohnMcLaughlin}} Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips
* Associated artists: Rosie Alena, Black Country New Road, Squid, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony
]

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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/{{JohnMcLaughlin}} [[Music/JohnMcLaughlin Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips
* Associated artists: Rosie Alena, Black Country New Road, Squid, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony
]
Tony]
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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/JohnMcLaughlin Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips

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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/JohnMcLaughlin [[Music/{{JohnMcLaughlin}} Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips
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* Influenced By: Music/{{Can}}, Music/KingCrimson, [[Music/JohnMcLaughlin Mahavishnu Orchestra]], Music/TalkingHeads, Music/{{Slint}}, Music/DeathGrips

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* "John L/Despair" (2021, single)




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* "Cruising" (2021, single)
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* AlbumIntroTrack: ''Cavalcade'' has one in the form of a HiddenTrack on physical releases. It runs for 91 seconds and is largely just a DroneOfDread reminiscent of the infamous THX sound effect.
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* MoodWhiplash: The incredibly noisy outro of "Hogwash and Balderdash" cuts right into the beautiful acoustic intro of "Ascending Forth" without warning.


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* PunBasedTitle: "Ascending Forth" is a play on "Ascending fourths", a type of diatonic scale referenced repeatedly in the song.
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* DoubleStandard: Alluded to in "Marlene Dietrich" as a reason why the title character has become a WhiteDwarfStarlet.
--> ''"While a kiss on the lips may not\\
Make a frog a prince\\
An orgasm renders any queen a witch\\
Metamorphosis exists!"''

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* AnimalMotifs: Geordie loves singing about anteaters, mentioning them in "Western" and "John L".



* BodyguardBabes: John Fifty has "three rows of pale brunettes" to protect him from the crowd. [[HalfTheManHeUsedToBe They don't work so well against anteaters, however]].



* EeriePaleSkinnedBrunette: John Fifty's BodyguardBabes are mentioned as being this.



* RedOniBlueOni: Stoic, eccentric Geordie vs. manic headbanger Matt.

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* PurpleProse: Geordie's tracks can approach [[Music/KingCrimson Peter Sinfield]] levels of this at times.
* RedOniBlueOni: Stoic, eccentric Geordie vs. manic headbanger Matt.


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* SlaveMooks: In "John L" the anteaters are implied to be this to John Fifty. They manage to overthrow him at the end of the song, however.


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* WhiteDwarfStarlet: The titular character in "Marlene Dietrich" is presented as being past her prime and facing derision from her audience but still managing to bring to joy to the narrator.
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* NewSoundAlbum: ''Cavalcade'' has noticeably more influence from jazz fusion than ''Schlagenheim'' did, adding a saxophonist and keyboardist as full time band members and featuring even more complex song structures.

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* NewSoundAlbum: ''Cavalcade'' has noticeably more influence from jazz fusion than ''Schlagenheim'' did, adding a saxophonist and keyboardist as full time band members and featuring even more complex song structures. Additionally, while ''Schlagenheim'' was largely born out of improv sessions, the band set out to write out more of the music in advance on ''Cavalcade''.
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* PerishingAltRockVoice: Cameron, in contrast to Geordie's more chanson-esque crooning.

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* BoleroEffect: "Ducter" features a very Music/{{Slint}} sounding crescendo on the chorus. "7 Eleven" uses this alongside a spoken word monologue, probably making it the band's only fully fledged PostRock song. "Bmbmbm" and "Years Ago" also use this to a lesser extent, though in the former's case it's primarily just Geordie's vocals that increase in intensity while the rest of the band carries on a plodding beat, eventually leading to a massive instrumental climax.

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* BoleroEffect: BoleroEffect:
**
"Ducter" features a very Music/{{Slint}} sounding crescendo on the chorus. chorus.
**
"7 Eleven" uses this alongside a spoken word monologue, probably making it the band's only fully fledged PostRock song. song.
**
"Bmbmbm" and "Years Ago" also use this to a lesser extent, though in the former's case it's primarily just Geordie's vocals that increase in intensity while the rest of the band carries on a plodding beat, eventually leading to a massive instrumental climax.climax.
** "Diamond Stuff" slowly unfolds from a nearly inaudible intro to a lush, jazzy soundscape.



* FadingIntoTheNextSong: "Of Schlagenheim" into "Bmbmbm", "Years Ago" into "Ducter".

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* FadingIntoTheNextSong: FadingIntoTheNextSong:
**
"Of Schlagenheim" into "Bmbmbm", "Years Ago" into "Ducter"."Ducter" on ''Schlagenheim''.
** "Diamond Stuff" into "Dethroned" on ''Cavalcade''.


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* SiameseTwinSongs: "Dethroned" cuts right to "Hogwash and Balderdash" with nearly no transition.
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In 2021, after a delay caused by the COVID-19 pandemic, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It is set to release May 28th.

to:

In 2021, after a delay caused by the COVID-19 pandemic, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibi and keyboardist Seth Evans to the band's lineup. It is set to release May 28th.
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** "[[https://www.youtube.com/watch?v=GT0nSp8lUws John L]]" features a bunch of dancers in skin-colored lycra suits paying homage to a cyclopean obelisk being against the backdrop of a CG landscape that looks like an Creator/AdultSwim remake of ''Film/TheWizardOfOz''. That's about as straightforward as we can put it.

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** "[[https://www.youtube.com/watch?v=GT0nSp8lUws John L]]" features a bunch of dancers in skin-colored red colored lycra suits paying homage to a cyclopean obelisk being against the backdrop of a CG landscape that looks like an Creator/AdultSwim remake of ''Film/TheWizardOfOz''. That's about as straightforward as we can put it.
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* Associated artists: Rosie Alena, Black Country New Road, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony

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* Associated artists: Rosie Alena, Black Country New Road, Squid, Damo Suzuki, Jerskin Fendrix, Music/{{Battles}}, Fat Tony

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* NewSoundAlbum: ''Cavalcade'' has noticeably more influence from jazz fusion than ''Schlagenheim'' did, adding a saxophonist and keyboardist as full time band members and featuring even more complex song structures.



* NoEnding: "Years Ago" abruptly cuts out to a chorus of wailing voices, which then fades into "Ducter". The effect is rather [[Creator/MontyPython Python-esque]].

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* NoEnding: "Years Ago" abruptly cuts out to a chorus of wailing voices, which is then cut off by a crash, which then fades into "Ducter". The effect is rather [[Creator/MontyPython Python-esque]].
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In 2021, after a delay caused by the COVID-19 pandemic, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibe and keyboardist Seth Evans to the band's lineup. It is set to release May 28th.

to:

In 2021, after a delay caused by the COVID-19 pandemic, they announced their second full length ''Cavalcade'', heralded by the single "John L." The album adds saxophonist Kaidi Akinnibe Akinnibi and keyboardist Seth Evans to the band's lineup. It is set to release May 28th.



* Kaidi Akinnibe - Saxophone

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* Kaidi Akinnibe Akinnibi - Saxophone

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* {{Animesque}}: The "Jerkhead" sections of the "Slow" video, mixed with a bit of ''WesternAnimation/AdventureTime''. "Fantastic Knight XI" seems to be going for more of a sci-fi JRPG aesthetic similar to recent ''Final Fantasy'' games.



* ShowWithinAShow: "Jerkhead", a vaguely {{animesque}} superhero cartoon, and "Fantastic Knight XI", an apparent ''VideoGame/FinalFantasy'' pastiche with very unsettling graphics. Both are developed by a company called Deicide.
* SignatureStyle: There are pretty distinct differences between Geordie and Cameron's approaches to songwriting. Geordie tends to have very verbose, surreal lyrics with highly expressive vocals and elaborate, multifaceted song structures, while Cameron goes for a more minimalist approach, with cryptic bits of LoopedLyrics delivered in a creepy monotone delivered over a steadily intensifying soundscape. To oversimpify, Geordie's songs sound more like Music/KingCrimson, while Cameron's sound more like Music/{{Slint}}.

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* ShowWithinAShow: The video for "Slow" has "Jerkhead", a vaguely {{animesque}} superhero cartoon, and "Fantastic Knight XI", an apparent ''VideoGame/FinalFantasy'' pastiche with very unsettling graphics. Both are developed by a company called Deicide.
* SignatureStyle: There are pretty distinct differences between Geordie and Cameron's approaches to songwriting. Geordie tends to have very verbose, surreal lyrics with highly expressive vocals and elaborate, multifaceted song structures, while Cameron goes for a more minimalist approach, with cryptic bits of LoopedLyrics delivered in a creepy monotone delivered over a steadily intensifying soundscape. To oversimpify, Geordie's songs sound more like Music/KingCrimson, while Cameron's sound more like Music/{{Slint}}.

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