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* EarthSong: "Madre Hay Una Sola", from ''Testosterona'', is both this and GaiasLament, claiming that "[societal] progress was a failure, a suicide" and that "prosperity was the heaviest wagon". In the chorus, the titular Gaia is portrayed as [[RapeAsDrama a woman being raped in a pathetic feast by humanity]].
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Changed line(s) 16,18 (click to see context) from:
* 1993 - ''Asquerosa Alegría'' - "Los Elefantitos", "Tu Pastilla Fue", "Fuera de Acá", "Clara", "Decile a tu Mamá" and "Ausencia de estribillo".
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Bolero militar", "Ojo Por Ojo", "La Mujer Perfecta", "Bolivian Surf", "Mi Caramelo", "Al Fondo de la Red" and "Ruego".
* 1998 - ''Libertinaje'' - "Yo Tomo", "A los Tambores", "Se viene", "Murguita del Sur", "Señor Cobranza", "Vuelos", "C.S.M.", "¿Qué pasó?"
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Bolero militar", "Ojo Por Ojo", "La Mujer Perfecta", "Bolivian Surf", "Mi Caramelo", "Al Fondo de la Red" and "Ruego".
* 1998 - ''Libertinaje'' - "Yo Tomo", "A los Tambores", "Se viene", "Murguita del Sur", "Señor Cobranza", "Vuelos", "C.S.M.", "¿Qué pasó?"
to:
* 1993 - ''Asquerosa Alegría'' - "Los Elefantitos", "Tu Pastilla Fue", "Fuera de Acá", "Clara", "Decile a tu Mamá" and "Ausencia de estribillo".
Estribillo".
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Boleromilitar", Militar", "Ojo Por Ojo", "La Mujer Perfecta", "Bolivian Surf", "Mi Caramelo", "Al Fondo de la Red" and "Ruego".
* 1998 - ''Libertinaje'' - "Yo Tomo", "A los Tambores", "Seviene", Viene", "Murguita del Sur", "Señor Cobranza", "Vuelos", "C.S.M.", "¿Qué pasó?"
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Bolero
* 1998 - ''Libertinaje'' - "Yo Tomo", "A los Tambores", "Se
Changed line(s) 20,22 (click to see context) from:
* 2002 - ''De la Cabeza Con Bersuit Vergarabat'' (Live album)
* 2004 - ''La Argentinidad al Palo (Se es...)'' - "Coger No Es Amor", "La Soledad", "La Argentinidad al Palo", "Al Olor del Hogar".
* 2004 - ''La Argentinidad al Palo (...lo que se es)'' - "Porno Star", "Y No Está Solo", "El Viento Trae Una Copla".
* 2004 - ''La Argentinidad al Palo (Se es...)'' - "Coger No Es Amor", "La Soledad", "La Argentinidad al Palo", "Al Olor del Hogar".
* 2004 - ''La Argentinidad al Palo (...lo que se es)'' - "Porno Star", "Y No Está Solo", "El Viento Trae Una Copla".
to:
* 2002 - ''De la Cabeza Con Bersuit Vergarabat'' (Live album)
album) - "Un Pacto", [[Film/AmoresPerros "Perro Amor Explota"]]
*2004 - 2004
** ''La Argentinidad al Palo (Se es...)'' - "Coger No Es Amor", "La Soledad", "La Argentinidad al Palo", "Al Olor del Hogar".
* 2004 - ** ''La Argentinidad al Palo (...lo que se es)'' - "Porno Star", "Y No Está Solo", "El Viento Trae Una Copla".
*
** ''La Argentinidad al Palo (Se es...)'' - "Coger No Es Amor", "La Soledad", "La Argentinidad al Palo", "Al Olor del Hogar".
Changed line(s) 50 (click to see context) from:
* BadassBoast: In "La argentinidad al palo", after the list of Argentinian achievements is followed by a list of Argentine political scandals, the narrator goes up in a profane tirade (implied to be agaist the corrupt politicians mentioned just before).
to:
* BadassBoast: In "La argentinidad al palo", after the list of Argentinian achievements is followed by a list of Argentine political scandals, the narrator goes up in a profane tirade (implied to be agaist against the corrupt politicians mentioned just before).
Changed line(s) 57,58 (click to see context) from:
** "El Tiempo No Para", from ''...Y Punto'', is a spanish version of a sing by brazilian musician Cazuza.
** "Al Fondo de la Red", from ''Don Leopardo'', is a cover fro uruguayan musician Mauricio Ubal.
** "Al Fondo de la Red", from ''Don Leopardo'', is a cover fro uruguayan musician Mauricio Ubal.
to:
** "El Tiempo No Para", from ''...Y Punto'', is a spanish Spanish version of a sing by brazilian Brazilian musician Cazuza.
** "Al Fondo de la Red", from ''Don Leopardo'', is a coverfro uruguayan from Uruguayan musician Mauricio Ubal.
** "Al Fondo de la Red", from ''Don Leopardo'', is a cover
Changed line(s) 61 (click to see context) from:
* CrankyNeighbor: "El Viejo de Arriba", from ''Hijos del Culo'', is an inversion: the narrator/singer is a party person, and his neighbor wants him to shut up because his party style doesn't allow him to get rest
to:
* CrankyNeighbor: "El Viejo de Arriba", from ''Hijos del Culo'', is an inversion: the narrator/singer is a party person, and his neighbor wants him to shut up because his party style doesn't allow him to get restrest.
Changed line(s) 69 (click to see context) from:
* ListSong: "La Argentinidad al Palo" from the namesake album is a song listing several Argentine accomplishments, including thing invented in Argentina, or that were introduced/first made in the Americas by Argentina.
to:
* ListSong: "La Argentinidad al Palo" from the namesake album is a song listing several Argentine accomplishments, including thing things invented in Argentina, or that were introduced/first made in the Americas by Argentina.
Changed line(s) 75,76 (click to see context) from:
** ''Libertinaje'' has "Se Viene" and "Señor Cobranza". It also contains "C.S.M." (for then Argentinean president Carlos Saúl Menem), which is a song where the destruction of the ass is used as a slang for government oppression.
** ''Hijos del Culo'' is a slang that describes children being born from poverty.
** ''Hijos del Culo'' is a slang that describes children being born from poverty.
to:
** ''Libertinaje'' has "Se Viene" and "Señor Cobranza". It also contains "C.S.M." (for then Argentinean president then-president of Argentina [[https://en.wikipedia.org/wiki/Carlos_Saul_Menem Carlos Saúl Menem), Menem]]), which is a song where the destruction of the ass is used as a slang for government oppression.
** ''Hijos del Culo'' is a profanity-laden slang that describes children being born from poverty.
** ''Hijos del Culo'' is a profanity-laden slang that describes children being born from poverty.
Changed line(s) 78 (click to see context) from:
* RefugeInVulgarity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and goes downhill from there.
to:
* RefugeInVulgarity: The band makes no attempt at hiding this, starting from the coverart cover artwork of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and goes downhill from there.
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* BadassBoast: In "La argentinidad al palo", after the list of Argentinian achievements is followed by a list of Argentine political scandals, the narrator goes up in a profane tirade (implied to be agaist the corrupt politicians mentioned just before).
-->''Pero que me vienen a correr con la pija muerta'' [[labelnote:Translation]]But what are they doing coming here to want to make me run with a dead dick[[/labelnote]]
-->''¡Que yo la tengo mucho más grande que ustedes!'' [[labelnote:Translation]]That I have it much bigger than you![[/labelnote]]
-->''¡Cuando vos fuiste yo fui y vine 40 veces!'' [[labelnote:Translation]]When you left, I went and came back 40 times![[/labelnote]]
-->''¡A estos boludos yo me los cojo parado!'' [[labelnote:Translation]]I can fuck these jerks standing up![[/labelnote]]
-->''Pero que me vienen a correr con la pija muerta'' [[labelnote:Translation]]But what are they doing coming here to want to make me run with a dead dick[[/labelnote]]
-->''¡Que yo la tengo mucho más grande que ustedes!'' [[labelnote:Translation]]That I have it much bigger than you![[/labelnote]]
-->''¡Cuando vos fuiste yo fui y vine 40 veces!'' [[labelnote:Translation]]When you left, I went and came back 40 times![[/labelnote]]
-->''¡A estos boludos yo me los cojo parado!'' [[labelnote:Translation]]I can fuck these jerks standing up![[/labelnote]]
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* ListSong: "La Argentinidad al Palo" from the namesake album is a song listing several Argentine accomplishments, including thing invented in Argentina, or that were introduced/first made in the Americas by Argentina.
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Changed line(s) 72 (click to see context) from:
* RefugeInAudacity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and goes downhill from there.
to:
* RefugeInAudacity: RefugeInVulgarity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and goes downhill from there.
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Changed line(s) 56 (click to see context) from:
* CrankyNeighbor: "El Viejo de Arriba", from ''Hijos del Culo'', is a cumbia where the band complains about one of these.
to:
* CrankyNeighbor: "El Viejo de Arriba", from ''Hijos del Culo'', is a cumbia where an inversion: the band complains about one of these.narrator/singer is a party person, and his neighbor wants him to shut up because his party style doesn't allow him to get rest
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Changed line(s) 58 (click to see context) from:
* GriefSong: "Para Luis" is dedicated to Music/LuisAlbertoSpinetta.
to:
* GriefSong: "Para Luis" Luis", from ''El Baile Interior'', is dedicated to Music/LuisAlbertoSpinetta.
Changed line(s) 66 (click to see context) from:
* MoodWhiplash: "C.S.M." from ''Libertinaje'' is about government oppression, ambiented on top of a festive cumbia-like background.
to:
* MoodWhiplash: Quite frequent with the band. An example is "C.S.M." from ''Libertinaje'' is about government oppression, ambiented on top of a festive cumbia-like background.
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Changed line(s) 19 (click to see context) from:
* 2000 - ''Hijos del Culo''
to:
* 2000 - ''Hijos del Culo''Culo'' - "El Gordo Motoneta", "La Del Toro", "El Viejo de Arriba", "Desconexión Sideral", "Porteño de Ley", "La Petisita Culona", "La Bolsa" and "Negra Murguera"
Changed line(s) 21,23 (click to see context) from:
* 2004 - ''La Argentinidad al Palo/Se es...''
* 2004 - ''La Argentinidad al Palo/...lo que se es''
* 2005 - ''Testosterona''
* 2004 - ''La Argentinidad al Palo/...lo que se es''
* 2005 - ''Testosterona''
to:
* 2004 - ''La Argentinidad al Palo/Se Palo (Se es...''
)'' - "Coger No Es Amor", "La Soledad", "La Argentinidad al Palo", "Al Olor del Hogar".
* 2004 - ''La Argentinidad alPalo/...Palo (...lo que se es''
es)'' - "Porno Star", "Y No Está Solo", "El Viento Trae Una Copla".
* 2005 -''Testosterona''''Testosterona'' - "Madre Hay Una Sola", "Sencillamente", "En la Ribera", "Esperando el Impacto", "Yo".
* 2004 - ''La Argentinidad al
* 2005 -
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* 2007 - ''?''
* 2012 - ''La Revuelta''
* 2014 - ''El Baile Interior''
* 2016 - ''La Nube Rosa''
* 2012 - ''La Revuelta''
* 2014 - ''El Baile Interior''
* 2016 - ''La Nube Rosa''
to:
* 2007 - ''?''
''?'' - "Laten Bolas", "Mi Vida", "Ansiando Libertad".
* 2012 - ''LaRevuelta''
Revuelta'' - "Cambiar el Alma", "No Te Olvides", "Dios Te Salve", "Así Es".
* 2014 - ''El BaileInterior''
Interior'' - "Cuatro Vientos", "Me Voy", "Ahí Va Chavela", "Para Bailar", "Tilcara En Carnaval", "De Tripas Corazón".
* 2016 - ''La NubeRosa''Rosa'' - "Como Decirte", "Que Hable De Vos", "Obstinato".
* 2012 - ''La
* 2014 - ''El Baile
* 2016 - ''La Nube
* ConceptAlbum: The first 15 songs of ''Don Leopardo'' are based on a story the band crafted about a fictional man called Don Leopardo Vir Thomsio.
Changed line(s) 50,51 (click to see context) from:
** "El Tiempo No Para" is a spanish version of a sing by brazilian musician Cazuza.
** "Señor Cobranza" was originally a song by protest rock band Las Manos de Filippi.
** "Señor Cobranza" was originally a song by protest rock band Las Manos de Filippi.
to:
** "El Tiempo No Para" Para", from ''...Y Punto'', is a spanish version of a sing by brazilian musician Cazuza.
** "Al Fondo de la Red", from ''Don Leopardo'', is a cover fro uruguayan musician Mauricio Ubal.
** "SeñorCobranza" Cobranza", from ''Libertinaje'', was originally a song by protest rock band Las Manos de Filippi.
** "Al Fondo de la Red", from ''Don Leopardo'', is a cover fro uruguayan musician Mauricio Ubal.
** "Señor
* EarlyBirdCameo: "Los Elefantitos", from ''Asquerosa Alegría'', is part of the story of ''Don Leopardo''.
* EpicRocking: "La Mujer Perfecta", from ''Don Leopardo'', is a 12-minute improvisation.
* EpicRocking: "La Mujer Perfecta", from ''Don Leopardo'', is a 12-minute improvisation.
Changed line(s) 56 (click to see context) from:
** "Toco y Me Voy" is dedicated to argentinean football player Ricardo Bochini.
to:
** "Mi Caramelo", the closer of ''Don Leopardo'', is a song Cordera wrote about his ChildhoodLoveInterest.
** "Toco y MeVoy" Voy", from ''Hijos del Culo'', is dedicated to argentinean football player Ricardo Bochini.
** "Toco y Me
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* LongestSongGoesLast:
** "¿Qué pasó?" (6:01) closes ''Libertinaje''.
** "La Calavera" (5:42) closes ''La Argentinidad al Palo (Se es...)''.
** "¿Qué pasó?" (6:01) closes ''Libertinaje''.
** "La Calavera" (5:42) closes ''La Argentinidad al Palo (Se es...)''.
Added DiffLines:
** "Vuelos" is based on the book ''El Vuelo''.
Added DiffLines:
* SpokenWordInMusic: Most of "La Mujer Perfecta", from ''Don Leopardo'', is sung in this format.
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Changed line(s) 18 (click to see context) from:
* 1998 - ''Libertinaje''
to:
* 1998 - ''Libertinaje''''Libertinaje'' - "Yo Tomo", "A los Tambores", "Se viene", "Murguita del Sur", "Señor Cobranza", "Vuelos", "C.S.M.", "¿Qué pasó?"
* {{Homage}}:
** "Toco y Me Voy" is dedicated to argentinean football player Ricardo Bochini.
** "Toco y Me Voy" is dedicated to argentinean football player Ricardo Bochini.
Changed line(s) 61 (click to see context) from:
* RefugeInAudacity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and the .
to:
* RefugeInAudacity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and the .goes downhill from there.
* ShoutOut:
** "Desconexión Sideral" is based on a tale by Creator/RayBradbury.
* ShoutOut:
** "Desconexión Sideral" is based on a tale by Creator/RayBradbury.
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* CrankyNeighbor: "El Viejo de Arriba", from ''Hijos del Culo'', is a cumbia where the band complains about one of these.
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Changed line(s) 59 (click to see context) from:
* TheReliableOne: [[https://www.youtube.com/watch?v=zmDLVZQFHik "Porteño de Ley"]] ("Lawful Portenian"), where the singer boasts about how he prides on representing this trope while talking to another party (possibly the listener), calling himself a "savior" and doing what needs to be done.
to:
* TheReliableOne: [[https://www.youtube.com/watch?v=zmDLVZQFHik "Porteño de Ley"]] ("Lawful Portenian"), Ley"]][[note]]"Lawful Portenian"[[/note]], from ''Hijos del Culo'', where the singer boasts about how he prides on representing this trope while talking to another party (possibly the listener), calling himself a "savior" and doing what needs to be done.
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Added DiffLines:
* TheReliableOne: [[https://www.youtube.com/watch?v=zmDLVZQFHik "Porteño de Ley"]] ("Lawful Portenian"), where the singer boasts about how he prides on representing this trope while talking to another party (possibly the listener), calling himself a "savior" and doing what needs to be done.
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Deleted line(s) 49 (click to see context) :
* AlbumTitleTrack: "La Argentinidad Al Palo" opens, well ''La Argentinidad Al Palo''.
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Changed line(s) 8,9 (click to see context) from:
For the release of 1993's ''Asquerosa Alegr&ia;'', Sadrinas and Pagano departed (leaving Cordera as the only vocalist) and guitarist/vocalist Alberto "Tito" Verenzuela joined the band replacing Bianco. They were also joined by legendary Argentinean producer Gustavo Santaolalla, who was a fundamental figure in their popularity. Several more members came and went until the settling of the lineup that recorded 1998's ''Libertinaje'', their magnum opus, which contains the hits "Yo Tomo", [[ProtestSong "Se Viene"]] and "Señor Cobranza", a CoverVersion of a song by Music/LasManosDeFilippi: Cordera, Céspedes, Martín, Right, Verenzuela and backing/alternate vocalists Daniel Suárez and Germán "Cóndor" Sbarbatti. This lineup is considered their peak years' lineup, playing in tons of big name festivals and gigs and eventually reaching the mythical stadium of River Plate. It also recorded everything between ''Libertinaje'' and 2007's ''?'' (yep, that's the album's name).
to:
For the release of 1993's ''Asquerosa Alegr&ia;'', Alegría'', Sadrinas and Pagano departed (leaving Cordera as the only vocalist) and guitarist/vocalist Alberto "Tito" Verenzuela joined the band replacing Bianco. They were also joined by legendary Argentinean producer Gustavo Santaolalla, who was a fundamental figure in their popularity. Several more members came and went until the settling of the lineup that recorded 1998's ''Libertinaje'', their magnum opus, which contains the hits "Yo Tomo", [[ProtestSong "Se Viene"]] and "Señor Cobranza", a CoverVersion of a song by Music/LasManosDeFilippi: Cordera, Céspedes, Martín, Right, Verenzuela and backing/alternate vocalists Daniel Suárez and Germán "Cóndor" Sbarbatti. This lineup is considered their peak years' lineup, playing in tons of big name festivals and gigs and eventually reaching the mythical stadium of River Plate. It also recorded everything between ''Libertinaje'' and 2007's ''?'' (yep, that's the album's name).
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/tvt_bersuit.jpeg]]
%%[[caption-width-right:350:The current formation: ]]
Bersuit Vergarabat is an UsefulNotes/{{Argentin|a}}ean festive rock band formed in 1988, originating in Barracas, Buenos Aires. Much like their contemporaries Music/LosAutenticosDecadentes, this group combines rock music with other popular genres such as cumbia, tango, reggae, murga, folklore and candombe. Unlike them, though, they have a more "serious" approach in their music, with lyrical themes about social issues, everyday happenings, and the like. They were even censored several times.
The band was formed when vocalist Gustavo Cordera returned from a trip to UsefulNotes/{{Brazil}} at the tail end of his studies on social communication. He shaved his hair, sold his old agency and abandoned his studies in order to create the band, meeting his future band members (who were already playing as "Los Prehistóricos") at an old house, where they improvised some of their old songs. The initial lineup of the band was conformed by Cordera, guitarist Charly Bianco, bassist Pepe Céspedes, drummer Carlos Martín and keyboardist Juan Subirá. Rhythm guitarist Oscar Righi, backing/alternate vocalist Rubén Sadrinas, keyboardist Raúl Pagano and percussionist Marcela Chediak completed the lineup that recorded the debut album ''...Y punto'', released in 1992.
For the release of 1993's ''Asquerosa Alegr&ia;'', Sadrinas and Pagano departed (leaving Cordera as the only vocalist) and guitarist/vocalist Alberto "Tito" Verenzuela joined the band replacing Bianco. They were also joined by legendary Argentinean producer Gustavo Santaolalla, who was a fundamental figure in their popularity. Several more members came and went until the settling of the lineup that recorded 1998's ''Libertinaje'', their magnum opus, which contains the hits "Yo Tomo", [[ProtestSong "Se Viene"]] and "Señor Cobranza", a CoverVersion of a song by Music/LasManosDeFilippi: Cordera, Céspedes, Martín, Right, Verenzuela and backing/alternate vocalists Daniel Suárez and Germán "Cóndor" Sbarbatti. This lineup is considered their peak years' lineup, playing in tons of big name festivals and gigs and eventually reaching the mythical stadium of River Plate. It also recorded everything between ''Libertinaje'' and 2007's ''?'' (yep, that's the album's name).
CreativeDifferences prevented this lineup to continue, though, with Cordera proposing the band to stop after said album, and later parting ways with the band, with Cordera launching a solo career. [[TheBandMinusTheFace The band without Cordera]] returned in 2011.
Aside of their music, they also contributed and recorded {{Real Song Theme Tune}}s for several argentinean series.
[[folder:Discography]]
* 1992 - ''...Y Punto'' - "El Tiempo no Para", "Hociquito de Ratón"
* 1993 - ''Asquerosa Alegría'' - "Los Elefantitos", "Tu Pastilla Fue", "Fuera de Acá", "Clara", "Decile a tu Mamá" and "Ausencia de estribillo".
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Bolero militar", "Ojo Por Ojo", "La Mujer Perfecta", "Bolivian Surf", "Mi Caramelo", "Al Fondo de la Red" and "Ruego".
* 1998 - ''Libertinaje''
* 2000 - ''Hijos del Culo''
* 2002 - ''De la Cabeza Con Bersuit Vergarabat'' (Live album)
* 2004 - ''La Argentinidad al Palo/Se es...''
* 2004 - ''La Argentinidad al Palo/...lo que se es''
* 2005 - ''Testosterona''
* 2006 - ''Lados BV'' (Rarities album)
* 2007 - ''?''
* 2012 - ''La Revuelta''
* 2014 - ''El Baile Interior''
* 2016 - ''La Nube Rosa''
* 2019 - ''De La Cabeza 2'' (Live and Studio album)
[[/folder]]
[[folder:Band members]]
* Current lineup:
** Daniel Suárez - vocals (1997-...)
** Germán "Cóndor" Sbarbati - vocals (1997-...)
** Alberto Verenzuela - vocals, guitars (1994-...)
** Juan Subirá - vocals, keyboards (1988-...)
** René "Pepe" Céspedes - bass guitar (1988-...)
** Carlos Martín - drums (1988-...)
* Former members:
** Gustavo Cordera - vocals (1988-2009)
** Marcela Chediak - percussion (1990-1993)
** Oscar Righi - rhythm guitar (1990-2016)
** Carlos "Charly" Bianco - lead guitar (1990-1994)
** Rubén Sadrinas - vocals (1989-1996)
** Raúl Pagano - keyboards (1990-1993; d. July 14, 2020)
[[/folder]]
----
* AlbumTitleTrack: "La Argentinidad Al Palo" opens, well ''La Argentinidad Al Palo''.
* CoverVersion:
** "El Tiempo No Para" is a spanish version of a sing by brazilian musician Cazuza.
** "Señor Cobranza" was originally a song by protest rock band Las Manos de Filippi.
** They did a version of Music/{{Sandro}}'s "Una Muchacha y Una Guitarra" for the [[CoverAlbum tribute album]] ''Tributo a Sandro: Un Disco de Rock''.
* GriefSong: "Para Luis" is dedicated to Music/LuisAlbertoSpinetta.
* IntercourseWithYou: "Gente de Mierdas" from ''Libertinaje'' is a happy chacarera where the singer invites a woman to a forest in order to make love.
* MoodWhiplash: "C.S.M." from ''Libertinaje'' is about government oppression, ambiented on top of a festive cumbia-like background.
* ProtestSong:
** ''Libertinaje'' has "Se Viene" and "Señor Cobranza". It also contains "C.S.M." (for then Argentinean president Carlos Saúl Menem), which is a song where the destruction of the ass is used as a slang for government oppression.
** ''Hijos del Culo'' is a slang that describes children being born from poverty.
* RefugeInAudacity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and the .
* StartMyOwn: After the hiatus due to Cordera's solo projects, the rest of the band (minus Martín, Verenzuela and Subirá, who later recorded a solo project) formed a side project called De Bueyes, which recorded an album called ''Más que una Yunta''.
* TitleDrop: The chorus of "Espíritu de Esta Selva" contains the title of its album, ''Don Leopardo''.
----
%%[[caption-width-right:350:The current formation: ]]
Bersuit Vergarabat is an UsefulNotes/{{Argentin|a}}ean festive rock band formed in 1988, originating in Barracas, Buenos Aires. Much like their contemporaries Music/LosAutenticosDecadentes, this group combines rock music with other popular genres such as cumbia, tango, reggae, murga, folklore and candombe. Unlike them, though, they have a more "serious" approach in their music, with lyrical themes about social issues, everyday happenings, and the like. They were even censored several times.
The band was formed when vocalist Gustavo Cordera returned from a trip to UsefulNotes/{{Brazil}} at the tail end of his studies on social communication. He shaved his hair, sold his old agency and abandoned his studies in order to create the band, meeting his future band members (who were already playing as "Los Prehistóricos") at an old house, where they improvised some of their old songs. The initial lineup of the band was conformed by Cordera, guitarist Charly Bianco, bassist Pepe Céspedes, drummer Carlos Martín and keyboardist Juan Subirá. Rhythm guitarist Oscar Righi, backing/alternate vocalist Rubén Sadrinas, keyboardist Raúl Pagano and percussionist Marcela Chediak completed the lineup that recorded the debut album ''...Y punto'', released in 1992.
For the release of 1993's ''Asquerosa Alegr&ia;'', Sadrinas and Pagano departed (leaving Cordera as the only vocalist) and guitarist/vocalist Alberto "Tito" Verenzuela joined the band replacing Bianco. They were also joined by legendary Argentinean producer Gustavo Santaolalla, who was a fundamental figure in their popularity. Several more members came and went until the settling of the lineup that recorded 1998's ''Libertinaje'', their magnum opus, which contains the hits "Yo Tomo", [[ProtestSong "Se Viene"]] and "Señor Cobranza", a CoverVersion of a song by Music/LasManosDeFilippi: Cordera, Céspedes, Martín, Right, Verenzuela and backing/alternate vocalists Daniel Suárez and Germán "Cóndor" Sbarbatti. This lineup is considered their peak years' lineup, playing in tons of big name festivals and gigs and eventually reaching the mythical stadium of River Plate. It also recorded everything between ''Libertinaje'' and 2007's ''?'' (yep, that's the album's name).
CreativeDifferences prevented this lineup to continue, though, with Cordera proposing the band to stop after said album, and later parting ways with the band, with Cordera launching a solo career. [[TheBandMinusTheFace The band without Cordera]] returned in 2011.
Aside of their music, they also contributed and recorded {{Real Song Theme Tune}}s for several argentinean series.
[[folder:Discography]]
* 1992 - ''...Y Punto'' - "El Tiempo no Para", "Hociquito de Ratón"
* 1993 - ''Asquerosa Alegría'' - "Los Elefantitos", "Tu Pastilla Fue", "Fuera de Acá", "Clara", "Decile a tu Mamá" and "Ausencia de estribillo".
* 1996 - ''Don Leopardo'' - "Espíritu de Esta Selva", "Bolero militar", "Ojo Por Ojo", "La Mujer Perfecta", "Bolivian Surf", "Mi Caramelo", "Al Fondo de la Red" and "Ruego".
* 1998 - ''Libertinaje''
* 2000 - ''Hijos del Culo''
* 2002 - ''De la Cabeza Con Bersuit Vergarabat'' (Live album)
* 2004 - ''La Argentinidad al Palo/Se es...''
* 2004 - ''La Argentinidad al Palo/...lo que se es''
* 2005 - ''Testosterona''
* 2006 - ''Lados BV'' (Rarities album)
* 2007 - ''?''
* 2012 - ''La Revuelta''
* 2014 - ''El Baile Interior''
* 2016 - ''La Nube Rosa''
* 2019 - ''De La Cabeza 2'' (Live and Studio album)
[[/folder]]
[[folder:Band members]]
* Current lineup:
** Daniel Suárez - vocals (1997-...)
** Germán "Cóndor" Sbarbati - vocals (1997-...)
** Alberto Verenzuela - vocals, guitars (1994-...)
** Juan Subirá - vocals, keyboards (1988-...)
** René "Pepe" Céspedes - bass guitar (1988-...)
** Carlos Martín - drums (1988-...)
* Former members:
** Gustavo Cordera - vocals (1988-2009)
** Marcela Chediak - percussion (1990-1993)
** Oscar Righi - rhythm guitar (1990-2016)
** Carlos "Charly" Bianco - lead guitar (1990-1994)
** Rubén Sadrinas - vocals (1989-1996)
** Raúl Pagano - keyboards (1990-1993; d. July 14, 2020)
[[/folder]]
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* AlbumTitleTrack: "La Argentinidad Al Palo" opens, well ''La Argentinidad Al Palo''.
* CoverVersion:
** "El Tiempo No Para" is a spanish version of a sing by brazilian musician Cazuza.
** "Señor Cobranza" was originally a song by protest rock band Las Manos de Filippi.
** They did a version of Music/{{Sandro}}'s "Una Muchacha y Una Guitarra" for the [[CoverAlbum tribute album]] ''Tributo a Sandro: Un Disco de Rock''.
* GriefSong: "Para Luis" is dedicated to Music/LuisAlbertoSpinetta.
* IntercourseWithYou: "Gente de Mierdas" from ''Libertinaje'' is a happy chacarera where the singer invites a woman to a forest in order to make love.
* MoodWhiplash: "C.S.M." from ''Libertinaje'' is about government oppression, ambiented on top of a festive cumbia-like background.
* ProtestSong:
** ''Libertinaje'' has "Se Viene" and "Señor Cobranza". It also contains "C.S.M." (for then Argentinean president Carlos Saúl Menem), which is a song where the destruction of the ass is used as a slang for government oppression.
** ''Hijos del Culo'' is a slang that describes children being born from poverty.
* RefugeInAudacity: The band makes no attempt at hiding this, starting from the coverart of ''Asquerosa Alegría'' being formed by naked women and the clown on the cover being made of two naked asses, and the .
* StartMyOwn: After the hiatus due to Cordera's solo projects, the rest of the band (minus Martín, Verenzuela and Subirá, who later recorded a solo project) formed a side project called De Bueyes, which recorded an album called ''Más que una Yunta''.
* TitleDrop: The chorus of "Espíritu de Esta Selva" contains the title of its album, ''Don Leopardo''.
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