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* BrickJoke: Catraca (referring to a bus ticket gate) has the lyrics ''aquele tiro, aquele tiro sai pela culatra'' and ''mais um elo se quebrou, tão sem corrente de prata'' as an inside joke to Magnata (Tycoon), which repeats the first line and has ''magnata guarda ouro e tem corrente de prata''.
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* WalkingShirtlessScene: Elivan while dressed as the Saci.
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Changed line(s) 140 (click to see context) from:
* InterclassRomance: In Arapuca (''[...]Que o plebeu se encantou com a filha do rei / Avisa pra corte eu que sequestrei'' [[labelnote:InEnglish]] [...]That the commoner fell in love with the king's daughter / Tell the royal court that I was the one who kidnapped her[[/labelnote]].
to:
* InterclassRomance: In Arapuca (''[...]Que ] Que o plebeu se encantou com a filha do rei / Avisa pra corte eu que sequestrei'' [[labelnote:InEnglish]] [...]That [[labelnote:InEnglish]][...] That the commoner fell in love with the king's daughter / Tell the royal court that I was the one who kidnapped her[[/labelnote]].her[[/labelnote]]).
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* InterclassRomance: In Arapuca (''[...]Que o plebeu se encantou com a filha do rei / Avisa pra corte eu que sequestrei'' [[labelnote:InEnglish]] [...]That the commoner fell in love with the king's daughter / Tell the royal court that I was the one who kidnapped her[[/labelnote]].
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Changed line(s) 94 (click to see context) from:
Danço um coco furioso\\
to:
Danço um coco côco furioso\\
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Changed line(s) 91,94 (click to see context) from:
--> ''Diacho, eu não te acho\\
Entro na roda, eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
Entro na roda, eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
to:
--> ''Diacho, eu não te acho\\
Entro naroda, eu roda\\
Eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
Entro na
Eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
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* AngryDance: Mentioned in Alfazema:
--> ''Diacho, eu não te acho\\
Entro na roda, eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
--> ''Diacho, eu não te acho\\
Entro na roda, eu fico louco\\
Danço um coco furioso\\
Até o dia acabar''.
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Changed line(s) 134 (click to see context) from:
* LuckyRabbitsFoot; Mentioned in Reza Forte, along other good luck charms.
to:
* LuckyRabbitsFoot; Mentioned in Reza Forte, along other good luck charms.charms such as rue and kosher salt.
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* LuckyRabbitsFoot; Mentioned in Reza Forte, along other good luck charms.
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* NonAppearingTitle: Forasteiro, as it's an instrumental song.
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Changed line(s) 91 (click to see context) from:
* {{Catchphrase}}: É só amor! [[note]] It's only love! [[/note]] Generally said by Russo and the crowd during their carnival shows.
to:
* {{Catchphrase}}: É só amor! [[note]] It's only love! [[/note]] Generally usually said by Russo and the crowd during their carnival shows.
Changed line(s) 93 (click to see context) from:
** Baila! [[note]] Dance!, generally said during Sulamericano[[/note]].
to:
** Baila! [[note]] Dance!, generally usually said during Sulamericano[[/note]].
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Changed line(s) 90 (click to see context) from:
* BlatantLies: ''E na verdade não precisa acreditar na crítica / Não precisa analisar a logística / Toda a cidade vai ficar turística''[[note]] Actually,(You) don't need to believe the criticism, don't need to analyze the logistics, the whole city will become touristic[[/note]] in Dia da Caça.
to:
* BlatantLies: ''E na verdade não precisa acreditar na crítica / Não precisa analisar a logística / Toda a cidade vai ficar turística''[[note]] Actually,(You) Actually, (You) don't need to believe the criticism, don't need to analyze the logistics, the whole city will become touristic[[/note]] in Dia da Caça.
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Changed line(s) 90 (click to see context) from:
* BlatantLies: ''E não precisa acreditar na crítica / Não precisa analisar logística / Toda a cidade vai ficar turística''[[note]] (You) Don't need to believe the criticism, don't need to analyze the logistics, all of the city will become touristic[[/note]] in Dia da Caça.
to:
* BlatantLies: ''E na verdade não precisa acreditar na crítica / Não precisa analisar a logística / Toda a cidade vai ficar turística''[[note]] (You) Don't Actually,(You) don't need to believe the criticism, don't need to analyze the logistics, all of the whole city will become touristic[[/note]] in Dia da Caça.
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Changed line(s) 95 (click to see context) from:
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
to:
** The tongue-twisting start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
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Changed line(s) 30 (click to see context) from:
* * Ícaro Sá - Percussion
to:
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Changed line(s) 30 (click to see context) from:
to:
* * Ícaro Sá - Percussion
* João Milet Meirelles - Dj, Producer
* João Milet Meirelles - Dj, Producer
Deleted line(s) 37,38 (click to see context) :
* Ícaro Sá - Percussion
* João Milet Meirelles - Dj, Producer
* João Milet Meirelles - Dj, Producer
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* Luedji Luna - Vocals
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Changed line(s) 93,94 (click to see context) from:
** Conduz, Drácula [[note]] When telling João Meirelles to start a song, generally Saci[[/note]].
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
to:
** Conduz, Drácula [[note]] When telling João Meirelles to start a song, generally Saci[[/note]].
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solowork: work:
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo
Changed line(s) 96 (click to see context) from:
Viu o céu sorriu\\
to:
Viu o céu sorriu\\
Changed line(s) 98 (click to see context) from:
Dente na corrente.''[[note]] There was a crazy man on the ship, (he) saw the sky and smiled, fire on the wick, teeth on the chain[[/note]].
to:
Dente na corrente.''[[note]] corrente''[[note]] There was a crazy man on the ship, (he) saw the sky and smiled, fire on the wick, teeth on the chain[[/note]].
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** Conduz, Drácula [[note]] When telling João Meirelles to start a song, generally Saci[[/note]].
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
-->''Havia um louco no navio\\
Viu o céu sorriu\\
Fogo no pavio\\
Dente na corrente.''[[note]] There was a crazy man on the ship, (he) saw the sky and smiled, fire on the wick, teeth on the chain[[/note]].
** The start of the song Devaneios (by Anelis Assumpção), which is actually his solo work:
-->''Havia um louco no navio\\
Viu o céu sorriu\\
Fogo no pavio\\
Dente na corrente.''[[note]] There was a crazy man on the ship, (he) saw the sky and smiled, fire on the wick, teeth on the chain[[/note]].
