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* Music/{{Busted}} has only had the uncensored version of 'Who's David' released on a promo CD with a few other songs from their second album. It's since been ripped from one of those [=CDs=] and leaked online.
* Music/McFly have many demos of their songs that have only been bootlegged. Notable examples incclude the original version of 'I Wanna Hold You' and 'Star Girl.'
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** To a lesser extent, his 1981 ''Another One Rides the Bus'' EP is ''looooong'' out of print (though all songs but the title track were re-recorded for his 1983 SelfTitledAlbum), as is his 1994 box set ''Permanent Record: Al in the Box'' due to the artwork masters being lost forever ([[{{Irony}} ironic]] given the title). The song "Headline News", released a standalone single in 1994, did not appeared on any other official release until the ''Squeeze Box'' set in 2017.

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** To a lesser extent, his 1981 ''Another One Rides the Bus'' EP is ''looooong'' out of print (though all songs but the title track were re-recorded for his 1983 SelfTitledAlbum), as is his 1994 box set ''Permanent Record: Al in the Box'' due to the artwork masters being lost forever ([[{{Irony}} ironic]] given the title). The song "Headline News", released as a standalone single in 1994, did not appeared on any other official release until the ''Squeeze Box'' set in 2017.



* Music/BoardsOfCanada claim to have released 5 albums/[=EPs=] before the "Twoism" EP in 1995 that first go them noticed. They were allegedly called (in chronological order) ''Catalog 3'', ''Acid Memories'', ''Closes Vol. 1'', ''Play by Numbers'' and ''Hooper Bay'', and the cover art for these release has been released. Short snippets of ''Acid Memories'' as well as the latter two were released on the band's website, but it's unknown wherever these are genuine or wherever these albums did even exist or not.

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* Music/BoardsOfCanada claim to have released 5 albums/[=EPs=] before the "Twoism" EP in 1995 that first go got them noticed. They were allegedly called (in chronological order) ''Catalog 3'', ''Acid Memories'', ''Closes Vol. 1'', ''Play by Numbers'' and ''Hooper Bay'', and the cover art for these release has been released. Short snippets of ''Acid Memories'' as well as the latter two were released on the band's website, but it's unknown wherever these are genuine or wherever these albums did even exist or not.
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* Music/TheBeachBoys: Despite constant releases since 2011, the legendary [[Music/SmileTheBeachBoys Smile]] Sessions is still incomplete. Lost material that hasn't resurfaced includes The original Mix of ''Heroes and villains'', the vocal tracks for ''Song for Children'' ''I wanna be around'' and ''On a Holiday'', and the Music/PaulMcCartney sessions.
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* The original recording of Music/{{Sparks}}' first Top of the Pops appearance (playing ''This Town Ain't Big Enough For The Both Of Us'') is still yet to be found. No bootlegs of it seem to exist (owing to how expensive home taping was during the 1970s), and it is likely that it was indiscriminately "purged" in the same way that Doctor Who was. This performance was particularly notable for being the only one to feature the full lineup that recorded Music/KimonoMyHouse, as bassist Martin Gordon was fired soon after the album charted.
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* 10,000 Maniacs' 1987 album ''In My Tribe'' originally included a CoverVersion of "Peace Train" by Music/CatStevens. In 1989, the song's original performer [[http://en.wikipedia.org/wiki/Cat_Stevens%27_comments_about_Salman_Rushdie made some controversial public remarks regarding Ayatollah Khomeini's death fatwa against Salman Rushdie]], and the song was subsequently removed from the US CD version of the album. However, their version of the song remained on international CD copies of the album, as well as on vinyl, and it was re-released in the US in 2004, as part of a 2-CD [[GreatestHitsAlbum greatest hits / rarities compilation]] called ''Campfire Songs''.

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* 10,000 Maniacs' 1987 album ''In My Tribe'' originally included a CoverVersion of "Peace Train" by Music/CatStevens. In 1989, the song's original performer [[http://en.wikipedia.org/wiki/Cat_Stevens%27_comments_about_Salman_Rushdie made some controversial public remarks regarding Ayatollah Khomeini's death fatwa against Salman Rushdie]], and against]] Creator/SalmanRushdie, so the song was subsequently removed from the US CD version of the album. However, their version of the song remained on international CD copies of the album, as well as on vinyl, and it was re-released in the US in 2004, as part of a 2-CD [[GreatestHitsAlbum greatest hits / rarities compilation]] called ''Campfire Songs''.
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* Mike Doughty recorded his solo debut, ''Skittish'', in 1996, shortly before the release of Music/SoulCoughing's ''Irresistible Bliss'' - the label rejected it for sounding too different from Soul Coughing. The album's first "release" was in the form of homemade copies that Doughty started selling as merch during a 2000 solo tour; Much of his set at the time consisted of songs from the ''Skittish'' sessions, and he had found that material had become popular after circulating on file-sharing services. ''Skittish'' finally saw a more proper release in 2004, as a two-disc set that also featured outtakes, live songs, and the later EP ''Rockity Roll''.

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* Mike Doughty recorded his solo debut, ''Skittish'', in 1996, shortly before the release of Music/SoulCoughing's ''Irresistible Bliss'' - the label rejected it for sounding too different from Soul Coughing. The album's first "release" was in the form of homemade copies that Doughty started selling as merch during a 2000 solo tour; Much of his set at the time consisted of songs from the ''Skittish'' sessions, and he had found that material had become popular with fans after it started circulating on file-sharing services.as LeakedContent. ''Skittish'' finally saw a more proper release in 2004, as a two-disc set that also featured outtakes, live songs, and the later EP ''Rockity Roll''.
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* One of the most notorious missing songs was a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.A." The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. One resourceful investigator realized that no one had ever bothered to check copyright records for the song. Once he did, he found a reference to a song called "Ready & Steady" from 1979 written by '''D'''ennis '''A'''rmand Lucchesi and Jim Franks. He passed the info on to Whitburn's assistant Paul Haney, who tracked down Franks and learned the whole story: the UsefulNotes/SanFrancisco based band was actually called D.A. & The Dukes, the song was never officially released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). Lucchesi himself died in 2005, apparently unaware that he was at the center of a notorious music mystery. Franks also passed on the audio for "Ready 'n' Steady" to Haney, then Haney and Franks appeared as guests on ''Crap From the Past'', a Minneapolis radio show dedicated to pop music obscurities, which gave "Ready 'n' Steady" its "world premiere" after 37 years, revealing it to be a fairly decent bit of bar band HardRock ([[https://www.youtube.com/watch?v=mdt_Aer-46Q here is a link to the song]]).

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* One of the most notorious missing songs was a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.'''D.A." '''[[note]]As luck would have it, the band Music/DanielAmos has its name commonly abbreviated to "DA", and even did official releases with that monicker, so they were briefly suspected of doing the song until they conclusively denied it.[[/note]] The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. One Then one resourceful investigator realized that no one had ever bothered to check copyright records for the song. Once he did, he found a reference to listing for a song called "Ready & Steady" from 1979 written by '''D'''ennis '''A'''rmand Lucchesi and Jim Franks. He passed the info on to Whitburn's assistant Paul Haney, who tracked down Franks and learned the whole story: the UsefulNotes/SanFrancisco based band was actually called D.A. & The Dukes, the song was never officially released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). Lucchesi himself died in 2005, apparently unaware that he was at the center of a notorious music mystery. Franks also passed on the audio for "Ready 'n' Steady" to Haney, then Haney and Franks appeared as guests on ''Crap From the Past'', a Minneapolis radio show dedicated to pop music obscurities, which gave "Ready 'n' Steady" its "world premiere" after 37 years, revealing it to be a fairly decent bit of bar band HardRock ([[https://www.youtube.com/watch?v=mdt_Aer-46Q here is a link to the song]]).
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* One of the most notorious missing songs is a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.A." The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. One resourceful investigator realized that no one had ever bothered to check copyright records for the song. Once he did, he found a reference to a song called "Ready & Steady" from 1979 written by '''D'''ennis '''A'''rmand Lucchesi and Jim Franks. He passed the info on to Whitburn's assistant Paul Haney, who tracked down Franks and learned the whole story: the UsefulNotes/SanFrancisco based band was actually called D.A. & The Dukes, the song was never officially released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). Lucchesi himself died in 2005, apparently unaware that he was at the center of a notorious music mystery. Franks also passed on the audio for "Ready 'n' Steady" to Haney, then Haney and Franks appeared as guests on ''Crap From the Past'', a Minneapolis radio show dedicated to pop music obscurities, which gave "Ready 'n' Steady" its "world premiere" after 37 years, revealing it to be a fairly decent bit of bar band HardRock ([[https://www.youtube.com/watch?v=mdt_Aer-46Q here is a link to the song]]).

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* One of the most notorious missing songs is was a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.A." The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. One resourceful investigator realized that no one had ever bothered to check copyright records for the song. Once he did, he found a reference to a song called "Ready & Steady" from 1979 written by '''D'''ennis '''A'''rmand Lucchesi and Jim Franks. He passed the info on to Whitburn's assistant Paul Haney, who tracked down Franks and learned the whole story: the UsefulNotes/SanFrancisco based band was actually called D.A. & The Dukes, the song was never officially released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). Lucchesi himself died in 2005, apparently unaware that he was at the center of a notorious music mystery. Franks also passed on the audio for "Ready 'n' Steady" to Haney, then Haney and Franks appeared as guests on ''Crap From the Past'', a Minneapolis radio show dedicated to pop music obscurities, which gave "Ready 'n' Steady" its "world premiere" after 37 years, revealing it to be a fairly decent bit of bar band HardRock ([[https://www.youtube.com/watch?v=mdt_Aer-46Q here is a link to the song]]).
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* One of the most notorious missing songs is a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.A." The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. Eventually, one of the surviving members of the group gave the recording to a radio show dedicated to old music or other old stuff. The song was never actually released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). [[https://www.youtube.com/watch?v=mdt_Aer-46Q Here is a link to the song]]

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* One of the most notorious missing songs is a [[https://en.wikipedia.org/wiki/Ready_%27n%27_Steady track]] called "Ready 'n' Steady" by a group only known as "D.A." The song charted on Billboard's "Bubbling Under" chart (the songs that just missed the Hot 100 Charts, essentially #101 and so on.) for three weeks in 1979. Initially believing it was a small run of an independent label that managed to get some airplay in Midwestern markets, music historian Joel Whitburn - considered to be the foremost expert on the Billboard charts - searched out the address of the track's record label to an empty building in Detroit, and found no evidence of the song, the group, or the alleged record label. Information about this song was '''so''' impossible to find that until 2016, it was generally accepted that the record actually didn't exist and was merely some sort of practical joke. Eventually, One resourceful investigator realized that no one of had ever bothered to check copyright records for the surviving members of the group gave the recording song. Once he did, he found a reference to a radio show dedicated song called "Ready & Steady" from 1979 written by '''D'''ennis '''A'''rmand Lucchesi and Jim Franks. He passed the info on to old music or other old stuff. Whitburn's assistant Paul Haney, who tracked down Franks and learned the whole story: the UsefulNotes/SanFrancisco based band was actually called D.A. & The Dukes, the song was never actually officially released as a single and its placement on the charts was due to the band's publicist pulling strings at Billboard (Billboard's chart director at the time, Bill Wardlow, was notorious for manipulating the rankings and accepting bribes). [[https://www.Lucchesi himself died in 2005, apparently unaware that he was at the center of a notorious music mystery. Franks also passed on the audio for "Ready 'n' Steady" to Haney, then Haney and Franks appeared as guests on ''Crap From the Past'', a Minneapolis radio show dedicated to pop music obscurities, which gave "Ready 'n' Steady" its "world premiere" after 37 years, revealing it to be a fairly decent bit of bar band HardRock ([[https://www.youtube.com/watch?v=mdt_Aer-46Q Here here is a link to the song]]song]]).
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* Music/NeilYoung has done this several times throughout his career, most notably with the 1975 album ''Homegrown'' which was withdrawn at the last moment and replaced with ''Tonight's The Night'', recorded 2 years earlier. It's never been released, though some tracks have shown up on other albums.

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* Music/NeilYoung has done this several times throughout his career, most notably with the 1975 album ''Homegrown'' which was withdrawn at the last moment and replaced with ''Tonight's The Night'', recorded 2 years earlier. It's never been released, though some Some tracks have shown showed up on other albums.albums before the album was finally released in 2020.
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* Music/ButtholeSurfers' 1998 album ''After the Astronaut'' had promo copies sent out, but the official release was pulled, reportedly due to record label disputes, and the Butthole Surfers were dropped from their label. About half of the album's songs would get reworked for their next album, ''The Weird Revolution'', which was released on a new label in 2001. Also, bizarrely, the back cover of ''After The Astronaut'' ended up [[http://en.wikipedia.org/wiki/Marcy_Playground#Shapeshifter_.281999.E2.80.932000.29 becoming the front cover]] of Music/MarcyPlayground's ''Shapeshifter'': At the time, Marcy Playground were on Creator/CapitolRecords, the same label Butthole Surfers were dropped from; Capitol retained the rights to the the ''After The Astronaut'' artwork, and offered it to Marcy Playground without revealing it was originally meant for another album.

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* Music/ButtholeSurfers' 1998 album ''After the Astronaut'' had promo copies sent out, but the official release was pulled, reportedly due to record label disputes, and the Butthole Surfers were dropped from their label. About half of the album's songs would get reworked for their next album, ''The Weird Revolution'', which was released on a new label in 2001. Also, bizarrely, the back cover of ''After The Astronaut'' ended up [[http://en.wikipedia.org/wiki/Marcy_Playground#Shapeshifter_.281999.E2.80.932000.29 becoming the front cover]] of Music/MarcyPlayground's ''Shapeshifter'': At the time, Marcy Playground were on Creator/CapitolRecords, the same label Butthole Surfers were dropped from; Capitol retained the rights to the the ''After The Astronaut'' artwork, and offered it to Marcy Playground without revealing it was originally meant for another album.
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* One half-MissingEpisode/LiveActionTV and one half-MissingEpisode/{{Music}}: Back in 1979, Creator/{{NBC}} attempted to reinvigorate themselves through the their "Proud as a Peacock" initiative. However, as NBC was in last place due to the ineptitude of Fred Silverman, many people were cheesed off with the network. As such, the people who created and sang the "Proud as a Peacock" jingle created a parody known as "We're LOUD". The song was distributed to various employees and affiliates as jokes to listen to. Then, Creator/DonImus made the mistake of ''airing it over the air.'' This pissed off Silverman enough to go on a hunting spree to find and retrieve those copies. Some ''do'' still exist, but not in a state that they could be played crisply.

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* One half-MissingEpisode/LiveActionTV and one half-MissingEpisode/{{Music}}: Back in 1979, Creator/{{NBC}} attempted to reinvigorate themselves through the their "Proud as a Peacock" initiative. However, as NBC was in last place due to the ineptitude of Fred Silverman, many people were cheesed off with the network. As such, the people who created and sang the "Proud as a Peacock" jingle created a parody known as "We're LOUD". The song was distributed to various employees and affiliates as jokes to listen to. Then, Creator/DonImus made the mistake of ''airing it over the air.'' This pissed off Silverman enough to go on a hunting spree to find and retrieve those copies. Some ''do'' still exist, but not in a state that they could be played crisply.
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* The third album from Music/HanzelUndGretyl, ''Oz Factor'', was completed but never released due to the record label they were under collapsing. The band has talked about attempting to get the rights back, but so far nothing has happened.
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* Possibly due to licensing issues, {{Music/Melvins}}' ''The Crybaby'' is missing its opening track, a CoverVersion of [[{{Music/Nirvana}} "Smells Like Teen Spirit"]], on Spotify or other major streaming services - however, the song is still included on all physical copies, as well as being available for download on the band's official Bandcamp site.
** ''The Trilogy'', a vinyl BoxSet of the albums ''The Maggot'', ''The Bootlicker'', and ''The Crybaby'', is missing some material from the original CD releases due to its 3 LP format: ''The Maggot'' and ''The Bootlicker'' are simply stripped of their {{hidden track}}s, but Side B of ''The Crybaby'' is missing two minutes of "Divorced" and the last 4 songs are cut entirely. Something similar happened with the vinyl release of ''Hold It In'', but only two songs had to be left off ("Eyes On You" and "House Of Gasoline"), and it was remedied somewhat by making those two missing songs {{B Side}}s of the separately issued 10" single "Bride Of Crankenstein".

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* Possibly due to licensing issues, {{Music/Melvins}}' ''The Crybaby'' is missing its opening track, a CoverVersion of [[{{Music/Nirvana}} "Smells Like Teen Spirit"]], on Spotify or other major streaming services - however, the song is still included on all physical copies, as well as being available for download on the band's official Bandcamp site.
** ''The Trilogy'', a vinyl BoxSet BoxedSet of the albums ''The Maggot'', ''The Bootlicker'', and ''The Crybaby'', is missing some material from the original CD releases due to its 3 LP format: ''The Maggot'' and ''The Bootlicker'' are simply stripped of their {{hidden track}}s, but Side B of ''The Crybaby'' is missing two minutes of "Divorced" and the last 4 songs are cut entirely. Something similar happened with the vinyl release of ''Hold It In'', but only two songs had to be left off ("Eyes On You" and "House Of Gasoline"), and it was remedied somewhat by making those two missing songs {{B Side}}s of the separately issued 10" single "Bride Of Crankenstein".
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Added DiffLines:

** ''The Trilogy'', a vinyl BoxSet of the albums ''The Maggot'', ''The Bootlicker'', and ''The Crybaby'', is missing some material from the original CD releases due to its 3 LP format: ''The Maggot'' and ''The Bootlicker'' are simply stripped of their {{hidden track}}s, but Side B of ''The Crybaby'' is missing two minutes of "Divorced" and the last 4 songs are cut entirely. Something similar happened with the vinyl release of ''Hold It In'', but only two songs had to be left off ("Eyes On You" and "House Of Gasoline"), and it was remedied somewhat by making those two missing songs {{B Side}}s of the separately issued 10" single "Bride Of Crankenstein".
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Added DiffLines:

* Possibly due to licensing issues, {{Music/Melvins}}' ''The Crybaby'' is missing its opening track, a CoverVersion of [[{{Music/Nirvana}} "Smells Like Teen Spirit"]], on Spotify or other major streaming services - however, the song is still included on all physical copies, as well as being available for download on the band's official Bandcamp site.
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updating information


* Music/GodspeedYouBlackEmperor's first album, ''All Lights Fucked on the Hairy Amp Drooling'' was limited to a release of 33 cassette tapes. To this date, none of the songs have leaked to the Internet and all that's known are the album title, song titles, and the album art.

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* Music/GodspeedYouBlackEmperor's first album, ''All Lights Fucked on the Hairy Amp Drooling'' was limited to a release of 33 cassette tapes. To this date, Until 2022, when the band made it available on their official Bandcamp page, none of the songs have had leaked to the Internet and all that's that was known are about it were the album title, song titles, and the album art.
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* In 1999, dance music singer Shana Petrone, who had a Top 40 hit with "I Want You" in 1989, attempted a comeback as a country music singer. Her debut country single "This Time" became a minor hit on the country charts, and promo copies of her debut ''Something Real'' were sent out by Epic Nashville, but the official release was pulled for unknown reasons. She has since recorded indie material.
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* One of the most notorious lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 [=CDs=] and 10,000 [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album, on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.
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* One of the most notorious lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 [=CDs=] and 10,000 [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.

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* One of the most notorious lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 [=CDs=] and 10,000 [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album album, on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.
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One of the most speculated about lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 [=CDs=] and 10,000 [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.

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* One of the most speculated about notorious lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 [=CDs=] and 10,000 [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.
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One of the most speculated about lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 CDs and 10,000 LPs - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.

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One of the most speculated about lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 CDs [=CDs=] and 10,000 LPs [=LPs=] - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.
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One of the most speculated about lost albums in indie rock is ''Dear Tommy'' by Chromatics. The band had originally announced ''Dear Tommy'' in 2014 with a release date of February 2015, which came and went without sight of the album. Later planned release dates also passed by, and 11 songs that were intended at one point for the tracklist were released as standalone singles between 2014 and 2020. In 2017, band leader Johnny Jewel announced that he had destroyed every physical copy of the album - 15,000 CDs and 10,000 LPs - following a near-death experience and had re-recorded the entire thing. A few months later the band performed "Shadow", a single intended for the album on an episode of ''Series/TwinPeaks'', earning them some of the highest profile media attention of their career and it was speculated that the album would soon follow, but it did not. Instead, the band released a completely different new album called ''Closer to Grey'' in 2019 with promises that ''Dear Tommy'' was still on its way and more new songs were released from it in the ensuing months. Speculation over the album ended for good when Chromatics broke up in August 2021 when all the members other than Jewel quit, and one of those former members speculated that ''Dear Tommy'' would never be released. Later that year, Pitchfork [[https://pitchfork.com/news/did-chromatics-album-dear-tommy-ever-exist-in-the-first-place/ speculated]] that ''Dear Tommy'' was never finished or sequenced apart from the singles released from it over the years, and some parties close to the band dispute that the physical copies that Jewel proported to have destroyed ever existed.
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remove italics around a band name. Remove outdated Microdisney info - the update is right below it


* ''Music/{{KMFDM}}'''s 1984 debut album ''Opium'' only saw an initial release of [[NoExportForYou 200 cassettes in Germany]], and the master tapes were lost for nearly two decades before being salvaged from a house ravaged by fire and water damage. It finally got a full release in 2002.

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* ''Music/{{KMFDM}}'''s Music/{{KMFDM}}'s 1984 debut album ''Opium'' only saw an initial release of [[NoExportForYou 200 cassettes in Germany]], and the master tapes were lost for nearly two decades before being salvaged from a house ravaged by fire and water damage. It finally got a full release in 2002.



* Music/{{Microdisney}}'s songs "Harmony Time" and "Money for the Trams". These were originally B Sides of the single 'Birthday Girl', and soon after appeared on the cassette version of the album ''The Clock Comes Down The Stairs''. In 1995, when the band were going through their master recordings at Rough Trade, this master tape could not be found. As a consequence they are the only Microdisney songs from this period to have not been released on CD. Considering 'Harmony Time' was included on at least three releases (7", 12" and Cassette) it is confusing that this happened, as surely master tapes would exist for all three releases. They are still lost as of 2012, when the band are set to reissue those albums again.

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* Music/{{Microdisney}}'s songs "Harmony Time" and "Money for the Trams". These were originally B Sides of the single 'Birthday Girl', and soon after appeared on the cassette version of the album ''The Clock Comes Down The Stairs''. In 1995, when the band were going through their master recordings at Rough Trade, this master tape could not be found. As a consequence they are the only Microdisney songs from this period to have not been released on CD. Considering 'Harmony Time' was included on at least three releases (7", 12" and Cassette) it is confusing that this happened, as surely master tapes would exist for all three releases. They are still lost as of 2012, when the band are set to reissue those albums again.
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* Ty Herndon's fifth studio album for Creator/EpicRecords was never released when its lead single, "Heather's Wall", stalled out at #37. Epic then released a GreatestHitsAlbum, and Herndon was sidelined for several years due to a full-fledged CreatorBreakdown. Ty said in an interview with Creator/{{CMT}} that the song's corresponding music video was part of a trilogy that would have included videos for "I'd Move Heaven and Earth for You" and "Stones", but neither video was made. "I'd Move Heaven and Earth for You" appeared on the Greatest Hits album, but "Stones" did not surface until Ty released a re-recorded version in 2011 on a small independent label (although a version also appears on Music/TracyLawrence's 2004 album ''Strong'').

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* Ty Herndon's Music/TyHerndon's fifth studio album for Creator/EpicRecords was never released when its lead single, "Heather's Wall", stalled out at #37. Epic then released a GreatestHitsAlbum, and Herndon was sidelined for several years due to a full-fledged CreatorBreakdown. Ty said in an interview with Creator/{{CMT}} that the song's corresponding music video was part of a trilogy that would have included videos for "I'd Move Heaven and Earth for You" and "Stones", but neither video was made. "I'd Move Heaven and Earth for You" appeared on the Greatest Hits album, but "Stones" did not surface until Ty released a re-recorded version in 2011 on a small independent label (although a version also appears on Music/TracyLawrence's 2004 album ''Strong'').
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* When the label Category 5 Records went out of business in 2006 [[ExecutiveMeddling due to the owner misallocating funds intended for a hospital that he owned]], four singles were canned without ever being released: "Wake Up Dancin'" by Odiss Kohn, "All Kinds of Beautiful" by Shauna Feagan, "The One That Got Away" (irony abounds in the title) by Jerrod Niemann, and "Something Stronger Than Me" by Music/TravisTritt. Both Niemann and Tritt re-released their Category 5 material independently in 2013, but Kohn and Feagan immediately disappeared.

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* When the label Category 5 Records went out of business in 2006 [[ExecutiveMeddling [[CreatorKiller due to the owner misallocating funds intended for a hospital assisted-living facilities that he owned]], four singles were canned without ever being released: "Wake Up Dancin'" by Odiss Kohn, "All Kinds of Beautiful" by Shauna Feagan, "The One That Got Away" (irony abounds in the title) by Jerrod Niemann, and "Something Stronger Than Me" by Music/TravisTritt. Both Niemann and Tritt re-released their Category 5 material independently in 2013, but Kohn and Feagan immediately disappeared.
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** The legendary rejected third single "Scream Thy Last Scream"/"Vegetable Man", despite being hailed as two of Music/SydBarrett's finest songs, did not see release outside of a bootleg until the ''Early Years 1965-1972'' box set in 2016. The reason speculated is that the band felt it was too connected with Syd's CreatorBreakdown.

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** The legendary rejected third single "Scream Thy Last Scream"/"Vegetable Man", despite being hailed as two of Music/SydBarrett's finest songs, did not see release outside of a bootleg until the ''Early Years 1965-1972'' 1965–1972'' box set in 2016. The reason speculated is that the band felt it was too connected with Syd's CreatorBreakdown.
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** After ''Music/DarkSideOfTheMoon'', they experimented with a recording to be called ''[[ExactlyWhatItSaysOnTheTin Household Objects]]''. The project was eventually scrapped, and although some bits were eventually incorporated into other songs (two full length recordings were also included in expanded re-issues of The Dark Side of the Moon and Wish You Were Here), the rest of the project will most likely never see the light of day.

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** After ''Music/DarkSideOfTheMoon'', ''Music/TheDarkSideOfTheMoon'', they experimented with a recording to be called ''[[ExactlyWhatItSaysOnTheTin Household Objects]]''. The project was eventually scrapped, and although some bits were eventually incorporated into other songs (two full length recordings were also included in expanded re-issues of The Dark Side of the Moon and Wish You Were Here), the rest of the project will most likely never see the light of day.
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* [[https://www.josephfenity.com/blog/lari-white-and-her-lost-lead-me-not-tape This article]] goes into detail about how the music video for Lari White's 1993 single "Lead Me Not" seems to have fully disappeared from Creator/RCARecords' archives, nor does anyone at the label remember it being made. In the same article, the author highlights news footage indicating its director, along with a column in a music magazine indicating that the video was put in rotation on Creator/{{CMT}} and the former TNN (now Creator/SpikeTV). So if it is out there, it likely got mis-filed. Even the official upload of the song on [=YouTube=] shows a live performance in lieu of the actual video (which, according to its director, had White performing it in front of a candle-lit piano).
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* Jamie Lee Thurston's ''I Just Wanna Do My Thing'' was supposed to be released on View 2 Records in 2003, but they went out of business. He then signed with Creator/WarnerBrosRecords, but they dropped him when the lead single "It Can All Be Gone" under-performed. He later released the album independently in 2009.

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