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* BlackAndGrayMorality: Frequent in the series. Even the idealistic Ryunoshin winds up killing a subordinate who gets in the way of his plans to reform the domain. [[spoiler: He's subsequently forced to kill the guy's whole family when they come looking for revenge.]]
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* LoadsAndLoadsOfCharacters: What with the series' mortality rate, the author had to keep introducing new characters just to keep it populated.
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* AcceptableBreaksFromReality: While the original series generally eshcews supernatural elements, some of the ninja techniques require suspension of disbelief. This is partly justified in that historical ninja encouraged people to belief they possessed mystical or even magical powers.
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* AcceptableBreaksFromReality: While the original series generally eshcews supernatural elements, some of the ninja techniques require suspension of disbelief. This is partly justified in that historical ninja encouraged people to the belief they possessed mystical or even magical powers.
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of it. Seriously, even ASongOfIceAndFire and BloodMeridian can barely compete.
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of it. Seriously, even the sadistic likes of ASongOfIceAndFire and BloodMeridian can barely compete.
* CallBack: A nice one in the second series, in which Ryunoshin is shown tending to the graves of [[spoiler: his father, mentor Sasa Ikkaku, and Atena.]] Doubles as the character's reveal.
* DisproportionateRevenge: Minazkui Ukon, on discovering the body of [[spoiler: Atena, who has been brutally hacked to death by peasants, picks up her naginata and proceeds to slaughter scores of them.]]
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* HandicappedBadass: Minazuki Ukon, who loses his foot in the very first issue, but remains a formidable fighter.
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* HandicappedBadass: Minazuki Ukon, who loses his foot in the very first issue, but remains a formidable fighter. Likewise, Ryunoshin loses the pinky and ring finger from his left hand--critical for wielding a Japanese sword--in a duel. He works tirelessly to develop a fighting style that compensates for this handicap.
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* DespairEventHorizon: Inverted to an extent with Mine, whose death galvanizes both Shosuke and Ryunoshin to action. Played very straight with [[spolier: Atena, after Sasa Ikkaku's death and Minazuki Ukon after Atena's death.]]
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* DespairEventHorizon: Inverted to an extent with Mine, whose death galvanizes both Shosuke and Ryunoshin to action. Played very straight with [[spolier: [[spoiler: Atena, after Sasa Ikkaku's death and Minazuki Ukon after Atena's death.]]
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* MadeOfIron: Burly peasant, Kogemaru.
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* AcceptableBreaksFromReality: While the original series generally eshcews supernatural elements, some of the ninja techniques require suspension of disbelief. This is partly justified in that historical ninja encouraged people to belief they possessed mystical or even magical powers.
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* BadAss: Take your pick.
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* KilledOffForReal: Major characters are killed off with dizzying frequency throughout the first series. Subverted with Kamui himself: he often appears to die only to show up a few issues later with little or no explanation as to what happened.
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* BadAssBoast: After enduring a DespairEventHorizon, Matsubayashi Kenpu reminds his commrades that they "have a rendevous with the god of death."
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* BadAssBoast: After enduring a DespairEventHorizon, Matsubayashi Kenpu reminds his commrades comrades that they "have a rendevous with the god of death."
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* DecoyProtagonist: Kamui himself. He's well represented in the first 3000 or so pages of the first series, but pretty much disappears toward the end. Even in the early books it's obvious that the peasant leader Shosuke and the outcast samurai, Ryunoshin are going to be characters on par with the titular lead.
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* DecoyProtagonist: Kamui himself. He's well represented in the first 3000 or so pages of the first original series, but pretty much disappears toward the end. Even in the early books it's obvious that the peasant leader Shosuke and the outcast samurai, Ryunoshin are going to be characters on par with the titular lead.
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* SelectivelyLethalWeapon: Many characters use a technique called "mine-uchi" (striking an oponent with the blunt side of the blade) to knock out their foes: [[spolier: Nishiki Tanba does it to Ryunoshin; Ryunoshin in turn uses it on a whole mob of wayward samurai. Conversely, Atena's failure to perform a non-lethal mine-uchi on an unruly peasant gets her killed by an angry mob.]]
* ShownTheirWork: Surely, one of the crowning examples in modern media. The detail in which Shirato describes everything from mountain fauna to 17th century taxation can be overwhelming. And their are long sections of expository text that resemble textbook entries.
* ShownTheirWork: Surely, one of the crowning examples in modern media. The detail in which Shirato describes everything from mountain fauna to 17th century taxation can be overwhelming. And their are long sections of expository text that resemble textbook entries.
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* SelectivelyLethalWeapon: Many characters use a technique called "mine-uchi" (striking an oponent with the blunt side of the blade) to knock out their foes: [[spolier: [[spoiler: Nishiki Tanba does it to Ryunoshin; Ryunoshin in turn uses it on a whole mob of wayward samurai. Conversely, Atena's failure to perform a non-lethal mine-uchi on an unruly peasant gets her killed by an angry mob.]]
* ShownTheirWork:Surely, Surely one of the crowning examples in modern media. The detail in which Shirato describes everything from mountain fauna to 17th century taxation can be overwhelming. And their there are long sections of expository text that resemble textbook entries.
* ShownTheirWork:
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Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though ostensibly the story of the low-born ninja Kamui, it presents its setting in broad terms,
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Kamui-den was the very first iteration of entry in Shirato Sampei's long-running series of manga set in 17th century Japan. Though ostensibly the story of the low-born ninja Kamui, it presents its setting in broad terms,
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!! [KamuiDen] contains examples of:
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!! [KamuiDen] [Manga/KamuiDen] contains examples of:
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* AdaptationDecay: In fairness, the 2009 film version of Kamui Gaiden was based on the watered-down second part of Kamui's follow up series.
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* AdaptationDecay: In fairness, the 2009 film version of Kamui Gaiden was based on the watered-down second part of Kamui's follow up series. As a rule, media that were based on KamuiGaiden, like the 70s Anime of the same name, were much lighter in tone than the original series.
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* KatanasAreJustBetter: Erm, not really. While there's plenty of fancy swordwork in the series, characters with access to firearms make good use of them.
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* SelectivelyLethalWeapon: Many characters use a technique called "mine-uchi" (striking an oponent with the blunt side of the blade) to knock out their foes: [[spolier: Nishiki Tanba does it to Ryunoshin; Ryunoshin in turn uses it on a whole mob of wayward samurai. Conversely, Atena's failure to perform a non-lethal mine-uchi on an unruly peasant gets her killed by an angry mob.]]
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* TechnicalPacifist: The mature Ryunoshin we meet in the second series will sometimes subdue his foes with "mine-uchi" or "atemi." He's not above using lethal force when necessary, however.
* ThrowingYourSwordAlwaysWorks: Well, it often works anyway.
* ThrowingYourSwordAlwaysWorks: Well, it often works anyway.
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depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones, such the better known spin-off/sequel KamuiGaiden. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the {{Gekiga}} style of manga devised by Tatsumi Yoshihiro in the late 50s.
to:
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones, such the better known spin-off/sequel KamuiGaiden. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the {{Gekiga}} style of manga devised by Tatsumi Yoshihiro in the late 50s.
50s. Oh, and the original series has never been translated into English.
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* ActionGirl: These are common enough with all the female ninja appearing in the various series. Naginata master Atena, in the first series, and TomboyPrincess Nishiki Sayaka in the second are notable recurring action girls.
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* ActionGirl: These are common enough with all the female ninja appearing in the various series. Naginata master Atena, in the first series, and TomboyPrincess Nishiki Sayaka in the second are notable recurring action girls.examples.
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* WomenInRefrigerators: Played depressingly straight.
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* MissFanservice: Noone in particular, though female characters have a way of winding up topless.
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* MissFanservice: Noone in particular, though female characters have a way of winding up topless.topless.
* OffWithHisHead: Constant.
* OffWithHisHead: Constant.
* ShownTheirWork: Surely, one of the crowning examples in modern media. The detail in which Shirato describes everything from mountain fauna to 17th century taxation can be overwhelming. And their are long sections of expository text that resemble textbook entries.
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* TakeThat: Again, numerous but [[spoiler: the death of Atena at the grimy hands of a mob of peasants really hurts.]]
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depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones, such the better known spin-off/sequel KamuiGaiden. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
to:
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones, such the better known spin-off/sequel KamuiGaiden. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" {{Gekiga}} style of manga devised by Tatsumi Yoshihiro in the late 50s.
* ActionGirl: These are common enough with all the female ninja appearing in the various series. Naginata master Atena, in the first series, and TomboyPrincess Nishiki Sayaka in the second are notable recurring action girls.
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* DarkerAndEdgier: One of the characterstics of the developing gekiga movement was more adult subject matter. Kamui was one of the first widely-read manga to feature graphic depictions of sex and violence.
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* DarkerAndEdgier: One of the characterstics of the developing gekiga {{Gekiga}} movement was more adult subject matter. Kamui was one of the first widely-read manga to feature graphic depictions of sex and violence.violence.
* DeathSeeker: [[spoiler: Matsubayashi Kenpu and Minazuki Ukon engage in a hopeless fight against Hioki samurai late in the first series. As each has endured a DespairEventHorizon by this point, it's not surprising.]]
* DeathSeeker: [[spoiler: Matsubayashi Kenpu and Minazuki Ukon engage in a hopeless fight against Hioki samurai late in the first series. As each has endured a DespairEventHorizon by this point, it's not surprising.]]
* DespairEventHorizon: Inverted to an extent with Mine, whose death galvanizes both Shosuke and Ryunoshin to action. Played very straight with [[spolier: Atena, after Sasa Ikkaku's death and Minazuki Ukon after Atena's death.]]
* WomenInRefrigerators: Played depressingly straight.
* WomenInRefrigerators: Played depressingly straight.
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* IaijutsuPractitioner: Matsubayashi Kenpu. Kamui himself also counts: his signature "kasumi-kiri" technique involves some unorthodox sword drawing.
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* IaijutsuPractitioner: Matsubayashi Kenpu. Kamui himself also counts: his signature "kasumi-kiri" "kasumi-giri" technique involves some unorthodox sword drawing.
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* MissFanservice: Noone in particular, though female characters have a wait of winding up topless.
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* MissFanservice: Noone in particular, though female characters have a wait way of winding up topless.
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Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally the story of the low-born ninja Kamui, it presents its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
to:
Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally ostensibly the story of the low-born ninja Kamui, it presents its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with laterones.ones, such the better known spin-off/sequel KamuiGaiden. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of the series. Seriously, even ASongOfIceAndFire and BloodMeridian can barely compete.
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of the series.it. Seriously, even ASongOfIceAndFire and BloodMeridian can barely compete.
* DarkerAndEdgier: One of the characterstics of the developing gekiga movement was more adult subject matter. Kamui was one of the first widely-read manga to feature graphic depictions of sex and violence.
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* HandicappedBadass: Minazuki Ukon, who loses his leg in the very first issue, but remains a force to be reckoned with.
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* HandicappedBadass: Minazuki Ukon, who loses his leg foot in the very first issue, but remains a force to be reckoned with.formidable fighter.
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* IaijutsuPractitioner: Matsubayashi Kenpu.
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* IaijutsuPractitioner: Matsubayashi Kenpu. Kamui himself also counts: his signature "kasumi-kiri" technique involves some unorthodox sword drawing.
* InstantAwesomeJustAddNinja: Very much so, though in the second series, you have to wait for hundreds of pages before a ninja even makes an appearance.
* InstantAwesomeJustAddNinja: Very much so, though in the second series, you have to wait for hundreds of pages before a ninja even makes an appearance.
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* MissFanservice: Noone in particular, though female characters have a wait of winding up topless.
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Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally the story of the low-born ninja, Kamui, it views its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
to:
Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally the story of the low-born ninja, ninja Kamui, it views presents its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a headyblend dose of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady
* EvenBadMenLoveTheirMamas: Inverted with Nishiki Tanba. The introduction of his daughter in the second series humanizes him considerably.
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* AdaptationDecay: In fairness, the 2009 film version of Kamui Gaiden was based on the watered-down second part of Kamui's follow up series.
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[[caption-width-right:259:some caption text]]
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depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones.
First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
to:
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) in later iterations. This leads to some confusion about the relation of the first series with later ones. \n First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of the series.
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* AnyoneCanDie: The majority of named characters introduced in the first series don't live to see the end of the series. Seriously, even ASongOfIceAndFire and BloodMeridian can barely compete.
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* DrivenToSuicide: [[spolier: Mine. After being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair.
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* DrivenToSuicide: [[spolier: Mine. After [[spoiler: Mine, after being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. drown.]]
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[[quoteright:259:http://static.tvtropes.org/pmwiki/pub/images/imagesCA9POSXP_4376.jpg]]
[[caption-width-right:259:some caption text]]
[[caption-width-right:259:some caption text]]
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* BadAssBoast: After enduring a DespairEventHorizon, Matsubayashi Kenpu reminds his commrades that they "have a rendevous with the god of death."
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* DrivenToSuicide: [[spolier: Mine. After being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. AndThenItGotWorse
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* DrivenToSuicide: [[spolier: Mine. After being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. AndThenItGotWorse
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* HeroicSacrifice: [[spoiler: Sasa Ikkaku, pretty definitively.]]
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* DrivenToSuicide: [[Mine: after being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. AndThenItGotWorse
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* DrivenToSuicide: [[Mine: after [[spolier: Mine. After being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. AndThenItGotWorse
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* DrivenToSuicide: [[Mine: after being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. And ThenItGotWorse
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* DrivenToSuicide: [[Mine: after being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. And ThenItGotWorseAndThenItGotWorse
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* DrivenToSuicide: [[Mine: after being brutally raped by the Hioki Clan's lord, she throws herself into the castle moat to drown in despair. And ThenItGotWorse
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* KarmicDeath: [[spolier: the despised feudal lord who raped Mine and hacked up her body out of spite is ambushed by Sasa Ikkaku while his retainers are carrying his litter across a stream. Long story short: he takes a katana up the rectum.]]
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* KarmicDeath: [[spolier: [[spoiler: the despised feudal lord who raped Mine and hacked up her body out of spite is ambushed by Sasa Ikkaku while his retainers are carrying his litter across a stream. Long story short: he takes a katana up the rectum.]]
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* HandicappedBadass: Minazuke Ukon, who loses his leg in the very first issue, but remains a force to be reckoned with.
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* HandicappedBadass: Minazuke Minazuki Ukon, who loses his leg in the very first issue, but remains a force to be reckoned with.
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* KarmicDeath: [[spolier: the despised feudal lord who raped Mine and hacked up her body out of spite is ambushed by Sasa Ikkaku while his retainers are carrying his litter across a stream. Long story short: he takes a katana up the rectum.]]
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depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) from later iterations. This leads to some confusion about the relation of the first series with later ones.
to:
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) from in later iterations. This leads to some confusion about the relation of the first series with later ones.
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* AnachronismStew: For such a rigorously researched historical piece, it's not above having a character wield a revolver in 17th century Japan.
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* AnachronismStew: For such a rigorously researched historical piece, it's surprisingly not above having a character Yumeya Shichibei wield a revolver in 17th century Japan.
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* DecoyProtagonist: Kamui himself. He's well represented in the first 3000 or so pages of the first series, but pretty much disappears toward the end. Even in the early books it's obvious that the peasant leader Shosuke and the outcast samurai, Ryunoshin are going to be characters on par with the titular lead.
* HandicappedBadass: Minazuke Ukon, who loses his leg in the very first issue, but remains a force to be reckoned with.
* IaijutsuPractitioner: Matsubayashi Kenpu.
* RapeAsDrama: Constant, and nowhere more so than in the case of poor poor Mine.
* StuffedIntoTheFridge: Mine again, though to Sanpei's credit, he has the main characters remember her several thousand pages after she's been killed off in the early volumes.
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* AnachronismStew: For such a rigorously researched historical piece, it's not above having a character wield a revolver in 17th century Japan.
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* AnachronismStew: For such a rigorously researched historical piece, it's not above having a character wield a revolver in 17th century Japan.
* CompleteMonster: Many of the anatgonists qualify, but the local governor in the first series is the best example of this trope (see also: KarmicDeath ).
* CompleteMonster: Many of the anatgonists qualify, but the local governor in the first series is the best example of this trope (see also: KarmicDeath ).
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* CompleteMonster: Many of the anatgonists qualify, but the local governor in the first series is the best example of this trope (see also: KarmicDeath ).
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!! Kamui-den
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* AnachronismStew: For such a rigorously researched historical piece, it's not above having a character wield a revolver in 17th century Japan.
* CompleteMonster: Many of the anatgonists qualify, but the local governor in the first series is the best example of this trope (see also: KarmicDeath ).
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!! Kamui-den
Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally the story of the low-born ninja, Kamui, it views its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) from later iterations. This leads to some confusion about the relation of the first series with later ones.
First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
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!! [KamuiDen] contains examples of:
Kamui-den was the very first iteration of Shirato Sampei's long-running series of manga set in 17th century Japan. Though notionally the story of the low-born ninja, Kamui, it views its setting in broad terms,
depicting characters of various social backgrounds and the challenges they face. The first series also included a heady blend of Marxist ideology which was present to a lesser extent (or simply not included) from later iterations. This leads to some confusion about the relation of the first series with later ones.
First appearing in the underground magazine Garo in 1964, Kamui-den is also a good example of the "gekiga" style of manga devised by Tatsumi Yoshihiro in the late 50s.
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!! [KamuiDen] contains examples of: