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** During the September Massacres, ordinary people start killing nobles, with one of the poor victims being the Princess de Lamballe. One panel shows a man parading around with her head on a pike.

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** During the September Massacres, ordinary people start killing nobles, with one of the poor victims being was the Princess de Lamballe. One panel shows a man parading around with her head on a pike.


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* FlowerMotifs: Roses are mostly used to represent a character. For example, Charles-Henri is represented by a white rose, representing innocence and purity. Marie Antoinette is represented by pink roses, symbolizing grace and elegance as a dauphine, then queen. Marie-Joseph is sometimes represented with red roses, and black roses at one point. Red roses symbolize passion and deep emotions, such as Marie's desire to break away from the patriarchal system of France, while black roses symbolize death. The rose that is most commonly used with Marie is the blue rose, which represents mystery, and new opportunities.


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**Charles-Henri's youngest son, Gabriel, starts out like this with his fear of blood and his uneasiness of executions. However, he doesn't grow out of this as [[spoiler: [[DrivenToSuicide he falls to his death from the platform]]]].
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* PaintingTheMedium: Shinichi does this to great effect, such as having some of the pages "stained" with blood. One distinguished example is in chapter 63 of Rouge: after Louis XVI is executed, characters start to overlap panels, and by the end of the chapter where people rush to get some of Louis' blood, panels and speech bubbles start to become distorted.
**This trope is also done with more disturbing effects: when the Cardinal de Rohan starts, uh, [[ADateWithRosiePalms fantasizing]] about Antoinette, two pages are "stained".
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** Etienne, a lawyer who was hired by Louis Philippe to persuade the audience of nobles to fear Charles-Henri, is [[ImpaledWithExtremePrejudice]] and decapitated by Philippe, and then has his bloody head placed on a plate full of flowers.
** During the September Massacres, ordinary people start killing nobles, with one of the poor victims being the Princess de Lamballe. One panel shows a man parading with her head on a pike.

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** Etienne, a lawyer who was hired by Louis Philippe to persuade the audience of nobles to fear Charles-Henri, is [[ImpaledWithExtremePrejudice]] ImpaledWithExtremePrejudice and decapitated by Philippe, and then has his bloody head placed on a plate full of flowers.
** During the September Massacres, ordinary people start killing nobles, with one of the poor victims being the Princess de Lamballe. One panel shows a man parading around with her head on a pike.
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* CreepyDoll: Marie possessed one when she was little, which appears like any other 18th century doll. The creepiness comes in when Marie, after witnessing Charles being punished by their father with the brodqeuin, starts copying it on the doll. The doll's next appearance in Rouge shows it having a "bandage" across its face, nails driven into its body, and one arm already on the cusp of breaking off.
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* DeadGuyOnDisplay: Every form of execution results in the corpse being presented to the crowd until it's taken down, or decomposed.
**Etienne, a lawyer who was hired by Louis Philippe to persuade the audience of nobles to fear Charles-Henri, is [[ImpaledWithExtremePrejudice]] and decapitated by Philippe, and then has his bloody head placed on a plate full of flowers.
**During the September Massacres, ordinary people start killing nobles, with one of the poor victims being the Princess de Lamballe. One panel shows a man parading with her head on a pike.
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* [[spoiler: BusCrash]]: [[spoiler: In the final chapter of Innocent Rouge, Marie is revealed to have died from an illness offscreen.]]

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* [[spoiler: BusCrash]]: [[spoiler: In the final chapter of Innocent Rouge, Marie is revealed to have died from an [[KilledOffscreen illness offscreen.offscreen]]. This also overlaps with DroppedABridgeOnHim.]]
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* [[spoiler: BittersweetEnding]]: [[spoiler: While a majority of the characters either eventually die, have died before their actual date, or their fates are left unknown, the Innocent series ends with a summary of the downfall of the aristocracy with the eventual abdication of Napoleon III in 1832, and the abolishing of executions in France in 1981. While Marie and Charles were unable to achieve their dreams when they were alive, their dreams were realized centuries after their deaths.]]
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* AMinorKidroduction: The very first chapter of Innocent starts out with a little girl, Marie-Joseph, walking through the halls of the mansion until she comes across a room in one hallway. Curious, little Marie takes a footstool to peek through the keyhole and sees the brodequin. She's seeing through the Sansons' torture chamber.

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* VillainousBreakdown: De Luxe has one when his pardon is overturned, going from a SmugSnake to a pathetic wretch begging for his life

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* VillainousBreakdown: De Luxe has one when his pardon is overturned, going from a SmugSnake to a pathetic wretch begging for his lifelife.
* WhatNowEnding: After being a supporting character throughout the entire series, [[spoiler: Andre's fate is left unknown after going to England with Marie.]]
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* DefiantToTheEnd: Despite being lead to the guillotine, Antoinette calmly [[AgonyOfTheFeet steps on]] [[spoiler: the foot of her executioner, Marie]] while saying her FamousLastWords: "I am sorry, monsieur. I meant not to do it." In this version of the French Revolution, Antoinette stepped on her executioner's foot deliberately.


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* [[spoiler: FinalFirstHug]]: Charles and [[spoiler: Ghost!Marie do this when everything between the two siblings is finally put to rest. It is beautiful as it is heartbreaking.]]


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* GoOutWithASmile: Played with, since [[spoiler: Marie]] is already a [[OurGhostsAreDifferent ghost]] when she sports one to [[spoiler: Charles]].
** Antoinette gives Marie a smug version as she calmly walks towards her fate on the platform.


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* Rewrite: Previously in the first pages of each Innocent/Innocent Rouge volumes, the birth and death dates of important characters are listed, with Charles-Henri having died in 1806, and Marie-Joseph having died in 1813. Her death year is completely forgotten, as the final chapter of Innocent Rouge reveals that [[spoiler: she passed away several years before Charles-Henri would.]]
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** Close to the end of Innocent Rouge, [[spoiler: Marie-Joseph is smuggled off to England in a casket to escape being executed.]] Although [[TheBusCameBack she reappears by the end of that chapter], alive and well, it's revealed in the final chapter (chapter 88) that that wasn't [[spoiler: Marie]] at all, but [[spoiler: Grosholtz/Marie Tussaud posing as Marie-Joseph, with the intent of taking down Robespierre and end his reign.]]

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** Close to the end of Innocent Rouge, [[spoiler: Marie-Joseph is smuggled off to England in a casket to escape being executed.]] Although [[TheBusCameBack she reappears by the end of that chapter], chapter]], alive and well, it's revealed in the final chapter (chapter 88) that that wasn't [[spoiler: Marie]] at all, but [[spoiler: Grosholtz/Marie Tussaud posing as Marie-Joseph, with the intent of taking down Robespierre and end his reign.]]

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* [[spoiler: BusCrash]]: [[spoiler: In the final chapter of Innocent Rouge, Marie is revealed to have died from an illness offscreen.]]



* [[spoiler:HeavenAbove]]: As a very older Charles-Henri looks up at the starry sky, after having been rejected by Napoleon Bonaparte for his petition to abolish the death penalty, Charles witnesses a large meteor shower. From the sight of it, Charles compares it to the gates of heaven being opened. It turns out that he's right, as [[spoiler: these divine gates allow Marie-Joseph to descend to Earth to see her big brother one last time]].



* [[spoiler:KilledOffScreen]]: [[spoiler: Marie admits to Charles-Henri, who is now a very old man, that she died in England due to an illness]].



* MistressandServantBoy: Inverted from the fact that Andre is actually older than Marie. The other trappings of this trope still apply.
* MusicalWorldHypotheses: The "musical numbers" that are peppered throughout Innocent and Rouge are "the all in your head" hypothesis. The theatrical, almost whimsical, gestures and "lyrics" performed by certain characters exist to enhance a character's mindset.

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* MistressandServantBoy: MistressAndServantBoy: Inverted from the fact that Andre is actually older than Marie. The other trappings of this trope still apply.
* MusicalWorldHypotheses: The "musical numbers" that are peppered throughout Innocent and Rouge are "the all in your head" hypothesis. The theatrical, almost whimsical, gestures and "lyrics" performed by certain characters exist to enhance a character's mindset. They can even verge DisneyAcidSequence.



**Close to the end of Innocent Rouge, [[spoiler: Marie-Joseph is smuggled off to England in a casket to escape being executed.]] Although [[TheBusCameBack she reappears by the end of that chapter], alive and well, it's revealed in the final chapter (chapter 88) that that wasn't [[spoiler: Marie]] at all, but [[spoiler: Grosholtz/Marie Tussaud posing as Marie-Joseph, with the intent of taking down Robespierre and end his reign.]]



** Rose Bertin also deserves a mention, as she's one of the few female characters who uses her skills as a seamstress, which later helped her become the official dressmaker of Marie Antoinette.

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** Rose Bertin also deserves a mention, as she's one of the few female characters who uses her skills as a seamstress, which later helped her seamstress to become the official dressmaker of Marie Antoinette.
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* BigScrewedUpFamily: Oh boy, the Sansons are an interestnig

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* BigScrewedUpFamily: Oh boy, the Sansons are an interestnig interesting bunch.....
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* DecapitationPresentation: Justified, as this was done to confirm to the crowd that the convict has been killed.
* DoubleStandardViolenceChildOnAdult: Marie, after being freed from the torture devices by Charles, uses one of the suture needles that she put in her hair to give Anne-Marthe a nasty scar right across her face.


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* SpontaneousHumanCombustion: In a couple of panels that portray Andre taking over Nicolas' role at torturing Damiens as Andre and Nicolas (as kids), [[TheLostWoods escaping from a dark forest]], Andre's hand suddenly "catches" on fire. Child!Andre can only scream in fear and pain as the flames consume him.

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* ArtisticAge: Shinichi sometimes draws characters to have them appear, or continue to appear, younger than their real age. See CastofSnowflakes below.

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* ArtisticAge: Shinichi sometimes draws characters to have them appear, or continue to appear, younger than their real age. See CastofSnowflakes CastOfSnowflakes below.



*MarriageofConvenience: Revealed to have been done in secret with Marie and Jean-Louis "Bottomless Swamp" Sanson, as part of Marie's plan to keep her post as Prevote de L'Hotel (along with being able to keep her hair and style of dress as is without Charles' interference). It also worked because Nicolas-Gabriel, who was a monk by this point, wanted his family to have a stable income.
*MasculineGirlFeminineBoy: Marie-Joseph is the masculine to Charles', Louis XVI's, Andre's feminine.



* OlderThanTheyLook: A number of characters throughout "Innocent"/"Innocent Rouge" don't look as old as their age describes. Most notably is Andre, who doesn't look he has aged a day after living the slums for less than a decade. However, this can also be chalked up to gaining PrematurelyGreyHaired.

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* OlderThanTheyLook: A number of characters throughout "Innocent"/"Innocent Rouge" don't look as old as their age describes. Most notably One example is Andre, the supporting character Andre Legris, who doesn't look he has aged a day after living the slums for less than a decade. However, this can also be chalked up to gaining PrematurelyGreyHaired. decade.


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**Rose Bertin also deserves a mention, as she's one of the few female characters who uses her skills as a seamstress, which later helped her become the official dressmaker of Marie Antoinette.
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*ArtisticAge: Shinichi sometimes draws characters to have them appear, or continue to appear, younger than their real age. See CastofSnowflakes below.


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*BigScrewedUpFamily: Oh boy, the Sansons are an interestnig


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*MistressandServantBoy: Inverted from the fact that Andre is actually older than Marie. The other trappings of this trope still apply.
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*MusicalWorldHypotheses: The "musical numbers" that are peppered throughout Innocent and Rouge are "the all in your head" hypothesis. The theatrical, almost whimsical, gestures and "lyrics" performed by certain characters exist to enhance a character's mindset.
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*ArtShift: From chapter 79 to chapter 80, the art style changes somewhat for one that falls more in line with shoujo manga.
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The series was originally serialized in ''[[Magazine/ShonenJump Young Jump]]'', and ended publication at 9 volumes. A sequel series continuing the story, ''Innocent Rouge'' began serialization shortly afterwards in ''[[Magazine/ShonenJump Grand Jump]]'' and is currently ongoing. On February 19, 2020, the final volume of Innocent Rouge will be released.

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The series was originally serialized in ''[[Magazine/ShonenJump Young Jump]]'', and ended publication at 9 volumes. A sequel series continuing the story, ''Innocent Rouge'' began serialization shortly afterwards in ''[[Magazine/ShonenJump Grand Jump]]'' and is currently ongoing. On ended on February 19, 2020, through the publication of Rouge's final volume volume. A [[AdaptationDistillation musical adaptation]] of Innocent Rouge will be released.the series, called "Innocent musicale", ran from November 29th to December 10th of 2019.
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* DecadentCourt: Versailles in general. The nobles are much more interested in parties, fashion, and one-upping each other than the general state of France.
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* MenActWomenAre: Understandable given the culture of the time, and it becomes even more stifling the higher one's social class, but Marie-Joseph becoming an executioner in place of her uncle is the story's most dramatic subversion of this trope. Her willingness to take her life into her own hands is so inspiring that it inspires Marie Antoinette to take matters into her own hands and try to play the court rather than remain a pretty doll to be propped up in Versailles.

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* MenActWomenAre: Understandable given the culture of the time, and it becomes even more stifling the higher one's social class, but Marie-Joseph becoming an executioner in place of her uncle is the story's most dramatic subversion of this trope. Her willingness to take her life into her own hands is so inspiring that it inspires makes Marie Antoinette to take matters into her own hands and try to play the court rather than remain a pretty doll to be propped up in Versailles.
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* HistoricalDomainCharacter: The majority of the characters in this series are real figures of French history.
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* PublicExecution: In 18th-century France, this happens A LOT.

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The series was originally serialized in ''[[Magazine/ShonenJump Young Jump]]'', and ended publication at 9 volumes. A sequel series continuing the story, ''Innocent Rouge'' began serialization shortly afterwards in ''[[Magazine/ShonenJump Grand Jump]]'' and is currently ongoing.

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The series was originally serialized in ''[[Magazine/ShonenJump Young Jump]]'', and ended publication at 9 volumes. A sequel series continuing the story, ''Innocent Rouge'' began serialization shortly afterwards in ''[[Magazine/ShonenJump Grand Jump]]'' and is currently ongoing. On February 19, 2020, the final volume of Innocent Rouge will be released.


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*AndNowForSomethingCompletelyDifferent: Chapter 79 of Rouge takes place in a modern-day Japanese high school. It doesn't last, though.
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* SocialClimber: Given how vulnerable women were during this era in French society, many female characters in the cities display shades of this, primarily by way of seducing powerful men. Marie Jeanne Bécu climbs her way to the top, going from a humble nun to Louis XV's favorite mistress, by using her wits and talent for pleasing men. Jeanne de Valois-Saint-Remy, born of a direct descendant of an illegitimate son of King Henry II, later to be known as Comtesse de la Motte, rose from the slums of Paris to be a member of King Louis XVI's court by marrying Nicholas de la Motte, whose own claim to nobility was dubious due to the ability to falsify genealogical records.

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* SocialClimber: Given how vulnerable women were during this era in French society, many female characters in the cities display shades of this, primarily by way of seducing powerful men. Marie Jeanne Bécu climbs her way to the top, going from a humble nun to Louis XV's favorite mistress, by using her wits and talent for pleasing men. Jeanne de Valois-Saint-Remy, born of a direct descendant of an illegitimate son of King Henry II, later to be known as Comtesse de la Motte, rose from the slums of Paris to be a member of King Louis XVI's court by marrying Nicholas de la Motte, whose own claim to nobility was dubious due to the ability to falsify genealogical records.Motte.
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** This is Marie's default response to any man who attempts to harm her or other women, especially those guilty of sexual assault and rape. She takes great satisfaction in making their executions as painful and bloody as possible.
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* MenActWomenAre: Understandable given the culture of the time, and it becomes even more stifling the higher one's social class, but Marie-Joseph becoming an executioner in place of her uncle is the story's most dramatic subversion of this trope. Her willingness to take her life into her own hands is so inspiring that it inspires Marie Antoinette to take matters into her own hands and try to play the court rather than remain a pretty doll to be propped up in Versailles.
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* GloveSlap: A simultaneous one occurs between Marie-Joseph and Charles-Henri to symbolically formalize their plans to duel each other after the latter confronts the former over her potentially unseemly influence over Marie Antoinette and indirectly jeopardizing the honor of the Sanson family. Marie, for her part, does not wish to have her freedom jeopardized by any man, especially her elder brother.

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* GloveSlap: A simultaneous one occurs between Marie-Joseph and Charles-Henri to symbolically formalize their plans to duel each other after the latter confronts the former over her potentially unseemly influence over Marie Antoinette and indirectly Antoinette. He acts to prevent her from jeopardizing the honor of the Sanson family. Marie, for her part, family and as a favor to Madame du Barry, while Marie does so because she does not wish to have her freedom jeopardized by any man, especially her elder brother.



* LipstickLesbian: Marie Joseph.

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* LipstickLesbian: Marie Joseph.Marie-Joseph.
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* GloveSlap: A simultaneous one occurs between Marie-Joseph and Charles-Henri to symbolically formalize their plans to duel each other after the latter confronts the former over her potentially unseemly influence over Marie Antoinette and indirectly jeopardizing the honor of the Sanson family. Marie, for her part, does not wish to have her freedom jeopardized by any man, especially her elder brother.
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* WouldHurtAChild: Several characters, but most notably: Jean-Baptiste Sanson tortured Charles-Henri to make him accept his fate as an executioner. Anne Marthe has been shown to discipline Charles-Henri in his youth, and she tortured a six-year-old Marie-Joseph for daring to step onto the execution platform, going so far as to brand her with the Sanson family crest into her chest.

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