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* Music/{{Beartooth}}:
** At the start of "Sunshine" Caleb says "I'm literally losing my voice right now."
** At the start of "Sunshine" Caleb says "I'm literally losing my voice right now."
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* Music/RickyMartin:
** At the Start of Livin' La Vida Loca you can hear him say "Give it a little more volume with the track, please" to someone.
** At the Start of Livin' La Vida Loca you can hear him say "Give it a little more volume with the track, please" to someone.
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* On "Alice Practice" by Crystal Castles, you can hear Alice Glass say, "What the fuck is this? Oh, it's the bass."
* On Music/TylerTheCreator's "Gone, Gone / Thank You" the two halves are separated by a studio conversation that happens to fit thematically with the song: "Can we do it over?" "What?" "Everything."
* Music/RinaSawayama's "Comme de Garcons (Like the Boys)" starts with Rina saying "Is it on?"
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** "[[Music/KillEmAll Anesthesia: Pulling Teeth]]" starts with the words, "bass solo, take one". It is, of course, largely a bass solo with some drums.
** As "Blitzkrieg" winds down and sort of flounders, James Hetfield belches into the mic and laughs, prompting Lars Ulrich to say, "We fucked up in just one place.."
** As "Blitzkrieg" winds down and sort of flounders, James Hetfield belches into the mic and laughs, prompting Lars Ulrich to say, "We fucked up in just one place.."
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** "[[Music/KillEmAll Anesthesia: Pulling Teeth]]" starts with the words, "bass solo, take one". one." It is, of course, largely a bass solo with some drums.
** As "Blitzkrieg" winds down and sort of flounders, James Hetfield belches into the mic and laughs, prompting Lars Ulrich to say, "We fucked up in just oneplace..place..."
** As "Blitzkrieg" winds down and sort of flounders, James Hetfield belches into the mic and laughs, prompting Lars Ulrich to say, "We fucked up in just one
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* Music/{{Eels}}' "All The Beautiful Things" has a slightly humorous variation on the count-off: "One... hmm, I'm not gonna count, sorry".
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* Music/{{Eels}}' "All The Beautiful Things" has a slightly humorous variation on the count-off: "One... hmm, I'm not gonna count, sorry".sorry."
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* The Music/BeastieBoys' ''The Mix-Up'' has a fair amount of chatter after songs, although it's generally quiet enough that you might not initially notice it's there. Presumably, these bits were preserved to add to the "studio jam session" feel, or simply because it's an instrumental album, so that's the only time you ''do'' hear their voices.
* {{Music/Nas}} has a legendary example of this on the song "NY State Of Mind". At the beginning of the song, he can be heard "I don't know how to start this..." because he genuinely didn't know where he was supposed to start-- and then he proceeded to drop what is widely considered one of the greatest verses in hip-hop, all in one take.
* {{Music/Nas}} has a legendary example of this on the song "NY State Of Mind". At the beginning of the song, he can be heard "I don't know how to start this..." because he genuinely didn't know where he was supposed to start-- and then he proceeded to drop what is widely considered one of the greatest verses in hip-hop, all in one take.
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* The Music/BeastieBoys' ''The Mix-Up'' has a fair amount of chatter after songs, although it's generally quiet enough that you might not initially notice it's there. Presumably, these bits were preserved to add to the "studio jam session" feel, or simply because it's an instrumental album, so that's the only time you ''do'' hear their voices.
* {{Music/Nas}} has a legendary example of this on the song "NY StateOf of Mind". At the beginning of the song, he can be heard "I don't know how to start this..." because he genuinely didn't know where he was supposed to start-- and then he proceeded to drop what is widely considered one of the greatest verses in hip-hop, all in one take.
* {{Music/Nas}} has a legendary example of this on the song "NY State
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Changed line(s) 281 (click to see context) from:
* The remaster of Music/DeepPurple's classic ''Music/InRock'' included 6 tracks of studio chatter, flubbed intro's and general goofing around.
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* The remaster of Music/DeepPurple's classic ''Music/InRock'' ''Music/DeepPurpleInRock'' included 6 tracks of studio chatter, flubbed intro's and general goofing around.
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* The end of Music/{{Slipknot}}'s "Scissors" has the band watching scat porn while high. It's been said that this was kind of an initiation for percussionist Chris Fehn (who can pretty clearly be heard puking his guts out).
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* The end of Music/{{Slipknot}}'s "Scissors" "[[Music/SlipknotAlbum Scissors]]" has the band watching scat porn while high. It's been said that this was kind of an initiation for percussionist Chris Fehn (who can pretty clearly be heard puking his guts out).
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Changed line(s) 289 (click to see context) from:
** "Anesthesia: Pulling Teeth" starts with the words, "bass solo, take one". It is, of course, largely a bass solo with some drums.
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** "Anesthesia: "[[Music/KillEmAll Anesthesia: Pulling Teeth" Teeth]]" starts with the words, "bass solo, take one". It is, of course, largely a bass solo with some drums.
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** ''Music/SeventyTwoSeasons'' has recordings of Lars and others talking at the ends of "Screaming Suicide", "Sleepwalk My Life Away", and "Inamorata".
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[[folder:Rock]]
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* "Liebe ist süß" by Music/JBO starts as a mushy love song which abruptly ends after a few seconds to be replaced by some over-the-top brütal DeathMetal. After another few seconds, we hear a studio hand being scolded and beaten to a pulp by the producer who then [[BreakingTheFourthWall apologizes to the listener]] and restarts the actual "Liebe ist süß".
to:
* "Liebe ist süß" by Music/JBO Music/{{JBO}} starts as a mushy love song which abruptly ends after a few seconds to be replaced by some over-the-top brütal DeathMetal. After another few seconds, we hear a studio hand being scolded and beaten to a pulp by the producer who then [[BreakingTheFourthWall apologizes to the listener]] and restarts the actual "Liebe ist süß".süß".
* Music/{{Torfrock}} parodied this on ''Torfrock-Ball im Hühnerstall'', their first studio album. They made it appear like it was produced in a chicken coop, chicken still in it and all, by three people, an unpaid musician (Klaus Büchner), a sound engineer (Thomas Rieckmann) and Torfmoorholm's mayor (Reinhard Heinrichs) as the selfish and [[PointyHairedBoss incompetent]] producer. Before the last song, the musician and the sound engineer publicly declare that they've [[InvokedTrope intentionally left all the studio chatter on the tapes]] when they sent them to the record company so everyone can hear what a swine their producer is.
* Music/{{Torfrock}} parodied this on ''Torfrock-Ball im Hühnerstall'', their first studio album. They made it appear like it was produced in a chicken coop, chicken still in it and all, by three people, an unpaid musician (Klaus Büchner), a sound engineer (Thomas Rieckmann) and Torfmoorholm's mayor (Reinhard Heinrichs) as the selfish and [[PointyHairedBoss incompetent]] producer. Before the last song, the musician and the sound engineer publicly declare that they've [[InvokedTrope intentionally left all the studio chatter on the tapes]] when they sent them to the record company so everyone can hear what a swine their producer is.
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* As Art Garfunkel came to the end of the recording of 'So Long, Frank Lloyd Wright', he repeatedly sang the line 'So long, so long' so often that producer Roy Halee can be heard yelling "So Long Already, Artie!". As Garfunkel was unaware the song was really a message from Paul Simon telling him their musical partnership was at an end, this was a bit like [[lastdisrepects]].
to:
* As Art Garfunkel came to the end of the recording of 'So Long, Frank Lloyd Wright', he repeatedly sang the line 'So long, so long' so often that producer Roy Halee can be heard yelling "So Long Already, Artie!". As Garfunkel was unaware the song was really a message from Paul Simon telling him their musical partnership was at an end, this was a bit like [[lastdisrepects]].LastDisrespects.
