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Changed: 1864

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Added example(s), General clarification on work content



Traditionally[[note]]well, in Anglo-Saxon tradition, anyway[[/note]], the planning and execution of a war was broken down into two levels:

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\nTraditionally[[note]]well, in Anglo-Saxon Western tradition, anyway[[/note]], the planning and execution of a war was broken down into two levels:



Focusing only on the short-term often ends up screwing you over in the long-term. In storytelling this is sometimes ignored or glossed over; the immediate result is all that matters. Then there are the stories ''about'' how tough it can be to stick to the strategy when it might be simpler and more gratifying to do the thing that looks more honorable or piles up more meaningless victories. As long as there is a polarity of this sort, the story will be able to mine some good conflict.



** ''Who the practitioners are:'' Heads of state, heads of government, lawmakers, very senior civil servants, and the very highest ranked military officers.



** ''Who the practitioners are:'' High ranking admirals and generals, backed by large staffs of mid-level officers, themselves assisted by experienced enlisted personnel.



** ''Who the practitioners are:'' Somewhat less senior generals and admirals, backed by somewhat more modest staffs of mid-level officers.



** ''Who the practitioners are:'' Mid-level to junior officers commanding units of many enlisted personnel led by junior officers and senior enlisted.



** ''Scope:'' This is how the individual fights. The type of weapons and armor they use, the way they use their equipment and the environment in a firefight, the kind of training that they have received, and the actual techniques they use in combat. This includes long-range weaponry like rockets and sniper rifles, medium and short range firefights, bayonet and "knife fight range" techniques, and martial arts and ground fighting.

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** ''Who the practitioners are:'' In principle, enlisted personnel, but can be anyone who winds up in a fight by accident or intention.
** ''Scope:'' This is how the individual fights. The type of weapons and armor they use, the way they use their equipment and the environment in a firefight, the kind of training that they have received, and the actual techniques they use in combat. This includes long-range weaponry What this looks like rockets will vary wildly by era and sniper rifles, medium and short range firefights, bayonet and "knife fight range" techniques, and martial arts and ground fighting. region, but it encompasses every method of fighting available to everyone involved in the conflict.



Focusing only on the short-term often ends up screwing you over in the long-term. In storytelling this is sometimes ignored or glossed over; the immediate result is all that matters. Then there are the stories ''about'' how tough it can be to stick to the strategy when it might be simpler and more gratifying to do the thing that looks more honorable or piles up more meaningless victories. As long as there is a polarity of this sort, the story will be able to mine some good conflict.

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Focusing only In fiction, since many writers are not up to date on modern theories of warfare, the short-term levels are often ends up screwing you over in the long-term. In storytelling this is sometimes ignored or glossed over; the immediate result is all that matters. Then there are the stories ''about'' how tough it confused. Because they can be to stick to the strategy when it might be simpler made showy and more gratifying to do the thing that looks more honorable or piles up more meaningless victories. As long as dramatic, there is a polarity of this sort, tendency to over-focus either on the story will be able Strategic and Grand-Strategic levels (often conflating the two) or the Combat Theory and Tactical levels (again, often blending the two together. In real life, how effectively one has planned and then managed an operation or campaign is often what actually wins wars, but watching mid-level officers sit in conference rooms and hash out logistic support and sequencing plans is hard to mine some good conflict.
make entertaining. If the operational level does feature at all, it is usually in the form of TheWarRoom, better known in real life as an operations center, which is where the operation is managed ''after'' the bulk of the planning is complete.
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[[folder:Web Video]]
* ''WebVideo/CheckmateLincolnites'': In "Did the CONFEDERACY Have BETTER GENERALS?!," Billy Yank makes the case that although the Confederacy's commanders were indeed brilliant tacticians, the Union had a far better sense of strategy and logistics. Ultimately, the South's most prominent victories, such as the Battle of Chancellorsville, were tactically impressive maneuvers but did little to further their overall war aims, whereas each Union victory, especially in the West, brought the Confederacy one step closer to defeat through tearing out its logistical base.
-->'''Billy Yank:''' You thought small, we thought big. That's why we won.
[[/folder]]

Added: 305

Removed: 277

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It's been decided that Manhua and Manhwa examples shall be placed into their own folders. Moving example to the correct section.


* As the author of ''Manhua/RavagesOfTime'' said himself, the manhua is all about strategy vs. strategy. Plans are often ''years'', if not ''decades'', in the making, with the levels IKnowYouKnowIKnow going into the ''dozens'' because each faction has genius-level strategists.


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[[folder:Manhua]]
* As the author of ''Manhua/RavagesOfTime'' said himself, the manhua is all about strategy vs. strategy. Plans are often ''years'', if not ''decades'', in the making, with the levels IKnowYouKnowIKnow going into the ''dozens'' because each faction has genius-level strategists.
[[/folder]]

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