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** "Hell's Belles"-Millie having a focus episode that doesn't revolve around her killing skills or her relationship with Moxxie is something that fans of the show have been (in some cases loudly and aggressively) demanding for a long time and something which "[[Recap/HelluvaBossS2E5UnhappyCampers Unhappy Campers]]" was heavily criticized for pretending to do but not actually doing.
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** ''ComicBook/TheAvengers'': Issue #200 was a pretty reprehensible story involving Carol Danvers, in which the Earth's Mightiest Heroes have no problem with another character essentially raping her and brainwashing her into loving him and having his child. Creator/ChrisClaremont was so disgusted with that story that he wrote ''The Avengers Annual'' #10, where Ms. Marvel [[WhatTheHellHero calls the Avengers out on their behavior]]. And to drive the further point home, Marcus the one who raped Carol in the first place instantly becomes ash.
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* {{ComicBook/Ironheart}} was a very divisive character under the pen of BrianMichaelBendis. Many people found her self-important, unpleasant and felt some of her actions (spontaneously declaring herself the ruler of Latveria) made her seem borderline-villainous. Zub's run on Champions would recontextualize her behavior and portray her as socially awkward and struggling to get along with people. The Eve Ewing solo would further examine some of Riri's behavior as she wonders if she's actually predisposed to evil, and tries to fight back against the notion.

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* {{ComicBook/Ironheart}} was a very divisive character under the pen of BrianMichaelBendis.Creator/BrianMichaelBendis. Many people found her self-important, unpleasant and felt some of her actions (spontaneously declaring herself the ruler of Latveria) made her seem borderline-villainous. Zub's run on Champions would recontextualize her behavior and portray her as socially awkward and struggling to get along with people. The Eve Ewing solo would further examine some of Riri's behavior as she wonders if she's actually predisposed to evil, and tries to fight back against the notion.
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** SalvagedStory/SuperRobotWars

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** SalvagedStory/SuperRobotWars''SalvagedStory/SuperRobotWars''
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* Franchise/SonicTheHedgehog:
** The series was always inconsistent about whether or not [[LionsAndTigersAndHumansOhMy anthropomorphic animals and humans]] co-existed in the same world. You have some games, comics and cartoons where no humans appear besides [[BigBad Dr. Eggman]], and others like ''VideoGame/SonicAdventure'' where the Sonic cast lives among normal humans and it's treated as no big deal. Many speculated that there were two universes, one populated by humans and one by {{Funny Animal}}s, which was admittedly true in ''Anime/SonicX'' and ''Film/SonicTheHedgehog2020''. In 2022, ''WebAnimation/{{Tailstube}}'' finally clarified that, in the videogames, humans and animals live in the same world, but the animals live on smaller islands while the humans mostly live on larger continents. This has been met with widespread praise by fans.
** Ever since Classic Sonic's introduction in ''VideoGame/SonicGenerations'', his identity has been inconsistent. The original game portrayed it as a MyFutureSelfAndMe situation, while others implied the classic games were a flat-out AlternateTimeline. Sonic's inconsistent age didn't help matters, with him apparently being a teenager in both the Classic and Modern timelines while Amy went from 8 years old to 12. Once again, ''WebAnimation/{{Tailstube}}'' clarified this and definitively established that Classic Sonic is Sonic from the past, that Classic-era characters like Mighty, Ray, Bark and Bean are still canon to the Modern timeline, and implies the entire main cast were children at that time and naturally aged into their modern selves, rather than going through an OvernightAgeUp.
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* ''Film/TheMarvels2023'':
** Carol's desertion of Earth for over 30 years was seen as a weak HandWave for her absence in the overall MCU up until now, with many people expressing grievance with how her actions seemed callous in the grand scheme of things. In this film, Monica explicitly calls her out for ignoring her for so many years of her life, and Carol herself explains her absence: having destroyed the Supreme Intelligence and indirectly caused the Kree Civil War which resulted in the planet’s resources drying up, [[MyGodWhatHaveIDone Carol was ashamed of her actions]] and felt like she didn't deserve to return home until after [[TheAtoner she fixed it herself]].
** Gravik's plan to KillAllHumans in ''Series/{{Secret Invasion|2023}}'' was criticized for being downright stupid since the Skrulls were on Earth to hide from the Kree, and the genocide of all its inhabitants would give them no defense against the Empire whatsoever. This film reveals that the Kree Empire essentially collapsed after the destruction of the Supreme Intelligence, and their homeworld of Hala is barely habitable, leaving the Empire to struggle to survive on their own and not prioritize killing the Skrulls.
** Maria Rambeau [[KilledOffscreen dying of cancer offscreen]] in ''Series/WandaVision'' was treated as little more than an afterthought in the show, with Monica only bringing up the grief she has as a way of helping Wanda and not dealing with her own trauma. This movie addresses both Monica and Carol's feelings about losing Maria, and it helps them forge a stronger relationship after the falling out that was implied to have happend in ''Series/WandaVision''.
** In general, this film helps explain some EarlyInstallmentWeirdness regarding the Kree Empire in ''Film/{{Guardians of the Galaxy|2014}}'', and why they haven't been an active threat since TheNineties despite how strong and formidable they were as a space military force. The Supreme Intelligence's destruction completely fractured Kree society and made their influence far less prevalent, thus explaining their lack of focus throughout the Infinity Saga.
** After having many younger heroes introduced into the MCU without any indication that they would ever encounter or get to work with one another, [[spoiler:Kamala is shown meeting up with Kate Bishop near the end of the movie and inviting her to join a team she’s putting together, finally setting the stage for the Young Avengers to come into formation.]]
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* ''WesternAnimation/TheSwanPrincess'': The song "Magic of Love" from the second movie seems to address issues in Derek and Odette's relationship from the first - showing that their HappilyEverAfter is not black and white and that they still have lots of work to do in building a strong foundation.
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* Video Games
** SalvagedStory/SuperRobotWars
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* ''WebAnimation/GenLock'': The Union were heavily criticised in Season 1 for being generic villains with no backstory, with the series never explaining why they seek to control the world. Season 2's press summary makes a point to mention that the series will gain several Union characters as POVs to show their side of the war and why they fight.

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* ''WebAnimation/GenLock'': The Union were heavily criticised in Season 1 for being generic villains with no backstory, with the series never explaining why they seek to control the world. Season 2's press summary makes a point to mention that the series will gain several Union characters as POVs [=POVs=] to show their side of the war and why they fight.
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* ''ComicBook/TheLegendOfKorraRuinsOfTheEmpire'':
** Toph is given a bigger role as the Krew convince her to run for governor of her homestate, after her limited appearances in the show were seen as TheyWastedAPerfectlyGoodCharacter.
** For those who thought it was rather unnatural that [[AngstWhatAngst Asami didn't express any significant emotional response towards Kuvira for killing her father]] in the finale (especially since she had just reconciled with him then and there), it's finally made clear that Asami is ''livid'' at Kuvira for killing her father.
** Likewise, for people who thought Suyin was hypocritical for forgiving Bataar Jr. and not Kuvira, her reasoning is explored more after Kuvira's trial. Suyin is angry that Kuvira tried to kill her son and thinks an apology is enough to make up for ''that'' as well as the whole conquering Zaofu and subverting its purpose as a haven. Bataar Jr. for her suffered punishment enough due to Kuvira trying to kill him and realizing everything she promised, including their love, was a lie. Kuvira for her part does point out that Suyin and the other Earth Kingdom politicians in scapegoating her when she at least is trying to make amends. That being said, the story very much highlights their conflict is goes beyond ideological differences.
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* ''ComicBook/TheLegendOfKorraTurfWars'':
** Part 1 focuses pretty heavily on Korra and Asami's relationship and what exactly led up to it as well as the aftermath, which has made many fans happy due to many feeling that their relationship in the series was rushed.
** Bolin has joined Mako on the police force, after many fans pointed out that as an earthbender, he made far more sense in this role than his brother in the first place. However, he does leave the force again at the end of Part 3.

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Moved to Live Action TV.


* Live-Action TV

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* Live-Action TVSalvagedStory/LiveActionTV



[[folder:Live-Action TV]]
* The ''Series/{{Angel}}'' episode "[[Recap/AngelS05E20TheGirlInQuestion The Girl in Question]]" was reviled by the fans for many reasons but mostly because Buffy was revealed to be dating an [[TheGhost unseen]] figure named "The Immortal" who happened to be an old rival of Buffy's previous lovers Angel and Spike. This was for a long time the last thing known about her in the entire Buffyverse. The comic continuation revealed that this Buffy was actually another slayer impersonating her and that Andrew Wells lied to Angel and Spike as a prank.
* ''Series/TheBigBangTheory'':
** In Season 11, Raj ''finally'' calls Howard out for constantly making cruel and sometimes racist jokes at Raj's expense. And unlike in earlier seasons where the audience was meant to feel bad that Howard gets called out (such as when Penny justifiably called Howard out for harassing her constantly, only to apologize to Howard later for making him feel bad) it's made clear Raj is right to stand up for himself, and it's primarily Howard who should change his behavior.
** Finally, Sheldon's behavior toward Bert and Geology led to Bert rejecting him and not accepting his apology.
** In the third season when Leonard and Penny started dating, Sheldon tried using positive reinforcement techniques on Penny to correct annoying behavior, which involved giving her a chocolate treat whenever she did something he approved of. He later told Leonard he could speed up the process through ''negative'' reinforcement, specifically claiming electric shocks. This was actually one of the show's few technical blunders, as positive/negative reinforcement is not positive stimuli vs. negative stimuli, but the addition of something (the chocolate) vs. the removal of something (changing behavior due to the LACK of something). At conventions fans called out the writers on this mistake, and in the eighth season episode "The Focus Attenuation" Sheldon corrects someone on the improper use of positive/negative reinforcement and actually end up referencing an identical mistake made in ''Film/Ghostbusters1984''.
** The final Halloween episode had both Sheldon and Bernadette be called out on how mean they are to other people. It also explained that Bernadette became mean over time as a defense against being picked on over her height and bonding with Sheldon, as he too was picked on for being too smart at such a young age.
** "The Tam Turbulence" addresses the complaints of Tam (Sheldon's high school friend from ''Series/YoungSheldon'') not appearing at Sheldon's wedding, nor having ever appeared or been mentioned in the show previously. It's explained that Sheldon was angry at Tam for choosing to stay in Texas rather than move to California with him, and thus, Sheldon never mentioned Tam to any of his friends in Pasadena (it's also a case of RealLifeWritesThePlot to a certain extent, since ''Young Sheldon'' only started airing during the penultimate season of its parent show--in other words, Tam ''couldn't'' have been mentioned much earlier).
** After years of alienating fans by strongly implying that women simply can't be into nerdy things like comic books, season 11 introduces the character of Denise, who's a tall, attractive young woman who also has an encyclopedic knowledge of comic books.
* The ''Series/{{Community}}'' episode "Repilot" dismisses the entirety of the widely-hated Season 4 (the only season not overseen by Creator/DanHarmon) by claiming that the school had suffered a massive gas leak, explaining everyone's inconsistent and decidedly OutOfCharacter behavior.
* The eighth season finale of the 1980's version of ''Series/{{Dallas}}'' saw Bobby Ewing being killed off. The ninth season was not well-received by a large portion of the fandom, so through circumstances too complicated to mention here, the character was brought back in the last moment's of that year's finale, leaving everyone to wonder how that was possible. The 10th season premiere revealed that the entire "Bobby's dead" arc had been a bad dream of his then-wife Pam. This development was met with mixed feelings by the fans, some of whom were glad status quo had been restored, others of whom were unhappy that the storyline of the previous season had been discarded.
* The third season finale of ''Series/GameOfThrones'' has a scene where Daenerys is lifted aloft by the jubilant army of slaves she has just freed. Since the slaves are mostly played by dark-skinned Moroccans and Daenerys by the very light-skinned Emilia Clarke, this comes across as [[WhiteMansBurden rather questionable]]; series 4 ameliorated this somewhat by repeating the scene with a much more diverse group of former slaves.
* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s when Burt brings it up again. In hindsight, he echoes fan sentiments about the event: while Finn was wrong to say that, it wasn't the black-and-white GayAesop moment he initially treated it as.
** In episode [[Recap/GleeS2E4Duets 2.04 "Duets"]], Burt points out that Kurt's contribution to the situation was also iffy.
--->'''Burt:''' Maybe Finn has a point. [...] I was talking to Carole, and you weren't totally honest with me. She told me that you had a crush on Finn and you weren't afraid to show it. Is this true? [...] You gotta understand, most guys don't know how to deal with unwanted advances.
** In episode [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]], Burt admits that he overreacted and reframes his reaction as being more about him than Finn.
--->'''Burt:''' Y'know, I was right in principle -- but, y'know, c'mon, the kid didn't have a prejudiced bone in his body. I knew what he meant when he was calling it "faggy." I wasn't teaching ''him'' a lesson in tolerance; I was teaching myself one. He was just unlucky enough to be there for it.
* At the end of Season Four of ''Series/GoodTimes'', Esther Rolle [[PutOnABus left the series]] (largely because of dissatisfaction with the UncleTomfoolery of the character of J.J.), which was explained by her character Florida marrying a new beau named Carl and moving to Arizona for his health. Ratings tanked in Season Five, and the producers begged Rolle to return. She agreed on the condition of better scripts, a higher salary, and the elimination of Carl's character--she explained that the devoutly-Christian Florida moving on so quickly from her husband James's sudden death, especially with an atheist, made her deeply uncomfortable. The showrunners agreed, and in Season Six, Florida returns with barely any mention of Carl. An uncut version of the premiere shows her smiling sadly when asked about him, suggesting that he died, but it's never made clear, and his existence is basically written out permanently beyond the occasional comment.
* ''Series/PrimevalNewWorld'': One of the fanbase complaints about the original ''Series/{{Primeval}}'' series' SeasonalRot was the introduction of [[ApocalypseHow apocalyptic]] {{bad future}}s from the third season onward, which fans felt took away from the show's more naturalistic approach to the past and future in the first two seasons (where the future was largely shrouded in mystery, but natural-seeming animals presumed to come from distant post-human time periods emerged through Anomalies just as animals coming from distant ''pre''-human time periods routinely emerged from the past). ''New World'' largely reverts to the original format of keeping the future mysterious, if only by virtue of its first and only season featuring zero Anomalies or creatures connected to the future at all (except for a claim by Henderson Hall to have witnessed an ecological apocalypse in the future, which might or might not have been him speaking in metaphor).
* ''Series/{{Supernatural}}'': The intended series finale at the end of Season 5 had Dean taken in by an old flame, Lisa, and heavily implied that he would wind up living a normal life with her and her son. The series did continue, however, with Season 6 exploring the conflict between Dean's desire to be a family man and help Lisa raise her son and his desire to continue hunting with this resurrected brother, Sam. Many fans, as well as the writers, felt hamstrung by Dean having a wife and stepchild, but the show firmly established that Dean loved them. Moreover, the series had been heavily criticized for killing off/fridging love interests. So, at the end of the sixth season, Dean realizes his lifestyle is too dangerous for Lisa and Ben, so he asks Castiel to wipe their memories of him. Castiel agrees, and Dean makes Sam promise never to mention Lisa or Ben again. This functionally removes them from the series.
[[/folder]]
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* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong to say that, it wasn't the black-and-white GayAesop moment he initially treated it as.
** In "Duets", Burt points out that Kurt's contribution to the situation was also iffy.

to:

* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt he echoes fan sentiments about the event: while Finn was wrong to say that, it wasn't the black-and-white GayAesop moment he initially treated it as.
** In "Duets", episode [[Recap/GleeS2E4Duets 2.04 "Duets"]], Burt points out that Kurt's contribution to the situation was also iffy.



** In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.

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** In episode [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback", Quarterback"]], Burt admits that he overreacted and reframes his reaction as being more about him than Finn.

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--->'''Burt:''' Maybe Finn has a point.\\
'''Kurt:''' You're siding with him? After what he called me in our basement?\\
'''Burt:''' I was talking to Carole, and you weren't totally honest with me. She told me that you had a crush on Finn and you weren't afraid to show it. Is this true?\\
'''Kurt:''' So a gay guy can't be friendly to a straight guy without it being predatory?\\
'''Burt:''' You gotta understand, most guys don't know how to deal with unwanted advances.

to:

--->'''Burt:''' Maybe Finn has a point.\\
'''Kurt:''' You're siding with him? After what he called me in our basement?\\
'''Burt:'''
[...] I was talking to Carole, and you weren't totally honest with me. She told me that you had a crush on Finn and you weren't afraid to show it. Is this true?\\
'''Kurt:''' So a gay guy can't be friendly to a straight guy without it being predatory?\\
'''Burt:'''
true? [...] You gotta understand, most guys don't know how to deal with unwanted advances.

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* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong to say that, it wasn't the black-and-white GayAesop moment he initially treated it as. In "Duets", Burt points out that Kurt's contribution to the situation was also iffy. In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.
-->'''Burt:''' Y'know, I was right in principle -- but, y'know, c'mon, the kid didn't have a prejudiced bone in his body. I knew what he meant when he was calling it "faggy." I wasn't teaching ''him'' a lesson in tolerance; I was teaching myself one. He was just unlucky enough to be there for it.

to:

* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong to say that, it wasn't the black-and-white GayAesop moment he initially treated it as. as.
**
In "Duets", Burt points out that Kurt's contribution to the situation was also iffy. iffy.
--->'''Burt:''' Maybe Finn has a point.\\
'''Kurt:''' You're siding with him? After what he called me in our basement?\\
'''Burt:''' I was talking to Carole, and you weren't totally honest with me. She told me that you had a crush on Finn and you weren't afraid to show it. Is this true?\\
'''Kurt:''' So a gay guy can't be friendly to a straight guy without it being predatory?\\
'''Burt:''' You gotta understand, most guys don't know how to deal with unwanted advances.
**
In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.
-->'''Burt:''' --->'''Burt:''' Y'know, I was right in principle -- but, y'know, c'mon, the kid didn't have a prejudiced bone in his body. I knew what he meant when he was calling it "faggy." I wasn't teaching ''him'' a lesson in tolerance; I was teaching myself one. He was just unlucky enough to be there for it.
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* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong for saying it, it wasn't the black-and-white GayAesop moment he initially treated it as. In "Duets", Burt points out that Kurt's contribution to the situation was also iffy. In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.

to:

* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong for saying it, to say that, it wasn't the black-and-white GayAesop moment he initially treated it as. In "Duets", Burt points out that Kurt's contribution to the situation was also iffy. In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.
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* ''{{Series/Glee}}'': In episode [[Recap/GleeS1E20Theatricality 1.20 "Theatricality"]], new teenage stepbrothers Kurt and Finn are about to share a bedroom. Kurt has an unreciprocated, somewhat obsessive, crush on Finn and there's a HopelessSuitor dynamic. Finn knows this and is uncomfortable about them rooming together. It escalates, and Finn looses his temper and calls Kurt "faggy." Kurt's father Burt overhears this exchange and goes on a PapaBear rant defending his gay son. Finn is punished; Kurt is not. This event later gets {{callback}}s in the episodes [[Recap/GleeS2E4Duets 2.04 "Duets"]] and [[Recap/GleeS5E3TheQuarterback 5.03 "The Quarterback"]] when Burt brings it up again. In hindsight, Burt echoes fan sentiments about the event: while Finn was wrong for saying it, it wasn't the black-and-white GayAesop moment he initially treated it as. In "Duets", Burt points out that Kurt's contribution to the situation was also iffy. In "The Quarterback", Burt admits that he overreacted and reframes his reaction as being more about him than Finn.
-->'''Burt:''' Y'know, I was right in principle -- but, y'know, c'mon, the kid didn't have a prejudiced bone in his body. I knew what he meant when he was calling it "faggy." I wasn't teaching ''him'' a lesson in tolerance; I was teaching myself one. He was just unlucky enough to be there for it.

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* ''WebAnimation/HelluvaBoss'': After so many episodes of Moxxie being rendered a ButtMonkey or a DistressedDude for his wife to save, "Western Energy" has him get several badass moments, such as his CurbStompBattle against the cowboys or being the one to outsmart and defeat Striker at the end.

to:

* ''WebAnimation/HelluvaBoss'': ''WebAnimation/HelluvaBoss'':
**
After so many episodes of Moxxie being rendered a ButtMonkey or a DistressedDude for his wife to save, "Western Energy" has him get several badass moments, such as his CurbStompBattle against the cowboys or being the one to outsmart and defeat Striker at the end. end.
** Many fans are actually relieved that Mammon turned out to be a genuinely evil bastard, arguing that previously established Sins having overt redeeming qualities (Beelzebub and Asmodeus) makes [[WebAnimation/{{Hellaverse}} the setting]] much [[AHellOfATime tamer and more wholesome than it often strives to be]].
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* The original ''Film/PuppetMaster'' is effectively a HauntedHouse movie about a group of psychic researchers who are summoned to a [[HellHotel seemingly cursed hotel]] following the death of a colleague, only to be stalked and murdered by a gang of [[PerversePuppet evil sentient marionettes]] who secretly live there. While the film was initially met with a mixed reception from critics and viewers upon its release, many people ''really'' loved the puppets, and generally found the film's rather elaborate backstory--involving a French marionette maker in the 1930s who brings his creations to life using Ancient Egyptian magic, and ultimately commits suicide when the [[UsefulNotes/NaziGermany Nazis]] try to steal his secrets--[[TheyWastedAPerfectlyGoodPlot far more interesting than its actual main plot]]. The sequels notably leaned into this in a big way, gradually bringing Andre Toulon and his puppets to the forefront of the story: ''Puppet Master II'' features a [[BackFromTheDead resurrected]] Toulon as the primary villain, while ''Puppet Master III: Toulon's Revenge'' is a {{prequel}} set in Nazi Germany that expands upon the original film's backstory. Largely due to this, the first few sequels are widely considered to be [[SurprisinglyImprovedSequel a significant improvement on the original]], and they played a major role in the ''Puppet Master'' films gradually developing into widely loved {{cult classic}}s.
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* ''WebAnimation/GenLock'': The Union were heavily criticised in Season 1 for being generic villains with no backstory, with the series never explaining why they seek to control the world. Season 2's press summary makes a point to mention that the series will gain several Union characters as POVs to show their side of the war and why they fight.

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