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* Wrestling/DwayneJohnson was once known exclusively as The Rock: a wrestler who hit you as hard in the ring as he did verbally outside of it, and if you didn't like it, you could keep your dislike to your self. When he first started acting he took roles like [[Film/TheScorpionKing a mercenary-turned-Scorpion King]], a professional bounty hunter (''Film/TheRundown'') and a grizzled Gunnery Sergeant Space Marine (''Film/{{Doom}}''). Then he showed up in ''Film/RaceToWitchMountain'', ''WesternAnimation/{{Planet 51}}'' and ''Film/TheToothFairy''. And even his wrestling career was a step down from his college football career, when he would spark bench clearing brawls by taking a swing at an opposing team's ''mascot.'' He's now doing a complete 180 in his film career as ''Film/{{Faster}}'' was DarkerAndEdgier than any of his other movie roles, and he's also starred in ''Film/FastFive''. When he came back to WWE in 2011 he still had to tone himself down a lot, since ''Wrestling/MondayNightRaw'' is TV-PG now. To his credit he at least tried to push the envelope a bit, as much as WWE would let him get away with anyway. Dwayne would continue to [[ZigzaggedTrope zigzag this trope]], however, by co-starring in ''WesternAnimation/{{Moana}}'', a 2017 Disney musical film--and millions of viewers would hear him ''sing a musical number'' for the first time.

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* Wrestling/DwayneJohnson was once known exclusively as The Rock: a wrestler who hit you as hard in the ring as he did verbally outside of it, and if you didn't like it, you could keep your dislike to your self.yourself. When he first started acting he took roles like [[Film/TheScorpionKing a mercenary-turned-Scorpion King]], a professional bounty hunter (''Film/TheRundown'') and a grizzled Gunnery Sergeant Space Marine (''Film/{{Doom}}''). Then he showed up in ''Film/RaceToWitchMountain'', ''WesternAnimation/{{Planet 51}}'' and ''Film/TheToothFairy''. And even his wrestling career was a step down from his college football career, when he would spark bench clearing brawls by taking a swing at an opposing team's ''mascot.'' He's now doing a complete 180 in his film career as ''Film/{{Faster}}'' was DarkerAndEdgier than any of his other movie roles, and he's also starred in ''Film/FastFive''. When he came back to WWE in 2011 he still had to tone himself down a lot, since ''Wrestling/MondayNightRaw'' is TV-PG now. To his credit he at least tried to push the envelope a bit, as much as WWE would let him get away with anyway. Dwayne would continue to [[ZigzaggedTrope zigzag this trope]], however, by co-starring in ''WesternAnimation/{{Moana}}'', a 2017 Disney musical film--and millions of viewers would hear him ''sing a musical number'' for the first time.
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Trope was cut/disambiguated due to cleanup


Compare TomHanksSyndrome. Related to BadassDecay, LighterAndSofter, KinderAndCleaner (if the rapper cuts down on their language use), ScaryMusicianHarmlessMusic and BleachedUnderpants (when a work distances itself from its [[NotSafeForWork NSFW]] beginnings). SoMyKidsCanWatch happens when a performer does family-friendly fare with every intention of going back to business as usual afterwards.

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Compare TomHanksSyndrome. Related to BadassDecay, LighterAndSofter, KinderAndCleaner (if the rapper cuts down on their language use), ScaryMusicianHarmlessMusic and BleachedUnderpants SelfCensoredRelease (when a work distances itself from its [[NotSafeForWork NSFW]] beginnings). SoMyKidsCanWatch happens when a performer does family-friendly fare with every intention of going back to business as usual afterwards.
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* Music/{{PSY}} was considered a divisive rapper during his earlier days whose his songs contain vulgar and explicit lyrics, and he was on evasion from mandatory military service in South Korea despite him working at software development interim. Upon his return from military service in 2010s, he shakes up everything anew and begins lessening some profane lyrics as well as going clean for his main songs and music videos. While he does dabble in gangsta rap music, he shamelessly parodies it.
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Trope was cut/disambiguated due to cleanup


* Wrestling/TrishStratus portrayed a vampy seductress whose initial storylines in WWE were seducing Bubba Ray Dudley via his table fetish, and having an affair with Vince [=McMahon=]. Around 2002 she started being pushed as a serious wrestler, toned down her ring gear and was more of a PluckyGirl in the ring. Even after a heel turn in 2004 she was subject to SlutShaming but her character avoided EvilIsSexy.

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* Wrestling/TrishStratus portrayed a vampy seductress whose initial storylines in WWE were seducing Bubba Ray Dudley via his table fetish, and having an affair with Vince [=McMahon=]. Around 2002 she started being pushed as a serious wrestler, toned down her ring gear and was more of a PluckyGirl in the ring. Even after a heel turn in 2004 she was subject to SlutShaming but her character avoided EvilIsSexy.SlutShaming.
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* Music/IceT went from rapping about being a hustler and killing cops to playing a cop on SVU and starring in a reality show with his model wife [=CoCo=] Austin. Subverted in that while he hasn't really gone back to gangsta rap, he continues to release hard-hitting thrash metal via his band Body Count.

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* Music/IceT went from rapping about being a hustler and killing cops to playing a cop detective on SVU ''Series/LawAndOrderSpecialVictimsUnit'' and starring in a reality show with his model wife [=CoCo=] Austin. Subverted in that while he hasn't really gone back to gangsta rap, he continues to release hard-hitting thrash metal via his band Body Count.
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** Eminem first rose to prominence as a shock comedy rapper who relied on disgusting, violent, and bigoted lyrics sung in-character as the stage persona of Slim Shady, attracting outcry from MoralGuardians. After an assault conviction in 2000 forced him to quit the drugs that powered his early songwriting, he toned down the aggression in favor of both serious material and playful ToiletHumor before a near-fatal battle with Ambien addiction motivated him to channel his experiences in the {{horrorcore}} album ''Relapse''. The backlash it generated resulted in him embracing PopRap on his next three albums, focusing on his RecoveredAddict status while still retaining his dark lyrical style. Eventually, he moved back to his more aggressive roots after ''Revival'' earned an even bigger backlash than ''Relapse'', though by then his image had already changed to the extent where his music was turning up in trailers for children's films, like the ''Franchise/DespicableMe'' franchise and ''Film/{{Shazam}}''.

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** Eminem first rose to prominence as a shock comedy rapper who relied on disgusting, violent, and bigoted lyrics sung in-character as the stage persona of Slim Shady, attracting outcry from MoralGuardians. After an assault conviction in 2000 forced him to quit the drugs that powered his early songwriting, he toned down the aggression in favor of both serious material and playful ToiletHumor before a near-fatal battle with Ambien addiction motivated him to channel his experiences in the {{horrorcore}} album ''Relapse''. The backlash it generated resulted in him embracing PopRap on his next three albums, focusing on his RecoveredAddict status while still retaining his dark lyrical style. Eventually, he moved back to his more aggressive roots after ''Revival'' earned an even bigger backlash than ''Relapse'', though by then his image had already changed to the extent where his music was turning up in trailers for children's films, like the ''Franchise/DespicableMe'' franchise and ''Film/{{Shazam}}''.''Film/Shazam2019''.
Is there an issue? Send a MessageReason:
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** Eminem first rose to prominence as a shock comedy rapper who relied on disgusting, violent, and bigoted lyrics sung in-character as the stage persona of Slim Shady, attracting outcry from MoralGuardians. After an assault conviction in 2000 forced him to quit the drugs that powered his early songwriting, he toned down the aggression in favor of both serious material and playful ToiletHumor before a near-fatal battle with Ambien addiction motivated him to channel his experiences in the {{horrorcore}} album ''Relapse''. The backlash it generated resulted in him embracing PopRap on his next three albums, focusing on his RecoveredAddict status while still retaining his dark lyrical style. Eventually, he moved back to his more aggressive roots after ''Revival'' earned an even bigger backlash than ''Relapse'', though by then his image had already changed to the extent where his music was turning up in trailers for children's films, like the ''WesternAnimation/DespicableMe'' franchise and ''Film/{{Shazam}}''.

to:

** Eminem first rose to prominence as a shock comedy rapper who relied on disgusting, violent, and bigoted lyrics sung in-character as the stage persona of Slim Shady, attracting outcry from MoralGuardians. After an assault conviction in 2000 forced him to quit the drugs that powered his early songwriting, he toned down the aggression in favor of both serious material and playful ToiletHumor before a near-fatal battle with Ambien addiction motivated him to channel his experiences in the {{horrorcore}} album ''Relapse''. The backlash it generated resulted in him embracing PopRap on his next three albums, focusing on his RecoveredAddict status while still retaining his dark lyrical style. Eventually, he moved back to his more aggressive roots after ''Revival'' earned an even bigger backlash than ''Relapse'', though by then his image had already changed to the extent where his music was turning up in trailers for children's films, like the ''WesternAnimation/DespicableMe'' ''Franchise/DespicableMe'' franchise and ''Film/{{Shazam}}''.
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Trope cut per thread.


** Eminem, by his own admission, [[EnforcedTrope enforced]] this on Proof's {{Horrorcore}} group D12. Several members of the group, in particular Swift, were legit gangstas, and at first the group made music playing off GangstaRap tropes. However, once Eminem broke out, he realised his relative fame would lead to him coming off as TheFaceOfTheBand (even though he started out as just another member, and still viewed himself as such) and that being the TokenWhite in charge of a group of black gangstas would have UnfortunateImplications. Therefore, he pushed them into becoming more of a pop-hip-hop band, producing their music in the same melodic, SubvertedKidsShow style he used on his own work. While D12's album tracks retain that edge ("don't think because we do popular music you won't get popped!"), their singles fit within the tone of Eminem's work at the time of release; their biggest hit, "My Band", with its AdamWesting of Eminem's superstar persona, would be right at home on Eminem's ''Encore''.

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** Eminem, by his own admission, [[EnforcedTrope enforced]] this on Proof's {{Horrorcore}} group D12. Several members of the group, in particular Swift, were legit gangstas, and at first the group made music playing off GangstaRap tropes. However, once Eminem broke out, he realised his relative fame would lead to him coming off as TheFaceOfTheBand the band front man (even though he started out as just another member, and still viewed himself as such) and that being the TokenWhite in charge of a group of black gangstas would have UnfortunateImplications. Therefore, he pushed them into becoming more of a pop-hip-hop band, producing their music in the same melodic, SubvertedKidsShow style he used on his own work. While D12's album tracks retain that edge ("don't think because we do popular music you won't get popped!"), their singles fit within the tone of Eminem's work at the time of release; their biggest hit, "My Band", with its AdamWesting of Eminem's superstar persona, would be right at home on Eminem's ''Encore''.

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Trimming to be more concise.


** Em started out as a controversy-bait shock-comedian who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up -- his starring role in ''Film/EightMile'' presents him as a nervous, serious youth, while ''Music/TheEminemShow'' and ''Music/{{Encore}}'' [[KinderAndCleaner cut down on]] bigotry, shock-violence and drugs for emotional songs and playful ToiletHumor. In 2010, after a much-needed CreatorRecovery, and partially in response to a graphic {{Horrorcore}} album that failed to impress critics, Eminem debuted a [[ImportantHaircut clean-cut]] RecoveredAddict image and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.
** This progression was eventually averted by 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem ditched most of his pop elements for a modern hip-hop sound, and his singles got more meaningfully controversial (with one, "Darkness", being blocked from the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before... although certainly not as much. And by this point, his music was turning up in trailers for children's films, like the ''WesternAnimation/DespicableMe'' franchise and ''Film/{{Shazam}}''.

to:

** Em started out Eminem first rose to prominence as a controversy-bait shock-comedian shock comedy rapper who rapped [[CrossesTheLineTwice relied on disgusting, violent violent, and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] lyrics sung in-character as the stage persona of Slim Shady, attracting outcry from MoralGuardians. Eminem's After an assault conviction in 2000 forced him to quit the shrooms and ecstasy which drugs that powered his writing and made him grow up -- his starring role early songwriting, he toned down the aggression in ''Film/EightMile'' presents him as a nervous, favor of both serious youth, while ''Music/TheEminemShow'' and ''Music/{{Encore}}'' [[KinderAndCleaner cut down on]] bigotry, shock-violence and drugs for emotional songs material and playful ToiletHumor. In 2010, after ToiletHumor before a much-needed CreatorRecovery, and partially near-fatal battle with Ambien addiction motivated him to channel his experiences in response to a graphic {{Horrorcore}} the {{horrorcore}} album that failed to impress critics, Eminem debuted a [[ImportantHaircut clean-cut]] ''Relapse''. The backlash it generated resulted in him embracing PopRap on his next three albums, focusing on his RecoveredAddict status while still retaining his dark lyrical style. Eventually, he moved back to his more aggressive roots after ''Revival'' earned an even bigger backlash than ''Relapse'', though by then his image and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.
** This progression was eventually averted by 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem ditched most of his pop elements for a modern hip-hop sound, and his singles got more meaningfully controversial (with one, "Darkness", being blocked from
had already changed to the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before... although certainly not as much. And by this point, extent where his music was turning up in trailers for children's films, like the ''WesternAnimation/DespicableMe'' franchise and ''Film/{{Shazam}}''.

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** Em started out as a controversy-bait shock-comedian who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up -- his starring role in ''Film/EightMile'' presents him as a nervous, serious youth, while ''Music/TheEminemShow'' and ''Music/{{Encore}}'' [[KinderAndCleaner cut down on]] bigotry, shock-violence and drugs for emotional songs and playful ToiletHumor. In 2010, after a much-needed CreatorRecovery, Eminem debuted a clean-cut RecoveredAddict image and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.

to:

** Em started out as a controversy-bait shock-comedian who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up -- his starring role in ''Film/EightMile'' presents him as a nervous, serious youth, while ''Music/TheEminemShow'' and ''Music/{{Encore}}'' [[KinderAndCleaner cut down on]] bigotry, shock-violence and drugs for emotional songs and playful ToiletHumor. In 2010, after a much-needed CreatorRecovery, and partially in response to a graphic {{Horrorcore}} album that failed to impress critics, Eminem debuted a clean-cut [[ImportantHaircut clean-cut]] RecoveredAddict image and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.

Changed: 643

Is there an issue? Send a MessageReason:
None


** Em started out as a controversy-bait shock-comedian who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up -- ''Music/TheEminemShow'' [[KinderAndCleaner cuts down on]] bigotry, shock-violence and drugs, and his starring role in ''Film/EightMile'' presents him as a nervous, serious youth. ''Music/{{Encore}} relies on ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour. In 2010, after a hard-earned CreatorRecovery, he debuted a new RecoveredAddict persona and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.
** This progression was eventually averted by 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem largely ditched pop for a modern hip-hop sound, and his singles got more meaningfully controversial (with one, "Darkness", being blocked from the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With left-leaning commentators outraged about his COVID-19 shock comedy in "Gnat"[[note]]eating a live bat, downing hydroxychloroquine, and coughing in the viewer's face[[/note]], and right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before... although at the same time, his music was turning up in trailers for children's films like the ''WesternAnimation/DespicableMe'' franchise.

to:

** Em started out as a controversy-bait shock-comedian who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up -- ''Music/TheEminemShow'' [[KinderAndCleaner cuts down on]] bigotry, shock-violence and drugs, and his starring role in ''Film/EightMile'' presents him as a nervous, serious youth. ''Music/{{Encore}} relies on ToiletHumor rather than drugs youth, while ''Music/TheEminemShow'' and ''Music/{{Encore}}'' [[KinderAndCleaner cut down on]] bigotry, shock-violence and contains multiple drugs for emotional songs apologising for his past bad behaviour. and playful ToiletHumor. In 2010, after a hard-earned much-needed CreatorRecovery, he Eminem debuted a new clean-cut RecoveredAddict persona image and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his singles got more poppy, his lyrics remained dark (and homophobic), and several of his album tracks are as graphic as anything from his younger days.
** This progression was eventually averted by 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem largely ditched most of his pop elements for a modern hip-hop sound, and his singles got more meaningfully controversial (with one, "Darkness", being blocked from the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With left-leaning commentators outraged about his COVID-19 shock comedy in "Gnat"[[note]]eating a live bat, downing hydroxychloroquine, and coughing in the viewer's face[[/note]], and right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before... although at the same time, certainly not as much. And by this point, his music was turning up in trailers for children's films films, like the ''WesternAnimation/DespicableMe'' franchise.franchise and ''Film/{{Shazam}}''.

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** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up - ''Music/TheEminemShow'' [[KinderAndCleaner significantly cuts down on]] bigotry, shock-violence and drugs, and his starring role in the movie ''Film/EightMile'' presents him as a nervous, serious youth. "Lose Yourself", ''8 Mile'''s theme song (containing no shock humour beyond [[StressVomit a puke joke]]), won Eminem an Oscar and became his unexpectedly dignified SignatureSong. After tiring of the beefs he was caught in in 2003 (which threatened to spill over into real violence), Eminem released ''Encore'' in 2004, which -- while still silly and offensive -- relies on ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour.
** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he ditched his old baggy hip-hop outfits for a leather jacket and a dark buzz cut and began doing [[RadioFriendliness radio-friendly]] PopRap with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his production was more poppy, his lyrics remained dark (and still included homophobic slurs), and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel'' and ''SHADYXV'').
** This progression was eventually averted by a negative reaction to 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem ditched his stadium-pop style for modern hip-hop production, with more [[HairTriggerTemper rage]], goofball shock comedy, and [[TakeThatCritics rants about the critics]], and his singles got more meaningfully controversial (with one, "Darkness", being blocked from the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With left-leaning commentators outraged about his COVID-19 shock comedy in "Gnat"[[note]]eating a live bat, downing hydroxychloroquine, and coughing in the viewer's face[[/note]], and right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before.

to:

** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, who rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. Eminem's assault conviction in 2000 forced him to quit the shrooms and ecstasy which powered his writing and made him grow up - -- ''Music/TheEminemShow'' [[KinderAndCleaner significantly cuts down on]] bigotry, shock-violence and drugs, and his starring role in the movie ''Film/EightMile'' presents him as a nervous, serious youth. "Lose Yourself", ''8 Mile'''s theme song (containing no shock humour beyond [[StressVomit a puke joke]]), won Eminem an Oscar and became his unexpectedly dignified SignatureSong. After tiring of the beefs he was caught in in 2003 (which threatened to spill over into real violence), Eminem released ''Encore'' in 2004, which -- while still silly and offensive -- ''Music/{{Encore}} relies on ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour.
** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception.
behaviour. In 2010, after a hard-earned CreatorRecovery, he ditched his old baggy hip-hop outfits for debuted a leather jacket and a dark buzz cut new RecoveredAddict persona and began doing [[RadioFriendliness radio-friendly]] SelfEmpowermentAnthem PopRap with people collaborators like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, even if his production was singles got more poppy, his lyrics remained dark (and still included homophobic slurs), homophobic), and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel'' and ''SHADYXV'').
days.
** This progression was eventually averted by a negative reaction to 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem largely ditched his stadium-pop style pop for a modern hip-hop production, with more [[HairTriggerTemper rage]], goofball shock comedy, and [[TakeThatCritics rants about the critics]], sound, and his singles got more meaningfully controversial (with one, "Darkness", being blocked from the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With left-leaning commentators outraged about his COVID-19 shock comedy in "Gnat"[[note]]eating a live bat, downing hydroxychloroquine, and coughing in the viewer's face[[/note]], and right-leaning commentators fuming about Eminem taking a knee at the 2022 Super Bowl half-time show, he was once again antagonising the same people who saw him as a menace to society 20 years before.before... although at the same time, his music was turning up in trailers for children's films like the ''WesternAnimation/DespicableMe'' franchise.
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* Music/PublicEnemy: Chuck D now stars in a series of public service announcements for colonoscopies.
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The "inversion" here kind of makes anything about the original trope unrecognizable — he went off the deep end, but it's barely to do with his art, at least according to this entry, which is a little more than loaded in calling him out as a person. Artistically he just went Darker And Edgier.


* Music/KanyeWest is an inversion. He started out as a wholesome, self-deprecating character who rapped over soulful beats, but slowly became DarkerAndEdgier and more controversial after getting famous, and especially after the death of his mother. In 2018, following a period of disturbing and megalomaniacal behaviour, Kanye released ''Jesus is King'', a squeaky clean gospel hip hop album, and announced he would only make religious music from here on, with no swearing. He did not stick to this promise, putting out the extremely dark and disturbing hip-hop albums ''DONDA'' and ''DONDA 2'', then, unfortunately, running for President as [[ThoseWackyNazis an avowed neo-Nazi]].

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** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Eminem was hit with an assault conviction in 2000, which shocked him into growing up a little - ''Music/TheEminemShow'' [[KinderAndCleaner significantly cuts down on]] bigotry, shock-violence and drugs.
** Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's reputation, presenting his character as a nervous youth directing his violence against deserving targets. "Lose Yourself", the movie's theme song (containing no shock humour beyond [[StressVomit a puke joke]]), won Eminem an Oscar and became his unexpectedly dignified SignatureSong. After tiring of the beefs he was caught in in 2003 (which threatened to spill over into real violence), Eminem released ''Encore'' in 2004, which offends with ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour.
** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he ditched his old baggy hip-hop outfits for a leather jacket and a dark buzz cut and began doing [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his megahit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010, and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel'' and ''SHADYXV''). Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, resulting in a lot of angry thinkpieces.
** This progression was eventually averted. After a negative reaction to him maintaining the pop sound in 2017's ''Revival'', Eminem ditched a lot of the pop elements and returned to his old obsession with [[HairTriggerTemper furious]] [[TakeThatCritics screeds against his enemies]]. He has moved away from straight shock comedy in favour of wordplay humour, and his lyrics are less violent, but with songs like the mass shooter horror anthem "Darkness" and the shock COVID-related violence in "Gnat" (with a video in which he coughs in the viewer's face, and eats a live bat), music reviewers were genuinely scared of him for the first time since 2003. And him taking the knee at the 2022 Super Bowl Half Time Show - while there were confused reports on whether the NFL had actually permitted it or not - wound up the same right-wing politicians that had viewed him as a menace to society 20 years before.

to:

** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Eminem was hit with an Eminem's assault conviction in 2000, 2000 forced him to quit the shrooms and ecstasy which shocked powered his writing and made him into growing grow up a little - ''Music/TheEminemShow'' [[KinderAndCleaner significantly cuts down on]] bigotry, shock-violence and drugs.
** Soon, he was
drugs, and his starring role in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's reputation, presenting his character ''Film/EightMile'' presents him as a nervous youth directing his violence against deserving targets. nervous, serious youth. "Lose Yourself", the movie's ''8 Mile'''s theme song (containing no shock humour beyond [[StressVomit a puke joke]]), won Eminem an Oscar and became his unexpectedly dignified SignatureSong. After tiring of the beefs he was caught in in 2003 (which threatened to spill over into real violence), Eminem released ''Encore'' in 2004, which offends with -- while still silly and offensive -- relies on ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour.
** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he ditched his old baggy hip-hop outfits for a leather jacket and a dark buzz cut and began doing [[RadioFriendliness radio-friendly]] pop-rap collaborations PopRap with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while even if his early-2010s albums' ''tone'' production was more melodic and pop-oriented, their ''lyrics'' maintained darkness - poppy, his megahit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010, lyrics remained dark (and still included homophobic slurs), and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel'' and ''SHADYXV''). Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, resulting in a lot of angry thinkpieces.
''SHADYXV'').
** This progression was eventually averted. After averted by a negative reaction to him maintaining the pop sound in 2017's ''Revival'', which fans and critics found too safe and commercial. In response, Eminem ditched a lot of the pop elements and returned to his old obsession stadium-pop style for modern hip-hop production, with more [[HairTriggerTemper furious]] rage]], goofball shock comedy, and [[TakeThatCritics screeds against rants about the critics]], and his enemies]]. He has moved away singles got more meaningfully controversial (with one, "Darkness", being blocked from straight the WebSite/YouTube chart due to its insensitive depiction of a mass shooting). With left-leaning commentators outraged about his COVID-19 shock comedy in favour of wordplay humour, "Gnat"[[note]]eating a live bat, downing hydroxychloroquine, and his lyrics are less violent, but with songs like the mass shooter horror anthem "Darkness" and the shock COVID-related violence in "Gnat" (with a video in which he coughs coughing in the viewer's face, face[[/note]], and eats a live bat), music reviewers were genuinely scared of him for the first time since 2003. And him right-leaning commentators fuming about Eminem taking the a knee at the 2022 Super Bowl Half Time Show - while there were confused reports on whether the NFL had actually permitted it or not - wound up half-time show, he was once again antagonising the same right-wing politicians that had viewed people who saw him as a menace to society 20 years before.

Changed: 537

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* Subversion with Music/KanyeWest, whose music and actions have become DarkerAndEdgier and more controversial since becoming famous. However, played straight when he released ''Jesus is King'', a squeaky clean gospel hip hop album, and announced he would be focusing on the wholesome Christian persona instead.

to:

* Subversion with Music/KanyeWest, whose music and actions have become Music/KanyeWest is an inversion. He started out as a wholesome, self-deprecating character who rapped over soulful beats, but slowly became DarkerAndEdgier and more controversial since becoming famous. However, played straight when he after getting famous, and especially after the death of his mother. In 2018, following a period of disturbing and megalomaniacal behaviour, Kanye released ''Jesus is King'', a squeaky clean gospel hip hop album, and announced he would be focusing on only make religious music from here on, with no swearing. He did not stick to this promise, putting out the wholesome Christian persona instead.extremely dark and disturbing hip-hop albums ''DONDA'' and ''DONDA 2'', then, unfortunately, running for President as [[ThoseWackyNazis an avowed neo-Nazi]].
Is there an issue? Send a MessageReason:


* Music/OzzyOsbourne was known as a particular family-unfriendly rockstar with Satanic undertones and lurid legends of his backstage exploits. Since the airing of ''The Osbournes'', however, he's viewed as a befuddled and doddering old man. His harmless media appearances since then include pitching ''World of Warcraft''. Those "Satanic undertones" were also often, especially in the case of early Black Sabbath, NotChristianRock.

to:

* Music/OzzyOsbourne was known as a particular family-unfriendly rockstar with Satanic undertones and lurid legends of his backstage exploits. Since the airing of ''The Osbournes'', however, he's viewed as a befuddled and doddering old man. His harmless media appearances since then include pitching ''World of Warcraft''. Those "Satanic undertones" were also often, especially in the case of early Black Sabbath, NotChristianRock.
Is there an issue? Send a MessageReason:
usage in descriptions is fine; my mistake


* {{Wrestling/Melina}} debuted on WWE TV doing a striptease and her time as a valet to MNM saw her performing the splits on the apron wearing a short skirt - allowing a panty shot for the fans. She switched to long pants and transitioned to full-time wrestler - though kept the sexy entrance - but was pushed as a top babyface during the PG Era.

to:

* {{Wrestling/Melina}} debuted on WWE TV doing a striptease and her time as a valet to MNM saw her performing the splits on the apron wearing a short skirt - allowing a panty shot {{panty shot}} for the fans. She switched to long pants and transitioned to full-time wrestler - though kept the sexy entrance - but was pushed as a top babyface during the PG Era.
Is there an issue? Send a MessageReason:
trope def-only


* {{Wrestling/Melina}} debuted on WWE TV doing a striptease and her time as a valet to MNM saw her performing the splits on the apron wearing a short skirt - allowing a PantyShot for the fans. She switched to long pants and transitioned to full-time wrestler - though kept the sexy entrance - but was pushed as a top babyface during the PG Era.

to:

* {{Wrestling/Melina}} debuted on WWE TV doing a striptease and her time as a valet to MNM saw her performing the splits on the apron wearing a short skirt - allowing a PantyShot panty shot for the fans. She switched to long pants and transitioned to full-time wrestler - though kept the sexy entrance - but was pushed as a top babyface during the PG Era.
Is there an issue? Send a MessageReason:
None


** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he ditched his old baggy hip-hop outfits for a leather jacket and a dark buzz cut and began doing [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his megahit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010, and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel''). Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, resulting in a lot of angry thinkpieces.

to:

** Eminem attempted a CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people wanted him to come back "as nasty as he can", he released a {{Horrorcore}} ConceptAlbum, ''Relapse'', which went full force with shock content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he ditched his old baggy hip-hop outfits for a leather jacket and a dark buzz cut and began doing [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his megahit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010, and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel'').Sequel'' and ''SHADYXV''). Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, resulting in a lot of angry thinkpieces.

Changed: 2588

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* Music/DrDre went from being in the terrifying rap group Music/{{NWA}} and being a notorious woman-beater, to being the OnlySaneMan as his peroxided [[TheNotLoveInterest protege and muse]] Eminem cartoonishly rampaged in his videos. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.

to:

* Music/DrDre went from being in the terrifying rap group Music/{{NWA}} and being a notorious woman-beater, to being the OnlySaneMan as his peroxided [[TheNotLoveInterest protege and muse]] Eminem cartoonishly rampaged in his videos. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist. In the 2022 Super Bowl Half Time Show, he's presented as a sort of patriarch of West Coast Hip-Hop nurturing his retinue of grown-up heirs.



** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. ''Music/TheEminemShow'' mostly excises the homophobia (apart from one reference on "Without Me", a song intended to gently ease in his old fans into his new style), gets rid of most of the drug talk, and the violence is mostly realistic and taken seriously rather than the BloodyHilarious slapstick in his older work - Eminem had wanted to prove he could make good music without relying on shock value.
** Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's reputation [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After having his biggest ever hit with "Lose Yourself" and winning an Oscar for it, Eminem stopped wanting to hurt people as much and moved towards PottyHumor on ''Encore'' as a way of annoying people without offending, which also had the effect of making his music [[WhatDoYouMeanItsNotForKids even more appealing to children.]] (Eminem even recorded an extensive Clean version of ''Encore'' with plenty of altered lyrics, in the hope it'd find a children's market.) Soon after, he made some unconvincing attempts at softening his image further, into more of a [[GlamRap party rapper]].
** After a negative reaction to his {{Horrorcore}} concept album ''Relapse'', which went full force with shock content, he changed his image, started dressing like a rock star rather than a rapper, and began churning out sincere, [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.
** This progression was eventually averted. After a negative reaction to him maintaining the pop sound in ''Revival'', however, Eminem ditched a lot of the pop elements and returned to his old well of [[HairTriggerTemper furious]] [[TakeThatCritics screeds against his enemies]]. He has moved away from straight shock comedy in favour of wordplay humour, and his lyrics are less violent, but with songs like the mass shooter horror anthem "Darkness" and the shock COVID-related violence in "Gnat" (with a video in which he coughs in the viewer's face, and eats a live bat), music reviewers were genuinely scared of him for the first time since 2003.

to:

** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Eminem was hit with an assault conviction in 2000, which shocked him into growing up a little - ''Music/TheEminemShow'' mostly excises the homophobia (apart from one reference on "Without Me", a song intended to gently ease in his old fans into his new style), gets rid of most of the drug talk, [[KinderAndCleaner significantly cuts down on]] bigotry, shock-violence and the violence is mostly realistic and taken seriously rather than the BloodyHilarious slapstick in his older work - Eminem had wanted to prove he could make good music without relying on shock value.
drugs.
** Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's reputation [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names reputation, presenting his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After having nervous youth directing his biggest ever hit with violence against deserving targets. "Lose Yourself" and winning Yourself", the movie's theme song (containing no shock humour beyond [[StressVomit a puke joke]]), won Eminem an Oscar for it, and became his unexpectedly dignified SignatureSong. After tiring of the beefs he was caught in in 2003 (which threatened to spill over into real violence), Eminem stopped wanting to hurt people as much and moved towards PottyHumor on released ''Encore'' as in 2004, which offends with ToiletHumor rather than drugs and bigotry, and contains multiple songs apologising for his past bad behaviour.
** Eminem attempted
a way of annoying CareerResurrection after taking years off to deal with [[CreatorBreakdown a drug addiction that almost killed him]]. Feeling people without offending, which also had the effect of making his music [[WhatDoYouMeanItsNotForKids even more appealing wanted him to children.]] (Eminem even recorded an extensive Clean version of ''Encore'' with plenty of altered lyrics, in the hope it'd find a children's market.) Soon after, come back "as nasty as he made some unconvincing attempts at softening his image further, into more of can", he released a [[GlamRap party rapper]].
** After a negative reaction to his
{{Horrorcore}} concept album ConceptAlbum, ''Relapse'', which went full force with shock content, content... and then [[CreatorBacklash cringed]] at it, especially after its puzzled critical reception. In 2010, he changed ditched his image, started dressing like old baggy hip-hop outfits for a rock star rather than leather jacket and a rapper, dark buzz cut and began churning out sincere, doing [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit megahit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. 2010, and several of his album tracks are as graphic as anything from his younger days (particularly on ''Hell: The Sequel''). Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.
a lot of angry thinkpieces.
** This progression was eventually averted. After a negative reaction to him maintaining the pop sound in 2017's ''Revival'', however, Eminem ditched a lot of the pop elements and returned to his old well of obsession with [[HairTriggerTemper furious]] [[TakeThatCritics screeds against his enemies]]. He has moved away from straight shock comedy in favour of wordplay humour, and his lyrics are less violent, but with songs like the mass shooter horror anthem "Darkness" and the shock COVID-related violence in "Gnat" (with a video in which he coughs in the viewer's face, and eats a live bat), music reviewers were genuinely scared of him for the first time since 2003. And him taking the knee at the 2022 Super Bowl Half Time Show - while there were confused reports on whether the NFL had actually permitted it or not - wound up the same right-wing politicians that had viewed him as a menace to society 20 years before.

Changed: 66

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Compare TomHanksSyndrome. Related to BadassDecay, LighterAndSofter, ScaryMusicianHarmlessMusic and BleachedUnderpants (when a work distances itself from its [[NotSafeForWork NSFW]] beginnings). SoMyKidsCanWatch happens when a performer does family-friendly fare with every intention of going back to business as usual afterwards.

to:

Compare TomHanksSyndrome. Related to BadassDecay, LighterAndSofter, KinderAndCleaner (if the rapper cuts down on their language use), ScaryMusicianHarmlessMusic and BleachedUnderpants (when a work distances itself from its [[NotSafeForWork NSFW]] beginnings). SoMyKidsCanWatch happens when a performer does family-friendly fare with every intention of going back to business as usual afterwards.

Added: 2644

Changed: 1536

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* Music/DrDre went from being in the terrifying rap group Music/{{NWA}} and being a notorious woman-beater, to being the OnlySaneMan as his [[TheNotLoveInterest protege and muse]] Eminem cartoonishly rampaged in his videos. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.

to:

* Music/DrDre went from being in the terrifying rap group Music/{{NWA}} and being a notorious woman-beater, to being the OnlySaneMan as his peroxided [[TheNotLoveInterest protege and muse]] Eminem cartoonishly rampaged in his videos. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.



** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's BloodyHilarious violence [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After winning an Oscar for ''8 Mile'', Eminem moved away from cartoon violence to more generic grossout humour that didn't have as much substance for critics to defend - after a negative reaction to his {{Horrorcore}} concept album ''Relapse'', he changed his image and began churning out sincere, radio-friendly pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his later albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.

to:

** Em started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Soon, ''Music/TheEminemShow'' mostly excises the homophobia (apart from one reference on "Without Me", a song intended to gently ease in his old fans into his new style), gets rid of most of the drug talk, and the violence is mostly realistic and taken seriously rather than the BloodyHilarious slapstick in his older work - Eminem had wanted to prove he could make good music without relying on shock value.
**Soon,
he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's BloodyHilarious violence reputation [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After having his biggest ever hit with "Lose Yourself" and winning an Oscar for ''8 Mile'', it, Eminem moved away from cartoon violence stopped wanting to more generic grossout humour that didn't have hurt people as much substance for critics and moved towards PottyHumor on ''Encore'' as a way of annoying people without offending, which also had the effect of making his music [[WhatDoYouMeanItsNotForKids even more appealing to defend - after children.]] (Eminem even recorded an extensive Clean version of ''Encore'' with plenty of altered lyrics, in the hope it'd find a children's market.) Soon after, he made some unconvincing attempts at softening his image further, into more of a [[GlamRap party rapper]].
** After
a negative reaction to his {{Horrorcore}} concept album ''Relapse'', which went full force with shock content, he changed his image image, started dressing like a rock star rather than a rapper, and began churning out sincere, radio-friendly [[RadioFriendliness radio-friendly]] pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his later early-2010s albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.
** This progression was eventually averted. After a negative reaction to him maintaining the pop sound in ''Revival'', however, Eminem ditched a lot of the pop elements and returned to his old well of [[HairTriggerTemper furious]] [[TakeThatCritics screeds against his enemies]]. He has moved away from straight shock comedy in favour of wordplay humour, and his lyrics are less violent, but with songs like the mass shooter horror anthem "Darkness" and the shock COVID-related violence in "Gnat" (with a video in which he coughs in the viewer's face, and eats a live bat), music reviewers were genuinely scared of him for the first time since 2003.
Is there an issue? Send a MessageReason:
None


* Music/DrDre went from being in the terrifying rap group {{NWA}} and being a notorious woman-beater, to being the OnlySaneMan failing to keep his protege and [[TheNotLoveInterest muse]] Eminem under control. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.

to:

* Music/DrDre went from being in the terrifying rap group {{NWA}} Music/{{NWA}} and being a notorious woman-beater, to being the OnlySaneMan failing to keep as his protege and [[TheNotLoveInterest protege and muse]] Eminem under control.cartoonishly rampaged in his videos. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.
Is there an issue? Send a MessageReason:
None

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* Music/DrDre went from being in the terrifying rap group {{NWA}} and being a notorious woman-beater, to being the OnlySaneMan failing to keep his protege and [[TheNotLoveInterest muse]] Eminem under control. In the decades after that, he got progressively more domesticated and ended up as a billionaire Apple executive. Now, if his name is mentioned, it will be in his capacity as a sensitive, genius artist.
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* Music/IceCube -- same thing, from rapper to horror movie star, to ''Are We There Yet''. He does go back from time to time, alternating roles between "badass thug" and "UnsympatheticComedyProtagonist". His character in the Film/TwentyOneJumpStreet movies manages to be ''both''.

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* Music/IceCube -- same thing, from rapper to horror movie star, to ''Are We There Yet''.''Film/AreWeThereYet''. He does go back from time to time, alternating roles between "badass thug" and "UnsympatheticComedyProtagonist". His character in the Film/TwentyOneJumpStreet ''Film/TwentyOneJumpStreet'' movies manages to be ''both''.
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** Eminem, by his own admission, [[EnforcedTrope enforced]] this on Proof's {{Horrorcore}} group D12. Several members of the group, in particular Swift, were legit gangstas, and at first the group made music playing off GangstaRap tropes. However, once Eminem broke out, he realised his relative fame would lead to him coming off as TheFaceOfTheBand (even though he started out as just another member, and still viewed himself as such) and that being the TokenWhite in charge of a group of black gangstas would have UnfortunateImplications. While D12's album tracks retain that edge ("don't think because we do popular music you won't get popped!"), their singles fit within the tone of Eminem's work at the time of release; their biggest hit, "My Band", with its AdamWesting of Eminem's superstar persona, would be right at home on Eminem's ''Encore''.

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** Eminem, by his own admission, [[EnforcedTrope enforced]] this on Proof's {{Horrorcore}} group D12. Several members of the group, in particular Swift, were legit gangstas, and at first the group made music playing off GangstaRap tropes. However, once Eminem broke out, he realised his relative fame would lead to him coming off as TheFaceOfTheBand (even though he started out as just another member, and still viewed himself as such) and that being the TokenWhite in charge of a group of black gangstas would have UnfortunateImplications. Therefore, he pushed them into becoming more of a pop-hip-hop band, producing their music in the same melodic, SubvertedKidsShow style he used on his own work. While D12's album tracks retain that edge ("don't think because we do popular music you won't get popped!"), their singles fit within the tone of Eminem's work at the time of release; their biggest hit, "My Band", with its AdamWesting of Eminem's superstar persona, would be right at home on Eminem's ''Encore''.

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* Music/{{Eminem}} started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's BloodyHilarious violence [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After winning an Oscar for ''8 Mile'', Eminem moved away from cartoon violence to more generic grossout humour that didn't have as much substance for critics to defend - after a negative reaction to his {{Horrorcore}} concept album ''Relapse'', he changed his image and began churning out sincere, radio-friendly pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his later albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.

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* Music/{{Eminem}} Music/{{Eminem}}:
** Em
started out as a controversy-bait shock-comedian who, through a {{Kayfabe}} AntiRoleModel alter-ego character named Slim Shady, rapped - in a squeaky voice, with cartoon sound effects - [[CrossesTheLineTwice disgusting, violent and bigoted lyrics]] [[UnreliableNarrator blurring fact and fiction]] that drew [[TheNewRockAndRoll significant criticism]] from MoralGuardians. At the same time, his unparalleled technical ability led to him winning a lot of fans amongst music journalists, who began to accept him into the music establishment around the time he released his classic MurderBallad "Stan" - especially after his performance with Music/EltonJohn quelled some concern about the comedy homophobia. Soon, he was starring in the movie ''Film/EightMile'', which, while still capturing the gritty Detroit poverty he raps about in his earlier GangstaRap material, was intended by Interscope to win over people who were put off by Eminem's BloodyHilarious violence [[note]]a pitch to make a violent shock comedy movie about Slim Shady was [[ExecutiveMeddling rejected extremely fast]][[/note]], names his character "Rabbit" to make him look cuddly, and presents him as a defender of a gay friend at work. After winning an Oscar for ''8 Mile'', Eminem moved away from cartoon violence to more generic grossout humour that didn't have as much substance for critics to defend - after a negative reaction to his {{Horrorcore}} concept album ''Relapse'', he changed his image and began churning out sincere, radio-friendly pop-rap collaborations with people like Music/{{Rihanna}} and Music/{{Bruno Mars}}. However, while his later albums' ''tone'' was more melodic and pop-oriented, their ''lyrics'' maintained darkness - his hit "Love the Way You Lie" has a catchy chorus but is about a graphically-described DestructiveRomance much heavier than anything else on the radio in 2010. Eminem also continued to use homophobic slurs and rape jokes in his music, which were controversial back in the year 2000, but ''well'' beyond the JustJokingJustification by TheNewTens, meaning that few music critics would now defend him, and resulting in many, many belated apologies.apologies.
** Eminem, by his own admission, [[EnforcedTrope enforced]] this on Proof's {{Horrorcore}} group D12. Several members of the group, in particular Swift, were legit gangstas, and at first the group made music playing off GangstaRap tropes. However, once Eminem broke out, he realised his relative fame would lead to him coming off as TheFaceOfTheBand (even though he started out as just another member, and still viewed himself as such) and that being the TokenWhite in charge of a group of black gangstas would have UnfortunateImplications. While D12's album tracks retain that edge ("don't think because we do popular music you won't get popped!"), their singles fit within the tone of Eminem's work at the time of release; their biggest hit, "My Band", with its AdamWesting of Eminem's superstar persona, would be right at home on Eminem's ''Encore''.

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