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* In ''SweeneyTodd'', Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Angela Lansbury as opposed to the equally (perhaps ''more'') likely possibility of her being thin and bony. Christine Baranski is the only skinny Mrs. Lovett ThisTroper has ever heard of.

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* In ''SweeneyTodd'', ''Theatre/SweeneyToddTheDemonBarberOfFleetStreet'', Mrs. Lovett is almost always cast a little on the plump side or blowsy, like Angela Lansbury as opposed to the equally (perhaps ''more'') likely possibility of her being thin and bony. Christine Baranski is the only skinny Mrs. Lovett ThisTroper has ever heard of.
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* ''{{Guys and Dolls}}''--Sky Masterson is the traditional romantic lead while Nathan Detroit is the more comic role, but thanks to FrankSinatra's portrayal in the movie, Nathan Detroit is often played by the better singer.

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* ''{{Guys and Dolls}}''--Sky Masterson is the traditional romantic lead while Nathan Detroit is the more comic role, but role. Though Nathan Detroit was originally played by the tone-deaf Sam Levene, thanks to FrankSinatra's portrayal in the movie, Nathan Detroit is often played by the better singer.

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* This is probably where the utterly ridiculous tradition of [[PlayingHamlet casting a middle-aged man as Hamlet]] came from: Richard Burbage, who originated most of the titular roles in Shakespeare's tragedies, was in his late thirties or forties when he originated this role.
** This is mostly justified by the equally ridiculous throwaway line in the uncut text about Hamlet being thirty, but even so, some of the actors who have played him have been most definitely ''not'' thirty (cough Laurence Oliver cough).
** It long ago reached the point where "I played Hamlet!" is fictional shorthand for "I've done more theater shows than you can ''count''!"

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* This is probably where the utterly ridiculous tradition of [[PlayingHamlet casting a middle-aged man as Hamlet]] came from: Richard Burbage, who originated most of the titular roles in Shakespeare's tragedies, was in his late thirties or forties when he originated this role.
**
role. This is mostly justified by the equally ridiculous throwaway line in the uncut text about Hamlet being thirty, or possibly because people feel someone in their late teens wouldn't have the acting range to pull off Hamlet, but even so, some of the actors who have played him have been most definitely [[LaurenceOlivier definitely]] ''not'' thirty (cough Laurence Oliver cough).
**
thirty. It long ago reached the point where "I played Hamlet!" is fictional shorthand for "I've done more theater shows than you can ''count''!"
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**Audrey is nearly always blonde, or given a blonde wig.
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* ''TheWiz'' (an adaptation of ''TheWonderfulWizardOfOz'') was originally staged with an all-black cast, and the movie version and many subsequent productions have followed suit. However, perhaps since race is not an in-story issue, it's not uncommon to see colorblind stagings, especially on the amateur level.

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* ''TheWiz'' (an adaptation of ''TheWonderfulWizardOfOz'') ''Literature/TheWonderfulWizardOfOz'') was originally staged with an all-black cast, and the movie version and many subsequent productions have followed suit. However, perhaps since race is not an in-story issue, it's not uncommon to see colorblind stagings, especially on the amateur level.
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* In productions of the ''RockyHorrorShow'', Eddie and Dr Scott are frequently played by the same actor. The [[RockyHorrorPictureShow film]], which casts two different actors in the roles, is a rare aversion of this.

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* In ''[[{{Theatre/ptitlenjisnv3p}} Les Misérables]]'', the majority of Eponines have had dark hair, despite the fact that [[Main/LesMiserables the novel]] describes her as a blonde. This is probably set by original Eponine, Frances Ruffelle and reinforced by notable 10th Anniversary Concert Cast Eponine, Lea Salonga. In fact, Megan Lawrence, a blonde Eponine on Broadway, commented once to an interviewer that she never thought she'd get to play Eponine ''because'' she was a blonde.

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* In ''[[{{Theatre/ptitlenjisnv3p}} Les Misérables]]'', the majority of Eponines have had dark hair, despite the fact that [[Main/LesMiserables the novel]] describes her as a blonde. This is probably set by original Eponine, Frances Ruffelle and reinforced by notable 10th Anniversary Concert Cast Eponine, Lea Salonga.Salonga, and 25th Anniversary, Samantha Barks. In fact, Megan Lawrence, a blonde Eponine on Broadway, commented once to an interviewer that she never thought she'd get to play Eponine ''because'' she was a blonde.


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** Katie Hall is a notable aversion. She played Cosette in the 25th Anniversary Concert.
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** Another Les Miserables example is that Cosette, another blonde in the book, always is given a brown wig, regardless of the hair colour of the actress.
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* NathanLane [[TropeCodifier codified]] the performance of [[TheProducers Max Bialystock]], so much so that in a brief [[BreakingTheFourthWall Fourth Wall-breaking moment]] in "Betrayed," other actors playing the role will make jokes about how they're not Nathan Lane.

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* NathanLane Nathan Lane [[TropeCodifier codified]] the performance of [[TheProducers Max Bialystock]], so much so that in a brief [[BreakingTheFourthWall Fourth Wall-breaking moment]] in "Betrayed," other actors playing the role will make jokes about how they're not Nathan Lane.

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** It also makes thematic sense, especially between the Prince and Wolf and the Narrator and Mysterious Man.

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** It also makes thematic sense, especially between the Prince and Wolf and the Narrator and Mysterious Man.Man.
* NathanLane [[TropeCodifier codified]] the performance of [[TheProducers Max Bialystock]], so much so that in a brief [[BreakingTheFourthWall Fourth Wall-breaking moment]] in "Betrayed," other actors playing the role will make jokes about how they're not Nathan Lane.
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* Utterson in ''JekyllAndHyde'' tends to be played by a black actor, despite no particular reason for this.

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* Utterson in ''JekyllAndHyde'' ''Theatre/JekyllAndHyde'' tends to be played by a black actor, despite no particular reason for this.

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*** Indeed, it's a tradition for any big budget version of ''Camelot'' to have Arthur played by a respectable movie star with little or no singing experience (Burton, Harris, Laurence Harvey, Gabriel Byrne, Michael York) or someone who made their theatre career singing that way (Jeremy Irons.)
** Robert Goulet played Arthur in a touring production ca. 1998-1999; he originated the role of Lancelot on Broadway back in 1960.

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*** Indeed, it's a tradition for any big budget version of ''Camelot'' to have Arthur played by a respectable movie star with little or no singing experience (Burton, Harris, Laurence Harvey, Gabriel Byrne, Michael York) or someone who made their theatre career singing that way (Jeremy Irons.)
**
) A rare exception was Robert Goulet played -- the original Broadway cast's Lancelot -- playing Arthur in a touring production ca. 1998-1999; he originated the role of Lancelot on Broadway back in 1960.1998-1999.
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** Robert Goulet played Arthur in a touring production ca. 1998-1999.

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** Robert Goulet played Arthur in a touring production ca. 1998-1999.1998-1999; he originated the role of Lancelot on Broadway back in 1960.
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*** Averted by the 2007 Australian production, which cast the Italian Anthony Callea as Mark.
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* Revivals of ''The Cradle Will Rock'' often do without costumes, scenery or orchestra; the original production did this out of necessity when the actors were locked out of the theatre it was supposed to open in.

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* Revivals of ''The Cradle Will Rock'' often do without costumes, scenery or orchestra; the original production (which was directed by OrsonWelles, by the way) did this out of necessity when the actors were locked out of the theatre it was supposed to open in.



* Zero Mostel had a huge influence on future portrayals of the characters he played. Most notably Tevye from ''Fiddler on the Roof''--a dirt poor Russian Jew shouldn't logically be a very fat man.
* ''Guys and Dolls''--Sky Masterson is the traditional romantic lead while Nathan Detroit is the more comic role, but thanks to Sinatra's portrayal in the movie, Nathan Detroit is often played by the better singer.

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* Zero Mostel had a huge influence on future portrayals of the characters he played. Most notably Tevye from ''Fiddler ''{{Fiddler on the Roof''--a Roof}}''--a dirt poor Russian Jew shouldn't logically be a very fat man.
* ''Guys ''{{Guys and Dolls''--Sky Dolls}}''--Sky Masterson is the traditional romantic lead while Nathan Detroit is the more comic role, but thanks to Sinatra's FrankSinatra's portrayal in the movie, Nathan Detroit is often played by the better singer.
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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face [[strike:is unseen]] appears as that of a Skid Row bum, also by precedent.

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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face [[strike:is unseen]] appears is unseen -- or rather, is seen only as that of a Skid Row bum, also which he doubles as by precedent.
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* Helene in ''SweetCharity'' is traditionally played by a black actress, like Thelma Oliver in the original Broadway cast and Paula Kelly in the 1969 film.
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** It should be noted that RUG tends to keep a very close rein on character designs in their productions. There is however a production of note (This troper believes it was Swedish?) where Christine is in fact blonde.
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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face [[strike:is unseen]] appears as that of a Skid Row bum.

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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face [[strike:is unseen]] appears as that of a Skid Row bum.bum, also by precedent.
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* Inverted with {{Pippin}} The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.

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* Inverted with {{Pippin}} ''{{Pippin}}''. The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.
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Jeremy Irons was in the original cast of Godspell, so I guess that talk-singing is his style.


*** Indeed, it's a tradition for any big budget version of ''Camelot'' to have Arthur played by a respectable movie star with little or no singing experience: Burton, Harris, Laurence Harvey, Gabriel Byrne, Michael York, and Jeremy Irons.

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*** Indeed, it's a tradition for any big budget version of ''Camelot'' to have Arthur played by a respectable movie star with little or no singing experience: Burton, experience (Burton, Harris, Laurence Harvey, Gabriel Byrne, Michael York, and Jeremy York) or someone who made their theatre career singing that way (Jeremy Irons.)
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* Inverted with {{''Pippin''.}} The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.

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* Inverted with {{''Pippin''.}} {{Pippin}} The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.
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* Inverted with ''Pippin''. The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.

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* Inverted with ''Pippin''. {{''Pippin''.}} The Leading Player was originally played on Broadway by Ben Vereen. However, there really is no typical image of the Leading Player, and 'he' is as often a 'she' as not, and of all different ethnicities, body types, and ages (as long as he/she is older than Pippin). Pretty much the only stereotype of this role is that it's hardly ever played by a white male.
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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face is unseen.

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* The voice of the ManEatingPlant in ''LittleShopOfHorrors'' is usually that of a black singer, though his (real) face is unseen.[[strike:is unseen]] appears as that of a Skid Row bum.

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* In ''LesMiserables'', the majority of Eponines have had dark hair, despite the fact that the novel describes her as a blonde. This is probably set by original Eponine, Frances Ruffelle and reinforced by notable 10th Anniversary Concert Cast Eponine, Lea Salonga. In fact, Megan Lawrence, a blonde Eponine on Broadway, commented once to an interviewer that she never thought she'd get to play Eponine ''because'' she was a blonde.
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<<|{{Theater}}|>>

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* In ''LesMiserables'', ''[[{{Theatre/ptitlenjisnv3p}} Les Misérables]]'', the majority of Eponines have had dark hair, despite the fact that [[Main/LesMiserables the novel novel]] describes her as a blonde. This is probably set by original Eponine, Frances Ruffelle and reinforced by notable 10th Anniversary Concert Cast Eponine, Lea Salonga. In fact, Megan Lawrence, a blonde Eponine on Broadway, commented once to an interviewer that she never thought she'd get to play Eponine ''because'' she was a blonde.
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<<|{{Theater}}|>>
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** Robert Goulet played Arthur in a touring production ca. 1998-1999.

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Incorporating nattery correction into the example


* Almost every play of ''Alice In Wonderland'' seems to include an Alice who is blonde and blue-eyed, despite the fact that in the original book, Alice was a brunette.
** Not quite. The book doesn't actually mention her hair colour in the text. The real-life Alice Liddel was dark haired, but the original illustrations depicted the character as blonde.

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* Almost every play of ''Alice In Wonderland'' seems to include an Alice who is blonde and blue-eyed, despite the fact that in the original book, Alice was a brunette.
** Not quite. The book doesn't actually mention her hair colour in the text. The
real-life Alice Liddel was dark haired, but the dark-haired. (The original book's illustrations depicted the character as blonde.)
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**The only notable aversion to this in ''Rent'' is Angel. the role was originated by Wilson Jermaine Heredia, who's Dominican; later Angels have included Jose Llana (Filipino) and Telly Leung (Chinese), and the original understudy, Darius De Haas, is black.
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**In fact, most of the characters in ''{{Rent}}'' appear to be closely associated with the original performers. Roger tends to be a blonde, Maureen almost always appears with curly brown hair, the ethnicities of all characters tend to stay pretty much the same and, of course, the before-mentioned blonde haired bespectacled Mark. This was probably exacerbated by the film version casting the majority of the original cast.

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**In fact, most of the characters in ''{{Rent}}'' appear to be closely associated with the original performers. Roger tends to be a blonde, Maureen almost always appears with curly brown hair, the ethnicities of all characters tend to stay pretty much the same and, of course, the before-mentioned blonde haired blond, bespectacled Mark. Mark (especially strange given that he's Jewish). This was probably exacerbated by the film version casting the majority of the original cast. cast.
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* In ''LesMiserables'', the majority of Eponines have had dark hair, despite the fact that the novel describes her as a blonde. This is probably set by original Eponine, Frances Ruffelle and reinforced by notable 10th Anniversary Concert Cast Eponine, Lea Salonga. In fact, Megan Lawrence, a blonde Eponine on Broadway, commented once to an interviewer that she never thought she'd get to play Eponine ''because'' she was a blonde.

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