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* The South African/Canadian sci-fi series ''Series/CharlieJade'' involves [[AlternateUniverse three different universes]] in its storyline. One of them, the "Alphaverse", is dystopian and completely cyberpunk, including [[CyberpunkWithAChanceOfRain lots of rain]]. Its counterpoint is the ecotopian "Gammaverse" ([[NotSoDifferent unpolluted, but rife with political corruption and social engineering]]). The neutral one is the "Betaverse", which is our own early 21st century world. The whole series takes place in the Cape Town region and very little info about the rest of the world is ever given. According to the series's script, both the Alphaverse and Gammaverse are supposedly [[AlternateHistory alternate histories]] of the Betaverse, with a divergence occuring shortly after WWII or during the early ColdWar period.

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* The South African/Canadian sci-fi series ''Series/CharlieJade'' involves [[AlternateUniverse three different universes]] in its storyline. One of them, the "Alphaverse", is dystopian and completely cyberpunk, including [[CyberpunkWithAChanceOfRain lots of rain]]. Its counterpoint is the ecotopian "Gammaverse" ([[NotSoDifferent unpolluted, but rife with political corruption and social engineering]]). The neutral one is the "Betaverse", which is our own early 21st century world. The whole series takes place in the Cape Town region and very little info about the rest of the world is ever given. According to the series's script, both the Alphaverse and Gammaverse are supposedly [[AlternateHistory alternate histories]] of the Betaverse, with a divergence occuring shortly after WWII or during the early ColdWar UsefulNotes/ColdWar period.
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* ''{{Halo 2}}'', where New Mombasa in Kenya is a high tech city and spaceport. At least when the game begins, before there's lots of StuffBlowingUp...

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* ''{{Halo 2}}'', where New Mombasa in Kenya is a high tech city and spaceport. At least when the game begins, before there's lots of StuffBlowingUp...StuffBlowingUp. The horrible nature of the place is brought up in ''VideoGame/{{Halo 3 ODST}}'', when we learn that TheLeader of the police is a DirtyCop and molester.
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* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''. In-universe, it's said to have come about as part of a sub-Saharan renaissance, and has an AI focusing on the [[BioPunk Harmony]] affinity and eschewing the [[CyberPunk Supremacy]] affinity. However, while they're likely to make and keep alliances and their faction bonus is a boost to food production, their leader is a stern ReasonableAuthorityFigure who, behind his jovial front, harbours a measure of resentment over how the the African people were exploited and humiliated by foreign powers in the past few centuries, and is determined to make sure this never happens again. A faction of BewareTheNiceOnes, basically.

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* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''. In-universe, it's said to have come about as part of a sub-Saharan renaissance, and has an AI focusing on the [[BioPunk Harmony]] affinity and eschewing the [[CyberPunk Supremacy]] affinity. However, while they're likely to make and keep alliances and their faction bonus is a boost to food production, their leader is a stern ReasonableAuthorityFigure who, behind [[NiceGuy his jovial front, front]], harbours a measure of resentment over how the the African people were exploited and humiliated by foreign powers in the past few centuries, and is determined to make sure this that never happens again. A faction of BewareTheNiceOnes, basically.
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* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''.

to:

* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''. In-universe, it's said to have come about as part of a sub-Saharan renaissance, and has an AI focusing on the [[BioPunk Harmony]] affinity and eschewing the [[CyberPunk Supremacy]] affinity. However, while they're likely to make and keep alliances and their faction bonus is a boost to food production, their leader is a stern ReasonableAuthorityFigure who, behind his jovial front, harbours a measure of resentment over how the the African people were exploited and humiliated by foreign powers in the past few centuries, and is determined to make sure this never happens again. A faction of BewareTheNiceOnes, basically.
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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisises in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.

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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisises crises in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisis in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.

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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisis crisises in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyperpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisis in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.

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* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyperpunk}} {{Cyberpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisis in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
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* One of the campaigns of EmpireEarth 2: The Art of Supremacy takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative [[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower.

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* One of the campaigns of EmpireEarth 2: The Art of Supremacy takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative [[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower. superpower.
* Subverted in ''VideoGame/DreamfallTheLongestJourney'' and its sequel ''VideoGame/DreamfallChapters'', which takes place in a {{Cyperpunk}} future where most of Africa has risen as one of the world's leading economic superpowers following several economic collapses and crisis in Europe and America. As a result, most African countries is consistently portrayed and described as peaceful, idyllic, and prosperous; a stark contrast to the run-down and polluted, borderline dystropic Europe.
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* While ''TabletopGame/{{Shadowrun}} is primarily focused on North America(especially Seattle), Africa receives no small amount of attention, with both the setting's worst WretchedHive and it's most advanced space port(and space elevator) being situated on the continent, along with several other places of note.
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{{Cyberpunk}}, and lots of it. [[DiscreditedTrope Yes, we know cyberpunk is dead,]] not least because its hyper-cynical, hyper-dystopian themes became impossible for audiences to take seriously after a certain point, but combine it with a notorious RealLife dystopia like Africa, and that problem is all but eliminated. Not to mention Africa is also an ideal place geographically to build a SpaceElevator.

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{{Cyberpunk}}, and lots of it. [[DiscreditedTrope Yes, we know cyberpunk is dead,]] dead, not least because its hyper-cynical, hyper-dystopian themes [[DiscreditedTrope became impossible for audiences to take seriously after a certain point, point,]] but combine it with a notorious seemingly never-ending RealLife dystopia like Africa, and that problem is all but eliminated. Not to mention Africa is also an ideal place geographically to build a SpaceElevator.

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Post-cyberpunk does not have the cynicism this trope\'s description implies.


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. Africa is also an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. [[DiscreditedTrope Yes, we know cyberpunk is dead,]] not least because its hyper-cynical, hyper-dystopian themes became impossible for audiences to take seriously after a certain point, but combine it with a notorious RealLife dystopia like Africa, and that problem is all but eliminated. Not to mention Africa is also an ideal place geographically to build a SpaceElevator. SpaceElevator.

Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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Africa in the recent past is by definition not Africa in the future



[[AC: RealLife]]
* Social media was used during the 2011-2012 Egyptian revolution, as well as many other countries that were part of the Arab Spring. As one activist put it "We use Facebook to schedule the protests, Twitter to coordinate, and YouTube to tell the world." Looks like this trope might be becoming a reality.
** Critics of the above take the alternative view that the online use of websites was mostly incidental to traditional movements, in response to many media outlets implying the revolution was driven by social media.
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Is Social Darwinism right and natural (as per that trope) in Africa and not elsewhere? Otherwise this distinction does not make sense. Is there a reason that social Darwinism is \'right\' in Africa but not in, say, Europe?


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[{{Deconstruction}} when it's set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[{{Deconstruction}} when it's set in any other part of the world.]] Another common reason is Africa being is also an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.
Is there an issue? Send a MessageReason:
None


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[Deconstruction when it's set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[Deconstruction [[{{Deconstruction}} when it's set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. One advantage of this is that Africa is an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. One advantage The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[Deconstruction when it's set in any other part of this the world.]] Another common reason is that Africa is being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.
Is there an issue? Send a MessageReason:
None


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[DeconstructedTrope when it's set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use One advantage of this is likely due to Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[DeconstructedTrope when it's set in any other part of the world.]] Another common reason is that Africa being is an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

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* Wakanda, home of the ComicBook/BlackPanther.

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* Wakanda, home of the ComicBook/BlackPanther.ComicBook/BlackPanther, is more scientifically and technologically advanced than the Western world, and has been for a long time. In addition to their most famous product, the rare metal vibranium (which CaptainAmerica's shield is made out of), they have a cure for cancer.
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* The People's African Union is one of the factions colonizing space in ''VideoGame/CivilizationBeyondEarth''.
Is there an issue? Send a MessageReason:
None


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk becoming a DiscreditedTrope [[DeconstructedTrope when set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

to:

{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk becoming Cyberpunk's hyper-cynical, hyper-SocialDarwinist themes making the idea a DiscreditedTrope [[DeconstructedTrope when it's set in any other part of the world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.
Is there an issue? Send a MessageReason:
None


{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk becoming a discredited trope when it takes place in any other part of the world. Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.

to:

{{Cyberpunk}}, and lots of it. At best, PostCyberpunk. The reason for its use is likely due to Cyberpunk becoming a discredited trope DiscreditedTrope [[DeconstructedTrope when it takes place set in any other part of the world. world.]] Another common reason is Africa being an ideal place geographically to build a SpaceElevator. Despite this application of the setting, and probably due to the stereotypes of Africa's climate, CyberpunkWithAChanceOfRain is not so common with this trope.
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* ''TabletopGame/TranshumanSpace'' is mostly preppy PostCyberpunk. Except for Africa. Africa is still straight cyberpunk.

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* ''TabletopGame/TranshumanSpace'' is mostly has a lot of preppy PostCyberpunk. Except for Africa. PostCyberpunk, but one of the biggest themes is that the degree of penetration is horribly uneven and the full benefits of the Fifth Wave of technological advancement are only available to the richest parts of the world. Africa is still not one of the richest parts of the world, and it's straight cyberpunk.
{{cyberpunk}} if you're ''lucky''.
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* The ''Pan-African Judges'' comics set in the ''Comicbook/JudgeDredd'' universe.
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* ''ComicBook/{{Elephantmen}}'': The titular Elephantmen were created and trained by [[MegaCorp MAPPO]] at a huge lab/base somewhere in Northern Africa.

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* ''ComicBook/{{Elephantmen}}'': The titular eponymous Elephantmen were created and trained by [[MegaCorp MAPPO]] at a huge lab/base somewhere in Northern Africa.
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* Wakanda, home of the BlackPanther.

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* Wakanda, home of the BlackPanther.ComicBook/BlackPanther.

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* Most of NnediOkorafor's books take place in a technologically updated future or alternate universe Africa that is also a MagicalLand. Some examples are ''Zahrah the Windseeker'', ''Literature/TheShadowSpeaker'', and ''Literature/WhoFearsDeath''.

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* Most of NnediOkorafor's books take place in a technologically updated future or alternate universe Africa that is also a MagicalLand. Some examples are ''Zahrah the Windseeker'', ''Literature/ZahrahTheWindseeker'', ''Literature/TheShadowSpeaker'', and ''Literature/WhoFearsDeath''.
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* The Watekni subculture in a TwentyMinutesIntoTheFuture Kenya in IanMcDonald's ''{{Chaga}}''.

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* The Watekni subculture in a TwentyMinutesIntoTheFuture Kenya in IanMcDonald's ''{{Chaga}}''.''Chaga''.



* Nero Manson's novel ''Literature/SexDrugsandViolenceInTheFuture'' portrays Africa as a nightmarish hell hole where rape and child soldiers are commonplace.
* Creator/AlastairReynolds' novel ''Literature/BlueRememberedEarth'' is a subversion. While not everything is perfect in the African countries, they've become new economic and technological powers and the overall tone is quite optimistic. A PostCyberpunk sensibility is present, but it's mostly set dressing.

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* Nero Manson's novel ''Literature/SexDrugsandViolenceInTheFuture'' ''Literature/SexDrugsAndViolenceInTheFuture'' portrays Africa as a nightmarish hell hole where rape and child soldiers are commonplace.
* Creator/AlastairReynolds' Creator/AlastairReynolds's novel ''Literature/BlueRememberedEarth'' is a subversion. While not everything is perfect in the African countries, they've become new economic and technological powers and the overall tone is quite optimistic. A PostCyberpunk sensibility is present, but it's mostly set dressing.



* The South African/Canadian sci-fi series ''Series/CharlieJade'' involves [[AlternateUniverse three different universes]] in its storyline. One of them, the "Alphaverse", is dystopian and completely cyberpunk, including [[CyberpunkWithAChanceOfRain lots of rain]]. Its counterpoint is the ecotopian "Gammaverse" ([[NotSoDifferent unpolluted, but rife with political corruption and social engineering]]). The neutral one is the "Betaverse", which is our own early 21st century world. The whole series takes place in the Cape Town region and very little info about the rest of the world is ever given. According to the series' script, both the Alphaverse and Gammaverse are supposedly [[AlternateHistory alternate histories]] of the Betaverse, with a divergence occuring shortly after WWII or during the early ColdWar period.

to:

* The South African/Canadian sci-fi series ''Series/CharlieJade'' involves [[AlternateUniverse three different universes]] in its storyline. One of them, the "Alphaverse", is dystopian and completely cyberpunk, including [[CyberpunkWithAChanceOfRain lots of rain]]. Its counterpoint is the ecotopian "Gammaverse" ([[NotSoDifferent unpolluted, but rife with political corruption and social engineering]]). The neutral one is the "Betaverse", which is our own early 21st century world. The whole series takes place in the Cape Town region and very little info about the rest of the world is ever given. According to the series' series's script, both the Alphaverse and Gammaverse are supposedly [[AlternateHistory alternate histories]] of the Betaverse, with a divergence occuring shortly after WWII or during the early ColdWar period.



* One of the campaigns of EmpireEarth 2: The Art of Supremacy takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative megacorps. It ends with Africa becoming a technologically advanced world superpower.

to:

* One of the campaigns of EmpireEarth 2: The Art of Supremacy takes place during [[TwentyMinutesIntoTheFuture the "Synthetic Age" (202X-204X)]] (featuring things like nanotech enhanced soldiers and giant mecha) in Africa, and deals with the poor native taking up arms against the exploitative megacorps.[[MegaCorp megacorps]]. It ends with Africa becoming a technologically advanced world superpower.
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* Creator/AlastairReynolds' novel ''Blue Remembered Earth'' is a subversion. While not everything is perfect in the African countries, they've become new economic and technological powers and the overall tone is quite optimistic. A PostCyberpunk sensibility is present, but it's mostly set dressing.

to:

* Creator/AlastairReynolds' novel ''Blue Remembered Earth'' ''Literature/BlueRememberedEarth'' is a subversion. While not everything is perfect in the African countries, they've become new economic and technological powers and the overall tone is quite optimistic. A PostCyberpunk sensibility is present, but it's mostly set dressing.
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* In the ''[[TabletopGame/TrinityUniverse Trinity]]'' roleplaying game, Africa is a leading force in 22nd century Earth. It helps that Africa managed to avoid the worst damage of the Aberrant War, and the more modern Europe and North America got hit hard.

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* In the ''[[TabletopGame/TrinityUniverse Trinity]]'' The ''TabletopGame/{{Trinity}}'' roleplaying game, game subverts this; Africa is a leading force in 22nd century Earth.Earth, though not without its problems. It helps that Africa managed to avoid the worst damage of the Aberrant War, and the more modern Europe and North America got hit hard.
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* Averted in Raphael Carter's ''The Fortunate Fall,'' a PostCyberpunk novel set in a 24th century where everywhere but Africa is a third-world crapsack. Africa, on the other hand, is the hypertechnological promised land where, in an inversion of the "one drop" rule, only those who prove via blood test to have African ancestry are allowed entry. And did we mention the possibly real/possibly cyber versions of the Egyptian gods?

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* Most of NnediOkorafor's books take place in a technologically updated future or alternate universe Africa that is also a MagicalLand. Some examples are ''Zahrah the Windseeker'', ''TheShadowSpeaker'', and ''WhoFearsDeath''.

to:

* Most of NnediOkorafor's books take place in a technologically updated future or alternate universe Africa that is also a MagicalLand. Some examples are ''Zahrah the Windseeker'', ''TheShadowSpeaker'', ''Literature/TheShadowSpeaker'', and ''WhoFearsDeath''.
''Literature/WhoFearsDeath''.

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