Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
* ''[[CantSeeCantHearButLove Can't See Can't Hear But Love!]]''
* ''CheeseInTheTrap''
* ''CheeseInTheTrap''
to:
* ''[[CantSeeCantHearButLove Can't See Can't Hear But Love!]]''
''CantSeeCantHearButLove''
*''CheeseInTheTrap''''Webcomic/CheeseInTheTrap''
*
Is there an issue? Send a MessageReason:
None
Changed line(s) 25 (click to see context) from:
to:
* ''NowhereBoy''
Is there an issue? Send a MessageReason:
None
Changed line(s) 25 (click to see context) from:
* ''NowhereBoy''
to:
Is there an issue? Send a MessageReason:
None
Changed line(s) 16 (click to see context) from:
* ''GirlsOfTheWild's''
to:
* ''GirlsOfTheWild's''''Webcomic/GirlsOfTheWild's''
Is there an issue? Send a MessageReason:
None
Changed line(s) 31 (click to see context) from:
* ''TheThreeTimes''
to:
* ''TheThreeTimes''''Webcomic/TheThreeTimes''
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online as WebComics, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}}, {{Noblesse}} and TowerOfGod has recently generated a solid western fanbase for the medium.
to:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online as WebComics, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}}, {{Noblesse}} and TowerOfGod Webcomic/TowerOfGod has recently generated a solid western fanbase for the medium.
Changed line(s) 33 (click to see context) from:
* ''TowerOfGod''
to:
* ''TowerOfGod''''Webcomic/TowerOfGod''
Is there an issue? Send a MessageReason:
None
Changed line(s) 37 (click to see context) from:
* ''WelcomeToTheConvenienceStore''
to:
* ''WelcomeToTheConvenienceStore''''Webcomic/WelcomeToTheConvenienceStore''
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online as WebComics, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}} and {{Noblesse}} has recently generated a solid western fanbase for the medium.
to:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online as WebComics, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}} and {{Trace}}, {{Noblesse}} and TowerOfGod has recently generated a solid western fanbase for the medium.
Is there an issue? Send a MessageReason:
None
* ''{{Annarasumanara}}''
* ''[[CantSeeCantHearButLove Can't See Can't Hear But Love!]]''
Changed line(s) 21 (click to see context) from:
* ''NowhereBoy'''
to:
* ''NowhereBoy'''''NowhereBoy''
Added DiffLines:
* ''WakeUpDeadman''
Is there an issue? Send a MessageReason:
None
Changed line(s) 17 (click to see context) from:
* ''NineteenTwentyOne''
to:
* ''NineteenTwentyOne''''Webcomic/NineteenTwentyOne''
Is there an issue? Send a MessageReason:
None
Changed line(s) 29 (click to see context) from:
* ''{{Trace}}''
to:
* ''{{Trace}}''''Webcomic/{{Trace}}''
Is there an issue? Send a MessageReason:
None
Changed line(s) 30 (click to see context) from:
* ''[[Webcomic/WelcomeToRoom305 Welcome To Room # 305 !]]''
to:
* ''[[Webcomic/WelcomeToRoom305 Welcome To Room # 305 !]]''''Webcomic/WelcomeToRoom305''
Changed line(s) 32 (click to see context) from:
[[/index]]
to:
----
Is there an issue? Send a MessageReason:
None
Changed line(s) 30 (click to see context) from:
* ''[[WelcomeToRoom305 Welcome To Room # 305 !]]''
to:
* ''[[WelcomeToRoom305 ''[[Webcomic/WelcomeToRoom305 Welcome To Room # 305 !]]''
Is there an issue? Send a MessageReason:
Please don\'t create new work pages in Main. See Namespaces.
Changed line(s) 14 (click to see context) from:
* ''{{Kubera}}''
to:
* ''{{Kubera}}''''Webcomic/{{Kubera}}''
Is there an issue? Send a MessageReason:
Please don\'t create new work pages in Main. See Namespaces.
Changed line(s) 13 (click to see context) from:
* ''KnightRun''
to:
* ''KnightRun''''Webcomic/KnightRun''
Is there an issue? Send a MessageReason:
None
Changed line(s) 30 (click to see context) from:
* ''WelcomeToRoom305!''
to:
* ''WelcomeToRoom305!''''[[WelcomeToRoom305 Welcome To Room # 305 !]]''
Is there an issue? Send a MessageReason:
None
Changed line(s) 5 (click to see context) from:
* ''AFairytailForTheDemonLord''
to:
* ''AFairytailForTheDemonLord''''Webcomic/AFairytaleForTheDemonLord''
Is there an issue? Send a MessageReason:
None
Changed line(s) 22 (click to see context) from:
* ''{{Space}}''
to:
* ''{{Space}}''''Space''
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''{{Kubera}}''
Added DiffLines:
* ''{{Space}}''
Is there an issue? Send a MessageReason:
None
Changed line(s) 1,2 (click to see context) from:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}} and {{Noblesse}} has recently generated a solid western fanbase for the medium.
to:
Korean web-toons are a subgenre of {{manhwa}} that are published exclusively online, online as WebComics, usually on comic hosting sites such as Naver. Their layout is different from standard {{manhwa}} -- instead of individual pages, webtoons are posted as one long, scrolling page per chapter, with most being entirely in color. Because they are not bound by publisher requirements as much as their print counterparts, web-toons also tend to be a little more avant garde, with either less conventional story lines or dealing with subjects that aren't usually addressed in mainstream entertainment. Although the readership of these web-toons were once restricted to the Korean speaking population only, the popularity of series such as {{Trace}} and {{Noblesse}} has recently generated a solid western fanbase for the medium.