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* Miike Snow -- [[https://www.youtube.com/watch?v=P_SlAzsXa7E Genghis Khan]]
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* The xx -- [[https://www.youtube.com/watch?v=PElhV8z7I60 Islands]]
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The American indie pop scene was even more underground than Britian's and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success before the turn of the millennium was New Zealand during the mid-to-late 1980s, bands like The Chills and The Clean scored hit singles out of the homegrown Dunedin Sound scene.
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The American indie pop scene was even more underground than Britian's and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success before the turn of the millennium was New Zealand during the mid-to-late 1980s, where bands like The Chills and The Clean scored hit singles out of the homegrown Dunedin Sound scene.
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Changed line(s) 7,8 (click to see context) from:
In America, their indie pop scene was even more underground, and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
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Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press and became one of the biggest cult bands of the decade. Critics loved them and their following was large enough that they not only scored a few Top 40 singles but also, through fan vote, won Best New Artist at the [[https://en.wikipedia.org/wiki/1999_Brit_Awards 1999 Brit Awards]] despite having already released three well selling albums.
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Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press and became one of the biggest cult bands of the decade. Critics loved them and their following was large enough that they not only scored a few Top 40 singles but also, also - through fan vote, vote - won Best New Artist British Breakthrough Act at the [[https://en.wikipedia.org/wiki/1999_Brit_Awards 1999 Brit Awards]] despite having already released three well selling albums.
Awards]].
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Indie pop first grew into popularity in the early 1980s, where it was especially used to describe British acts featured on the NME compilation ''[=C86=]''. British indie pop bands in the 1980s were influenced by '60s music, jangly guitars and melodic PowerPop structures, and especially the music of Music/TheSmiths. They often recorded for very small labels such as Sarah Records.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
to:
Indie pop first grew into popularity in the early 1980s, where it was especially used to describe British acts featured on the NME compilation ''[=C86=]''. British indie pop bands in the 1980s were influenced by '60s music, jangly guitars and melodic PowerPop structures, structures and especially the music of Music/TheSmiths. They often recorded for very small labels such as Sarah Records.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significantpress. press and became one of the biggest cult bands of the decade. Critics loved them and their following was large enough that they not only scored a few Top 40 singles but also, through fan vote, won Best New Artist at the [[https://en.wikipedia.org/wiki/1999_Brit_Awards 1999 Brit Awards]] despite having already released three well selling albums.
In America, their indie pop scene was even moreunderground underground, and was led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant
In America, their indie pop scene was even more
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Changed line(s) 5,6 (click to see context) from:
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
to:
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead led by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and The Clean scored hit singles throughout the mid and late 1980s.
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Changed line(s) 5,6 (click to see context) from:
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and Music/TheClean scored hit singles throughout the mid and late 1980s.
to:
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and Music/TheClean The Clean scored hit singles throughout the mid and late 1980s.
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Indie pop first grew into popularity in the early 1980s, where it was especially used to describe the NME compilation ''[=C86=]''. Indie pop bands in the 1980s featured sounds influenced by '60s music, jangly guitars and melodic PowerPop structures. Indie pop continued to march on, especially in the UK in the late 2000s, where bands like Music/TheHoosiers, The Feeling and Scouting for Girls topped the charts. In America, however, indie pop was just a cult genre until TheNewTens, where it ''really'' became popular.
to:
Indie pop first grew into popularity in the early 1980s, where it was especially used to describe British acts featured on the NME compilation ''[=C86=]''. Indie British indie pop bands in the 1980s featured sounds were influenced by '60s music, jangly guitars and melodic PowerPop structures. structures, and especially the music of Music/TheSmiths. They often recorded for very small labels such as Sarah Records.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and Music/TheClean scored hit singles throughout the mid and late 1980s.
The real turning point for the genre in terms of mainstream popularity was the release of Music/ThePostalService's ''Give Up'' in 2003. While not a major seller at start, good word of mouth and the rising popularity of lead singer Ben Gibbard's other band Music/DeathCabForCutie resulted in it becoming something of an indie rock cult classic. The album was certified Platinum in the United States and its single "Such Great Heights" became one of the most popular indie songs of the whole decade.
Indie pop continued to march on, especially in the UK in the late 2000s, where bands like Music/TheHoosiers, The Feeling and Scouting for Girls topped the charts. In America, however, indie pop was just a cult genre until TheNewTens, where it ''really'' became popular.
Early indie pop acts like Heavenly and The Vaselines were often more influential than they were successful, but few others, such as Music/TheSundays and The Wedding Present, had minor chart hits in the UK and United States. The success of {{Britpop}} largely kept indie pop underground in the UK for most of the 90s, with only Music/BelleAndSebastian getting any significant press. In America, their indie pop scene was even more underground and was lead by bands like Music/BeatHappening, Music/TheMagneticFields, Music/YoLaTengo and Low. The only place where indie pop became a significant chart success was New Zealand, where bands of the "Dunedin Sound" scene like The Chills and Music/TheClean scored hit singles throughout the mid and late 1980s.
The real turning point for the genre in terms of mainstream popularity was the release of Music/ThePostalService's ''Give Up'' in 2003. While not a major seller at start, good word of mouth and the rising popularity of lead singer Ben Gibbard's other band Music/DeathCabForCutie resulted in it becoming something of an indie rock cult classic. The album was certified Platinum in the United States and its single "Such Great Heights" became one of the most popular indie songs of the whole decade.
Indie pop continued to march on, especially in the UK in the late 2000s, where bands like Music/TheHoosiers, The Feeling and Scouting for Girls topped the charts. In America, however, indie pop was just a cult genre until TheNewTens, where it ''really'' became popular.
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* Music /LosCampesinos
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* Music /LosCampesinosMusic/LosCampesinos
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thought the Ellie Goulding as a non cursing indie pop artist needed to be changed because a) she does curse now, and b) most people agree she's moved away from her indie roots and become a more "mainstream" pop star
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* PrecisionFStrike: Swearing shows up more in indie pop than label-produced pop, due to the artistic freedom the musician has. Though indie pop artists that never swear in their songs (such as Music/EllieGoulding) do exist. Other artists like Music/CharliXCX aren't even [[ClusterFBomb precise about it]].
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* PrecisionFStrike: Swearing shows up more in indie pop than label-produced pop, due to the artistic freedom the musician has. Though indie pop artists that never swear in their songs (such as Music/EllieGoulding) songs, although rare, do exist. Other artists like Music/CharliXCX aren't even [[ClusterFBomb precise about it]].it]].
** Subverted by Music/EllieGoulding who only started dropping swears in her songs once she had made a GenreShift from indie pop to a far more mainstream sound.
** Subverted by Music/EllieGoulding who only started dropping swears in her songs once she had made a GenreShift from indie pop to a far more mainstream sound.
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* Music/AGreatBigWorld
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* Music/AGreatBigWorld
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* Music/AGreatBigWorldMusic/{{AURORA}}
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* [[Music/LittleXsForEyes little xs for eyes]]
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* Music/{{Lush}} (mostly during the ''Lovelife'' eri
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* Music/{{Lush}} (mostly during the ''Lovelife'' eriera)
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* Music/{{Eels}}
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* Music/{{Grandaddy}}
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* Music/{{Mew}}
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* Music/TheShins
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* Music/{{Sparklehorse}}
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* Music/TheSundays
* Music/TelevisionPersonalities
* Music/TelevisionPersonalities
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* Music/TheBats
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* Music/BelleAndSebastian
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* Music/TheClean
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* Music/{{Lush}} (mostly during the ''Lovelife'' eri
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* Music/TheMagneticFields
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* Music/RaRaRiot (save for ''Beta Love'')
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* Music/SufjanStevens
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* Music/TrashcanSinatras
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* The Bats -- [[https://www.youtube.com/watch?v=1FbbXJpzkuE Treason]]
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* The Magnetic Fields -- [[https://www.youtube.com/watch?v=nqjYhbGFc4Q 100,000 Fireflies]]
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* Trashcan Sinatras -- [[https://www.youtube.com/watch?v=BfsSSa-3ROw Obscurity Knocks]]
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* Music/{{Pretty&Nice}}
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* Music/{{Pretty&Nice}}Music/{{PrettyAndNice}}
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* Music/[[Pretty&Nice}}
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* Music/[[Pretty&Nice}}Music/{{Pretty&Nice}}