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* JunoReactor has a few multi-part songs, eg "Rotorblade/Mars" from ''Beyond The Infinite'', "Nitrogen" from ''Shango'' and "Conquistador" from ''Labyrinth''.
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* Covenants "Subterfugue for Three Absynths", from the ''Skyshaper'' bonus disc, is 43 minutes, although it's mostly an industrial noise loop.
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* Several Klaus Schulze albums, such as ''Timewind'' and ''Moondawn'', both of which consist of two 30-minute-a-piece tracks.

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* Several Klaus Schulze albums, such as ''Timewind'' and ''Moondawn'', both of which consist of two 30-minute-a-piece tracks. The reissue of ''Timewind'' includes a bonus disc with the 40-minute "Echoes of Time"(a prototype of "Bayreuth Return").
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* Anything by ambient electronica group Dilate. One album had to have its songs compressed to fit on a single CD.

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* Anything by ambient electronica group Dilate. One album ''Cyclos'' had to have its songs compressed to fit on a single CD.CD, while ''Octagon'' is a 2 1/2 hour double album. Most of the songs are over 10 minutes long.
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* Donna Summer's "[=MacArthur=] Park Suite" is 17:40. The stand-alone version of "[=MacArthur=] Park" is itself 8:24.

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* Donna Summer's "[=MacArthur=] Park Suite" is 17:40. The stand-alone version of "[=MacArthur=] Park" is itself 8:24.

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* BeyondTheImpossible: ''Olitsky'' by Ian Mellish consists of four tape loops of slightly different lengths (around 44 minutes), that theoretically would take ''1.6 million years'' to complete its cycle.

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* BeyondTheImpossible: ''Olitsky'' by Ian Mellish consists of four tape loops of slightly different lengths (around 44 minutes), that theoretically would take ''1.6 million years'' to complete its cycle. Three excerpts of this ("Beginning Mix", "Middle Mix", and "End Mix") were compiled into a double album.


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* Anything by ambient electronica group Dilate. One album had to have its songs compressed to fit on a single CD.
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* Canadian indie rock band Wintersleep has several long songs: "Motion" on the ''Wintersleep'' album, which begins with a single acoustic guitar chord being strummed once per bar, and ends with distorted guitars colliding with a 35mm film synchronizer being tortured. The ''Untitled'' album has "Nerves Normal, Breath Normal" which segues out of another song and goes on for 7:23, including a lengthy jam and a drum solo, and "Danse Macabre" which starts as a fairly straightforward hard rock song, then turns into a quiet jam, and ends with the drummer wildly crashing his cymbals at high speed. ''Welcome To The Night Sky'' ends with "Miasmal Smoke & The Yellow Bellied Freaks", an 8-minute long song that shifts through instrumental moods before becoming a high-tempo rock song, then becomes a 2-minute prolonged outro.

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* Canadian indie rock band Wintersleep has several long epic songs: "Motion" on the ''Wintersleep'' album, which begins with a single acoustic guitar chord being strummed once per bar, and ends with distorted guitars colliding with a 35mm film synchronizer being tortured. The ''Untitled'' album has "Nerves Normal, Breath Normal" which segues out of another song and goes on for 7:23, including a lengthy jam and a drum solo, and "Danse Macabre" which starts as a fairly straightforward hard rock song, then turns into a quiet jam, and ends with the drummer wildly crashing his cymbals at high speed. ''Welcome To The Night Sky'' ends with "Miasmal Smoke & The Yellow Bellied Freaks", an 8-minute long song that shifts through instrumental moods before becoming a high-tempo rock song, then becomes a 2-minute prolonged outro.
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*Canadian indie rock band Wintersleep has several long songs: "Motion" on the ''Wintersleep'' album, which begins with a single acoustic guitar chord being strummed once per bar, and ends with distorted guitars colliding with a 35mm film synchronizer being tortured. The ''Untitled'' album has "Nerves Normal, Breath Normal" which segues out of another song and goes on for 7:23, including a lengthy jam and a drum solo, and "Danse Macabre" which starts as a fairly straightforward hard rock song, then turns into a quiet jam, and ends with the drummer wildly crashing his cymbals at high speed. ''Welcome To The Night Sky'' ends with "Miasmal Smoke & The Yellow Bellied Freaks", an 8-minute long song that shifts through instrumental moods before becoming a high-tempo rock song, then becomes a 2-minute prolonged outro.

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This trope also has the subtrope "Epic Jamming", which is {{Exactly What It Says On The Tin}}. Only studio versions are included, since live examples would bloat the list to hell.

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This trope also has the subtrope "Epic Jamming", which is {{Exactly What It Says On The Tin}}. Only studio versions are included, since live examples would bloat the list to hell. \n Many of those songs have a SubduedSection for everyone's sake.



* The Grateful Dead: Their entire catalog.

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* The Grateful Dead: GratefulDead: Their entire catalog.



* Jimi Hendrix: "Hear My Train A'Coming", "Voodoo Chile", "1983... (A Merman I Should Turn to Be)", "Machine Gun", "Country Blues", "Bold As Love".
* {{Led Zeppelin}}: "You Shook Me", "Dazed and Confused" (the version on the ''The Song Remains The Same'' Soundtrack is nearly half an hour long), "How Many More Times", "Stairway to Heaven", "When the Levee Breaks", "In My Time of Dying", "Kashmir", "In the Light" "Achilles; Last Stand".

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* Jimi Hendrix: JimiHendrix: "Hear My Train A'Coming", "Voodoo Chile", "1983... (A Merman I Should Turn to Be)", "Machine Gun", "Country Blues", "Bold As Love".
* {{Led Zeppelin}}: LedZeppelin: "You Shook Me", "Dazed and Confused" (the version on the ''The Song Remains The Same'' Soundtrack is nearly half an hour long), "How Many More Times", "Stairway to Heaven", "When the Levee Breaks", "In My Time of Dying", "Kashmir", "In the Light" "Achilles; "Achilles' Last Stand".



* {{The Who}}: "A Quick One, While He's Away", "Underture", "We're Not Gonna Take It", "Won't Get Fooled Again", "Love Reign O'er Me" , "Who are You".

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* {{The Who}}: TheWho: "A Quick One, While He's Away", "Underture", "We're Not Gonna Take It", "Won't Get Fooled Again", "Love Reign O'er Me" , "Who are You".



* Dire Straits have "Telegraph Road" (14 minutes) and "Tunnel Of Love" (8 minutes).
** What about "Money for Nothing" or "Love Over Gold"
* The Doors: "The End", "Riders on the Storm", "Light My Fire" , "LA Woman", "Celebration of the Lizard King", "When the Music's Over".
* Velvet Underground: "Heroin", "All Tomorrow's Parties", "The Gift", "Sister Ray", "The Murder Mystery".

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* Dire Straits DireStraits have "Telegraph Road" (14 minutes), "Brothers in Arms" (Nearly 7 minutes) and "Tunnel Of Love" (8 minutes).
** What about "Money for Nothing" or "Love Over Gold"
Gold"?
* The Doors: TheDoors: "The End", "Riders on the Storm", "Light My Fire" , "LA Woman", "Celebration of the Lizard King", "When the Music's Over".
* Velvet Underground: TheVelvetUnderground: "Heroin", "All Tomorrow's Parties", "The Gift", "Sister Ray", "The Murder Mystery".



** {{Queen}}: full stop.

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** {{Queen}}: full stop. Though the songs usually are epics with many changes of rhythm with less than 5 minutes!



* Jefferson Airplane: "Spare Chaynge", "Hey Frederick".
* Lynyrd Skynyrd: "Free Bird"

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* Jefferson Airplane: JeffersonAirplane: "Spare Chaynge", "Hey Frederick".
* Lynyrd Skynyrd: LynyrdSkynyrd: "Free Bird"



* AC/DC - While "For Those About To Rock" is on the shorter side at 5:44, it makes up for the brevity with several tempo changes, blistering interleaved guitars, and cannons. FIIIIIRE!

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* AC/DC [[{{ACDC}} AC/DC]] - While "For Those About To Rock" is on the shorter side at 5:44, it makes up for the brevity with several tempo changes, blistering interleaved guitars, and cannons. FIIIIIRE!



** On the AC/DC Live album, "High Voltage" and "Let There be Rock" also pitch in with respectable times of 10:33 and 12:17 respectively.
* Modest Mouse: "Spitting Venom", "Stars are Projectors", and "Trucker's Atlas" all clock in over 8 minutes long. Heck, their average song is close to 5 minutes long

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** On the AC/DC Live ''AC/DC Live'' album, "High Voltage" and "Let There be Rock" also pitch in with respectable times of 10:33 and 12:17 respectively.
* Modest Mouse: ModestMouse: "Spitting Venom", "Stars are Projectors", and "Trucker's Atlas" all clock in over 8 minutes long. Heck, their average song is close to 5 minutes long



* Meat Loaf's overblown, symphonic style of rock includes lots of examples: "Bat Out of Hell", "I'd Do Anything for Love (But I Won't Do That)", "Paradise by the Dashboard Light", and so on. Jim Steinman, Meat Loaf's principal songwriter, coined the term "Wagnerian Rock" to describe this style, and is at least partly responsible for its epic excess. Witness Steinman's productions for artists like Air Supply (''Making Love Out Of Nothing At All''), Celine Dion (''It's All Coming Back To Me Now'', which Meat Loaf would eventually [[CoveredUp cover]]), and Bonnie Tyler (''Total Eclipse Of The Heart''), and Todd Rundgren's willing participation, as producer and lead guitarist on ''Bat Out Of Hell'', are both mysteries that will probably never be solved.

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* Meat Loaf's MeatLoaf's overblown, symphonic style of rock includes lots of examples: "Bat Out of Hell", "I'd Do Anything for Love (But I Won't Do That)", "Paradise by the Dashboard Light", and so on. Jim Steinman, Meat Loaf's principal songwriter, coined the term "Wagnerian Rock" to describe this style, and is at least partly responsible for its epic excess. Witness Steinman's productions for artists like Air Supply (''Making Love Out Of Nothing At All''), Celine Dion (''It's All Coming Back To Me Now'', which Meat Loaf would eventually [[CoveredUp cover]]), and Bonnie Tyler (''Total Eclipse Of The Heart''), and Todd Rundgren's willing participation, as producer and lead guitarist on ''Bat Out Of Hell'', are both mysteries that will probably never be solved.



* Early Peter Gabriel-era Genesis. Most notably the 23 minute MindScrew of "Supper's Ready". But also deserving mention are the fan favorite 10 minute songs "Firth of Fifth", "The Musical Box", "Fountain of Salmacis" and more.
** Phil Collins-era Genesis has some, too, like "Domino".

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* Early Peter Gabriel-era Genesis.{{Genesis}}. Most notably the 23 minute MindScrew of "Supper's Ready". But also deserving mention are the fan favorite 10 minute songs "Firth of Fifth", "The Musical Box", "Fountain of Salmacis" and more.
** Phil Collins-era PhilCollins-era Genesis has some, too, like "Domino".



* {{Pink Floyd}}: "Shine On You Crazy Diamond", "Echoes", "Interstellar Overdrive", "A Saucerful of Secrets", "Atom Heart Mother", "Comfortably Numb" (particularly the P* U* L* S* E version).

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* {{Pink Floyd}}: PinkFloyd: "Shine On You Crazy Diamond", "Echoes", "Interstellar Overdrive", "A Saucerful of Secrets", "Atom Heart Mother", "Comfortably Numb" (particularly the P* U* L* S* E version).



** Their latest album, Death Magnetic, is a return to form. Not one song on Death Magnetic is under 5 minutes, and only 1 is under 6 minutes ("My Apocalypse" - 5:01).
** ''Load'' also has a pair of long ones - "Bleeding Me" runs 8 minutes and "Outlaw Torn" just short of 10 minutes.

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** Their latest album, Death Magnetic, ''Death Magnetic'', is a return to form. Not one song on Death Magnetic is under 5 minutes, and only 1 is under 6 minutes ("My Apocalypse" - 5:01).
** ''Load'' also has a pair of long ones - "Bleeding Me" runs 8 minutes and "Outlaw Torn" just short of 10 minutes.minutes (and originally, available as the "Unencumbered by Manufacturing Restrictions Version" - see Epic Albums below - was close to 11 minutes).



** Showing the bad side of this trope, Kirk Hammett said that they spent a long time without playing "...And Justice For All" because "I couldn't stand watching the front row start to yawn by the eight or ninth minute."



* Manowar's 27-minute (!) epic "Achilles: Agony and Ecstasy (In Eight Parts)", also a case of ShownTheirWork oddly enough.

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* Manowar's {{Manowar}}'s 27-minute (!) epic "Achilles: Agony and Ecstasy (In Eight Parts)", also a case of ShownTheirWork oddly enough.



* Jane's Addiction: "Ted, Just Admit It...", "Three Days", "Then She Did...".
* Faith No More: "The Real Thing", "Jizzlobber", "King for a Day".

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* Jane's Addiction: JanesAddiction: "Ted, Just Admit It...", "Three Days", "Then She Did...".
* Faith No More: FaithNoMore: "The Real Thing", "Jizzlobber", "King for a Day".



* {{Judas Priest}}: "Run of the Mill", "Winter", "Victim of Changes", "Sinner", "Beyond the Realms of Death", "Blood Red Skies", the live version of "Diamonds and Rust", also, a few of their newer songs manage to stretch on and on and not get old, namely "The Future of Mankind" and "War" but {{Your Mileage May Vary}} with the other new stuff.

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* {{Judas Priest}}: JudasPriest: "Run of the Mill", "Winter", "Victim of Changes", "Sinner", "Beyond the Realms of Death", "Blood Red Skies", the live version of "Diamonds and Rust", also, a few of their newer songs manage to stretch on and on and not get old, namely "The Future of Mankind" and "War" but {{Your Mileage May Vary}} with the other new stuff.



* IronMaiden: "Hallowed Be Thy Name", "Longest Day", "Brave New World", "Paschendale", "Fear Of The Dark", "Rime Of The Ancient Mariner", etc. Typically each album ended with one of these.
** And not to mention practically all of ''A Matter of Life and Death'', not just "Longest Day". Only two of the 10 songs clock in under six minutes.

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* IronMaiden: "Hallowed Be Thy Name", "Longest "The Longest Day", "Brave New World", "Paschendale", "Fear Of The Dark", "Rime Of The Ancient Mariner", etc. Typically each album ended with one of these.
** And not to mention practically all of ''A Matter of Life and Death'', not just "Longest "The Longest Day". Only two of the 10 songs clock in under six minutes.




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* Ever since GreenDay decided to enter RockOpera territory, they do suites ("Jesus of Suburbia", "Homecoming") or just plain long songs ("Wake Me Up When September Ends", "21st Century Breakdown").



** Also "All Around the World", which at 9:20 in length is the longest ever A-side on a UK number 1 single. It's likely to retain this record since the rules were changed.

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** Also "All Around the World", which at 9:20 in length is the longest ever A-side on a UK number 1 single. It's likely to retain this record since the rules were changed. Most of the songs in that album (''Be Here Now'') are long as hell too.



* Bruce Springsteen routinely wrote sprawling, epic numbers, often intended to be live show-stoppers. These include "Jungleland", "Racing in the Street", "Incident on 57th Street", "Rosalita", "New York City Serenade", "Kitty's Back" and "Backstreets". Often, shorter songs like "Tenth Avenue Freeze-Out", "Mary's Place", and "The E-Street Shuffle" were stretched to incredible twenty-minute-plus lengths live.

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* Bruce Springsteen BruceSpringsteen routinely wrote sprawling, epic numbers, often intended to be live show-stoppers. These include "Jungleland", "Racing in the Street", "Incident on 57th Street", "Rosalita", "New York City Serenade", "Kitty's Back" and "Backstreets". Often, shorter songs like "Tenth Avenue Freeze-Out", "Mary's Place", and "The E-Street Shuffle" were stretched to incredible twenty-minute-plus lengths live.



* R. Kelly's bizarre, overblown, [[SoBadItsGood hilarious]] Trapped in the Closet saga.

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* R. Kelly's bizarre, overblown, [[SoBadItsGood hilarious]] Trapped "Trapped in the Closet Closet" saga.



* "Liberation" by Outkast is an 8-minute, piano-driven, semi-spiritual piece featuring Cee-Lo, Erykah Badu, and spoken word artist Big Rube. It would have been a perfect way to close out ''Aquemini'', as opposed to the mediocre "Chonkyfire".

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* "Liberation" by Outkast {{Outkast}} is an 8-minute, piano-driven, semi-spiritual piece featuring Cee-Lo, Erykah Badu, and spoken word artist Big Rube. It would have been a perfect way to close out ''Aquemini'', as opposed to the mediocre "Chonkyfire".



* Elton John: "Funeral For A Friend/Love Lies Bleeding", "Carla/Etude/Chloe", "Tonight", "It's Hay Chewed"

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* Elton John: EltonJohn: "Funeral For A Friend/Love Lies Bleeding", "Carla/Etude/Chloe", "Tonight", "It's Hay Chewed"



** ''Number nine, number nine, [[HellIsThatNoise number nine...]]

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** ''Number nine, ''[[BrokenRecord Number nine]], [[TrueArtIsIncomprehensible number nine, nine]], [[HellIsThatNoise number nine...]]]]''



* Dire Straits sometimes ventured into epic rocking territory with such songs as "Telegraph Road" (About 14 minutes), "Brothers in Arms" (Nearly 7 minutes), "Tunnel of Love" (8 minutes) and more.



* LadyGaga's "Alejandro" nearly reaches 9 minutes.
* Santa Esmeralda's cover of "Don't Let Me Be Misunderstood" which extends a song under 3 minutes to an album version lasting 16 minutes, and a single version (present in the ''KillBill'' soundtrack) lasting 10 1/2.



* ''Lateralus'' by Tool. The songs are plenty long (more than half are 6 minutes or longer), but the real whopper is the album itself, at 78 minutes and 58 seconds.

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* ''Lateralus'' by Tool.{{Tool}}. The songs are plenty long (more than half are 6 minutes or longer), but the real whopper is the album itself, at 78 minutes and 58 seconds.



* ''Quadrophenia'' by The Who.

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* ''Quadrophenia'' by The Who.TheWho.



* ''AmericanIdiot'' by GreenDay.

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* ''AmericanIdiot'' by GreenDay. ''[[{{Ptitlela85eux2}} 21st Century Breakdown]]'' even more.



* ''Freak Out!'', ''Absolutely Free'' and ''We're Only in It for the Money'' by Frank Zappa and the Mothers of Invention.

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* ''Freak Out!'', ''Absolutely Free'' and ''We're Only in It for the Money'' by Frank Zappa FrankZappa and the Mothers of Invention.



* ''Thick as a Brick'' and ''A Passion Play'' by Jethro Tull, the former being an AffectionateParody of the trope and the latter more serious.
* ''A Night at the Opera'' by Queen. "Bohemian Rhapsody" is one of the more mainstream rock songs there.
* Many Pink Floyd albums but particularly ''Dark Side of the Moon'', ''Wish You Were Here'', ''Animals'' and ''TheWall''
** Some of their earlier albums can count, too. "Atom Heart Mother" and "Meddle" both have songs that take up a whole side of the album.

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* ''Thick as a Brick'' and ''A Passion Play'' by Jethro Tull, JethroTull, the former being an AffectionateParody of the trope and the latter more serious.
* ''A Night at the Opera'' by Queen.{{Queen}}. "Bohemian Rhapsody" is one of the more mainstream rock songs there.
* Many Pink ManyPink Floyd albums but particularly ''Dark Side of the Moon'', ''Wish You Were Here'', ''Animals'' and ''TheWall''
** Some of their earlier albums can count, too. "Atom ''Atom Heart Mother" Mother'' and "Meddle" ''Meddle'' both have songs that take up a whole side of the album.



* {{Yes}}: Relayer. 3 songs. at 40:28. "The Gates of Delirium" alone is over 20 minutes long.
*** This is nothing new to the band. 1972's Close to the Edge had three songs. The title track (18:43) took up an entire side, And You and I (10:08) and Siberian Khatru (8:55) filled the record out. Arguably the CMoA for prog rock.

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* {{Yes}}: Relayer.''Relayer''. 3 songs. at 40:28. "The Gates of Delirium" alone is over 20 minutes long.
*** This is nothing new to the band. 1972's Close ''Close to the Edge Edge'' had three songs. The title track (18:43) took up an entire side, And You and I (10:08) and Siberian Khatru (8:55) filled the record out. Arguably the CMoA for prog rock.



* {{Lady Gaga}}'s "Alejandro" nearly reaches 9 minutes.



* While {{Metallica}} are used to long songs and all their albums could be considered epics for it, when you consider sheer length, everything after The Black Album is over 70 minutes (''Load'' manages to peak at '''78:59'''. And that's ''after shortening one of the songs!'').



* Parodied in {{This Is Spinal Tap}} with "Jazz Odyssey".
* Parodied by {{Weird Al Yankovic}}, repeatedly: "The Biggest Ball of Twine in Minnesota", "Genius in France", "Nature Trail to Hell", "Albuquerque", "Trapped in the Drive-Thru", "You Don't Love Me Anymore".

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* Parodied in {{This Is Spinal Tap}} ''ThisIsSpinalTap'' with "Jazz Odyssey".
* Parodied by {{Weird Al Yankovic}}, WeirdAlYankovic, repeatedly: "The Biggest Ball of Twine in Minnesota", "Genius in France", "Nature Trail to Hell", "Albuquerque", "Trapped in the Drive-Thru", "You Don't Love Me Anymore".
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** Bowie also has Width of a Circle which could be 15+ minutes live.
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* ''Lateralus'' by Tool. The songs are plenty long (more than half are 6 minutes or longer), but the real whopper is the album itself, at 78 minutes and 58 seconds.
** "The manufacturer would only guarantee us up to 79 minutes... We thought we'd give them two seconds of breathing room." - Danny Carey
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* BeyondTheImpossible: ''Olitsky'' by Ian Mellish consists of four tape loops of slightly different lengths (around 44 minutes), that theoretically would take ''1.6 million years'' to complete its cycle.


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* While it's fairly common for ambient house songs to go on for a while, The Orb makes music that's even long by their genre's standards. Their lengthiest song was the 40-minute epic, "Blue Room." And it was released as a single. Gallup (the compilers of the UK singles chart at the time) stated songs that are 40 minutes or longer are considered albums rather than singles. [[CrowningMomentOfFunny The Orb's response to this?]] They created a [[TakeThat 39:57 mix]] of the song for radio airplay.
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* Surprisingly, NobuoUematsu pulled off a ridiculously ''epic'' one of these... back in the Nineties, and with a SNES game to boot. FinalFantasyVI has the longest single song in the ''entire FinalFantasy series'', the final boss theme, ''Dancing Mad''. Playing during the final SequentialBoss battle, which consists of four separate battles against two or more enemies per battle, ''Dancing Mad'' has a unique section for each battle, and each unique battle section loops at least once on the official version (note that if you take too long fighting one of the battles, the song will simply loop again, making the final song even ''longer''.) The official soundtrack version clocks in at 17 minutes. The Black Mages clocked that shit out at only 12- apparently they decided that trying to do the whole thing would just kill them, so they quit while they were ahead.
** The One-Ups, a semi-famous orchestra group that played video game music, used the entire 17 minute epic as its very last concert, ever; it's on the Net somewhere. It's ''epic''.

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* Surprisingly, NobuoUematsu pulled off a ridiculously ''epic'' one of these... back in the Nineties, and with a SNES game to boot. FinalFantasyVI has the longest single song in the ''entire FinalFantasy series'', the final boss theme, ''Dancing Mad''. Playing during the final SequentialBoss battle, which consists of four separate battles against two or more enemies per battle, ''Dancing Mad'' has a unique section for each battle, and each unique battle section loops at least once on the official version (note that if you take too long fighting one of the battles, the song will simply loop again, making the final song even ''longer''.) The official soundtrack version clocks in at 17 minutes. The Black Mages (Uematsu's rock band) clocked that shit out at only 12- apparently they decided 12, knowing that trying to do looping the whole thing movements would just probably kill them, so they quit while they were ahead.
the Distant Worlds arrangement is a bit less than 11, since it also cut the interlude before the fourth movement.
** The One-Ups, a semi-famous orchestra group that played video game music, used the entire 17 minute epic a 13-minute arrangement as its very last concert, ever; it's on the Net somewhere. It's ''epic''. ever. [[http://video.google.com/videoplay?docid=-2123332194080245535# Behold.]]
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-->-- The back of [[DreamTheater Liquid Tension Experiment]]'s first CD.

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-->-- The back of [[DreamTheater Liquid Tension Experiment]]'s LiquidTensionExperiment's first CD.
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** By far their longest song is "A Pleasant Shade of Gray", which is split into 12 parts and takes up its entire album. It clocks in at 55:46.
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* Half of the songs on "The Monitor" by Titus Andronicus are over seven minutes long, but " The Battle Of Hampton Roads" takes the cake at 14 minutes.

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* Half of the songs on "The Monitor" by Titus Andronicus are over seven minutes long, but " The "The Battle Of Hampton Roads" takes the cake at 14 minutes.
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** "Haunted", at 10:08. A much shorter instrumental version was featured in ''{{Descent}} II'' and the PSX ''Descent'' games. A longer instrumental (but still only half the length of the original) was in the ''Descent II'' ExpansionPack ''Vertigo''.
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* ''Ys'' by Joanna Newsom. The shortest song is seven minutes.

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* ''Ys'' by Joanna Newsom.JoannaNewsom. The shortest song is seven minutes.
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**Eight miles High, clocking in at around 19 minutes.
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* "Death Bed" by RelientK is over 10 minutes long. Of course this is to be expected with a song that tells the story of a man's life.
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** Their newest song, "Like a Wall in which an Insect Lives and Gnaws" is ''50,000 hours'' long. That's almost [[ThisIsSparta SIX.]] [[PrecisionFStrike FUCKING.]] [[ThisIsSparta YEARS.]]

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** Their newest song, "Like a Wall in which an Insect Lives and Gnaws" is ''50,000 hours'' long. That's almost [[ThisIsSparta SIX.]] [[PrecisionFStrike FUCKING.]] [[ThisIsSparta [[BeyondTheImpossible YEARS.]]
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** Their newest song, "Like a Wall in which an Insect Lives and Gnaws" is 50,000 HOURS long.

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** Their newest song, "Like a Wall in which an Insect Lives and Gnaws" is 50,000 HOURS long.''50,000 hours'' long. That's almost [[ThisIsSparta SIX.]] [[PrecisionFStrike FUCKING.]] [[ThisIsSparta YEARS.]]

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*George Thorogood and the Destroyers: "One Burbon, One Scotch, One Beer" (11:25 for the extended version. Bonus points for being a [[CoveredUp cover]].)

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*George * George Thorogood and the Destroyers: "One Burbon, One Scotch, One Beer" (11:25 for the extended version. Bonus points for being a [[CoveredUp cover]].)



*CreedenceClearwaterRevival: "I Heard It Through the Grapevine", which clocks in at 11 minutes and five seconds.

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*CreedenceClearwaterRevival: * CreedenceClearwaterRevival: "I Heard It Through the Grapevine", which clocks in at 11 minutes and five seconds.seconds.
* Traffic: "Glad", "Dear Mr. Fantasy", "The Low Spark of High-Heeled Boys" (the latter just shy of 12 minutes and one of the longest songs This Troper has personally heard on the radio)
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** ''[=ESCM=]'' also has a couple multi-part pieces; Firewater=>Orbitus Terranium=>Flaming June=>Lullaby for Gaia, and Memories in a Sea of Forgetfulness=>Solar Plexus=>Nectar.
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* Lindstrom has a few of these. All of the songs on ''Where You Go I Go Too'' are over 10 minutes (with one clocking in at 29), and he also has a 42 minute version of "Little Drummer Boy".
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* Lindstrom's ''Where You Go I Go Too'' features 3 songs over 55 minutes, which is outlandish even by disco standards.
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* "Arms Against Atrophy" by Titus Andronicus

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* "Arms Against Atrophy" Half of the songs on "The Monitor" by Titus AndronicusAndronicus are over seven minutes long, but " The Battle Of Hampton Roads" takes the cake at 14 minutes.
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* {{Lady Gaga}}'s "Alejandro" nearly reaches 9 minutes.

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