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* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s, spawning numerous [[RecursiveFanfiction spin-offs based on the premise]]. By the mid-2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how the episode "[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]" was commonly interpreted as a TakeThat to the core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as many authors in the genre going through CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but it's still minuscule compared to the heyday of the subgenre.

to:

* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of a ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back written in the early 2010s, spawning numerous 2011, which spawned a completely new genre along with [[RecursiveFanfiction spin-offs based on the premise]].premise]] that quickly became some of the most popular MLP fanfiction around. By the mid-2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how the episode "[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]" was commonly interpreted as a TakeThat to the core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as many authors in the genre going through CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but it's still minuscule compared to the heyday of the subgenre.
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* ''WesternAnimation/{{Superfriends}}'' was ''the'' superhero cartoon during TheSeventies and The80s. For many years, [[AudienceColoringAdaptation it was what the majority of people imagined]] superheroes were like, was fairly well regarded among general audiences, and was one of Creator/HannaBarbera's most popular cartoons. However, as time went on, and especially as the superhero genre evolved over the years, the flaws of the show have become more apparent. The show relied quite a bit on {{camp}} with [[StrictlyFormula repetitive and razor-thin plots]], had [[FlatCharacter nonexistent characterization]], [[OffModel poor animation]] (even by [[LimitedAnimation Hanna-Barbera standards]]), relied on CaptainEthnic heroes that exhibited some negative stereotypes, had a pair of {{Kid Sidekick}}s in [[TheScrappy Wendy and Marvin]], who viewers hated for their [[IdiotBall stupidity]] and lack of any real reason to hang out with the Superfriends, had ComicBook/WonderWoman frequently sidelined and often [[FauxActionGirl only depicted flying her invisible plane rather than doing any real action]], and ComicBook/{{Aquaman}} was consistently depicted as an AdaptationalWimp to the point it took decades for his reputation to improve.[[note]]As an example, when the ''Superfriends'' version of Aquaman [[Recap/DeathBattleS09E12SpongeBobVSAquaman appeared on]] ''WebAnimation/DeathBattle'', Wiz entered [[WesternAnimation/SpongeBobSquarePants SpongeBob]]'s and Aquaman's analyses expecting [=SpongeBob=] to be a legitimate joke and Aquaman an impressively broken character... [[HourglassPlot only for those to flip incredibly quickly]] since Aquaman was ''that'' pathetically weak.[[/note]] This series, together with ''Series/Batman1966'', was largely responsible for the impression of mainstream audiences that the whole genre of superheroes was unworthy of being enjoyed non-ironically, with even the occasional well-respected adaptation like ''Film/SupermanTheMovie'' being seen only as exceptions to the rule. The ironclad view of ''Superfriends'' and Creator/AdamWest[[note]]though the 1966 ''Batman'' series is still fondly remembered, since it can be enjoyed as {{camp}} entertainment and an AffectionateParody of ''Batman'', had a good sense of humor, and noticeably higher production values than ''Superfriends''[[/note]] as the ultimate symbols of superheroes only began to be chipped away when the Franchise/DCAnimatedUniverse's ''WesternAnimation/BatmanTheAnimatedSeries'' began, which took a DarkerAndEdgier and [[TruerToTheText more faithful]] look at superheroes compared to most previous cartoons in a way that caused that show to become a huge hit. With superhero adaptations going mainstream in the 21st century thanks to various adaptations and reimaginings from DC and competitor Creator/MarvelComics, ''Superfriends'' came to be seen as a relic of the past, which caused opinions to sour on the show across the board. Today, the cartoon is regarded as SoBadItsGood at best, and is otherwise seen (especially by DC fans) as a stain on the reputation of the superhero and comic book adaptation genres. [[note]] Though DC does still reference it on occasion, such as gradually implementing all the CanonForeigner characters [[CanonImmigrant into the main continuity]]. [[/note]]

to:

* ''WesternAnimation/{{Superfriends}}'' was ''the'' superhero cartoon during TheSeventies and The80s. For many years, [[AudienceColoringAdaptation it was what the majority of people imagined]] superheroes were like, was fairly well regarded among general audiences, and was one of Creator/HannaBarbera's most popular cartoons. However, as time went on, and especially as the superhero genre evolved over the years, the flaws of the show have become more apparent. The show relied quite a bit on {{camp}} with [[StrictlyFormula repetitive and razor-thin plots]], had [[FlatCharacter nonexistent characterization]], [[OffModel poor animation]] (even by [[LimitedAnimation Hanna-Barbera standards]]), relied on CaptainEthnic heroes that exhibited some negative stereotypes, had a pair of {{Kid Sidekick}}s in [[TheScrappy Wendy and Marvin]], who Marvin]] (who viewers hated for their [[IdiotBall stupidity]] and lack of any real reason to hang out with the Superfriends, Superfriends), had ComicBook/WonderWoman frequently sidelined and often [[FauxActionGirl only depicted flying her invisible plane rather than doing any real action]], and ComicBook/{{Aquaman}} was consistently depicted as an AdaptationalWimp to the point it took decades for his reputation to improve.[[note]]As an example, when the ''Superfriends'' version of Aquaman [[Recap/DeathBattleS09E12SpongeBobVSAquaman appeared on]] ''WebAnimation/DeathBattle'', Wiz entered [[WesternAnimation/SpongeBobSquarePants SpongeBob]]'s and Aquaman's analyses expecting [=SpongeBob=] to be a legitimate joke and Aquaman an impressively broken character... [[HourglassPlot only for those to flip incredibly quickly]] since Aquaman was ''that'' pathetically weak.[[/note]] This series, together with ''Series/Batman1966'', was largely responsible for the impression of mainstream audiences that the whole genre of superheroes was unworthy of being enjoyed non-ironically, with even the occasional well-respected adaptation like ''Film/SupermanTheMovie'' being seen only as exceptions to the rule. The This ironclad view of ''Superfriends'' and Creator/AdamWest[[note]]though the 1966 ''Batman'' series is still fondly remembered, since it can be enjoyed as {{camp}} entertainment and as an AffectionateParody of ''Batman'', had a good sense of humor, and noticeably higher production values than ''Superfriends''[[/note]] as the ultimate symbols of superheroes only began to be chipped away when the Franchise/DCAnimatedUniverse's ''WesternAnimation/BatmanTheAnimatedSeries'' began, which took a DarkerAndEdgier and [[TruerToTheText more faithful]] look at superheroes compared to most previous cartoons in a way that caused that show to become a huge hit. With superhero adaptations going mainstream in the 21st century thanks to various adaptations and reimaginings from DC and competitor Creator/MarvelComics, ''Superfriends'' came to be seen as a relic of the past, which caused opinions to sour on the show to sour across the board. Today, the cartoon is regarded as SoBadItsGood at best, and is otherwise seen (especially by DC fans) as a stain on the reputation of the superhero and comic book adaptation genres. [[note]] Though DC does still reference it on occasion, such as gradually implementing all the CanonForeigner characters [[CanonImmigrant into the main continuity]]. [[/note]]
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* ''WesternAnimation/{{Superfriends}}'' was ''the'' superhero cartoon during TheSeventies and The80s. For many years, [[AudienceColoringAdaptation it was what the majority of people imagined]] superheroes were like, was fairly well regarded among general audiences, and was one of Creator/HannaBarbera's most popular cartoons. However, as time went on, and especially as the superhero genre evolved over the years, the flaws of the show have become more apparent; The show relied quite a bit on {{camp}} with [[StrictlyFormula repetitive and razor-thin plots]], had [[FlatCharacter nonexistent characterization]], [[OffModel poor animation]] (even by [[LimitedAnimation Hanna-Barbera standards]]), relied on CaptainEthnic heroes that exhibited some negative stereotypes, had a pair of {{Kid Sidekick}}s in [[TheScrappy Wendy and Marvin]], who viewers hated for their [[IdiotBall stupidity]] and lack of any real reason to hang out with the Superfriends, had ComicBook/WonderWoman frequently sidelined and often [[FauxActionGirl only depicted flying her invisible plane rather than doing any real action]], and ComicBook/{{Aquaman}} was consistently depicted as an AdaptationalWimp to the point it took decades for his reputation to improve.[[note]]As an example, when the ''Superfriends'' version of Aquaman [[Recap/DeathBattleS09E12SpongeBobVSAquaman appeared on]] ''WebAnimation/DeathBattle'', Wiz entered [[WesternAnimation/SpongeBobSquarePants SpongeBob]]'s and Aquaman's analyses expecting [=SpongeBob=] to be a legitimate joke and Aquaman an impressively broken character... [[HourglassPlot only for those to flip incredibly quickly]] since Aquaman was ''that'' pathetically weak.[[/note]] This series, together with ''Series/Batman1966'', was largely responsible for the impression of mainstream audiences that the whole genre of superheroes was unworthy of being enjoyed non-ironically, with even the occasional well-respected adaptation like ''Film/SupermanTheMovie'' being seen only as exceptions to the rule. The ironclad view of ''Superfriends'' and Creator/AdamWest[[note]]though the 1966 ''Batman'' series is still fondly remembered, since it can be enjoyed as {{camp}} entertainment and has a good sense of humor and noticeably higher production values than ''Superfriends''[[/note]] as the ultimate symbols of superheroes only began to be chipped away when the Franchise/DCAnimatedUniverse's ''WesternAnimation/BatmanTheAnimatedSeries'' began, which took a DarkerAndEdgier look at superheroes compared to most previous cartoons in a way that caused that show to become a huge hit. With superhero adaptations going mainstream in the 21st century thanks to various adaptations and reimaginings from DC and competitor Creator/MarvelComics, ''Superfriends'' came to be seen as a relic of the past, which caused opinions to sour on the show across the board. Today, the cartoon is regarded as SoBadItsGood at best, and is otherwise seen (especially by DC fans) as a stain on the reputation of the superhero and comic book adaptation genres. [[note]] Though DC does still reference it on occasion, such as gradually implementing all the CanonForeigner characters [[CanonImmigrant into the main continuity]]. [[/note]]

to:

* ''WesternAnimation/{{Superfriends}}'' was ''the'' superhero cartoon during TheSeventies and The80s. For many years, [[AudienceColoringAdaptation it was what the majority of people imagined]] superheroes were like, was fairly well regarded among general audiences, and was one of Creator/HannaBarbera's most popular cartoons. However, as time went on, and especially as the superhero genre evolved over the years, the flaws of the show have become more apparent; apparent. The show relied quite a bit on {{camp}} with [[StrictlyFormula repetitive and razor-thin plots]], had [[FlatCharacter nonexistent characterization]], [[OffModel poor animation]] (even by [[LimitedAnimation Hanna-Barbera standards]]), relied on CaptainEthnic heroes that exhibited some negative stereotypes, had a pair of {{Kid Sidekick}}s in [[TheScrappy Wendy and Marvin]], who viewers hated for their [[IdiotBall stupidity]] and lack of any real reason to hang out with the Superfriends, had ComicBook/WonderWoman frequently sidelined and often [[FauxActionGirl only depicted flying her invisible plane rather than doing any real action]], and ComicBook/{{Aquaman}} was consistently depicted as an AdaptationalWimp to the point it took decades for his reputation to improve.[[note]]As an example, when the ''Superfriends'' version of Aquaman [[Recap/DeathBattleS09E12SpongeBobVSAquaman appeared on]] ''WebAnimation/DeathBattle'', Wiz entered [[WesternAnimation/SpongeBobSquarePants SpongeBob]]'s and Aquaman's analyses expecting [=SpongeBob=] to be a legitimate joke and Aquaman an impressively broken character... [[HourglassPlot only for those to flip incredibly quickly]] since Aquaman was ''that'' pathetically weak.[[/note]] This series, together with ''Series/Batman1966'', was largely responsible for the impression of mainstream audiences that the whole genre of superheroes was unworthy of being enjoyed non-ironically, with even the occasional well-respected adaptation like ''Film/SupermanTheMovie'' being seen only as exceptions to the rule. The ironclad view of ''Superfriends'' and Creator/AdamWest[[note]]though the 1966 ''Batman'' series is still fondly remembered, since it can be enjoyed as {{camp}} entertainment and has an AffectionateParody of ''Batman'', had a good sense of humor humor, and noticeably higher production values than ''Superfriends''[[/note]] as the ultimate symbols of superheroes only began to be chipped away when the Franchise/DCAnimatedUniverse's ''WesternAnimation/BatmanTheAnimatedSeries'' began, which took a DarkerAndEdgier and [[TruerToTheText more faithful]] look at superheroes compared to most previous cartoons in a way that caused that show to become a huge hit. With superhero adaptations going mainstream in the 21st century thanks to various adaptations and reimaginings from DC and competitor Creator/MarvelComics, ''Superfriends'' came to be seen as a relic of the past, which caused opinions to sour on the show across the board. Today, the cartoon is regarded as SoBadItsGood at best, and is otherwise seen (especially by DC fans) as a stain on the reputation of the superhero and comic book adaptation genres. [[note]] Though DC does still reference it on occasion, such as gradually implementing all the CanonForeigner characters [[CanonImmigrant into the main continuity]]. [[/note]]
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* ''Fanfic/LatiasJourney'' was originally considered to be one of the best written ''Franchise/{{Pokemon}}'' fanfictions back in the early 2000s to early 2010s. But as time passed, its fans turned against the story citing its TooBleakStoppedCaring nature; copious amounts of {{padding}}; abuse of GenreRoulette leading to a confusing and disjointed narrative; needlessly graphic descriptions of rape, torture and murder; and a {{retcon}} chapter posted ''years'' after the story was completed [[ResetButtonEnding that completely negated the entire story]]. Nowadays, the story is almost forgotten with the influx of equally long, and more importantly, better written ''Pokémon'' fanfiction that started in the mid 2010s.

to:

* ''Fanfic/LatiasJourney'' was originally considered to be one of the best written ''Franchise/{{Pokemon}}'' fanfictions back in the early 2000s to early 2010s. But as time passed, its fans turned against the story citing its TooBleakStoppedCaring nature; copious amounts of {{padding}}; abuse of GenreRoulette leading to a confusing and disjointed narrative; needlessly graphic descriptions of rape, torture and murder; and a {{retcon}} chapter posted ''years'' after the story was completed [[ResetButtonEnding that completely negated the entire story]]. Nowadays, the story is almost forgotten with the mid 2010s influx of equally long, and more importantly, better written ''Pokémon'' fanfiction that started in the mid 2010s.
fanfiction.
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* ''Blog/AskPrincessMolestia'': To make a long story short, as time went on and the blog as with the show's popularity increased, more and more fans came to see the premise as incredibly disturbing. After all, Molestia is the comedic story of Princess Celestia, well, sexually molesting her subjects. Nowadays no one really remembers the blog very fondly save for the impressive artwork. Let's just say it was written in a different era of internet culture.

to:

* ''Blog/AskPrincessMolestia'': To make a long story short, as time went on and the blog as with the show's popularity increased, more and more fans came to see the premise as incredibly disturbing. After all, Molestia is the comedic story of Princess Celestia, well, sexually molesting her subjects. Nowadays Nowadays, no one really remembers the blog very fondly save for the impressive artwork. Let's just say it was written in a different era of internet culture.
Is there an issue? Send a MessageReason:
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* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. By the mid 2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' was commonly interpreted as a TakeThat to the core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule compared to the heyday of the subgenre.
* ''Fanfic/TheConversionBureauTheOtherSideOfTheSpectrum'' was originally praised for its deeper look into the machinations of the Solar Empire, the effects the conversion/xenocide campaign would have on the Empire, and for the addition of a third faction that is not the HLF or the PER. Over time, fans and even the [[CreatorBacklash authors]] turned against the story for the DesignatedHero nature of the protagonist, Marcus Renee and the poor characterization of Princess Celestia and Discord. The story still has its good moments and there are fans of it, but even they acknowledge that the story's ''very'' flawed.

to:

* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. 2010s, spawning numerous [[RecursiveFanfiction spin-offs based on the premise]]. By the mid 2010s, mid-2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 the episode "[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' Map]]" was commonly interpreted as a TakeThat to the core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as many authors in the genre going through CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule minuscule compared to the heyday of the subgenre.
* ''Fanfic/TheConversionBureauTheOtherSideOfTheSpectrum'' ** One of those spin-off stories, ''Fanfic/TheConversionBureauTheOtherSideOfTheSpectrum'', was originally praised for its deeper look into the machinations of the Solar Empire, the effects the conversion/xenocide campaign would have on the Empire, and for the addition of a third faction that is not the HLF or the PER. Over time, fans and even the [[CreatorBacklash authors]] turned against the story for the DesignatedHero nature of the protagonist, Marcus Renee protagonist and the poor characterization characterizations of Princess Celestia and Discord. The story still has its good moments and there are fans of it, but even they acknowledge that the story's story is ''very'' flawed.
Is there an issue? Send a MessageReason:
None


* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. By the mid 2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' was commonly interpreted as a TakeThat as core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule compared to the heyday of the subgenre.

to:

* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. By the mid 2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' was commonly interpreted as a TakeThat as to the core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule compared to the heyday of the subgenre.
Is there an issue? Send a MessageReason:
None


* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. By the mid 2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' was commonly interpreted as a TakeThat as core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule compared to the heyday of the subgenre.

to:

* ''Fanfic/TheConversionBureau'' was one of the most popular subgenres of ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' fanfiction back in the early 2010s. By the mid 2010s, the genre rapidly fell out of favor as additional seasons showed the ponies and Equestria in a less saccharine light. Not helping things was how ''[[Recap/MyLittlePonyFriendshipIsMagicS5E1TheCutieMapPart1 The Cutie Map]]'' was commonly interpreted as a TakeThat as core concept of the genre. The numerous {{Flame War}}s involving both the pro and anti factions as well as CreatorBacklash also further dissuaded authors. Now, thanks to the stigma of WishFulfillment, CanonDefilement, general misanthropy, and unfortunate messages messages, there are few, if any fans and authors of the "straight" TCB stories and they're usually disdained. Anti-TCB authors and fans are ''somewhat'' more common, but are it's still miniscule compared to the heyday of the subgenre.

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