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** In Jasper Fforde's Literature/NurseryCrime books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]

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** In Jasper Fforde's Literature/NurseryCrime books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, ''Literature/JackAndTheBeanstalk'', which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]
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* Rudy's parents, Joe Tabootie and Millie Tabootie, from ''WesternAnimation/ChalkZone''.

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* Rudy's parents, Joe Tabootie and Millie Tabootie, from ''WesternAnimation/ChalkZone''.''WesternAnimation/ChalkZone'', are skinny and rotund respectively.
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Film examples don't go in the Literature folder.


* The Wormwoods are this in the ''book'' version of Roald Dahl's ''{{Matilda}}''. Reversed in the movie: they're played by Danny [=DeVito=] (Mr.) and Rhea Perlman (Mrs.)

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* The Wormwoods are this in the ''book'' version of Roald Dahl's ''{{Matilda}}''. Reversed in the movie: they're played by Danny [=DeVito=] (Mr.) and Rhea Perlman (Mrs.)''Literature/{{Matilda}}''.
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* Emily and Mac Duff, the parents of Elmyra from the ''WesternAnimation/TinyToonAdventures'' episodes, "Take Elmyra Please" and Grandma's Dead".

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* Emily and Mac Duff, the parents of Elmyra from the ''WesternAnimation/TinyToonAdventures'' episodes, "Take Elmyra Please" and Grandma's "Grandma's Dead".
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* Old Man Nebbercracker, who lives in the ''WesternAnimation/MonsterHouse'', is lean and wrinkly, befitting a man his age. His wife, Constance, however, was so corpulent that she used to be kept in a cage on display as a circus freak. The ongoing torment and ridicule by the circus patrons has made Constance viciously antisocial. Nebbercracker's cantankerousness is his way of shielding the neighborhood children from his wife's murderous malevolence.
* ''WesternAnimation/CorpseBride'': Victor's father is skinny while Victor's mother is wide enough to have trouble fitting into the carriage.
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[[folder:Films -- Animation]]



* Old Man Nebbercracker, who lives in the ''WesternAnimation/MonsterHouse'', is lean and wrinkly, befitting a man his age. His wife, Constance, however, was so corpulent that she used to be kept in a cage on display as a circus freak.The ongoing torment and ridicule by the circus patrons has made Constance viciously antisocial. Nebbercracker's cantankerousness is his way of shielding the neighborhood children from his wife's murderous malevolence.



* ''WesternAnimation/CorpseBride'': Victor's father is skinny while Victor's mother is wide enough to have trouble fitting into the carriage.
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* ''Ma and Pa Kettle,'' from the film series starting with ''The Egg and I.'' Pa Kettle is a thin man, while Ma Kettle has a "potato sack" figure. Having fifteen children will do that to a woman!

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** In Jasper Fforde's Literature/NurseryCrimes books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]

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** In Jasper Fforde's Literature/NurseryCrimes Literature/NurseryCrime books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]
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** In Jasper Fforde's NurseryCrimes books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]

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** In Jasper Fforde's NurseryCrimes Literature/NurseryCrimes books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]
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None

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** In Jasper Fforde's NurseryCrimes books, [[spoiler: Jack Sprat is the one from the rhyme (as well as the one from JackAndTheBeanstalk, which he says is just a matter of economy), making him a "Person of Dubious Reality," like many of the characters he represents which makes him very good at his job. His first wife was the one from the story, and she died before the events of the first book due to her, well, [[RealityEnsues eating no fat.]] He keeps this secret, vigorously denying it when people comment on his diet and his history of killing giants. ("[[InsistentTerminology Only one was a giant; the others were just tall!]]") He eventually comes clean at the advice of Punch and Judy.]]

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* ''WesternAnimation/CorpseBride'': Victor's father is skinny while Victor's mother is wide enough to have trouble fitting into the carriage.



* Muriel and Eustace from ''WesternAnimation/CourageTheCowardlyDog'' fall into this. In this case, the contrast is definitely used to convey softness and roughness, respectively; the plump-figured Muriel is defined by her warmth and motherly instinct, while the stick-like Eustace is a hot tempered curmudgeon who only smiles when he wants to laugh at someone else's pain. Considering the way [[AbusiveParents Eustace's mother]] treated him, his behavior isn't all that surprising.

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* Muriel and Eustace from ''WesternAnimation/CourageTheCowardlyDog'' fall into this.''WesternAnimation/CourageTheCowardlyDog''. In this case, the contrast is definitely used to convey softness and roughness, respectively; the plump-figured Muriel is defined by her warmth and motherly instinct, while the stick-like Eustace is a hot tempered curmudgeon who only smiles when he wants to laugh at someone else's pain. Considering the way [[AbusiveParents Eustace's mother]] treated him, his behavior isn't all that surprising.



* In ''WesternAnimation/SouthPark'', Kyle's parents, Gerald and Sheila Broflovski, definitely qualify as this. In earlier seasons, Sheila's size was used to convey dominance and aggression (earning her the 'Big Fat Bitch' moniker), but [[CharacterizationMarchesOn as the series went on, that aspect of her character seemed to fade away]]. She's still quite protective of Kyle, but her MamaBear tendencies have been downplayed considerably. After TheMovie, the writers made a special effort to show her warmer, more affectionate side. Gerald, on the other hand, has consistently been portrayed as a bit of a JerkAss (though no more so than [[CrapsackWorld most of the other South Park residents]]).

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* In ''WesternAnimation/SouthPark'', Kyle's parents, Gerald and Sheila Broflovski, definitely qualify as this.Broflovski. In earlier seasons, Sheila's size was used to convey dominance and aggression (earning her the 'Big Fat Bitch' moniker), but [[CharacterizationMarchesOn as the series went on, that aspect of her character seemed to fade away]]. She's still quite protective of Kyle, but her MamaBear tendencies have been downplayed considerably. After TheMovie, the writers made a special effort to show her warmer, more affectionate side. Gerald, on the other hand, has consistently been portrayed as a bit of a JerkAss (though no more so than [[CrapsackWorld most of the other South Park residents]]).



* Victor's parents in ''WesternAnimation/CorpseBride''
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* Rudy's parents, Joe Tabootie and Millie Tabootie, from ChalkZone.

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* Rudy's parents, Joe Tabootie and Millie Tabootie, from ChalkZone.''WesternAnimation/ChalkZone''.
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** Played straight with Genna Lannister and Emmon Frey, Tywin Lannister's sister and brother-in-law.

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** Played straight with Genna Lannister and Emmon Frey, Tywin Lannister's sister and brother-in-law. This fits with her domineering nature compared to her thin, weak-willed husband.
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* ''Literature/ASongOfIceAndFire'' features a younger version of this. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda (called Fat Walda to distinguish her from [[NamesTheSame all the other Waldas]] in the family), the fattest one.

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* ''Literature/ASongOfIceAndFire'' features a younger version of this. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda (called Fat Walda to distinguish her from [[NamesTheSame all the other Waldas]] in the family), [[CaptainObvious the fattest one.one]]. By the fifth book, she's pregnant with his child.
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* ''Literature/ASongOfIceAndFire'' features a younger version of this. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda, the fattest one.

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* ''Literature/ASongOfIceAndFire'' features a younger version of this. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda, Walda (called Fat Walda to distinguish her from [[NamesTheSame all the other Waldas]] in the family), the fattest one.
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* Dawn and Nobby in ''Film/{{Grimsby}}''
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* ''Literature/ThePretenders'': Many married couples in the Filipino aristocracy fit this—for instance, lean Don Manuel Villa and fat Mrs Villa, or tall Ben de Jesus and his pudgy wife Nena. Usually this results from having several children all in succession.
** Explicitly [[InvertedTrope inverted]] with Tony Samson’s sister Betty, who remains lean but muscular despite three kids, and whose husband Bert is more heavily built.
** Also tragically averted with Tony Samson and Carmen Villa, the latter who wastes away after [[spoiler:he dies by [[DrivenToSuicide suicide]]]].
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* The town doctor Maximillian Hopper and his wife Nurse Beatrice Hopper in ''ComicBook/SunnyvilleStories''. Max is quite skinny and Beatrice is fat.
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* Epiphany and White Kryptonite Eddie Diamond in Ohio Valley Wrestling, after the former's HeelFaceTurn anyway.

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* Epiphany and White Kryptonite Eddie Diamond in Ohio Valley Wrestling, after the former's HeelFaceTurn anyway.
anyway. She'd switch between nurturing and [[SassyBlackWoman dominating]] depending on how well Diamond behaved himself.
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* Epiphany and White Kryptonite Eddie Diamond in Ohio Valley Wrestling, after the former's HeelFaceTurn anyway.
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* Molly Solverson and Gus Grimly in Series/Fargo, once they become a (ridiculously cute) couple.

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* Molly Solverson and Gus Grimly in Series/Fargo, Series/{{Fargo}}, once they become a (ridiculously cute) couple.
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* ''Literature/TheWhiteCompany'': Sir Nigel Loring is (to the surprise of many who know his fearsome reputation) a small, frail-looking and balding man, and his wife, Lady Maude, is a large, stocky and forbidding woman.

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* Molly Solverson and Gus Grimly in Series/Fargo, once they become a (ridiculously cute) couple.
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* Mishima and Lucrèce in TheSuicideShop. This is used to convey warmth by showing her as the more understanding of the two. More like an InvokedTrope, since it's show that both of them have the same views about suicide and their clients.

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* Mishima and Lucrèce in TheSuicideShop.Literature/TheSuicideShop. This is used to convey warmth by showing her as the more understanding of the two. More like an InvokedTrope, since it's show that both of them have the same views about suicide and their clients.
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Almost every one of these examples could be said to be \"invoked.\"


* ''Literature/ASongOfIceAndFire'' provides a rare example of this trope being invoked and by a young couple. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda, the fattest one.

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* ''Literature/ASongOfIceAndFire'' provides features a rare example younger version of this trope being invoked and by a young couple.this. Lord Roose Bolton is a bit of a Medieval health nut, leeching himself constantly and drinking hippocras rather than wine. When he was given his pick of women to marry from the House Frey, he was offered his bride's weight in silver for her dowry. Upon hearing this, Roose purposely chose Walda, the fattest one.
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* Old Man Nebbercracker, who lives in the ''Film/MonsterHouse'', is lean and wrinkly, befitting a man his age. His wife, Constance, however, was so corpulent that she used to be kept in a cage on display as a circus freak.The ongoing torment and ridicule by the circus patrons has made Constance viciously antisocial. Nebbercracker's cantankerousness is his way of shielding the neighborhood children from his wife's murderous malevolence.

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* Old Man Nebbercracker, who lives in the ''Film/MonsterHouse'', ''WesternAnimation/MonsterHouse'', is lean and wrinkly, befitting a man his age. His wife, Constance, however, was so corpulent that she used to be kept in a cage on display as a circus freak.The ongoing torment and ridicule by the circus patrons has made Constance viciously antisocial. Nebbercracker's cantankerousness is his way of shielding the neighborhood children from his wife's murderous malevolence.
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* In ''Literature/HarryPotter'' Molly was frequently described as a short, plump, kindly-looking woman, whom Harry was shocked to see that she could so easily look "like a sabre-tooth tiger" when she was angry with her sons. She was also described as "porky," by Draco Malfoy, in the course of his typical taunts about the Weasley family, and "dumpy" by Vernon Dursley, despite the fact that he and his son were much larger than the slightly plump Molly. Her husband Arthur Weasley possessed the tall, thin build inherited by his sons Ron, Percy, and Bill. Arthur was less strict than his wife, and his children usually thought he was funny.

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* In ''Literature/HarryPotter'' Molly was frequently described as a short, plump, kindly-looking woman, whom Harry was shocked to see that she could so easily look "like a sabre-tooth tiger" when she was angry with her sons. She was also described as "porky," by Draco Malfoy, in the course of his typical taunts about the Weasley family, and "dumpy" by Vernon Dursley, despite the fact that he and his son were much larger than the slightly plump Molly. Her husband Arthur Weasley possessed the tall, thin build inherited by his sons Ron, Percy, and Bill. Arthur was less strict than his wife, and his children usually thought he was funny. (Applies less so in the movies, though, as the movies' Arthur Weasley is still taller than Molly but is fairly pudgy himself.)
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** Played straight with Jenna Lannister and Emmon Frey, Tywin Lannister's sister and brother-in-law.

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** Played straight with Jenna Genna Lannister and Emmon Frey, Tywin Lannister's sister and brother-in-law.
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* The tall and lean King and the short, obese Queen in ''WesternAnimation/MuzzyInGondoland'' fit perfectly.

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* The tall and lean King and the short, obese Queen in ''WesternAnimation/MuzzyInGondoland'' fit perfectly.''WesternAnimation/MuzzyInGondoland''.

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