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Deleted line(s) 74 (click to see context) :
* ImHavingSoulPains
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Changed line(s) 62,63 (click to see context) from:
* CulturePolice (used in fictional works to show or satirize what can happen when [[PoliticalCorrectnessGoneMad being P.C. gets out of hand]])
* CurseCutShort (sometimes used as a ComedyTrope)
* CurseCutShort (sometimes used as a ComedyTrope)
to:
* CulturePolice (used in fictional works -- both comedic and dramatic -- to show or satirize what can happen when [[PoliticalCorrectnessGoneMad being P.C. gets out of hand]])
* CurseCutShort(sometimes (can used as a ComedyTrope)
* CurseCutShort
Changed line(s) 71 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and '''''it still gets past''''' or if the writers get crap past the radar so much -- whether or not a CensorDecoy is used -- that the censors just give up in trying to edit the piece).
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and '''''it still gets past''''' or if the writers get crap past the radar so much -- whether or not a CensorDecoy is used -- that the censors CensorshipBureau either calls for the piece's cancellation or just give up in trying to edit the piece).gives up).
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Changed line(s) 54 (click to see context) from:
* {{Bowdlerise}}
to:
* {{Bowdlerise}}{{Bowdlerise}} (has some elements in common with EditedForSyndication)
Changed line(s) 59 (click to see context) from:
* ClumsyCopyrightCensorship (often used when TV shows or movies are rerun or put on DVD)
to:
* ClumsyCopyrightCensorship (often used when TV shows or movies are rerun or put on DVD)DVD years later)
Changed line(s) 62 (click to see context) from:
* CulturePolice
to:
* CulturePoliceCulturePolice (used in fictional works to show or satirize what can happen when [[PoliticalCorrectnessGoneMad being P.C. gets out of hand]])
Deleted line(s) 66 (click to see context) :
* DubText (only if the dubbers are bored, do it by accident, or [[RefugeInAudacity want to make a scene more risque than what is originally intended]])
Changed line(s) 72 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and '''''it still gets past''''' or if the writers use this trope repeatedly and the censors either [[ViewersAreMorons don't notice, don't care]], or have fallen for a CensorDecoy one too many times).
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and '''''it still gets past''''' or if the writers use this trope repeatedly and get crap past the censors either [[ViewersAreMorons don't notice, don't care]], radar so much -- whether or have fallen for not a CensorDecoy one too many times).is used -- that the censors just give up in trying to edit the piece).
**DubText: In cases of accident or RefugeInAudacity, this is another form of GettingCrapPastTheRadar (particularly in American-dubbed anime series).
**DubText: In cases of accident or RefugeInAudacity, this is another form of GettingCrapPastTheRadar (particularly in American-dubbed anime series).
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We don\'t need to note that it\'s been renamed
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* BarbieDollAnatomy (formerly "Anime Anatomy")
to:
* BarbieDollAnatomy (formerly "Anime Anatomy")BarbieDollAnatomy
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Changed line(s) 59 (click to see context) from:
* ClumsyCopyrightCensorship
to:
* ClumsyCopyrightCensorshipClumsyCopyrightCensorship (often used when TV shows or movies are rerun or put on DVD)
Changed line(s) 70 (click to see context) from:
* FunWithAutocensors
to:
* FunWithAutocensorsFunWithAutocensors (mostly seen on Internet forums)
Changed line(s) 72 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and it still gets past or if the writers use this trope repeatedly and the censors either [[ViewersAreMorons don't notice]], don't care, or have fallen for a CensorDecoy one too many times).
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and it '''''it still gets past past''''' or if the writers use this trope repeatedly and the censors either [[ViewersAreMorons don't notice]], notice, don't care, care]], or have fallen for a CensorDecoy one too many times).
Changed line(s) 87 (click to see context) from:
* ScunthorpeProblem
to:
* ScunthorpeProblemScunthorpeProblem (mostly seen on Internet forums)
Changed line(s) 95 (click to see context) from:
* ThinkOfTheCensors: When characters in a work of fiction are aware that some of what they say or do will get them in trouble with the censors.
to:
* ThinkOfTheCensors: When characters in a fictional work of fiction are aware know or realize that some their words and/or actions are subject to being censored if actually said or done. Also a form of what they say or do will get them in trouble with the censors.BreakingTheFourthWall.
Changed line(s) 97 (click to see context) from:
* ThisTropeIsBleep
to:
* ThisTropeIsBleepThisTropeIsBleep (can be used as a ComedyTrope if done in excess or if what's being bleeped isn't offensive at all)
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added Fun With Autocensors
Added DiffLines:
* FunWithAutocensors
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Changed line(s) 91 (click to see context) from:
* SubvertedRhymeEveryOccasion (can be a ComedyTrope or used for non-censorship reasons, such as trying to avoid a lame and predictable pun or subverting the old "Roses are red, Violets are blue" poem)
to:
* SubvertedRhymeEveryOccasion (can be a ComedyTrope or used for non-censorship reasons, such as trying to avoid a lame and predictable pun or rhyme scheme -- i.e., subverting the old "Roses are red, Violets are blue" poem)
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Changed line(s) 26 (click to see context) from:
* CensorBox (can immediately become a [[GagCensors gag censor]] if PlayedForLaughs)
to:
* CensorBox (can immediately become a [[GagCensors [[GagCensor gag censor]] if this trope is PlayedForLaughs)
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Changed line(s) 26 (click to see context) from:
* CensorBox
to:
* CensorBoxCensorBox (can immediately become a [[GagCensors gag censor]] if PlayedForLaughs)
Changed line(s) 67,69 (click to see context) from:
* FamilyFriendlyFirearms
* FingerOnLips
* FrothyMugsOfWater
* FingerOnLips
* FrothyMugsOfWater
to:
* FamilyFriendlyFirearms
FamilyFriendlyFirearms (used in a majority of American-edited anime)
*FingerOnLips
FingerOnLips (used mostly in music videos and music performances)
*FrothyMugsOfWaterFrothyMugsOfWater (used ''a lot'' in American-edited anime)
*
*
Changed line(s) 76 (click to see context) from:
* NarrativeProfanityFilter
to:
* NarrativeProfanityFilterNarrativeProfanityFilter (mostly used in written media, but can also be used on television shows if a narrator is used)
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Changed line(s) 91 (click to see context) from:
* SubvertedRhymeEveryOccasion
to:
* SubvertedRhymeEveryOccasionSubvertedRhymeEveryOccasion (can be a ComedyTrope or used for non-censorship reasons, such as trying to avoid a lame and predictable pun or subverting the old "Roses are red, Violets are blue" poem)
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Changed line(s) 28,29 (click to see context) from:
* CensorSteam (also a BathingTrope)
* CensorSuds (also a BathingTrope)
* CensorSuds (also a BathingTrope)
to:
* CensorSteam (also a BathingTrope)
Bathing Trope)
* CensorSuds (also aBathingTrope)Bathing Trope)
* CensorSuds (also a
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Changed line(s) 25 (click to see context) from:
* BarbieDollAnatomy
to:
* BarbieDollAnatomyBarbieDollAnatomy (formerly "Anime Anatomy")
Changed line(s) 28,30 (click to see context) from:
* CensorSteam
* CensorSuds
* DigitalBikini
* CensorSuds
* DigitalBikini
to:
* CensorSteam
CensorSteam (also a BathingTrope)
*CensorSuds
CensorSuds (also a BathingTrope)
*DigitalBikiniDigitalBikini (sometimes used in conjunction with a ShowerScene, BathtubScene, or a HotSpringsEpisode of an anime that has been [[{{Bowdlerization}} edited]] when aired in America)
*
*
Changed line(s) 58 (click to see context) from:
* CensorshipBySpelling (also a ComedyTrope)
to:
* CensorshipBySpelling (also (can also be used as a ComedyTrope)
Changed line(s) 66 (click to see context) from:
* DubText (when accidental)
to:
* DubText (when accidental)(only if the dubbers are bored, do it by accident, or [[RefugeInAudacity want to make a scene more risque than what is originally intended]])
Changed line(s) 92 (click to see context) from:
* SymbolSwearing
to:
* SymbolSwearingSymbolSwearing (used primarily in American comic book stories or literature)
Changed line(s) 98 (click to see context) from:
* TooSoon: Sometimes used to censor something in retrospect
to:
* TooSoon: Sometimes used to censor something in retrospectretrospect, as seen in the wave of media that featured The World Trade Center towers or terrorism following the 9/11 attacks.
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Changed line(s) 63 (click to see context) from:
* CurseCutShort
to:
* CurseCutShortCurseCutShort (sometimes used as a ComedyTrope)
Changed line(s) 88 (click to see context) from:
* SleepingSingle (also a ComedyTrope used in conjunction with ExiledToTheCouch or if a work parodies the allegedly "squeaky clean" 1950s sitcoms in which married couples were shown not sleeping in the same bed)
to:
* SleepingSingle (also a ComedyTrope used in conjunction with ExiledToTheCouch or if a work parodies the allegedly "squeaky clean" 1950s sitcoms in which married couples were shown not sleeping in the same bed)separate beds)
Changed line(s) 98 (click to see context) from:
* TooSoon: Sometimes used to censor something in retrospect (as seen with the many TV shows and movies made before the 9/11 attacks in which plane hijackings, terrorism, and The World Trade Center towers could be shown).
to:
* TooSoon: Sometimes used to censor something in retrospect (as seen with the many TV shows and movies made before the 9/11 attacks in which plane hijackings, terrorism, and The World Trade Center towers could be shown).retrospect
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Changed line(s) 56 (click to see context) from:
* CensorDecoy: A vital tool used by daring writers who want to get crap past the radar. Say there's a writer or director with two scenes: one that's too violent or sexual to be shown on TV, and another that's a bit more toned down, but has heavy innuendo or inferences to violence. The censors will have to choose between which scene can be suitable for air (usually the first choice will be picked as the sacrifical lamb while the second scene will be put on TV, but sometimes there will be a goof-up and the radar will be shattered either way).
to:
* CensorDecoy: A vital tool used by daring writers who want to get crap past the radar. Say there's a writer or director with two scenes: one that's too violent or sexual to be shown on TV, TV or in the movies, and another that's a bit more toned down, but has heavy innuendo or inferences to violence. The censors will have to choose between which scene can be suitable for air (usually the first choice will be picked as the sacrifical lamb while the second scene will be put on TV, TV or film, but sometimes there will be a goof-up and the radar will be shattered either way).
Changed line(s) 58 (click to see context) from:
* CensorshipBySpelling
to:
* CensorshipBySpellingCensorshipBySpelling (also a ComedyTrope)
Changed line(s) 64 (click to see context) from:
* DefyingTheCensors: sometimes you just have to stand up to those who would silence you.
to:
* DefyingTheCensors: sometimes Sometimes you just have to stand up to those who would silence you.
Changed line(s) 71 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material or if the writers use this trope repeatedly and the censors either [[ViewersAreMorons don't notice]], don't care, or have fallen for a CensorDecoy).
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if the writers use explicitly racy material and it still gets past or if the writers use this trope repeatedly and the censors either [[ViewersAreMorons don't notice]], don't care, or have fallen for a CensorDecoy).CensorDecoy one too many times).
Deleted line(s) 76 (click to see context) :
* MagicPants
Changed line(s) 89 (click to see context) from:
* SleepingSingle
to:
* SleepingSingleSleepingSingle (also a ComedyTrope used in conjunction with ExiledToTheCouch or if a work parodies the allegedly "squeaky clean" 1950s sitcoms in which married couples were shown not sleeping in the same bed)
Changed line(s) 96 (click to see context) from:
* ThinkOfTheChildren
to:
* ThinkOfTheChildrenThinkOfTheChildren: The call to arms for many a MoralGuardian or MediaWatchdog group.
Changed line(s) 99 (click to see context) from:
* TooSoon
to:
* TooSoonTooSoon: Sometimes used to censor something in retrospect (as seen with the many TV shows and movies made before the 9/11 attacks in which plane hijackings, terrorism, and The World Trade Center towers could be shown).
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Changed line(s) 25 (click to see context) from:
* AnimeAnatomy
to:
* AnimeAnatomyBarbieDollAnatomy
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None
Changed line(s) 16,17 (click to see context) from:
* 4Kids! Entertainment
to:
* [[FourKidsEntertainment 4Kids! Entertainment
Entertainment]]
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Changed line(s) 56 (click to see context) from:
* CensorDecoy
to:
* CensorDecoyCensorDecoy: A vital tool used by daring writers who want to get crap past the radar. Say there's a writer or director with two scenes: one that's too violent or sexual to be shown on TV, and another that's a bit more toned down, but has heavy innuendo or inferences to violence. The censors will have to choose between which scene can be suitable for air (usually the first choice will be picked as the sacrifical lamb while the second scene will be put on TV, but sometimes there will be a goof-up and the radar will be shattered either way).
Changed line(s) 71 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if done excessively and the censors ''still'' don't notice or are past the point of caring)
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if done excessively the writers use explicitly racy material or if the writers use this trope repeatedly and the censors ''still'' either [[ViewersAreMorons don't notice notice]], don't care, or are past the point of caring)have fallen for a CensorDecoy).
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Changed line(s) 7,8 (click to see context) from:
''Interesting tropes about [[spoiler:[[BluenoseBowdlerizer blank]]]]ing out things not meant for corrupting sensitive eyes or ears.''
to:
''Interesting tropes about [[spoiler:[[BluenoseBowdlerizer [[spoiler:[[ThisTropeIsBLEEP blank]]]]ing out things not meant for corrupting sensitive eyes or ears.''
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Changed line(s) 5,6 (click to see context) from:
-- Disclaimer from the webcomic ''{{XKCD}}''
to:
-- Disclaimer from the webcomic ''{{XKCD}}''
''Webcomic/{{XKCD}}''
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Added DiffLines:
Compare TheseTropesShouldWatchTheirLanguage.
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Deleted line(s) 36 (click to see context) :
* PeekABoo
Added DiffLines:
* SceneryCensor
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Changed line(s) 70 (click to see context) from:
* [[{{ptitlebeohy6n8}} I'm Having Soul Pains]]
to:
* [[{{ptitlebeohy6n8}} I'm Having Soul Pains]]ImHavingSoulPains
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Changed line(s) 92 (click to see context) from:
* ThinkOfTheCensors
to:
* ThinkOfTheCensorsThinkOfTheCensors: When characters in a work of fiction are aware that some of what they say or do will get them in trouble with the censors.
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Changed line(s) 68 (click to see context) from:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if done excessively)
to:
* GettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if done excessively)excessively and the censors ''still'' don't notice or are past the point of caring)
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* {{Gag Censor}}s
Changed line(s) 38,39 (click to see context) from:
* {{Gag Censor}}s
to:
Deleted line(s) 55 (click to see context) :
* CityOfWeirdos
Changed line(s) 61 (click to see context) from:
* DefyingTheCensors: Sometimes you just have to stand up to those who would silence you.
to:
* DefyingTheCensors: Sometimes sometimes you just have to stand up to those who would silence you.
Changed line(s) 68 (click to see context) from:
* GettingCrapPastTheRadar
to:
* GettingCrapPastTheRadarGettingCrapPastTheRadar: DefyingTheCensors on an underhanded level (leads to RefugeInAudacity if done excessively)
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Added DiffLines:
* DefyingTheCensors: Sometimes you just have to stand up to those who would silence you.