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* As with Fast Ryde above, Music/TimMcGraw's 2014 single "Looking for That Girl" was originally recorded with Auto-Tune, but an alternate mix was also sent out with it removed.
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* In ''Anime/SpaceDandy'', [[RobotBuddy QT]]'s actresses voices were auto-tuned to sound more robotic. It's more subtle in the Japanese dub since intonation is important in that language.
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* In ''Anime/SpaceDandy'', [[RobotBuddy QT]]'s actresses actresses' voices were auto-tuned to sound more robotic. It's more subtle in the Japanese dub since intonation is important in that language.
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* [[RobotBuddy Q-T]] from ''Anime/SpaceDandy''.
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* In ''Anime/SpaceDandy'', [[RobotBuddy Q-T]] from ''Anime/SpaceDandy''.QT]]'s actresses voices were auto-tuned to sound more robotic. It's more subtle in the Japanese dub since intonation is important in that language.
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animated movie
[[folder:Film]]
* One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
[[/folder]]
* One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
[[/folder]]
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* One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
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* One trailer for ''WesternAnimation/MrPeabodyAndSherman'' mentions that Peabody invented auto-tune, among other things.
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* [[RobotBuddy Q-T]] from ''Anime/SpaceDandy''.
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* K-Ci and JoJo's Crazy overloads on the Auto-Tune, mostly on the background choruses, but on the radio version, there's a LOT more Auto-Tune on the lead vocals.
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* ''EpicRapBattlesOfHistory'' uses this for StephenHawking rather than the program the real Hawking uses to speak. This is because if you've ever heard Stephen Hawking speak, you know you can't ''rap'' with that program.
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* ''EpicRapBattlesOfHistory'' ''WebVideo/EpicRapBattlesOfHistory'' uses this for StephenHawking rather than the program the real Hawking uses to speak. This is because if you've ever heard Stephen Hawking speak, you know you can't ''rap'' with that program.
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* Music/{{Gackt}}, on almost ''anything'' studio recorded since around 2008. It has become harder to tell him and his {{Vocaloid}} Gakupo apart due to this - a properly Auto-Tuned Gakupo sounds nigh-indistinguishable from post 2008 Gackt.
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* Unusual for {{darkwave}}, Midnight Resistance used it in "Wastelands".
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[[folder:Metal]]
* Music/{{Galneryus}} vocalist Masatoshi Ono/Sho uses Auto-Tune effects on both studio recording and in live performance. The results receive mixed reviews, although the sound is reminiscent of what would happen if someone created a {{Vocaloid}} based off of [[Music/ToshimitsuDeyama Toshi]]. Fans of Yama-B (who sang without autotune) are generally not pleased.
[[/folder]]
* Music/{{Galneryus}} vocalist Masatoshi Ono/Sho uses Auto-Tune effects on both studio recording and in live performance. The results receive mixed reviews, although the sound is reminiscent of what would happen if someone created a {{Vocaloid}} based off of [[Music/ToshimitsuDeyama Toshi]]. Fans of Yama-B (who sang without autotune) are generally not pleased.
[[/folder]]
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* "Mayhem of Life" by Oscalator and Rogard.
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* In one episode of ''WesternAnimation/TheSimpsons'', Bart, Milhouse, Nelson and Ralph get drafted into a BoyBand. The band depends entirely on computer wizardry to make their singing listenable (which turns their singing voices into those of guest stars [=*NSYNC=]).
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* In one episode of ''WesternAnimation/TheSimpsons'', Bart, Milhouse, Nelson and Ralph get drafted into a BoyBand. The band depends entirely on computer wizardry to make their singing listenable (which turns their singing voices into those of guest stars [=*NSYNC=]).listenable.
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* [[http://www.youtube.com/watch?v=JbC72UtNNGY&t=0m14s Akon]] uses it in many of his songs, though only as an accent. [[http://www.youtube.com/watch?v=cFVYbJDHKwQ&t=0m36s His voice is pretty high to begin with]].
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[[folder:Advertising]]
* Brian the robot's voice in British commercials for Confused dot com[[note]] Replacing the cartoon ads based on the song "YMCA", to the disappointment of many[[/note]]
[[/folder]]
* Brian the robot's voice in British commercials for Confused dot com[[note]] Replacing the cartoon ads based on the song "YMCA", to the disappointment of many[[/note]]
[[/folder]]
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This trope has been redefined to a In Universe definition \'\'only\'\'. P Lease see this TRS thread: http://tvtropes.org/pmwiki/posts.php?discussion=1361591789034108800
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is hilariously]] [[SensoryAbuse scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is hilariously]] hilariously [[SensoryAbuse scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* The Music/TheyMightBeGiants song "Bastard Wants To Hit Me". For... some reason. It is also used more seriously (ha) on most of their following album, ''The Else''.
** "Bastard Wants to Hit Me" is more of a stealth parody. As for its use on ''The Else'', it surprisingly was NOT used on "I'm Impressed". WordOfGod says the vocals are strange in that song, due to the fact that demo for that song ended up on the final product, with the demo itself being captured on a very lo-fi mp3 file.
** "Bastard Wants to Hit Me" is more of a stealth parody. As for its use on ''The Else'', it surprisingly was NOT used on "I'm Impressed". WordOfGod says the vocals are strange in that song, due to the fact that demo for that song ended up on the final product, with the demo itself being captured on a very lo-fi mp3 file.
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* The Music/TheyMightBeGiants Electric Light Orchestra's ''Time'' album: the first track, "Prelude", contains what many consider the first ever use of auto-tune in music history. [[http://www.youtube.com/watch?v=l2IsSCGemOY Listen for yourself.]]
* Music/JarsOfClay used autotuned backing vocals on the song"Bastard Wants To Hit Me". For... some reason. It is also used more seriously (ha) on most of their following album, "Headphones" (from ''The Else''.
** "Bastard WantsLong Fall Back to Hit Me" is more Earth'').
* Quietdrive's cover ofa stealth parody. As for its use on ''The Else'', Cyndi Lauper's "Time after Time" uses it surprisingly was NOT used on "I'm Impressed". WordOfGod says the vocals are strange in that song, due to the fact that demo for that song ended up on the final product, with the demo itself being captured on a very lo-fi mp3 file.subtly but noticeably, as does Ashley Tisdale's version.
* Music/JarsOfClay used autotuned backing vocals on the song
** "Bastard Wants
* Quietdrive's cover of
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** On "TKOL RMX 1234567," two songs feature Auto-Tune; like on Amnesiac, it's used for artistic purposes. "Codex (Illum Sphere RMX)" and "Little By Little (Caribou RMX)" use it to alter the melody of the original song into an entirely new one.
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** On "TKOL RMX 1234567," two songs feature Auto-Tune; like on Amnesiac, ''Amnesiac'', it's used for artistic purposes. "Codex (Illum Sphere RMX)" and "Little By Little (Caribou RMX)" use it to alter the melody of the original song into an entirely new one.
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* Quietdrive's cover of Cyndi Lauper's "Time after Time" uses it subtly but noticeably, as does Ashley Tisdale's version.
* Electric Light Orchestra's ''Time'' album: the first track, "Prelude", contains what many consider the first ever use of auto-tune in music history. [[http://www.youtube.com/watch?v=l2IsSCGemOY Listen for yourself.]]
* Electric Light Orchestra's ''Time'' album: the first track, "Prelude", contains what many consider the first ever use of auto-tune in music history. [[http://www.youtube.com/watch?v=l2IsSCGemOY Listen for yourself.]]
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* Quietdrive's cover The Music/TheyMightBeGiants song "Bastard Wants To Hit Me". For... some reason. It is also used more seriously (ha) on most of Cyndi Lauper's "Time after Time" uses their following album, ''The Else''.
** "Bastard Wants to Hit Me" is more of a stealth parody. As for its use on ''The Else'', itsubtly but noticeably, as does Ashley Tisdale's version.
* Electric Light Orchestra's ''Time'' album:surprisingly was NOT used on "I'm Impressed". WordOfGod says the first track, "Prelude", contains what many consider vocals are strange in that song, due to the first ever use of auto-tune in music history. [[http://www.youtube.com/watch?v=l2IsSCGemOY Listen fact that demo for yourself.]]that song ended up on the final product, with the demo itself being captured on a very lo-fi mp3 file.
** "Bastard Wants to Hit Me" is more of a stealth parody. As for its use on ''The Else'', it
* Electric Light Orchestra's ''Time'' album:
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* In ''WebVideo/FriendshipIsWitchcraft'', Sweetie Belle has distinct RoboSpeak which is created by running all her lines through auto-tune with a limited number of pitches.
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* Used constantly by the boy band "Sev'ral Timez" in ''GravityFalls''.
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* Used constantly by the boy band "Sev'ral Timez" in ''GravityFalls''. Intentional, given that [[spoiler:the boys are actually robots.]]
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* Inna uses it in "Wow" and most other songs on ''I Am the Club Rocker''. Likewise for just about every song on ''Party Never Ends''.
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* Inna uses it in "Wow" "Wow", "Club Rocker", "More Than Friends", and most many other songs on ''I Am am the Club Rocker''. Likewise for just about every song on Rocker'' and ''Party Never Ends''.
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* Inna uses it in "Wow" and most other songs on ''I Am the Club Rocker''.
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* Inna uses it in "Wow" and most other songs on ''I Am the Club Rocker''. Likewise for just about every song on ''Party Never Ends''.
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* Used constantly by the boy band "Sev'ral Timez" in ''GravityFalls''.
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* The second appearance of the Time Police in ''{{Superjail}}'' uses auto-tune for their sung lines, complete with some vocal distortion.
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* ''VideoGame/SonicGenerations'' uses it for the classic remix of "Escape from the City". Justified as it's paying tribute to and trying to match the pitch of the [[Sonic3andKnuckles Endless Mine]] melody.
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* ''VideoGame/SonicGenerations'' uses it for features auto-tune in the classic remix second verse of "Escape from the City".[[SonicAdventure2 City Escape's]] Act 1 BGM. Justified as it's paying tribute to and trying to match the pitch of the [[Sonic3andKnuckles Endless Mine]] melody.
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* ''VideoGame/SonicGenerations'' uses it for their classic remix of "Escape from the City". Justified as it's paying tribute to and trying to match the pitch of the Endless Mine melody.
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* ''VideoGame/{{Portal}}'' uses this for computers and robots.
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* ''VideoGame/SonicGenerations'' uses it for the classic remix of "Escape from the City". Justified as it's paying tribute to and trying to match the pitch of the [[Sonic3andKnuckles Endless Mine]] melody.
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* The remix of Music/FloridaGeorgiaLine's "Cruise" featuring Music/{{Nelly}} drowns the whole song in Auto-Tune.
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'''Please remember that TropesAreNotBad and not to use this as a TakeThat page.'''
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'''Please remember that TropesAreNotBad TropesAreTools and not to use this as a TakeThat page.'''
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] hilariously]] [[SensoryAbuse creepy]].scary]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites entitled "Classy, Sexy, Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites and by socialites entitled "Classy, Sexy, "Classy Sexy Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites entitled "Classy, Sexy, Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylizedSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites entitled "Classy, Sexy, Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylizedSuck [[StylisticSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!
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* Also PlayedForLaughs on a sketch on SaturdayNightLive with host Kristin Wiig; an infomercial advertising a CD for socialites entitled "Classy, Sexy, Elegnace" ([[TyopOnTheCover yeah, that's what it's called]]). Everything on that album is [[StylizedSuck haphazardly produced]], by their HUSBANDS, no less, (Except for one song in which [[ItMakesSenseinContext her husband Craig T. Nelson]] hires a black producer who "pretends to like her music..."), which results in HEAVY use of the Auto-Tune. The real payoff moment comes near the end, when all three women are singing one song using EACH OF THEIR RESPECTIVE AUTO-TUNE SETTINGS (in different keys and modes). [[HellIsThatNoise The result is atonally]] [[SensoryAbuse creepy]]. Hell, EVEN THE ENDING ANNOUNCEMENT is auto-tuned!