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Changed line(s) 131 (click to see context) from:
* Creator/JamesCameron revealed that in TheEighties, he was writing ''Film/TheTerminator'', ''Film/RamboFirstBloodPartII'' and ''Film/{{Aliens}}'' simultaneously. He wrote them on separate typewriters.
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* Creator/JamesCameron revealed that in TheEighties, The80s, he was writing ''Film/TheTerminator'', ''Film/RamboFirstBloodPartII'' and ''Film/{{Aliens}}'' simultaneously. He wrote them on separate typewriters.
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* Music/PhilCollins was well known for this (especially in TheEighties), as a solo artist, member of Music/{{Genesis|Band}} and fusion band Brand X, on-call drummer for Music/EricClapton, Music/PeterGabriel and [[Music/LedZeppelin Robert Plant]], and with his various appearances as a session drummer/producer. This is not counting his work as house drummer for the Prince's Trust concerts, his appearances in UsefulNotes/LiveAid, Knebworth '90, The Secret Policeman shows and the Concert For Montserrat, or for that matter his acting and voice acting work (and the occasional Disney soundtrack later on). The CriticalBacklash his career suffered from may have had as much to do with his ubiquity as anything. Live Aid in particular saw him appear (via Concorde!) in both Philadelphia and London, doing his own set as well as guest-drumming for Music/EricClapton and the reunited Music/LedZeppelin. In a documentary about Genesis, Collins stated that in hindsight it wasn't any wonder why the backlash occurred -- he was freakin' ''everywhere''.
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* Music/PhilCollins was well known for this (especially in TheEighties), The80s), as a solo artist, member of Music/{{Genesis|Band}} and fusion band Brand X, on-call drummer for Music/EricClapton, Music/PeterGabriel and [[Music/LedZeppelin Robert Plant]], and with his various appearances as a session drummer/producer. This is not counting his work as house drummer for the Prince's Trust concerts, his appearances in UsefulNotes/LiveAid, Knebworth '90, The Secret Policeman shows and the Concert For Montserrat, or for that matter his acting and voice acting work (and the occasional Disney soundtrack later on). The CriticalBacklash his career suffered from may have had as much to do with his ubiquity as anything. Live Aid in particular saw him appear (via Concorde!) in both Philadelphia and London, doing his own set as well as guest-drumming for Music/EricClapton and the reunited Music/LedZeppelin. In a documentary about Genesis, Collins stated that in hindsight it wasn't any wonder why the backlash occurred -- he was freakin' ''everywhere''.
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Changed line(s) 180 (click to see context) from:
* Damon Goddamn Albarn. Music/{{Blur}}, Music/{{Gorillaz}}, Mali Music, The Good, The Bad & The Queen...
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* Damon Goddamn Albarn. Music/{{Blur}}, Music/{{Gorillaz}}, Mali Music, The Good, The Bad & The Queen...Music/TheGoodTheBadAndTheQueen...
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Changed line(s) 295 (click to see context) from:
* A common problem on sites that host webcomics without the need for running one's own website, like ''Website/ComicFury'', is that it's exceptionally easy for a given artist to start a new project the moment the idea comes to mind. While users subscribe to individual comics, not creators, it's hardly uncommon to see creators raging about how people are interested in the "wrong" project at a given time.
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* A common problem on sites that host webcomics without the need for running one's own website, like ''Website/ComicFury'', ''Platform/ComicFury'', is that it's exceptionally easy for a given artist to start a new project the moment the idea comes to mind. While users subscribe to individual comics, not creators, it's hardly uncommon to see creators raging about how people are interested in the "wrong" project at a given time.
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* Creator/AlanMoore is famous in the comics industry for writing really long, really detailed scripts, packed with information about each panel and everything it contains. In TheEighties, Moore worked on the following titles over a ten year period (some of which were published at a later period because it takes longer to draw and publish a comic than it is to write): ''ComicBook/{{Miracleman}}, ComicBook/CaptainBritain, ComicBook/VForVendetta, ComicBook/{{Watchmen}}, A Small Killing, Big Numbers, Brought to Light, ComicBook/FromHell, Lost Girls'' not to mention his famous lengthy run on ''ComicBook/SwampThing'', his many DC stories such as ''ComicBook/TheKillingJoke'' and ''ComicBook/WhateverHappenedToTheManOfTomorrow''.
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* Creator/AlanMoore is famous in the comics industry for writing really long, really detailed scripts, packed with information about each panel and everything it contains. In TheEighties, The80s, Moore worked on the following titles over a ten year period (some of which were published at a later period because it takes longer to draw and publish a comic than it is to write): ''ComicBook/{{Miracleman}}, ComicBook/CaptainBritain, ComicBook/VForVendetta, ComicBook/{{Watchmen}}, A Small Killing, Big Numbers, Brought to Light, ComicBook/FromHell, Lost Girls'' not to mention his famous lengthy run on ''ComicBook/SwampThing'', his many DC stories such as ''ComicBook/TheKillingJoke'' and ''ComicBook/WhateverHappenedToTheManOfTomorrow''.
