History Main / ArtShift

18th Jul '17 2:11:48 PM eroock
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->''"I swear they just had an honest-to-goodness romantic moment!! The art turned straight n' all!"''
-->--'''Christine''', ''Webcomic/GirlsNextDoor'', [[http://pika-la-cynique.deviantart.com/art/GND56-Datus-Interruptus-116303938 "Datus Interruptus"]][[note]]She means the art style switched from cartoon-y to more traditionally beautiful, signifying a mood shift from joking to earnest.[[/note]]

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->''"I swear they just had an honest-to-goodness romantic moment!! moment!!\\
The art turned straight n' all!"''
-->--'''Christine''', -->-- '''Christine''', ''Webcomic/GirlsNextDoor'', [[http://pika-la-cynique.deviantart.com/art/GND56-Datus-Interruptus-116303938 "Datus Interruptus"]][[note]]She means the art style switched from cartoon-y to more traditionally beautiful, signifying a mood shift from joking to earnest.[[/note]]
18th Jul '17 7:31:20 AM Andyroid
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Added DiffLines:

** "The Money" has a sequence done in {{Animesque}} art style parodying Japanese commercials. Near the end of the cartoon, the Watterson's financial straits get so bad, ''the animation'' starts becoming cheaper and sloppier. As they rush to a local fast food joint to agree to do a commercial, the animation degrades to sketches and low-poly CGI, then to storyboard images, and finally to crude sketches on sticky notes.
14th Jul '17 9:41:09 PM Dghcrh
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Added DiffLines:

* ''Anime/YokaiWatch'': The ending credits have most of the characters in CGI form dancing.
14th Jul '17 2:29:23 PM MaciekOst
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Added DiffLines:

*** The earlier segment ''Nightmare on Evergreen Terrace'' of the same episode has a very subtle one - Bart's dream that opens the segment is done in style of a more gag oriented cartoon - while characters and objects generally look the same as in the usual show, the backgrounds are drawn in a painted, outline-less style as opposed to the outlined style of the show intended to blend in with the animation cels.
8th Jul '17 3:45:43 PM Wyldchyld
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** A news report shown in the first episode is done in hand-drawn animation.



** Flashbacks get a 2D anime-style animation, ranging from Blake's White Fang idealism as a child to the dark, gritting forest nightmare that almost got Yang and Ruby killed as very young children.

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** Flashbacks and in-universe storytelling of myths and legends get a 2D anime-style animation, ranging from Blake's White Fang idealism as a child to the dark, gritting gritty forest nightmare that almost got Yang and Ruby killed as very young children.
30th Jun '17 9:17:41 AM rcmerod52
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** Despite still being designed by Soejima, ''VideoGame/Persona5'' shifts to a much more comic-book-inspired aesthetic.

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** Despite still being designed by Soejima, ''VideoGame/Persona5'' shifts to a much more comic-book-inspired aesthetic.comic book-esque look, with thick lines, bright colors, complex shading, SpeechBubbles and SpeedStripes to accentuate the PhantomThief motif, instead of the previous titles' more "standard" VideogameInterfaceElements.



* In ''VideoGame/{{Undertale}}'', most of the game is in a {{Retraux}}, ''VideoGame/EarthBound''-esque style with DeliberatelyMonochrome, white, pixel art enemies for the battle segments. But the final boss of the Neutral route is shown in a horrifying photomontage/glitch-art style with bullets to match.

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* In ''VideoGame/{{Undertale}}'', most of the game is in a {{Retraux}}, ''VideoGame/EarthBound''-esque style with DeliberatelyMonochrome, white, pixel art enemies for the battle segments. But the final boss of the Neutral route is shown in a horrifying photomontage/glitch-art style with bullets to match. The fact that this boss is officially known as [[spoiler:Photoshop Flowey]] hints at this.



* ''VideoGame/Persona5'': Compared to the previous ''Franchise/ShinMegamiTenseiPersona'' games. The art direction uses comic book-esque thick lines, bright colors, complex shading, SpeechBubbles and SpeedStripes to accentuate the PhantomThief motif, instead of the previous titles' more "standard" VideogameInterfaceElements.
* AZ's story in ''VideoGame/PokemonXAndY''.

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* ''VideoGame/Persona5'': Compared to the previous ''Franchise/ShinMegamiTenseiPersona'' games. The art direction uses comic book-esque thick lines, bright colors, complex shading, SpeechBubbles and SpeedStripes to accentuate the PhantomThief motif, instead of the previous titles' more "standard" VideogameInterfaceElements.
*
%%Zero Context Example, please elaborate before restoring this
%%*
AZ's story in ''VideoGame/PokemonXAndY''.
28th Jun '17 7:24:53 PM looneynightmare
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* In "Adventures of ''Franchise/SuperMan'' #441 at one point Mxyzptlk traps Superman in a billboard and sends expies of several popular cartoon characters after him including [[WesternAnimation/TheFlintstones Fred Flintstone]], ''WesternAnimation/BeanyAndCecil'', ''WesternAnimation/MightyMouse'', and ''WesternAnimation/TheSmurfs'' after him, the scene is drawn in a more cartoony style and Superman himself looks like George from ''WesternAnimation/GeorgeOfTheJungle''.

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* In "Adventures of ''Franchise/SuperMan'' #441 at one point Mxyzptlk traps Superman in a billboard and sends expies of several popular cartoon characters after him including [[WesternAnimation/TheFlintstones Fred Flintstone]], ''WesternAnimation/BeanyAndCecil'', ''WesternAnimation/MightyMouse'', and ''WesternAnimation/TheSmurfs'' after him, ''WesternAnimation/TheSmurfs'', the scene is drawn in a more cartoony style and Superman himself looks like George from ''WesternAnimation/GeorgeOfTheJungle''.
28th Jun '17 7:22:39 PM looneynightmare
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* In "Adventures of ''Franchise/SuperMan'' #441 at one point Mxyzptlk traps Superman in a billboard and sends expies of several popular cartoon characters after him including [[''WesternAnimation/TheFlintstones Fred Flintstone]], ''WesternAnimation/BeanyAndCecil'', ''WesternAnimation/MightyMouse'', and ''WesternAnimation/TheSmurfs'' after him, the scene is drawn in a more cartoony style and Superman himself looks like George from ''WesternAnimation/GeorgeOfTheJungle''.

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* In "Adventures of ''Franchise/SuperMan'' #441 at one point Mxyzptlk traps Superman in a billboard and sends expies of several popular cartoon characters after him including [[''WesternAnimation/TheFlintstones [[WesternAnimation/TheFlintstones Fred Flintstone]], ''WesternAnimation/BeanyAndCecil'', ''WesternAnimation/MightyMouse'', and ''WesternAnimation/TheSmurfs'' after him, the scene is drawn in a more cartoony style and Superman himself looks like George from ''WesternAnimation/GeorgeOfTheJungle''.
28th Jun '17 7:20:20 PM looneynightmare
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Added DiffLines:

* In "Adventures of ''Franchise/SuperMan'' #441 at one point Mxyzptlk traps Superman in a billboard and sends expies of several popular cartoon characters after him including [[''WesternAnimation/TheFlintstones Fred Flintstone]], ''WesternAnimation/BeanyAndCecil'', ''WesternAnimation/MightyMouse'', and ''WesternAnimation/TheSmurfs'' after him, the scene is drawn in a more cartoony style and Superman himself looks like George from ''WesternAnimation/GeorgeOfTheJungle''.
24th Jun '17 7:56:37 AM narm00
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* This occurs a few times in ''Manga/DamekkoDoubutsu'', mostly when ever [[LightIsNotGood Yunihiko is around.]]

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* This occurs a few times in ''Manga/DamekkoDoubutsu'', mostly when ever whenever [[LightIsNotGood Yunihiko is around.]]



* Episode 3 of ''Manga/DailyLifeWithMonsterGirl'' has one scene with Miia, Papi and Centorea about to get into a fight and briefly turned into creepy demonic versions of themselves, with jerky animation and colored in solid colors. The whole thing looks it came out of a ''[[Anime/PuellaMagiMadokaMagica Madoka Magica]]'' witch sequence.

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* Episode 3 of ''Manga/DailyLifeWithMonsterGirl'' has one scene with Miia, Papi and Centorea about to get into a fight and briefly turned turning into creepy demonic versions of themselves, with jerky animation and colored in solid colors. The whole thing looks like it came out of a ''[[Anime/PuellaMagiMadokaMagica Madoka Magica]]'' witch sequence.



* Frequently used in the work of Japanese comic artist ONE, of ''Manga/OnePunchMan'' and ''Manga/MobPsycho100'' fame. His art is usually very sloppy and rough, but ONE makes it much more detailed and professional looking when the action (or the joke) calls for it. This is kept somewhat in Yuusuke Murata's redrawing of One-Punch Man, as well as the Anime, where Saitama is usually drawn closer to ONE's lazy style until he gets serious, and Tatsumaki is the inverse, reverting to ONE's style when her scenes become comedic.

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* Frequently used in the work of Japanese comic artist ONE, of ''Manga/OnePunchMan'' ''Webcomic/OnePunchMan'' and ''Manga/MobPsycho100'' fame. His art is usually very sloppy and rough, but ONE makes it much more detailed and professional looking when the action (or the joke) calls for it. This is kept somewhat in Yuusuke Murata's redrawing of One-Punch Man, ''One-Punch Man'', as well as the Anime, where Saitama is usually drawn closer to ONE's lazy style until he gets serious, and Tatsumaki is the inverse, reverting to ONE's style when her scenes become comedic.



* SitaSingsTheBlues takes this trope up to 11. It features not one, not two, but six different art styles, and they change every several minutes as the story demands.

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* SitaSingsTheBlues ''WesternAnimation/SitaSingsTheBlues'' takes this trope up to 11. It features not one, not two, but six different art styles, and they change every several minutes as the story demands.
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http://tvtropes.org/pmwiki/article_history.php?article=Main.ArtShift