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* Music/StoneTemplePilots' ''Tiny Music... Songs From The Vatican Gift Shop'' opens with "Press Play", a minute and 21 seconds of funky, organ-based instrumental jamming that fades into the next song. Interestingly, the track is three minutes longer on LP copies, which is how long it was on the original master tapes - it starts repeating itself after the first minute and a half, so they may have just recorded a longer-than-neccesary version so they could decide when to start fading it out later.

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* Music/StoneTemplePilots' ''Tiny Music... Songs From The Vatican Gift Shop'' opens with "Press Play", a minute and 21 seconds of funky, organ-based instrumental jamming that fades into the next song. Interestingly, [[LongSongShortScene the track is three minutes longer on LP copies, copies]], which is how long it was on the original master tapes - it starts repeating itself after the first minute and a half, so they may have just recorded a longer-than-neccesary version so they could decide when to start fading it out later.
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* Music/StoneTemplePilots' ''Tiny Music... Songs From The Vatican Gift Shop'' opens with "Press Play", a minute and 21 seconds of funky, organ-based instrumental jamming that fades into the next song. Interestingly, the track is three minutes longer on LP copies, which is how long it was on the original master tapes - it starts repeating itself after the first minute and a half, so they may have just recorded a longer-than-neccesary version so they could decide when to start fading it out later.
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* ''Music/TheHamiltonMixtape'' has the song "No John Trumbull" which asserts that the following album would be nothing like Trumbull's famous painting of the signing of the Declaration of Independence. It was originally supposed to be used in the [[Theatre/{{Hamilton}} play proper]] but was quickly dropped in favor of the now-iconic song "Alexander Hamilton", and found a home on the Mixtape.

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* ''Music/TheHamiltonMixtape'' has the song "No John Trumbull" Trumbull ([[ExactlyWhatItSaysOnTheTin Intro]])" which asserts that the following album would be nothing like Trumbull's famous painting of the signing of the Declaration of Independence. It was originally supposed to be used in the [[Theatre/{{Hamilton}} play proper]] but was quickly dropped in favor of the now-iconic song "Alexander Hamilton", and found a home on the Mixtape.
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* ''Music/TheHamiltonMixtape'' has the song "No John Trumbull" which asserts that the following album would be nothing like Trumbull's famous painting of the signing of the Declaration of Independence. It was originally supposed to be used in the [[Theatre/{{Hamilton}} play proper]] but was quickly dropped in favor of the now-iconic song "Alexander Hamilton", and found a home on the Mixtape.

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* ''Music/TheAquabats'' album "Charge!!" opens with a brief clip of a sci-fi narrator type warning listeners "Now stand back, for your own safety!"

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* ''Music/TheAquabats'' album "Charge!!" ''Music/TheAquabats'':
** The first track on ''Myths, Legends, and Other Amazing Adventures'' is a short instrumental synthesizer piece called "Robot Theme Song!".
** ''Charge!!''
opens with a brief clip of a sci-fi narrator type warning listeners "Now stand back, for your own safety!"
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* ''Ixnay on the Hombre'' by Music/TheOffspring begins with "Disclaimer", and exceedingly sarcastic disclaimer about its objectionable content.

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* ''Ixnay on the Hombre'' by Music/TheOffspring begins with "Disclaimer", and exceedingly sarcastic disclaimer (narrated by [[Music/DeadKennedys Jello Biafra]]) about its objectionable content.content. The following two albums, ''Americana'' and ''Conspiracy of One'', follow suit, except with shorter intros: the former, "Welcome" in the form of ForInconveniencePressOne (fitting one of the album's themes, of automated life in America), and the latter, "Intro", sounding like [[ExactlyWhatItSaysOnTheTin an intro to a song in a concert]].
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* ''All Hail Bright Futures'' by And So I Watch You From Afar begins with a track called "Eunoia" which leads in to the first proper track.

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* ''All Hail Bright Futures'' by And So I Watch You From Afar begins with a track called "Eunoia" which leads in to into the first proper track.




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* Music/The1975's self-titled album opens with "The 1975", a short track that sets the mood for the album. A reworked version serves the same role for their second album, ''I like it when you sleep for you are so beautiful yet so unaware of it''.
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* {{Music/Mudhoney}}'s ''Piece Of Cake'' starts with an [[NoTitle untitled]] 40 second parody of OrchestraHitTechnoBattle-style rave music. This is definitely in the "different genre from the rest of the album" category, because the other songs are primarily {{Grunge}}.

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* {{Music/Mudhoney}}'s ''Piece Of Cake'' starts with an [[NoTitle untitled]] 40 second parody of OrchestraHitTechnoBattle-style rave music.music (albeit performed solely with organ, guitar, drums, and distorted vocals). This is definitely in the "different genre from the rest of the album" category, because the other songs are primarily {{Grunge}}.
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* ''Music/TheAquabats'' album "Charge!!" opens with a brief clip of a sci-fi narrator type warning listeners "Now stand back, for your own safety!"

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* "Theme from ''Flood''" from TheyMightBeGiants' ''Music/{{Flood}}''. A 27 second choral piece introducing the album.
-->It's a brand new record for 1990: They Might Be Giants' brand new album... [[TitleDrop Flooooood]]

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* "Theme from ''Flood''" from TheyMightBeGiants' Music/TheyMightBeGiants' ''Music/{{Flood}}''. A 27 second choral piece introducing the album.
-->It's -->''Why is the world in love again?\\
Why are we marching hand in hand?\\
Why are the ocean levels rising up?\\
It's
a brand new record for 1990: 1990:\\
They Might Be Giants' brand new album... [[TitleDrop Flooooood]]Flooooood]]''
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* The {{Riven}} soundtrack's first track is called "Link." It's an 11-second track containing the "linking book" sound effect that's used in the game when the player travels between worlds.
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* The [[Music/KISSSoloAlbums Gene Simmons 1978 solo album]] begins with what sounds like a dark orchestral music intro that lasts for 1 minute 4 seconds before the first song "Radioactive" starts.
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* The soundtrack for the film Film/SingStreet starts with Brendan's brief "Rock n Roll is a Risk" spoken word monologue
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* Several albums by Music/TheAlanParsonsProject begin with an instrumental piece that segues into the first song. The remix version of their first, ''Tales of Mystery and Imagination'' features spoken intros to the first and second halves, read by OrsonWelles as EdgarAllanPoe.

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* Several albums by Music/TheAlanParsonsProject begin with an instrumental piece that segues into the first song. The remix version of their first, ''Tales of Mystery and Imagination'' features spoken intros to the first and second halves, read by OrsonWelles Creator/OrsonWelles as EdgarAllanPoe.Creator/EdgarAllanPoe.
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* Der fünfzehnjährige Krieg'' by Absurd has one (weirdly, it's actually longer than a couple of the actual songs.)
* ''SGNL>01'' and ''SGNL>05 (Final Transmission)'' by {{Music/Isis}}, taken from ''Celestial'' and ''SGNL>05'', respectively.
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* Music/{{Gotye}}'s ''Like Drawing Blood'' has its 22-second title track play soflty before segueing into into the song "The Only Way".
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* ''Music/SgtPeppersLonelyHeartsClubBand'' is presented as a concert by the eponymous band, with the first song an intro track. (2:02 per TheOtherWiki, with a reprise at the end of the record @ 1:08, followed by an {{Encore}} song.)
* The {{Jimi Hendrix}} album ''Axis: Bold as Love'' begins with a track depicting a British-accented talk show host, with a slightly sped-up "chipmunk" voice, talking skeptically about U.F.O.s and aliens, with his guest revealing himself to be an alien (with guitar noises depicting his ship picking him up)--the track is called "EXP", and segues into "Up From the Skies", a song from the point of view of an [[AncientAstronauts Ancient Astronaut]] returning to Earth.
* "Son et lumiere", the first track of TheMarsVolta's ''Deloused in the Comatorium'', provides an ambient rise to the first song.

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* ''Music/SgtPeppersLonelyHeartsClubBand'' is presented as a concert by the eponymous band, with the first song an intro track. (2:02 per TheOtherWiki, Wiki/{{Wikipedia}}, with a reprise at the end of the record @ 1:08, followed by an {{Encore}} song.)
* The {{Jimi Hendrix}} Music/JimiHendrix album ''Axis: Bold as Love'' begins with a track depicting a British-accented talk show host, with a slightly sped-up "chipmunk" voice, talking skeptically about U.F.O.s and aliens, with his guest revealing himself to be an alien (with guitar noises depicting his ship picking him up)--the track is called "EXP", and segues into "Up From the Skies", a song from the point of view of an [[AncientAstronauts Ancient Astronaut]] returning to Earth.
* "Son et lumiere", the first track of TheMarsVolta's Music/TheMarsVolta's ''Deloused in the Comatorium'', provides an ambient rise to the first song.
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* ''Channel Orange'' by Frank Ocean starts with the track "Start", which samples a sound of a PlayStation starting up, along with other electronic sounds.

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* ''Channel Orange'' by Frank Ocean starts with the track "Start", which samples a sound of a PlayStation UsefulNotes/PlayStation starting up, along with other electronic sounds.

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* Music/Slipknot are quite fond of this.

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* Music/Slipknot Music/{{Slipknot}} are quite fond of this.



* Music/{{Cormorant}}'s album ''Earth Diver'' opens with "Eris", a short instrumental piece that contains sampling from later tracks on the album, opening to the song "Daughter of Void".



* Music/{{Cormorant}}'s album ''Earth Diver'' opens with "Eris", a short instrumental piece that contains sampling from later tracks on the album, opening to the song "Daughter of Void".

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* Music/{{Cormorant}}'s album ''Earth Diver'' opens with "Eris", a short instrumental piece that contains sampling from later tracks on the album, opening to the song "Daughter of Void".
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* Music/{{Cormorant}}'s album ''Earth Diver'' opens with "Eris", a short instrumental piece that contains sampling from later tracks on the album, opening to the song "Daughter of Void".
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* "Mezmerize" by SystemOfADown begins with an intro version of the song "Soldier Side", the full version of which isn't heard until the last track of the sister album "Hypnotize".

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* "Mezmerize" by SystemOfADown Music/SystemOfADown begins with an intro version of the song "Soldier Side", the full version of which isn't heard until the last track of the sister album "Hypnotize"."Hypnotize."
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* All of VNVNation's albums have one of these. ''Transnational'' opens with "Generator", which is a SiameseTwinSong and EpicInstrumentalOpener to "Everything".
* The {{title track}}s of {{Covenant}}'s ''Modern Ruin'' and ''Leaving Babylon''.

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* All of VNVNation's Music/VNVNation's albums have one of these. ''Transnational'' opens with "Generator", which is a SiameseTwinSong and EpicInstrumentalOpener to "Everything".
"Everything."
* The {{title track}}s of {{Covenant}}'s Music/{{Covenant}}'s ''Modern Ruin'' and ''Leaving Babylon''.



* The appropriately titled ''Intro'' in ''{{Outkast}}'s'' ''Stankonia''.

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* The appropriately titled ''Intro'' in ''{{Outkast}}'s'' ''Stankonia''.Music/OutKast's ''Stankonia.''
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* TypeONegative's ''October Rust'' has the joke track "Bad Ground", which is just an amplifier hum, followed by introductory dialogue from the band members.
** They pulled a similar trick with the first track of their next album, ''World Coming Down'': "Skip It" is an 11 second track of what sounds like a skipping cd, followed by a member of the band shouting "Sucker!". There was even a format-specific version of this intro for the cassette edition, which sounded like a tape being eaten instead.

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* TypeONegative's Music/TypeONegative's ''October Rust'' has the joke track "Bad Ground", Ground," which is just an amplifier hum, followed by introductory dialogue from the band members.
members.
** They pulled a similar trick with the first track of their next album, ''World Coming Down'': "Skip It" is an 11 second track of what sounds like a skipping cd, CD, followed by a member of the band shouting "Sucker!". "Sucker!" There was even a format-specific format specific version of this intro for the cassette edition, which sounded like a tape being eaten instead.
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* "Ascendancy" by {{Trivium}} begins with an instrumental track titled "The End of Everything."

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* "Ascendancy" by {{Trivium}} Music/{{Trivium}} begins with an instrumental track titled "The End of Everything."
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* Morphine's ''Cure For Pain'' starts with "Dawna", a 44 second ambient instrumental mostly centered on Dana Colley's saxophone playing. ''Like Swimming'' starts with the minute-long "Lilah", which is similar, but based around Mark Sandman's bass instead.

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* Morphine's Music/{{Morphine}}'s ''Cure For Pain'' starts with "Dawna", a 44 second ambient instrumental mostly centered on Dana Colley's saxophone playing. ''Like Swimming'' starts with the minute-long "Lilah", which is similar, but based around Mark Sandman's bass instead.



* {{The Beach Boys}}' SMiLE begins with 'Our Prayer,' a church-like hymn with huge echo that provides just a taste of the amazing music to follow it.

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* {{The Beach Boys}}' Music/TheBeachBoys' SMiLE begins with 'Our Prayer,' a church-like hymn with huge echo that provides just a taste of the amazing music to follow it.




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* Music/TomWaits' ''Music/ForeignAffairs'' opens with "Cinny's Waltz", a chamber instrumental that leads into the anguished OneWomanSong "Muriel".
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* ''V'' from Music/BulletForMyVakentine album Venom.

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* ''V'' from Music/BulletForMyVakentine Music/BulletForMyValentine album Venom.

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* ''V'' from Music/BulletForMyVakentine album Venom.
* Music/Slipknot are quite fond of this.
** 742617000027 from their first album is an intro to (sic)
** (515) from ''Iowa'' is likewise into People=Shit
** ''.Execute'' from ''All Hope is Gone'' into ''Gematria (the killing name)''
** ''XIX'' from the Gray Chapter would also qualify.
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* Nothing More's self-titled album opens with a song called "Ocean Floor", which is the lead-in to "This is the Time (Ballast)".


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* A short 30-second prologue precedes Otherwise's "Die for You".

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* Fun Boy Three's self-titled debut has the intro track "Sanctuary", 1:22 of OminousLatinChanting.

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* Fun Boy Three's self-titled debut has the intro track "Sanctuary", 1:22 of OminousLatinChanting.
OminousLatinChanting. Their second album ''Waiting'' begins with "Murder, She Said", a cover of the theme from the 1950s ''Miss Marple'' movies - an instrumental which acts as a showcase for their new backing group and their [[NewSoundAlbum new sound]].

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* Fun Boy Three's self-titled debut has the intro track "Sanctuary", 1:22 of OminousLatinChanting.

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