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* DidTheyOrDidntThey: Hand in hand with the LoveDodecahedron, the details of [[spoiler:Henry and Camilla's]] relationship--when it began, how far it went--are unclear.

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* DidTheyOrDidntThey: Hand in hand with the LoveDodecahedron, the details of [[spoiler:Henry and Camilla's]] Camilla]]'s relationship--when it began, how far it went--are unclear.



* DividedWeFall: Henry's last-minute [[spoiler: HeroicSacrifice]] is the only reason their infighting doesn't get them caught. Of course, Henry had [[{{Chessmaster}} no small hand in that.]]

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* DividedWeFall: Henry's last-minute [[spoiler: HeroicSacrifice]] is the only reason their infighting doesn't get them caught. Of course, Henry had [[{{Chessmaster}} no small hand in that.]]that]].

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* DidTheyOrDidntThey: Goes hand in hand with the LoveDodecahedron, [[spoiler: especially with Henry and Camilla]].

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* DidNotGetTheGirl: As the only girl in an insular little group, Camilla could basically have her pick of any of them. [[spoiler: She choses their king.]]
* DidTheyOrDidntThey: Goes hand Hand in hand with the LoveDodecahedron, [[spoiler: especially with Henry the details of [[spoiler:Henry and Camilla]].Camilla's]] relationship--when it began, how far it went--are unclear.
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* OutOfGenreExperience: The book is best known for its dark academia genre -- a sort of Creator/EvelynWaugh, Oxfordian vibe. But that's not strictly speaking ''the book'''s genre -- it's the clique's. The Classics clique create their own little world around themselves with a very distinctive genre to it. But every time Richard steps outside that world, the contrast is sharp. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts.

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* OutOfGenreExperience: The book is best known for its dark academia genre -- a sort of Creator/EvelynWaugh, Oxfordian Oxonian vibe. But that's not strictly speaking ''the book'''s genre -- it's the clique's. The Classics clique create their own little world around themselves with a very distinctive genre to it. But every time Richard steps outside that world, the contrast is sharp. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts.
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# Richard Papen, the story's FirstPersonPeripheralNarrator, a transfer student who, through a series of chance encounters, finds himself in the midst of this strange, mesmerizing group.

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# Richard Papen, the story's FirstPersonPeripheralNarrator, a transfer student NewTransferStudent who, through a series of chance encounters, finds himself in the midst of this strange, mesmerizing group.
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Moving them to Trivia.The Secret History because they are not tropes that the book contains.


* PopCulturalOsmosis:
** There is an entire story arc in ''{{Series/Riverdale}}'' that is a WholePlotReference to this novel, with one of the main antagonists explicitly named after its author.
** The novel has become one of the flagship media references for a visual style known as [[https://bookriot.com/dark-academia-books/ "Dark Academia"]], which glamorizes traditional academic pursuits in the Humanities--particularly at American and European universities with a gothic, old-world flair (and, in some cases, an implicitly high price tag on tuition). Dark Academia has occasionally been criticized (''The Secret History'' in particular) on the grounds that fans might internalize some of the elitist biases the concept implies.
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* OutOfGenreExperience: The book is best known for its dark academia genre -- a sort of Creator/EvelynWaugh type Oxfordian vibe. But that's not exactly ''the book'''a genre. The Classics clique create their own little world around themselves, and ''that'' is dark academia. But every time Richard steps outside that little world, the contrast is sharp. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. It's easy to forgot that the clique's world is ''their'' genre, but not strictly speaking the ''book'''s genre.

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* OutOfGenreExperience: The book is best known for its dark academia genre -- a sort of Creator/EvelynWaugh type Creator/EvelynWaugh, Oxfordian vibe. But that's not exactly strictly speaking ''the book'''a genre. book'''s genre -- it's the clique's. The Classics clique create their own little world around themselves, and ''that'' is dark academia. themselves with a very distinctive genre to it. But every time Richard steps outside that little world, the contrast is sharp.sharp. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. It's easy to forgot that the clique's world is ''their'' genre, but not strictly speaking the ''book'''s genre.
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* OutOfGenreExperience: The Classics clique create their own little world around themselves -- a decadent off-brand Oxford. Every time Richard steps outside that little world, the contrast is sharp. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. It's easy to forgot that the clique's world is ''their'' genre, but not strictly speaking the ''book'''s genre.

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* OutOfGenreExperience: The book is best known for its dark academia genre -- a sort of Creator/EvelynWaugh type Oxfordian vibe. But that's not exactly ''the book'''a genre. The Classics clique create their own little world around themselves -- a decadent off-brand Oxford. Every themselves, and ''that'' is dark academia. But every time Richard steps outside that little world, the contrast is sharp. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. It's easy to forgot that the clique's world is ''their'' genre, but not strictly speaking the ''book'''s genre.
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* MythicalMotifs: DownplayedTrope. The twins have a slight Apollo-and-Artemis/Diana thing. Being twins, for one. Bunny says Camilla looks like the statue of Diana at his father's club. Their blondness and paleness, for gods of luminous things. Apollo is generally characterized as friendly, while Artemis is more aloof.
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* IOweYouMyLife: DownplayedTrope. Richard never exactly says he owes Henry his life, but Henry does show up and save Richard when he's on the brink of death. He stays beside him in the hospital, nurses him back to health, brings him to his house to recuperate, gives him ''his own bed''. After this, Richard is far more inclined to side with Henry than Bunny.
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** [[OneThingLedToAnother "Matters progressed."]]

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** Richard "HaveIMentionedIAmHeterosexualToday" Papen speaks of his gay hookup evasively, saying only, [[OneThingLedToAnother "Matters progressed."]]
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* ShoppingMontage: Parodied. After his first encounter with the classics clique at the library, but before he goes to his audition with Julian, Richard goes on a shopping spree. It's clear that his goal is TheMakeover, turning himself into one of them. The way it actually occurs is less glamorous and more silly. First he lies to his employer to get money. Then he goes shopping at a thrift store. Then he's so thrilled and overwhelmed by it all that he goes directly home.
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* EverybodySmokes / SmokingIsGlamorous: All of the six but Richard smoke like chimneys, and even he smokes at parties. Well, it is a liberal arts college in the 80s.

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* EverybodySmokes / SmokingIsGlamorous: All of the six but Richard smoke like chimneys, and even he smokes at parties. Well, it is It's a liberal arts college in the 80s.80s. Most of the clique smokes like chimneys. Only Richard and Bunny don't -- or rather, they smoke little enough that it's remarked upon, one more detail to underline their outsider status, but they still smoke a bit. Richard smokes only at parties. Bunny doesn't generally smoke because he was a high-school athlete and a coach impressed upon him the importance of that, but he nonetheless has a cigar when he goes out to lunch with Richard.
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* NominalImportance: Played with. The farmer's name is Harry Ray [=McRee=], as seen in a newspaper article reporting on his death. The clique never use this name. They continue to refer to him as "the farmer", because they don't care about him much.

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* NominalImportance: Played with. The farmer's name is Harry Ray [=McRee=], as seen in a newspaper article reporting on his death. The clique never use this name. They continue to refer to him as "the farmer", farmer" because they don't care about him much.
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* OneSteveLimit: Two of Bunny's brothers -- Teddy and Hugh -- are married to women named Lisa.
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* SingleSexOffspring: The Corcoran family has 5 sons -- Teddy, Hugh, Patrick, Brady, and Bunny.
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* NominalImportance: Played with. The farmer's name is Harry Ray [=McRee=], as seen in a newspaper article reporting on his death. The clique never use this name. They continue to refer to him as "the farmer", because they don't care about him much.

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* PoliticallyIncorrectHero: While most of the characters are implicitly classist (heck, the book is even assigned in college sociology classes because of it), Bunny (who makes mean comments about homosexuals, females, Catholics, Jews, Italians, and the lower-income over the course of the story) really takes the cake.

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* PoliticallyIncorrectHero: While most of the characters are implicitly classist (heck, the book is even assigned in college sociology classes because of it), Bunny (who makes mean comments about homosexuals, females, Catholics, Jews, Italians, and the lower-income over the course of the story) really takes the cake. Julian argues that everyone is classist and that it's better to be openly classist than hypocritically so.
-->'''Julian:''' I think we're much more hypocritical about illness, and poverty, than were people in former ages. In America, the rich man tries to pretend that the poor man is his equal in every respect but money, which is simply not true.
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** One of the first things that Richard hears about Julian before meeting him is that he was a friend of Ezra Pound and T.S. Eliot. This disturbingly foreshadows Julian's arrogance, elitism and reactionary politics - both Modernists were openly misogynistic, racist and in Pound's case pro-Nazi.

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** One of the first things that Richard hears about Julian before meeting him is that he was a friend of Ezra Pound Creator/EzraPound and T.S. Eliot. Creator/TSEliot. This disturbingly foreshadows Julian's arrogance, elitism and reactionary politics - -- both Modernists were openly misogynistic, racist and in Pound's case pro-Nazi.

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* {{Foil}}: Bunny and Richard are the two outsiders of the group. They're both jealous, and ''want'' to be part of the ingroup with these smart, glamourous, otherworldly friends. They go about it quite differently. Richard is shy, has resting bitch face, and feels uncomfortable about imposing himself on the group, preferring to wait for an invitation. Bunny is gregarious, extroverted, and always inviting himself to things. Neither has enough money to fit in with the group, and are trying to hide this, but again, differently. Richard does it by being self-sufficient and never asking his friends for anything, while Bunny asks for hand-outs all the time.
-->'''Henry:''' Look at you. Your parents aren't particularly generous with you, are they? But you're so scrupulous about not borrowing money that it's rather silly. Heavens. I think you might have died in that warehouse rather than wire one of us for a couple of hundred dollars. That's an infinitesimal sum. I'm sure we shall have spent two or three times that on Bunny by the end of next week.

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* {{Foil}}: {{Foil}}:
** Richard first introduces us to the group by highlighting the physical similarities between Henry and Bunny. They both wear glasses, and the same kind of glasses at that. They're both tall and broad. They both part their hair such that it falls over one eye. Beyond that, they're opposites -- RedOniBlueOni, OddFriendship.
**
Bunny and Richard are the two outsiders of the group. They're both jealous, and ''want'' to be part of the ingroup with these smart, glamourous, otherworldly friends. They go about it quite differently. Richard is shy, has resting bitch face, and feels uncomfortable about imposing himself on the group, preferring to wait for an invitation. Bunny is gregarious, extroverted, and always inviting himself to things. Neither has enough money to fit in with the group, and are trying to hide this, but again, differently. Richard does it by being self-sufficient and never asking his friends for anything, while Bunny asks for hand-outs all the time.
-->'''Henry:''' --->'''Henry:''' Look at you. Your parents aren't particularly generous with you, are they? But you're so scrupulous about not borrowing money that it's rather silly. Heavens. I think you might have died in that warehouse rather than wire one of us for a couple of hundred dollars. That's an infinitesimal sum. I'm sure we shall have spent two or three times that on Bunny by the end of next week.
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* IfOnlyYouKnew: Julian has a poor opinion of young people taking drugs. It's a good thing he's so good at selective perception, or he'd like his students rather less well.
-->'''Julian:''' [The detectives] said that Edmund was on drugs. Do you think that odd? I think it very odd. I said certainly not. I may be flattering myself, but I do think I know Edmund rather well. He's really quite timid, puritanical, almost... I can't imagine him doing anything of the sort and besides, young people who take drugs are always so bovine and prosaic. But do you know what this man said to me? He said that with young people, ''you can never tell''. I don't think that's right, do you?
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** Bunny -- the least brainy and academically minded of the whole group -- tries to bully Camilla about not being smart enough for serious scholarship.
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** One time at the country house they found a gun and did a little target shooting in the yard. Henry "MurderIsTheBestSolution" Winter "was quite shaken by it" when he accidently shot a duck, to the point they put the pistol away after that.
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* SmartPeopleKnowLatin: Other than Bunny, most of the clique and their instructor are fairly brainy and are obsessive about keeping up with their classical languages.
* TheSmurfettePrinciple: Camilla is the only girl is a group with 5 boys. ''Logistically'' speaking this needn't mean anything -- the boys are all AmbiguouslyBi, and at least 3 of the 5 have been known to get with each other after some fashion. But ''symbolically'' she is the central love interest for most of them. There's also some sense that being the boy who gets with Camilla would be a status symbol within the group.

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* SmartPeopleKnowLatin: Other than Bunny, most of the clique and their instructor are fairly brainy and are obsessive about keeping up They're all Classics students studying Ancient Greek. Within that, though, it's an ExaggeratedTrope with their classical languages.
Henry. He writes his diary in Latin. He converses (apparently fluently) with Julian in Greek.
* TheSmurfettePrinciple: Camilla is the only girl is a group with 5 boys. ''Logistically'' speaking this needn't mean anything -- the boys are all AmbiguouslyBi, and at least 3 of the 5 have been known to get with each other after some fashion. But ''symbolically'' she is the central love interest for most of them. There's also some sense that being the boy who gets with Camilla would be a status symbol within the group.
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* {{Foil}}: Bunny and Richard are the two outsiders of the group. They're both jealous, and ''want'' to be part of the ingroup with these smart, glamourous, otherworldly friends. They go about it quite differently. Richard is shy, has resting bitch face, and feels uncomfortable about imposing himself on the group, preferring to wait for an invitation. Bunny is gregarious, extroverted, and always inviting himself to things. Neither has enough money to fit in with the group, and are trying to hide this, but again, differently. Richard does it by being self-sufficient and never asking his friends for anything, while Bunny asks for hand-outs all the time.
-->'''Henry:''' Look at you. Your parents aren't particularly generous with you, are they? But you're so scrupulous about not borrowing money that it's rather silly. Heavens. I think you might have died in that warehouse rather than wire one of us for a couple of hundred dollars. That's an infinitesimal sum. I'm sure we shall have spent two or three times that on Bunny by the end of next week.
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* BitchSlap: Henry tells a story of slapping Bunny in Rome, hitting him harder than he meant to, and this escalating the situation badly.
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* CulturallyReligious: Henry, Francis, and the twins. These days they're not particularly religious, but it still pisses them off when Bunny shit-talks Catholics.

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* CulturallyReligious: Henry, Francis, and the twins. These twins were all raised Catholic, while Bunny comes from a WhiteAngloSaxonProtestant background, and Richard has no religious background at all. None of the clique are religious these days -- they're not particularly religious, but irreverent college students for one, and also being tutored by a man who's trying to impress pagan sensibilities upon them. Nonetheless, the Catholics have enough allegiance to their childhood religion that Bunny's anti-Catholic tirades get under their skin. Where it still pisses them off when really shows, though, is the aesthetics. They all have the aesthetics of their religious upbringings stamped into them. The dark academia aesthetic is very Catholic -- old, decadent, dramatic -- and the Catholic kids are the real ''core'' of the clique, the truly aesthetic ones. Bunny shit-talks Catholics.is aesthetically very Protestant, and that clashes with the group. This might be traced back to Julian, who doesn't like anything Judeo-Christian but considers the Catholic Church a WorthyOpponent, while he has absolutely no regard for Protestants.
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* OutOfGenreExperience: The Classics clique create their own little world around themselves -- a decadent off-brand Oxford. Every time Richard steps outside that little world, the contrast is sharp. Spend some time with Judy, and he's doing cocaine in the parking lot of Burger King. Walk away from the campus part of town, and there's a seedy bar with a padded-vinyl door full of Vermont working men in flannel shirts. After a weekend spent at the country house, Richard mentioning "asphalt and shopping malls and modular furniture" can be startling. It's easy to forgot that the clique's world is ''their'' genre, but not strictly speaking the ''book'''s genre.
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* RiddleForTheAges: In the final lines, Henry [[spoiler:kisses Camilla between the eyes, whispers something in her ear ("what, I've always wondered", Richard says of it), kisses her again, says, "I love you" -- then commits suicide.]]
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** The first time Richard talks to Francis, Francis propositions him saying, "''Cubitum eamus?''" which in Latin means, roughly, "Shall we go to bed together?" Richard, who has only studied Greek, doesn't get it.
** Henry pulls a piece of glass out of Camilla's foot and declares, "''Consummatum est''" -- Latin for "It is done."
** They use "''cuniculus molestus''" -- Latin for "annoying rabbit" -- as a code name for Bunny.
** In Greek, "''méli''" means "honey".

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** The first time Richard talks to Francis, Francis propositions him saying, "''Cubitum eamus?''" ''"Cubitum eamus?"'' which in Latin means, roughly, "Shall we go to bed together?" Richard, who has only studied Greek, doesn't get it.
** Henry pulls a piece of glass out of Camilla's foot and declares, "''Consummatum est''" ''"Consummatum est"'' -- Latin for "It is done."
** They use "''cuniculus molestus''" ''"cuniculus molestus"'' -- Latin for "annoying rabbit" -- as a code name for Bunny.
** In Greek, "''méli''" ''"méli"'' means "honey".
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* ExperimentalArcheology: Henry frames the bacchanal as experimental archaeology when he tells Richard about it.

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