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* ContinuityNod: Fewer than usual in Poirot novels, but Dr. Lord admires how Poirot handled "that Benedict Farley case", which is short story "The Dream".


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* GossipyHens: Nurse Hopkins, who can't stop sharing gossip about the complicated secrets in Aunt Laura's family history. At one point she catches her breath just long enough to say "I'm not one to gossip." The ending reveals that she had an ulterior motive for gossiping about the Welman family.


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* WeddingRingRemoval: Elinor pulls off her engagement ring and gives it to Roddy after they decide they aren't getting married after all.

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Who Murdered The Asshole doesn't seem like the kind of trope we list aversions for


* AsYouKnow: A passage at the beginning of the book finds Elinor and Roddy talking about Aunt Laura. For no particular reason, Roddy feels the need to spell out that Elinor is Aunt Laura's blood niece while he's her nephew only by marriage, and that Aunt Laura is rich, and that her late husband Henry (Roddy's uncle) was rich, and that Elinor's father speculated and lost most of his share of the family fortune, and that Aunt Laura has done well in investments. It's three whole paragraphs of Roddy telling Laura tons of stuff that she already knows for the benefit of the reader.



* SheIsAllGrownUp: Mary Gerrard was described by Roddy as a "scrawny kid with lots of messy hair" in her childhood, and it is clear that he doesn't think of her as attractive at that age. At 21 years old, Mary was a very beautiful woman who causes Roddy to fall in LoveAtFirstSight with her.

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* SheIsAllGrownUp: Mary Gerrard was described by Roddy as a "scrawny kid with lots of messy hair" in her childhood, and it is clear that he doesn't think of her as attractive at that age. At 21 years old, Mary was is a very beautiful woman who causes Roddy to fall in LoveAtFirstSight with her.her. Roddy is so shocked he can barely talk when he sees her again.
-->'''Mary''': I've changed, of course, since you saw me.
* SizableSemiticNose: In Elinor's POV at the trial, she repeatedly describes prosecuting attorney Sir Samuel Attenbury as having a "Jewish nose." There's mild anti-Semitism scattered throughout much of Agatha Christie's early work, and in this case it's meant to portray the prosecutor as antagonistic.



* WhoMurderedTheAsshole: Inverted. Both Laura Welman and Mary Gerrard are sympathetic characters, Mary verging on the angelic. The main reason Elinor is accused apart from the evidence, is that nobody else would even seem to have a motive for killing such nice people in the first place.

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* WhoMurderedTheAsshole: Inverted. Both Laura Welman and Mary Gerrard are sympathetic characters, Mary verging on the angelic. The main UnableToSupportAWife: Roddy cites this as a reason for backing out of his engagement to Elinor, now that Aunt Laura has died intestate, thus causing Elinor is accused apart from to inherit ''all'' the evidence, is money instead of she and Robby each getting half. But Elinor guesses correctly that nobody else would even seem to have a motive for killing such nice people in the first place.he's really bailing because he is infatuated with Mary Gerrard.
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* OrgyOfEvidence: Things do ''not'' look good for Elinor Carlisle throughout the entirety of the book. She's the only one with any sort of motive to kill both Mrs. Welman (she's the sole heir to her fortune) and Mary Gerrard (who inadvertently caused Roddy to break his engagement by falling hopelessly in love with her); she had access to poison; and Mary died immediately after eating a meal they shared together. There's a reason that Poirot warns Dr. Lord that trying to prove her innocence will be nearly impossible.

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* {{Foreshadowing}}: [[spoiler: Nurse Hopkins becomes vehemently insistent on Mary making a will after Mrs. Welman dies. Now why might that be so important to her?...]]



* IGaveMyWord: Elinor promised her aunt Laura that she would see to it that a provision was made for Mary Gerrard in Laura's will. When Aunt Laura died before she could write a will, Elinor made sure that a suitable amount of money was given to Mary.

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* IGaveMyWord: Elinor promised her aunt Laura that she would see to it that a provision was made for Mary Gerrard in Laura's will. When Aunt Laura died before she could write a will, Elinor made sure that a suitable amount of money was given to Mary.Mary, despite outright ''hating'' the girl because of Roddy's love and subsequent breaking of his and Elinor's engagement to pursue her.


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* SpottingTheThread: Heavily [[DiscussedTrope discussed]], almost to the point of [[DeconstructedTrope deconstruction.]] Poirot explains that it isn't the fact that the culprit told a lie [[spoiler: about where she got a pinprick mark on her wrist]] that alerted him--nearly all murderers and criminals do, after all. Rather, it's the fact that the lie was so utterly pointless and easily proven false that drew his attention to it. Only someone with something to hide would tell a fib like that, which sets Poirot on the right track.
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Up To Eleven is a defunct trope


* IWantMyBelovedToBeHappy: While still deeply in love with him, Elinor breaks up with Roddy and [[UpToEleven gives him relationship advice about Mary]].

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* IWantMyBelovedToBeHappy: While still deeply in love with him, Elinor breaks up with Roddy and [[UpToEleven gives him relationship advice about Mary]].Mary.
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* NotBloodSiblings: Roddy and Elinor are raised as cousins and have been sweethearts for a long time, but are only related due to the marriage of Roddy's uncle to Elinor's aunt. Roddy later dumps Elinor to pursue Mary Gerard, but still has some feelings for her.
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The novel opens with a prologue where we get to see part of Elinor's trial and follow some of her thoughts, and proceeds with a series of flashbacks which tell the story in three parts. It contains CourtroomDrama; it's one of the two times Christie used the lovely-woman-in-the-docks plot (the other being ''Literature/FiveLittlePigs'', to a much lesser extent.) Interestingly, instead of having a SummationGathering, the solution is presented at court at the end of the book. The novel has been criticized for its abrupt ending and lack of plausible suspects, but it has received positive reviews as a suspenseful and well-written detective story.

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The novel opens with a prologue where we get to see part of Elinor's trial and follow some of her thoughts, and proceeds with a series of flashbacks which tell the story in three parts. It contains CourtroomDrama; it's one of the two times Christie used the lovely-woman-in-the-docks lovely-woman-in-the-dock plot (the other being ''Literature/FiveLittlePigs'', to a much lesser extent.) Interestingly, instead of having a SummationGathering, the solution is presented at court at the end of the book. The novel has been criticized for its abrupt ending and lack of plausible suspects, but it has received positive reviews as a suspenseful and well-written detective story.
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Murder mystery novel by Creator/AgathaChristie. Elinor Carlisle seems to be the only possible suspect for the murders of her wealthy aunt, Laura Welman, and her [[MurderTheHypotenuse romantic rival]], Mary Gerrard. However, doctor Peter Lord, who is in love with Elinor, asks Literature/HerculePoirot to [[ClearTheirName clear her name]], insisting she can't be guilty, [[LoveMakesYouDumb despite the overwhelming evidence to the contrary]]. Hercule Poirot points out that there's an extremely strong case against her, but still he agrees to investigate the case and find out the truth.

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Murder ''Sad Cypress'' is a 1940 murder mystery novel by Creator/AgathaChristie. Elinor Carlisle seems to be the only possible suspect for the murders of her wealthy aunt, Laura Welman, and her [[MurderTheHypotenuse romantic rival]], Mary Gerrard. However, doctor Peter Lord, who is in love with Elinor, asks Literature/HerculePoirot to [[ClearTheirName clear her name]], insisting she can't be guilty, [[LoveMakesYouDumb despite the overwhelming evidence to the contrary]]. Hercule Poirot points out that there's an extremely strong case against her, but still he agrees to investigate the case and find out the truth.
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* SheIsAllGrownUp: Mary Gerrard was described by Roddy as a "scrawny kid with lots of messy hair" in her childhood, and it's clear that he doesn't think of her attractive then. At 21 years old, Mary was a very beautiful woman who causes Roddy to fall in LoveAtFirstSight with her.
* TakeThat: When Poirot visits the scene of the crime, Dr Lord hopes he will find something to aid Elinor that the police overlooked. Poirot chides him, saying he reads too much detective fiction, and points out that the English police are very thorough and collect evidence as they find it with no bias in their work.
%%* TroubledBackstoryFlashback

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* SheIsAllGrownUp: Mary Gerrard was described by Roddy as a "scrawny kid with lots of messy hair" in her childhood, and it's it is clear that he doesn't think of her as attractive then.at that age. At 21 years old, Mary was a very beautiful woman who causes Roddy to fall in LoveAtFirstSight with her.
* TakeThat: When Poirot visits the scene of the crime, Dr Lord hopes he will find something to aid Elinor that the police overlooked. Poirot chides him, saying that he reads too much detective fiction, and points out that the English police are very thorough and collect evidence as they find it it, with no bias in their work.
%%* TroubledBackstoryFlashback* TroubledBackstoryFlashback: Following the introduction set in present time, extended flashbacks reveal the events of Laura Welman and Marry Gerrard's deaths, Elinor Carlisle doomed engagement to Roddy, and why she was implicated in the murders. Only then we return to the trial and the related investigations.



* WrongGuyFirst: Elinor is passionately in love with Roddy, and the two are initially engaged, but he neither loves her as intensely as she does and, in many ways, doesn't quite deserve her love. The ending implies that Elinor will eventually find love and happiness with Peter Lord, the loyal doctor who has constantly admired and defended her from afar.

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* WrongGuyFirst: Elinor is passionately in love with Roddy, and the two are initially engaged, but engaged. But he neither loves her as intensely as she does and, does, nor, in many ways, doesn't does he quite deserve her love. The ending implies that Elinor will eventually find love and happiness with Peter Lord, the loyal doctor who has constantly admired and defended her from afar.
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%% * PullTheThread: Poirot is set on the right path when a character tells a seemingly pointless lie.

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%% * PullTheThread: Poirot is set on the right path when a character tells a seemingly pointless lie.lie. [[spoiler:Nurse Hopkins has claimed that a piercing mark on her arm was caused by a certain flower's thorn. Since said flower happens to have no thorns, Poirot starts doubting Hopkins' stories. He eventually deduces that the mark was a caused by a hypodermic needle and realises its role in the murder. By that time Hopkins' other lies are more evident to him]]
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* LoveTriangle: Elinor loves Roddy who falls for Mary (who is seeing Ted, but it's implicated that there's no future there).

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* LoveTriangle: Elinor loves Roddy who falls for Mary (who is seeing Ted, but it's implicated it is implied that there's there is no future there).for this relationship).
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** Roddy meets the grown up Mary when he and Elinor was visiting his aunt and becomes immediately smitten with her that he breaks off his engagement with Elinor.

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** Roddy meets the grown up Mary when he and Elinor was were visiting his aunt and their aunt. He becomes immediately smitten with her that he her, and soon breaks off his engagement with Elinor.
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* InheritanceMurder: This is the obvious motive for Elinor Carlisle to have committed the murder she's accused of. Naturally, the relationships in play turn out to be more complicated. [[spoiler: However, in the end, this is actually the motive... just several steps more removed.]]

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* InheritanceMurder: This is the obvious motive for Elinor Carlisle to have committed the murder she's she is accused of. Naturally, the relationships in play turn out to be more complicated. [[spoiler: However, in the end, this is actually the motive... just several steps more removed.]] Mary Gerrard was the illegitimate daughter of Laura Welman, and a plausible heir in case her mother died without a will. Mary's own will left all her property to an adoptive aunt. Said aunt turns out to be the murderer, Nurse Hopkins]]
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%%* HookedUpAfterwards: Implied.

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%%* * HookedUpAfterwards: Implied.Implied. During and shortly after the trial, Elinor Carlisle finds Dr. Peter Lord's presence in her life to be comforting. She asks him to visit her frequently while she recovers in a clinic. Peter was already in love with her, and Poirot encourages him to pursue the relationship. This is as far as the novel goes.
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%% * TheButlerDidIt: No, seriously. Well, not an actual butler, but still.

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%% * TheButlerDidIt: No, seriously. Well, not an actual butler, but still. [[spoiler:Nurse Hopkins, who is little more than hired help, is the actual murderer. And she has killed at least twice before. ]]
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%% * FunnyForeigner: More so than in other Poirot books. He has to fake an interest in the royal family to get one of the villagers to talk to him.
%% * GreenEyedMonster: Miss Carlisle is not above this.

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%% * FunnyForeigner: More so than in other Poirot books.books. Poirot is not taken seriously by several of the people he talks to. He has to fake an interest in the royal family to get one of the villagers to talk to him.
%% * GreenEyedMonster: Miss Carlisle is not above this.feels intense jealousy towards Mary Gerrard, and daydreams about killing her. However she mostly keeps her thoughts to herself.
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%%* HowWeGotHere: Evolves after the HappyFlashback.
%%* IDidntMeanToTurnYouOn: Mary towards Roddy.

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%%* * HowWeGotHere: Evolves after After a brief introduction at the HappyFlashback.
%%*
trial, the story spends many chapters covering the events that led to the trial.
*
IDidntMeanToTurnYouOn: Mary towards Roddy.Roddy. They barely interacted with each other, but he fell for her. She twice rejected his advances.
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* AllLoveIsUnrequited: Dr. Lord is in love with Elinor, who's in love with Roddy. Roddy is fond of Elinor but has fallen head-over-heels for Mary Gerrard. Mary finds Roddy's attentions annoying and keeps telling him to go back to Elinor. Meanwhile, Mary has Ted, her boyfriend in the village. She likes him but has ambitions that are likely to take her away from him. (However, after about two hundred and fifty pages of this, a {{subver|tedTrope}}sion is implied in the end with Elinor and Dr Lord. D'aw.)

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* AllLoveIsUnrequited: Dr. Lord is in love with Elinor, who's who is in love with Roddy. Roddy is fond of Elinor but has fallen head-over-heels for Mary Gerrard. Mary finds Roddy's attentions annoying and keeps telling him to go back to Elinor. Meanwhile, Mary has Ted, her boyfriend in the village. She likes him but has ambitions that are likely to take her away from him. (However, after about two hundred and fifty pages of this, a {{subver|tedTrope}}sion is implied in the end with Elinor and Dr Lord. D'aw.)

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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

Series/{{FemMyrorArFlerAnFyraElefanter}}

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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of ''Series/{{Poirot}}'' starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]]. \n\nSeries/{{FemMyrorArFlerAnFyraElefanter}}
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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

Series/{{FemMyrorÄrFlerÄnFyraElefanter}}

to:

The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

Series/{{FemMyrorÄrFlerÄnFyraElefanter}}Series/{{FemMyrorArFlerAnFyraElefanter}}
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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot} the page for the series]].

Series/{{Fem myror är fler än fyra elefanter}}

to:

The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot} [[Series/{{Poirot}} the page for the series]].

Series/{{Fem myror är fler än fyra elefanter}}Series/{{FemMyrorÄrFlerÄnFyraElefanter}}
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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

''Series/{{Fem myror är fler än fyra elefanter}''

to:

The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} [[Series/{{Poirot} the page for the series]].

''Series/{{Fem Series/{{Fem myror är fler än fyra elefanter}''elefanter}}

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The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of ''Series/{{Poirot}}'' starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

to:

The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of ''Series/{{Poirot}}'' of starring Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]]. \n

''Series/{{Fem myror är fler än fyra elefanter}''
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* HairOfGoldHeartOfGold: Mary has "pale gold" hair and is very sweet and gentle.

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ZCE cleanup, indentation cleanup


* TheButlerDidIt: No, seriously. Well, not an actual butler, but still.

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%% * TheButlerDidIt: No, seriously. Well, not an actual butler, but still.



* FunnyForeigner: More so than in other Poirot books. He has to fake an interest in the royal family to get one of the villagers to talk to him.
* GreenEyedMonster: Miss Carlisle is not above this.

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%% * FunnyForeigner: More so than in other Poirot books. He has to fake an interest in the royal family to get one of the villagers to talk to him.
%% * GreenEyedMonster: Miss Carlisle is not above this.



* PlotHole: If [[spoiler:Nurse Hopkins]] wanted to murder Mary and frame Elinor for the murder, then it doesn't make sense to [[spoiler:offer the poisoned tea]] to Elinor as well; Elinor would have died, too, which would have been extremely risky and there would have been no one to frame.
** The TV adaptation seals up the hole by Elinor stating publicly [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Hopkins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why'' that was so?]]
* PullTheThread: Poirot is set on the right path when a character tells a seemingly pointless lie.

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* PlotHole: If [[spoiler:Nurse Hopkins]] wanted to murder Mary and frame Elinor for the murder, then it doesn't make sense to [[spoiler:offer the poisoned tea]] to Elinor as well; Elinor would have died, too, which would have been extremely risky and there would have been no one to frame. \n** The TV adaptation seals up the hole by Elinor stating publicly [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Hopkins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why'' that was so?]]
%% * PullTheThread: Poirot is set on the right path when a character tells a seemingly pointless lie.
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* TakeThat: When Poirot visits the scene of the crime, Dr Lord hopes he will find something to aid Elinor that the police overlooked. Poirot chides him, saying he reads too much detective fiction, and points out that the English police are very thorough and collect evidence as they find it with no bias in their work.
Is there an issue? Send a MessageReason:
None


The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of ''Series/{{Poirot}}'' starring David Suchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

to:

The novel has been adapted for radio in 1992 by BBC Radio 4 with John Moffat as Poirot. It has also been [[http://www.imdb.com/title/tt0402444/ adapted for TV]] by London Weekend Television as part of the ninth season of ''Series/{{Poirot}}'' starring David Suchet Creator/DavidSuchet as Poirot and Elizabeth Dermot-Walsh as Elinor Carlisle. Tropes for the TV adaptation can be found on [[Series/{{Poirot}} the page for the series]].

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** the tv adaptation seals up the hole by Elinor stating publically [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Hopkins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why'' that was so?]]

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** the tv The TV adaptation seals up the hole by Elinor stating publically publicly [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Hopkins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why'' that was so?]]



* [[ReferencedBy/WilliamShakespeare Referenced by: William Shakespeare]]: This title is taken from the Clown's song from ''Theatre/TwelfthNight'' (II, iv).



* SatiatingSandwich: Elinor makes salmon paste sandwiches for Mary. [[spoiler:Subverted at first when it is apparent that Elinor has poisoned the sandwiches, but then Double-Subverted when it turns out via Poirot's taste-test that the sandwiches were actually harmless and that it was the actual suspect who poisoned the tea.]]



* [[ShoutOut/ToShakespeare Shout-Out: To Shakespeare]]: This title is taken from the Clown's song from ''Theatre/TwelfthNight'' (II, iv).
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** the tv adaptation seals up the hole by Elinor stating publically [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Collins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why''?]]

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** the tv adaptation seals up the hole by Elinor stating publically [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Collins Hopkins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why''?]]''why'' that was so?]]
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** the tv adaptation seals up the hole by Elinor stating publically [[spoiler: that she doesn't drink tea; she prefers coffee]]. Ironically, this brings up a question in itself [[spoiler: since the prosecution alleged that Elinor poisoned either the tea or the sandwiches, why didn't Elinor's lawyer point out as part of her defence that Nurse Collins didn't die from eating and drinking the same things as Mary, which would imply that Mary was poisoned elsewhere - or ask ''why''?]]

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