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Changed line(s) 21 (click to see context) from:
* {{Foil}}: Miss Eliot's realism and conformity to Sophie and Charles' optimism and non-conformist attitudes.
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* {{Foil}}: Miss Eliot's realism and conformity to Sophie and Charles' optimism and non-conformist attitudes.individuality.
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* {{Foil}}: Miss Eliot's realism and conformity to Sophie and Charles' optimism and non-conformist attitudes.
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Changed line(s) 18 (click to see context) from:
* DaddysGirl: Sophie met Charles at the age of one after being fished out of the ocean by him. They are, however so close that the two of them don't even think twice about moving all the way to Paris and risking arrest so they can stay together.
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* DaddysGirl: Sophie met Charles at the age of one after being fished out of the ocean by him. They are, however so close that the two of them don't even think twice about moving all the way to Paris and risking arrest so they can stay together.
Changed line(s) 20 (click to see context) from:
* TheDeterminator: When learning how to jump from rooftop to rooftop from fifty feet above, walking a tightrope, and breaking about fifty laws are what Sophie has to do to get a chance at seeing her mother, she swallows her terror and jumps in.
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* TheDeterminator: When learning how to jump from rooftop to rooftop from fifty feet above, walking a tightrope, and breaking about fifty a few dozen laws are what Sophie has to do to get a chance at seeing her mother, she swallows her terror and jumps in.
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* ARareSentence: When Sophie thinks she's going to die because she never looked properly at a pig.
-->'''Matteo:''' I hold the back of your nightdress, so you can't fall- and you take a step.
-->'''Sophie''': How big?
-->'''Matteo:''' About the length of a pig.
-->''The length of a pig, thought Sophie. She was going to die because she had never looked properly at a pig.''
-->'''Matteo:''' I hold the back of your nightdress, so you can't fall- and you take a step.
-->'''Sophie''': How big?
-->'''Matteo:''' About the length of a pig.
-->''The length of a pig, thought Sophie. She was going to die because she had never looked properly at a pig.''
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* {{Bookworm}}: Sophie is so committed that, when she can't use her hands, she flips pages with her mouth. Charles' love for reading was nearly the death of him. [[ExactlyWhatItSaysOnTheTin Literally.]]
-->He had once nearly killed himself trying to read and ride a horse at the same time.
-->He had once nearly killed himself trying to read and ride a horse at the same time.
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Changed line(s) 11 (click to see context) from:
* ((Bathos)): In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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* ((Bathos)): {{Bathos}}: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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Changed line(s) 11 (click to see context) from:
* Bathos: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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* Bathos: ((Bathos)): In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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Changed line(s) 11 (click to see context) from:
* BatHos: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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* BatHos: Bathos: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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Changed line(s) 11 (click to see context) from:
* Bathos: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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* Bathos: BatHos: In the beginning of the book, when the Queen Mary sinks as its band is still playing, we get this:
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* Catchphrase: Charles and Sophie's "Never ignore a possible."
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* Catchphrase: CatchPhrase: Charles and Sophie's "Never ignore a possible."
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Changed line(s) 18 (click to see context) from:
* TheDeterminator: Sophie
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* TheDeterminator: SophieWhen learning how to jump from rooftop to rooftop from fifty feet above, walking a tightrope, and breaking about fifty laws are what Sophie has to do to get a chance at seeing her mother, she swallows her terror and jumps in.
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Changed line(s) 16 (click to see context) from:
* DaddysGirl: Sophie met Charles at the age of one after being fished out of the ocean by him. They are, however so close that moving from London to Paris in one day is Sophie chooses over leaving him.
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* DaddysGirl: Sophie met Charles at the age of one after being fished out of the ocean by him. They are, however so close that the two of them don't even think twice about moving from London all the way to Paris in one day is Sophie chooses over leaving him.and risking arrest so they can stay together.
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* CharacterDevelopment: Sophie and Matteo.
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* TookALevelInKindness: Matteo
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Changed line(s) 15 (click to see context) from:
* DaddysGirl:
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* DaddysGirl: Sophie met Charles at the age of one after being fished out of the ocean by him. They are, however so close that moving from London to Paris in one day is Sophie chooses over leaving him.
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Changed line(s) 20 (click to see context) from:
* SillyRabbitCynicismIsForLosers: Can somebody who isn't known to be dead or alive, hasn't been heard from in twelve years, and could be anywhere in the whole world, be found by a memory from when you were one and an address inside a cello case? [[spoiler:Yes! We learned that in ''preschool'', Miss Eliot!]]
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* SillyRabbitCynicismIsForLosers: Can somebody who isn't known to be dead or alive, hasn't been heard from in twelve eleven years, and could be anywhere in the whole world, be found by a memory from when you were one and an address inside a cello case? [[spoiler:Yes! We learned that in ''preschool'', Miss Eliot!]]
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The only things that Sophie has of her mother are memories from when she was one year old and a single cello case. Eleven years after the sinking of the Queen Mary, and she still doesn't know where she is. But despite what everyone says, Sophie knows her mother is alive. And an address, a journey to Paris, and children that live in the skies might just be the key to finding her...
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* Catchphrase: Charles and Sophie's "Never ignore a possible."
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:301:Never lose your ability to believe in the extraordinary]]
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[[caption-width-right:301:Never lose your ability to believe in the extraordinary]]
ignore a possible]]
