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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and -- most of all -- relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh-Mor'''pork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.

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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', Fafhrd, a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', the Mouser, a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and -- most of all -- relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh-Mor'''pork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.
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* OurGhoulsAreCreepier: Ghouls are a humanoid race that have transparent skin, muscles, and organs, giving them the appearance of animated skeletons ... oh, and they just so happen to be cannibals too. Though the only one who gets a speaking role turns out to be kind of cool.

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* OurGhoulsAreCreepier: Ghouls are a humanoid race that have transparent skin, muscles, and organs, giving them the appearance of animated skeletons ...skeletons... oh, and they just so happen to be cannibals too. Though the only one who gets a speaking role turns out to be kind of cool.



* StuffedintotheFridge: [[spoiler: Vella and Ivrian]]

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* StuffedintotheFridge: StuffedIntoTheFridge: [[spoiler: Vella and Ivrian]]Ivrian.]]
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* MouseWorld: Lankhmar Below
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* StuffedintotheFridge: [[spoiler: Vella and Ivrian]]
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* AlwaysChaoticEvil: Averted. Some races are definitely on the nastier side, such as the cannibalistic Ghouls, but there's always exceptions. The antagonistic rat-people from ''The Swords of Lankhmar'' are antagonists for a genuine reason rather than being generically evil, and not only do ghouls have a reason for their hostility to other races (by their own rationale, at least), but there are those who have broken away from their culture.


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* WhiteMansBurden: A really twisted version of this is used to justify the ghouls' cannibalism; they believe themselves to be the most enlightened and civilized race of all, as represented by their translucent flesh, so "transmuting the muddy to the pure" (read: digesting humanoid flesh) is elevating the souls of the inferior other races.
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* InvisibleStomachVisibleFood: This happens when ghouls eat anything.
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* ICallItVera: Fafhrd has a broadsword named Graywand and a poinard named Heartseeker. The Mouser has a rapier named Scalpel and a dirk named Cat's Claw. Leiber plays with this one, though, by having the pair lose their weapons ''all the time''. They just use those names for whatever blades they happen to be carrying at the moment.

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* ICallItVera: Fafhrd has a broadsword named Graywand and a poinard poniard named Heartseeker. The Mouser has a rapier named Scalpel and a dirk named Cat's Claw. Leiber plays with this one, though, by having the pair lose their weapons ''all the time''. They just use those names for whatever blades they happen to be carrying at the moment.
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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh-Mor'''pork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.

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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - -- most of all - -- relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh-Mor'''pork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.
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* ClippedWingAngel: In "Cloud of Hate", once Fafhrd and the Mouser have killed the humans under its control, the eponymous cloud begins transforming into an EldritchAbomination, growing tentacles to pick up weapons and an eye to see its prey. It still goes down more easily than its controlled humans.
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* GeniusLoci: One stoy has our heroes doing battle with a murderous building.

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* GeniusLoci: One stoy story has our heroes doing battle with a murderous building.
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* GeniusLoci: One stoy has our heroes doing battle with a murderous building.
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* SufferTheSlings: The Mouser always carries a sling in case he should need a ranged weapon, and is very skilled with it.
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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh'''-Morpork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.

to:

One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' -- as opposed to ThudAndBlunder -- fantasy story written after about 1970 or so probably owes a debt to these stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh'''-Morpork '''Ankh-Mor'''pork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.
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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' - as opposed to ThudAndBlunder - fantasy story written after about 1970 or so probably owes a debt to these stories.

to:

One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' - -- as opposed to ThudAndBlunder - -- fantasy story written after about 1970 or so probably owes a debt to these stories.
stories. The fact that the most important city in most of the Literature/{{Discworld}} stories is called '''Ankh'''-Morpork is absolutely no coincidence, too; {{exp|y}}ies of Fafhrd and the Mouser show up in the first chapter of the first book, after all.

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* OurGhoulsAreCreepier: Ghouls are a humanoid race that have transparent skin, muscles, and organs, giving them the appearance of animated skeletons . . . oh, and they just so happen to be cannibals too.

to:

* OurGhoulsAreCreepier: Ghouls are a humanoid race that have transparent skin, muscles, and organs, giving them the appearance of animated skeletons . . .skeletons ... oh, and they just so happen to be cannibals too. Though the only one who gets a speaking role turns out to be kind of cool.


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* RodentsOfUnusualSize: The all-too-sapient rats in ''The Swords of Lankhmar'' are of standard size — until the right magic comes into play, late in the novel.
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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar''). Both during the events of "When the Sea-King's Away" short story (with a pair of Sea Witches with gills and membranes between their fingers)

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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar''). Both during the events of "When the Sea-King's Away" short story (with a pair of Sea Witches with gills and membranes between their fingers)
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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar''). Both during the events of "When the Sea-King's Away" short story(with a pair of Sea Witches with gills and membranes between their fingers)

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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar''). Both during the events of "When the Sea-King's Away" short story(with story (with a pair of Sea Witches with gills and membranes between their fingers)
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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar'').

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* InterspeciesRomance: Fafhrd hooked up with a ghoul (see below) and had a brief fling with a Djinn; Mouser with a girl who was descended from rats (in ''Swords of Lankhmar''). Both during the events of "When the Sea-King's Away" short story(with a pair of Sea Witches with gills and membranes between their fingers)
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** In the introductions to the Ace paperback edition, Leiber also listed a number of swordsmen that Fafhrd and the Gray Mouser [[TakeThat were better than]]. Said list included [[Literature/TheThreeMusketeers d'Artagnan]], JohnCarterOfMars, [[Literature/TheWormOuroboros Lord Brandoch Daha]], Franchise/ConanTheBarbarian, and [[Literature/GloryRoad Scar Gordon]].

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** In the introductions to the Ace paperback edition, Leiber also listed a number of swordsmen that Fafhrd and the Gray Mouser [[TakeThat were better than]]. Said list included [[Literature/TheThreeMusketeers d'Artagnan]], JohnCarterOfMars, Literature/JohnCarterOfMars, [[Literature/TheWormOuroboros Lord Brandoch Daha]], Franchise/ConanTheBarbarian, and [[Literature/GloryRoad Scar Gordon]].
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* SilverHasMysticPowers: in ''Ill met in Lankhmar'' the sorcerer Hristomilo is eventually defeated by the mean of a silver dagger.

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* Troll: The Mouser often makes comments deliberately designed to provoke, annoy, harass, or agitate simply for the fun of it. Fafhrd and Ningauble are often targets.

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* Troll: {{Troll}}: The Mouser often makes comments deliberately designed to provoke, annoy, harass, or agitate simply for the fun of it. Fafhrd and Ningauble are often targets.targets.
* WainscotSociety: The rats of Lankhmar.
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One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall [[BarbarianHero barbarian]] from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote TheOtherWiki: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' - as opposed to ThudAndBlunder - fantasy story written after about 1970 or so probably owes a debt to these stories.

to:

One of the most seminal pieces of SwordAndSorcery was Creator/FritzLeiber's ''Fafhrd and the Gray Mouser'' series of short stories and novellas. Set in the world of Nehwon (except for one story set on Earth), often in the city of Lankhmar, it starred '''Fafhrd''', a seven-foot tall [[BarbarianHero barbarian]] {{barbarian|Hero}} from the North, and '''the Mouser''', a trickster [[LoveableRogue thief]] and former wizard's apprentice, who find and befriend each other one day. A {{deconstruction}} of the Franchise/ConanTheBarbarian stories that Leiber had grown tired of, Fafhrd and the Gray Mouser showed two heroes closer to actual human beings. To quote TheOtherWiki: Wiki/{{Wikipedia}}: "They spend a lot of time drinking, feasting, wenching, brawling, stealing, and gambling, and are seldom fussy about to whom they hire their swords. But they are humane and - most of all - relish true adventure." A massive source for inspiration for much of modern roleplaying, specifically D&D, either directly or indirectly, and pretty much any ''swashbuckling'' - as opposed to ThudAndBlunder - fantasy story written after about 1970 or so probably owes a debt to these stories.



* BrokeEpisode. All the time. The two never manage to hold on to any of the riches they come across in their adventures.

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* BrokeEpisode. BrokeEpisode: All the time. The two never manage to hold on to any of the riches they come across in their adventures.



* DarkMagicalGirl: Almost as common as evil sorcerers. In some cases, [[MadScientistsBeautifulDaughter they're related.]]

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* DarkMagicalGirl: Almost as common as evil sorcerers. In some cases, [[MadScientistsBeautifulDaughter they're related.]]related]].



** The Cat's Claw gets referenced by a number of early [[Creator/SquareEnix Square RPGs]] ([[Videogame/FinalFantasyI Final Fantasy]], [[VideoGame/SaGa SaGa]]), appearing as a store-bought dagger/sword that's usually one of the better daggers in the games. Later games seemed to have forgotten the original reference and made the Cat Claw/Cat Claws into an actual paw-shaped glove weapon with claws.

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** The Cat's Claw gets referenced by a number of early [[Creator/SquareEnix Square RPGs]] ([[Videogame/FinalFantasyI Final Fantasy]], [[VideoGame/SaGa SaGa]]), (VideoGame/{{Final Fantasy|I}}, VideoGame/SaGa), appearing as a store-bought dagger/sword that's usually one of the better daggers in the games. Later games seemed to have forgotten the original reference and made the Cat Claw/Cat Claws into an actual paw-shaped glove weapon with claws.



* JumpedAtTheCall: The both do this a lot. See DistressedDamsel and {{Plunder}}.

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* JumpedAtTheCall: The both do this a lot. See DistressedDamsel DamselInDistress and {{Plunder}}.



* ShapeshifterBaggage: In ''The Swords of Lankhmar'', a shrinking potion does, in fact, displace mass, as the now rat-sized Mouser has to swim his way out of a good-sized puddle of meat, cloth fibers, and metal fragments (flesh, clothes, armor, and weapons). Later, he grows back to his full size away from that puddle, and the mass is taken from nearby objects (and people!), stripping some enemy {{Mook}}s of armor and weapons-- and giving a nearby FatGirl a magical liposuction. Great news for her, {{Squick}} for the Mouser?

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* ShapeshifterBaggage: In ''The Swords of Lankhmar'', a shrinking potion does, in fact, displace mass, as the now rat-sized Mouser has to swim his way out of a good-sized puddle of meat, cloth fibers, and metal fragments (flesh, clothes, armor, and weapons). Later, he grows back to his full size away from that puddle, and the mass is taken from nearby objects (and people!), stripping some enemy {{Mook}}s {{Mooks}} of armor and weapons-- and giving a nearby FatGirl a magical liposuction. Great news for her, {{Squick}} for the Mouser?



* ThievesGuild: Possibly the TropeMaker

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* ThievesGuild: Possibly the TropeMaker{{Trope Maker|s}}
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* BarbarianHero: Fafhrd. Subverted/Deconstructed/Unbuilt in that he's based on actual historical barbarians - he wears armor, seldom ever uses two-handed weapons, is a skilled horse archer, is a well-trained seafarer, and generally tries to avoid fighting more than one enemy at a time.

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* BarbarianHero: Fafhrd. Subverted/Deconstructed/Unbuilt Downplayed in that he's based on actual historical barbarians - he wears armor, seldom ever uses two-handed weapons, is a skilled horse archer, is a well-trained seafarer, and generally tries to avoid fighting more than one enemy at a time.
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* WeirdTradeUnion: The Slayer's Brotherhood and Thieves' Guild in Lankhmar, though they've become [[ThievesGuild such common tropes themselves]] that it's likely many modern readers wouldn't realize that Leiber meant them as a joke.

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* WeirdTradeUnion: The Slayer's Slayers' Brotherhood and Thieves' Guild in Lankhmar, though they've become [[ThievesGuild such common tropes themselves]] that it's likely many modern readers wouldn't realize that Leiber meant them as a joke.
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* MarsNeedsWomen: Gender-inversed. In one of the novels, a mountain-dwelling race of invisible people is on the brink of extinction, as almost all their males have become sterile. They decide to send a call for human heroes in order to breed with them: by their calculations, the invisibility will breed true. [[spoiler:The catch is, their king doesn't intend to let said heroes to have ''sex'' with the invisible girls: he prefers more, shall we say, cutting methods of extracting genetic material.]]

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* EyelessFace: Sheelba of the Eyeless Face.

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* EyelessFace: Sheelba of the Eyeless Face. All that is seen inside his hood is featureless darkness.



* FogOfDoom: "The Cloud of Hate"

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* FogOfDoom: "The Cloud of Hate"Hate".


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* HumanoidAbomination: Depending on the story, Ningauble and Sheelba sometimes have this vibe. And sometimes, they seem simply like two quirky wizards, who just happen to look weird.
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** In ''Swords in the Mist'', the antagonist's father is a [[stone god]].

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** In ''Swords in the Mist'', the antagonist's father is a [[stone [[spoiler:stone god]].
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* HalfHumanHybrids: Here and there.
** In ''The Swords of Lankhmar'', the main antagonists are the product of long-going interbreeding between humans and sentient rats.
** In ''Swords in the Mist'', the antagonist's father is a [[stone god]].
* HatePlague: In the short story "The Cloud of Hate", a cult generates a magical cloud, converting almost everyone it touches into a murderous psychopath.
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* HeroicRROD: In one of the stories the villain fights the lightning-quick Mouser to a standstill -- for a while. When defeated the tremendous overstrain caused the villain's corpse to go into immediate rigor mortis. [[spoiler:Or at least, the heroes ''think'' it's rigor mortis... Th truth is much more bizarre.]]

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* HeroicRROD: In one of the stories the villain fights the lightning-quick Mouser to a standstill -- for a while. When defeated the tremendous overstrain caused the villain's corpse to go into immediate rigor mortis. [[spoiler:Or at least, the heroes ''think'' it's rigor mortis... Th The truth is much more bizarre.]]
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* HeroicRROD: In one of the stories the villain fights the lightning-quick Mouser to a standstill -- for a while. When defeated the tremendous overstrain caused the villain's corpse to go into immediate rigor mortis.

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* HeroicRROD: In one of the stories the villain fights the lightning-quick Mouser to a standstill -- for a while. When defeated the tremendous overstrain caused the villain's corpse to go into immediate rigor mortis. [[spoiler:Or at least, the heroes ''think'' it's rigor mortis... Th truth is much more bizarre.]]

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