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Fleshing out a few Zero Context Examples.
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* DealWithTheDevil
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* DealWithTheDevilDealWithTheDevil: The plot revolves around a meeting with Satan whose actuality is left ambiguous, but in which Leverkühn consents to a classic, old-time soul transaction.
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* InsufferableGenius: Leverkühn, even before his deal.
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* InsufferableGenius: Leverkühn, even Even before his deal.deal, Leverkühn is incapable of wearing his talents lightly. At several points the book describes his studied air of superiority over his father, his teachers, and his peers.
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* LackOfEmpathy: Maintained almost unshakably until the end is near, and it's all far too late.
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* LackOfEmpathy: Maintained LackOfEmpathy:
** Leverkühn renounces the possibility of love as one of the terms of his Satanic deal, and maintains this almostunshakably unshakably ... until the end is near, and it's all far too late.late.
** At points, the composer's personal coldness lends him a mystique that attracts doomed followers and friends such as Rudi.
** Leverkühn renounces the possibility of love as one of the terms of his Satanic deal, and maintains this almost
** At points, the composer's personal coldness lends him a mystique that attracts doomed followers and friends such as Rudi.
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* TooGoodForThisSinfulEarth: The angelic child Nepomuk.
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* TooGoodForThisSinfulEarth: The angelic child Nepomuk.Nepomuk dies of a lingering illness that Leverkühn fears his very affection has caused, in breach of his terms with the Devil.
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* CompositeCharacter: Leverkühn is not an {{Expy}} of any actual person, but the innovations of several real-life composers are attributed to him. For example, in the novel's universe it's Leverkühn, rather than Schoenberg, who pioneers the twelve-tone musical scale.
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* RealityRetcon: Leverkühn is not an {{Expy}} of any actual person, but the innovations of several real-life composers are attributed to him. For example, in the novel's universe it's Leverkühn, rather than Schoenberg, who pioneers the twelve-tone musical scale.
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This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
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This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} Myth/{{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
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[[quoteright:301:https://static.tvtropes.org/pmwiki/pub/images/doctor_faustus_thomas_mann_13506_mlu9700364_2792_o.jpg]]
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This 1947 Creator/ThomasMann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, and rapidly meet its own fatal reckoning.
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, and rapidly meet its own fatal reckoning.
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This 1947 Creator/ThomasMann Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, andrapidly meet its own fatal reckoning.
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, and
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* AChatWithSatan: This quasi-dream sequence takes up a good chunk of the middle pages.
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* AChatWithSatan: This quasi-dream sequence takes up a good chunk of the middle pages.
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* AccidentalPublicConfession: At his last social appearance, Leverkühn's mind begins to snap and he begins a rambling, allusive public confession of his sins, just before he collapses.
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* AccidentalPublicConfession: At his last social appearance, Leverkühn's mind begins to snap snaps and he begins a rambling, allusive public confession of his sins, just before he collapses.
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* HomoeroticSubtext: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises eyebrows among nearly every character.
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* HomoeroticSubtext: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises raise eyebrows among nearly every character.
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None
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This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
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This 1947 Thomas Mann Creator/ThomasMann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
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None
Changed line(s) 1,2 (click to see context) from:
This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the Faust legend, combined with a pitiless analysis of early 20th-century German society.
to:
This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the Faust {{Faust}} legend, combined with a pitiless analysis of early 20th-century German society.
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* RealityRetcon: Leverkühn is not an {{Expy}} of any actual person, but the innovations of several real-life composers are attributed to him. For example, in the novel's universe it's Leverkühn, rather than Schoenberg, who pioneers the twelve-tone musical scale.
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None
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* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in severalcryptic music-notational puns.
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* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in severalcryptic several cryptic music-notational puns.puns.
* TakeThat: Mann was determined that German readers not miss the parallels to their country's own Faustian bargain with the Nazi party--gaining power and pride for itself in exchange for a price to be worried about later, if at all.
* TakeThat: Mann was determined that German readers not miss the parallels to their country's own Faustian bargain with the Nazi party--gaining power and pride for itself in exchange for a price to be worried about later, if at all.
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* LackOfEmpathy: Maintained almost unshakably until the end is near, and it's all far too late.
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* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in many cryptic music-notational puns.
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* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in many cryptic severalcryptic music-notational puns.
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* HoYay: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises eyebrows among nearly every character.
* IllGirl: Darley's dying mistress Melissa.
* IllGirl: Darley's dying mistress Melissa.
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* HoYay: HomoeroticSubtext: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises eyebrows among nearly every character.
* IllGirl: Darley's dying mistress Melissa.character.
* IllGirl: Darley's dying mistress Melissa.
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Added DiffLines:
This 1947 Thomas Mann novel's full title is ''Doctor Faustus: The Life of the German Composer Adrian Leverkühn, Told by a Friend'' (original: ''Doktor Faustus. Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde''). The book is a repurposing of the Faust legend, combined with a pitiless analysis of early 20th-century German society.
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, and rapidly meet its own fatal reckoning.
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!! ''Doctor Faustus'' contains examples of:
* AccidentalPublicConfession: At his last social appearance, Leverkühn's mind begins to snap and he begins a rambling, allusive public confession of his sins, just before he collapses.
* AChatWithSatan: This quasi-dream sequence takes up a good chunk of the middle pages.
* AllFirstPersonNarratorsWriteLikeNovelists: Zeitblom's voice is hard to separate from Mann's own usual style.
* AntiquatedLinguistics: One of Adrian's old professors favors an archaic form of German full of dialectal quirks, gnarled turns of phrase, and zesty, full-blooded epithets. Leverkühn and Zeitblom later jokingly adopt this manner of speech between themselves, and the Devil often affects it while speaking to Leverkühn.
* DealWithTheDevil
* DoesThisRemindYouOfAnything: From title to dialogue, the novel is full of riffs on the Faust legend and all its various adaptations.
* FirstPersonPeripheralNarrator: For long stretches at a time, Zeitblom disappears as an active participant in events.
* HoYay: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises eyebrows among nearly every character.
* IllGirl: Darley's dying mistress Melissa.
* InsufferableGenius: Leverkühn, even before his deal.
* JustBeforeTheEnd: The narration takes place from a besieged Nazi Germany, on the verge of being overrun by the Allies.
* MaybeMagicMaybeMundane: This mystery is at the novel's heart. Maybe Leverkühn really did sell his soul to the Devil for 24 years of musical genius. Or maybe he caught a case of syphilis that drove him mad and killed him, but also unlocked unexpected centers of creativity in his brain. You can believe whichever suits you.
* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in many cryptic music-notational puns.
* TooGoodForThisSinfulEarth: The angelic child Nepomuk.
----
Seen from the viewpoint of narrator Serenus Zeitblom, the novel follows his childhood friend Adrian Leverkühn from eccentric child, to passionate, unworldly student, to sinistrally gifted composer. As a young man, Leverkühn made a fateful (though ambiguous) decision that conferred upon him musical genius, but also seemed to make him a destructive, damning force in the lives of anyone he loved from that point onward. All this takes place against the backdrop of a German culture that would end up making its own devil's deal, and rapidly meet its own fatal reckoning.
----
!! ''Doctor Faustus'' contains examples of:
* AccidentalPublicConfession: At his last social appearance, Leverkühn's mind begins to snap and he begins a rambling, allusive public confession of his sins, just before he collapses.
* AChatWithSatan: This quasi-dream sequence takes up a good chunk of the middle pages.
* AllFirstPersonNarratorsWriteLikeNovelists: Zeitblom's voice is hard to separate from Mann's own usual style.
* AntiquatedLinguistics: One of Adrian's old professors favors an archaic form of German full of dialectal quirks, gnarled turns of phrase, and zesty, full-blooded epithets. Leverkühn and Zeitblom later jokingly adopt this manner of speech between themselves, and the Devil often affects it while speaking to Leverkühn.
* DealWithTheDevil
* DoesThisRemindYouOfAnything: From title to dialogue, the novel is full of riffs on the Faust legend and all its various adaptations.
* FirstPersonPeripheralNarrator: For long stretches at a time, Zeitblom disappears as an active participant in events.
* HoYay: The degree and nature of Rudi Schwerdtfeger's obsession with Adrian raises eyebrows among nearly every character.
* IllGirl: Darley's dying mistress Melissa.
* InsufferableGenius: Leverkühn, even before his deal.
* JustBeforeTheEnd: The narration takes place from a besieged Nazi Germany, on the verge of being overrun by the Allies.
* MaybeMagicMaybeMundane: This mystery is at the novel's heart. Maybe Leverkühn really did sell his soul to the Devil for 24 years of musical genius. Or maybe he caught a case of syphilis that drove him mad and killed him, but also unlocked unexpected centers of creativity in his brain. You can believe whichever suits you.
* TheMuse: The gypsy prostitute whom Leverkühn sleeps with haunts his art in more than one sense: he includes her name in many cryptic music-notational puns.
* TooGoodForThisSinfulEarth: The angelic child Nepomuk.
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