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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Creator/JulianSands, Dame Creator/MaggieSmith, Creator/JudiDench, Creator/DenholmElliott and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Creator/JulianSands, Dame Creator/MaggieSmith, Creator/JudiDench, Creator/DenholmElliott and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.made-for-TV movie.
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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Creator/JulianSands, Creator/MaggieSmith, Creator/JudiDench, Creator/DenholmElliott and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Creator/JulianSands, Dame Creator/MaggieSmith, Creator/JudiDench, Creator/DenholmElliott and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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fixed a typo
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* UngratefulBastard: Downplayed. When Mr. Emerson steps in to offer to swap hotel rooms with Charlotte and Lucy so that they will have a view of the river, Charlotte curtly refuses, and deems it impolite of him to offer, thinking that he only did it to make the ladies feel indepted to him and his son.
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* UngratefulBastard: Downplayed. When Mr. Emerson steps in to offer to swap hotel rooms with Charlotte and Lucy so that they will have a view of the river, Charlotte curtly refuses, and deems it impolite of him to offer, thinking that he only did it to make the ladies feel indepted indebted to him and his son.
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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Julian Sands, Creator/MaggieSmith, Creator/JudiDench, and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story was adapted by Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Julian Sands, Creator/JulianSands, Creator/MaggieSmith, Creator/JudiDench, Creator/DenholmElliott and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Julian Sands, Creator/MaggieSmith, Creator/JudiDench, and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story has been was adapted by Merchant Ivory Creator/MerchantIvory into an award-winning 1985 film starring Creator/HelenaBonhamCarter, Julian Sands, Creator/MaggieSmith, Creator/JudiDench, and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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''A Room With A View'' is a 1908 novel written by Creator/EMForster.
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''A Room With A with a View'' is a 1908 novel written by Creator/EMForster.
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!!''A Room With A View'' contains examples of the following tropes:
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!!''A Room With A with a View'' contains examples of the following tropes:
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''A Room With A View'' is a 1908 novel written by E. M. Forster.
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''A Room With A View'' is a 1908 novel written by E. M. Forster.Creator/EMForster.
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter.Creator/HelenaBonhamCarter, Julian Sands, Creator/MaggieSmith, Creator/JudiDench, and Creator/DanielDayLewis. It has also been made into a stage play, a BBC radio series, and a 2007 film.
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* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, as much as she tries to convince herself otherwise; she discovers that [[spoiler:she has been in love with George Emerson the whole time.]]
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* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, as much as she tries to convince herself otherwise; she discovers that [[spoiler:she she has been in love with George Emerson the whole time.]]
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'''''A Room With A View''''' is a 1908 novel written by E. M. Forster.
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''A Room With A
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* AdaptationalAlternateEnding: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George [[HappyEndingOverride die in the First World War.]]]]
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. [[spoiler:However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.]]
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. [[spoiler:However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.]]
to:
* AdaptationalAlternateEnding: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George George [[HappyEndingOverride die in the First World War.]]]]
]]
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through.[[spoiler:However, However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.]]
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through.
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* BrutalHonesty: A trait of Mr. Emerson, as described in the very first chapter. It plays a crucial role near the end of the story when Mr. Emerson delivers a long and impassioned speech to Lucy about [[spoiler:how obvious it is that she loves his son George and is in denial of it]]; he is willing to shock and upset her to an extreme so that she will wake up to herself.
to:
* BrutalHonesty: A trait of Mr. Emerson, as described in the very first chapter. It plays a crucial role near the end of the story when Mr. Emerson delivers a long and impassioned speech to Lucy about [[spoiler:how how obvious it is that she loves his son George and is in denial of it]]; it; he is willing to shock and upset her to an extreme so that she will wake up to herself.
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* DeathByAdaptation: The 2007 film kills off [[spoiler:George Emerson]] in the epilogue.
* DisposableFiance: Cecil Vyse is somewhere between the Minor Flaws and Bland Perfection subtypes. His obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and [[spoiler:ends up with him.]]
* DisposableFiance: Cecil Vyse is somewhere between the Minor Flaws and Bland Perfection subtypes. His obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and [[spoiler:ends up with him.]]
to:
* DeathByAdaptation: The 2007 film kills off [[spoiler:George Emerson]] George Emerson in the epilogue.
* DisposableFiance: Cecil Vyse is somewhere between the Minor Flaws and Bland Perfection subtypes. His obnoxious "minor" flaws are warning signs that he would[[spoiler:see see Lucy more as a possession than a person in her own right, as George points out.]]
out.
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and[[spoiler:ends ends up with him.]]
* DisposableFiance: Cecil Vyse is somewhere between the Minor Flaws and Bland Perfection subtypes. His obnoxious "minor" flaws are warning signs that he would
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and
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* HoistByHisOwnPetard: Cecil Vyse suggests that the Emersons move into the cottage nearby, as a way to stick it to the landlord. [[spoiler:This action ends up bringing George and Lucy together, eventually leading Lucy to break off her engagement to Cecil.]]
to:
* HoistByHisOwnPetard: Cecil Vyse suggests that the Emersons move into the cottage nearby, as a way to stick it to the landlord. [[spoiler:This This action ends up bringing George and Lucy together, eventually leading Lucy to break off her engagement to Cecil.]]
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* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that [[spoiler:she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings.]]
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field. [[spoiler:Lucy finds out that Charlotte told the novelist Eleanor Lavish of the kiss, when Cecil reads aloud a suspiciously similar scene from a romance novel by Miss Lavish.]]
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field. [[spoiler:Lucy finds out that Charlotte told the novelist Eleanor Lavish of the kiss, when Cecil reads aloud a suspiciously similar scene from a romance novel by Miss Lavish.]]
to:
* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that [[spoiler:she she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings.]]
feelings.
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field.[[spoiler:Lucy Lucy finds out that Charlotte told the novelist Eleanor Lavish of the kiss, when Cecil reads aloud a suspiciously similar scene from a romance novel by Miss Lavish.]]
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field.
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!!''A Room With A View'' contains exampls of the following tropes:
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!!''A Room With A View'' contains exampls examples of the following tropes:
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* DisposableFiance: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
to:
* DisposableFiance: Cecil Vyse is of somewhere between the "Minor Flaws" subtype, although his Minor Flaws and Bland Perfection subtypes. His obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
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* DisposableFiancee: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
to:
* DisposableFiancee: DisposableFiance: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would [[spoiler:see Lucy more as a possession than a person in her own right, as George points out.]]
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* HoistByHisOwnPetard: Cecil Vyse brings the Emersons move into the cottage nearby, as a way to stick it to the landlord. [[spoiler:This action ends up bringing George and Lucy together, eventually leading Lucy to break off her engagement to Cecil.]]
to:
* HoistByHisOwnPetard: Cecil Vyse brings suggests that the Emersons move into the cottage nearby, as a way to stick it to the landlord. [[spoiler:This action ends up bringing George and Lucy together, eventually leading Lucy to break off her engagement to Cecil.]]
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* AdaptationalAlternateEnding: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George [[HappyEndingOverride die in the First World War.]]]]
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* HappyEndingOverride: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George die in the First World War.]]
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* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and ends up with him.
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* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and ends [[spoiler:ends up with him. him.]]
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* OutdoorBathPeeping: An example in which it is the ''men'' (Freddy, George and Mr. Beebe) bathing when Lucy, her mother and Cecil accidentally come upon them.
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* OutdoorBathPeeping: An accidental example in which it is the ''men'' (Freddy, George (George, Freddy and Mr. Beebe) bathing in a pond when Lucy, her mother and Cecil accidentally come upon them.
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* ContrivedCoincidence: When the Emersons run into Cecil, who suggests that they move into a cottage near to where Lucy Honeychurch lives, unaware that they know each other.
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* ContrivedCoincidence: When the Emersons run into Cecil, who Cecil by chance, he suggests that they move into a cottage near to where Lucy Honeychurch lives, unaware that they know each other.
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* BrutalHonesty: A trait of Mr. Emerson, as described in the very first chapter. It plays a crucial role near the end of the story, when Mr. Emerson delivers a long and impassioned speech to Lucy about [[spoiler:how obvious it is that she loves his son George and in denial]], not caring how much he has to shock and upset her to get her to wake up to herself.
to:
* BrutalHonesty: A trait of Mr. Emerson, as described in the very first chapter. It plays a crucial role near the end of the story, story when Mr. Emerson delivers a long and impassioned speech to Lucy about [[spoiler:how obvious it is that she loves his son George and is in denial]], not caring how much denial of it]]; he has is willing to shock and upset her to get her to an extreme so that she will wake up to herself.
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None
* BrutalHonesty: A trait of Mr. Emerson, as described in the very first chapter. It plays a crucial role near the end of the story, when Mr. Emerson delivers a long and impassioned speech to Lucy about [[spoiler:how obvious it is that she loves his son George and in denial]], not caring how much he has to shock and upset her to get her to wake up to herself.
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* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Edwardian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Emerson tells Lucy that his father is an atheist and a socialist.
to:
* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Edwardian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Mr. Emerson tells Lucy that his father senior is stated to be a socialist, as well as an atheist and a socialist.atheist.
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* GracefulLoser: When Lucy breaks off their engagement, Cecil acknowledges the truth of all she says. In fact, this trope makes the task harder for her than she first anticipated.
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* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.
to:
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. However, [[spoiler:However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants. wants.]]
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* DisposableFiancee: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would see Lucy more as a possession than a person in her own right, as George points out.
to:
* DisposableFiancee: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would see [[spoiler:see Lucy more as a possession than a person in her own right, as George points out. out.]]
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* HoistByHisOwnPetard: Cecil Vyse brings the Emersons move into the cottage nearby, as a way to stick it to the landlord. This action ends up bringing George and Lucy together, leading Lucy to break off her engagement to Cecil.
to:
* HoistByHisOwnPetard: Cecil Vyse brings the Emersons move into the cottage nearby, as a way to stick it to the landlord. This [[spoiler:This action ends up bringing George and Lucy together, eventually leading Lucy to break off her engagement to Cecil. Cecil.]]
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* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings.
to:
* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that she [[spoiler:she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings. feelings.]]
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* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, and discovers that she has been in love with George Emerson the whole time.
to:
* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, and as much as she tries to convince herself otherwise; she discovers that she [[spoiler:she has been in love with George Emerson the whole time. time.]]
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The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEdwardianEra. She befriends the eccentric Mr. Emerson and his handsome, philosophical son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
to:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEdwardianEra. She befriends the eccentric Mr. Emerson and his handsome, philosophical son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
a nearby cottage…
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* ContrivedCoincidence: When the Emersons run into Cecil, who suggests that they move into the cottage next door to where Lucy Honeychurch lives, unaware that they know each other.
to:
* ContrivedCoincidence: When the Emersons run into Cecil, who suggests that they move into the a cottage next door near to where Lucy Honeychurch lives, unaware that they know each other.
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* {{Bookends}}: The 1985 film ends with Lucy and George returning to the same pensione in Florence, where a stranger is upset about not having a room with a view. George echoes his father's line from the beginning of the story: "We have a view..."
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* {{Hypocrite}}: After remonstrating with Lucy about how nobody must ever know about the kiss George gave her, Charlotte goes and tells, of all people, a ''novelist'' who has already intimated that she intends to base her next work on the people she met in the pensione!
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC4 radio series, and a 2007 film.
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC4 BBC radio series, and a 2007 film.
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The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC radio program, and a 2007 film.
to:
The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC BBC4 radio program, series, and a 2007 film.
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* SpiritedYoungLady: Lucy Honeychurch. She has less inhibitions than her cousin Charlotte and enjoys the Emersons' flouting of convention. Although she is living in an era in which women could have slightly more freedom and independence, she is still chafing at the carryover from the Victorian times manifesting in some of those around her - particularly her stuffy fiance Cecil.
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Changed line(s) 3,4 (click to see context) from:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEdwardianEra. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
to:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEdwardianEra. She befriends the eccentric Mr. Emerson and his handsome, philosophical son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
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Changed line(s) 3,4 (click to see context) from:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEwdardianEra. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
to:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time during TheEwdardianEra.TheEdwardianEra. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
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Changed line(s) 3,4 (click to see context) from:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time with her overbearing cousin. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
to:
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time with her overbearing cousin.during TheEwdardianEra. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
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* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Victorian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Emerson tells Lucy that his father is an atheist and a socialist.
to:
* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Victorian Edwardian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Emerson tells Lucy that his father is an atheist and a socialist.
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* ContrivedCoincidence: When the Emersons run into Cecil, who
to:
* ContrivedCoincidence: When the Emersons run into Cecil, who suggests that they move into the cottage next door to where Lucy Honeychurch lives, unaware that they know each other.
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'''''A Room With A View''''' is a 1908 novel written by E. M. Forster.
The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time with her overbearing cousin. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC radio program, and a 2007 film.
----
!!''A Room With A View'' contains exampls of the following tropes:
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.
* ContrivedCoincidence: When the Emersons run into Cecil, who
* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Victorian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Emerson tells Lucy that his father is an atheist and a socialist.
* DeathByAdaptation: The 2007 film kills off [[spoiler:George Emerson]] in the epilogue.
* DisposableFiancee: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would see Lucy more as a possession than a person in her own right, as George points out.
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and ends up with him.
* FirstKiss: George kisses Lucy after being overcome by her beauty in a field of violets; she has been led to him after being inadvertently misdirected there.
* HappyEndingOverride: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George die in the First World War.]]
* HoistByHisOwnPetard: Cecil Vyse brings the Emersons move into the cottage nearby, as a way to stick it to the landlord. This action ends up bringing George and Lucy together, leading Lucy to break off her engagement to Cecil.
* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings.
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field. [[spoiler:Lucy finds out that Charlotte told the novelist Eleanor Lavish of the kiss, when Cecil reads aloud a suspiciously similar scene from a romance novel by Miss Lavish.]]
* OutdoorBathPeeping: An example in which it is the ''men'' (Freddy, George and Mr. Beebe) bathing when Lucy, her mother and Cecil accidentally come upon them.
* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, and discovers that she has been in love with George Emerson the whole time.
* TitleDrop: Lucy and Charlotte are upset at not having the promised view of the River Arno from their hotel room. In response, Mr. Emerson, who is staying there with his son George, offers to swap rooms with them.
* UngratefulBastard: Downplayed. When Mr. Emerson steps in to offer to swap hotel rooms with Charlotte and Lucy so that they will have a view of the river, Charlotte curtly refuses, and deems it impolite of him to offer, thinking that he only did it to make the ladies feel indepted to him and his son.
* WhereAreTheyNowEpilogue: Forster himself wrote an appendix to the story 50 years later, detailing numerous adverse circumstances that befell Lucy and George after their wedding and through both world wars.
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The protagonist is Lucy Honeychurch, a young English woman travelling to Florence for the first time with her overbearing cousin. She befriends the eccentric Mr. Emerson and his son George, and begins to feel confused about her feelings for the latter, especially when he kisses her in a violet field. When she returns to England, she begins an engagement with the conventional Cecil Vyse, who is very unlike George. However, soon she receives word that the Emersons have moved into the cottage next door…
The story has been adapted by Merchant Ivory into an award-winning 1985 film starring HelenaBonhamCarter. It has also been made into a stage play, a BBC radio program, and a 2007 film.
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!!''A Room With A View'' contains exampls of the following tropes:
* BettyAndVeronicaSwitch: A gender-flipped example. Progressive and unconventional George Emerson is initially the Veronica; he kisses Lucy passionately without any of the "proper" courtship that Cecil Vyse (the initial Betty) goes through. However, George turns out to be the suitor who is far more suited to Lucy and more considerate of what ''she'' wants.
* ContrivedCoincidence: When the Emersons run into Cecil, who
* CulturalRebel: Both Emerson men embrace forward-thinking ideals that are at odds with the Victorian society around them, and have a disregard for the way things are done conventionally. In the 2007 film, George Emerson tells Lucy that his father is an atheist and a socialist.
* DeathByAdaptation: The 2007 film kills off [[spoiler:George Emerson]] in the epilogue.
* DisposableFiancee: Cecil Vyse is of the "Minor Flaws" subtype, although his obnoxious "minor" flaws are warning signs that he would see Lucy more as a possession than a person in her own right, as George points out.
* FirstGirlWins: Gender-flipped; Lucy met George first during her time in Italy, and ends up with him.
* FirstKiss: George kisses Lucy after being overcome by her beauty in a field of violets; she has been led to him after being inadvertently misdirected there.
* HappyEndingOverride: The 2007 film substitutes its own epilogue for Forster's, having [[spoiler:George die in the First World War.]]
* HoistByHisOwnPetard: Cecil Vyse brings the Emersons move into the cottage nearby, as a way to stick it to the landlord. This action ends up bringing George and Lucy together, leading Lucy to break off her engagement to Cecil.
* LoveEpiphany: When Lucy is preparing to flee to Greece after breaking off her engagement with Cecil, she runs into Mr. Emerson, who helps her to realise that she has been in love with his son George the whole time, and that her proposed flight was a way to flee from her own feelings.
* MatronChaperone: Charlotte Bartlett is this to Lucy Honeychurch during their travels through Italy; she steps in to end the intimacy after George kisses Lucy in the violet field. [[spoiler:Lucy finds out that Charlotte told the novelist Eleanor Lavish of the kiss, when Cecil reads aloud a suspiciously similar scene from a romance novel by Miss Lavish.]]
* OutdoorBathPeeping: An example in which it is the ''men'' (Freddy, George and Mr. Beebe) bathing when Lucy, her mother and Cecil accidentally come upon them.
* RomanticRunnerUp: Cecil Vyse. Lucy finds him to be stuffy and boring, and discovers that she has been in love with George Emerson the whole time.
* TitleDrop: Lucy and Charlotte are upset at not having the promised view of the River Arno from their hotel room. In response, Mr. Emerson, who is staying there with his son George, offers to swap rooms with them.
* UngratefulBastard: Downplayed. When Mr. Emerson steps in to offer to swap hotel rooms with Charlotte and Lucy so that they will have a view of the river, Charlotte curtly refuses, and deems it impolite of him to offer, thinking that he only did it to make the ladies feel indepted to him and his son.
* WhereAreTheyNowEpilogue: Forster himself wrote an appendix to the story 50 years later, detailing numerous adverse circumstances that befell Lucy and George after their wedding and through both world wars.
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