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added \"Your Song\", \"Perfume\", and \"Friday\"/\"Saturday\"
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* Music/EltonJohn with "Your Song" details the process of writing a song ("a few of the verses, well, they've got me quite cross") and the excuses why it is the only gift he can give. He even explains why a rambling part of the song is because he is covering his bases about the color of her eyes.
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*** "Perfume" also has a conspicuous shot of Britney's latest perfume.
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* Music/RebeccaBlack lampshades her most famous song, "Friday", in her sequel/follow-up, "Saturday". While there are several lyrical references to "Friday" in the "Saturday" music video, the most blatant is when she shows up to the party, and everybody is surprised to see her (i.e., that she would even show her face anywhere after the fiasco of "Friday").
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King Crimson entry
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* Music/KingCrimson do this in "Happy with What You Have to be Happy With" pretty much all the way through. The chorus beings "I'm gonna have to write a chorus..." until it is repeated, at which point it becomes "I guess we'll repeat the chorus." The verses are given similar treatment.
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* The Prince song "1999" features the lyrics "I was dreamin' when I wrote this, forgive me if it goes astray" and "I was dreamin' when I wrote this, so sue me if I go 2 fast".
* The Swedish song "Värsta schlagern" ("Such a Schlager"), sung by Markoolio and Linda Bengtzing, lampshades a lot of the tropes and clichés appearing in the EurovisionSongContest. The song itself is written and orchestrated like a typical "schlager", only the lyrics lampshade. Examples include a bridge going (my translation from the Swedish): "''What they reward with twelve points, is a sumptuous chorus''", part of the chorus going: "''There are stars and they're burning, there's the world and it's disappearing, and the title should hit you like a punch in the stomach, it's such a schlager''" and one memorable part going: "''If you don't want to ruin your chances of winning, you can steal something from ABBA and see the risk disappear.''"
* The Swedish song "Värsta schlagern" ("Such a Schlager"), sung by Markoolio and Linda Bengtzing, lampshades a lot of the tropes and clichés appearing in the EurovisionSongContest. The song itself is written and orchestrated like a typical "schlager", only the lyrics lampshade. Examples include a bridge going (my translation from the Swedish): "''What they reward with twelve points, is a sumptuous chorus''", part of the chorus going: "''There are stars and they're burning, there's the world and it's disappearing, and the title should hit you like a punch in the stomach, it's such a schlager''" and one memorable part going: "''If you don't want to ruin your chances of winning, you can steal something from ABBA and see the risk disappear.''"
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* The Prince Music/{{Prince}} song "1999" features the lyrics "I was dreamin' when I wrote this, forgive me if it goes astray" and "I was dreamin' when I wrote this, so sue me if I go 2 fast".
* The Swedish song "Värsta schlagern" ("Such a Schlager"), sung by Markoolio and Linda Bengtzing, lampshades a lot of the tropes and clichés appearing in the EurovisionSongContest. The song itself is written and orchestrated like a typical "schlager", only the lyrics lampshade. Examples include a bridge going (my translation from the Swedish): "''What they reward with twelve points, is a sumptuous chorus''", part of the chorus going: "''There are stars and they're burning, there's the world and it's disappearing, and the title should hit you like a punch in the stomach, it's such a schlager''" and one memorable part going: "''If you don't want to ruin your chances of winning, you can steal something fromABBA Music/{{ABBA}} and see the risk disappear.''"
* The Swedish song "Värsta schlagern" ("Such a Schlager"), sung by Markoolio and Linda Bengtzing, lampshades a lot of the tropes and clichés appearing in the EurovisionSongContest. The song itself is written and orchestrated like a typical "schlager", only the lyrics lampshade. Examples include a bridge going (my translation from the Swedish): "''What they reward with twelve points, is a sumptuous chorus''", part of the chorus going: "''There are stars and they're burning, there's the world and it's disappearing, and the title should hit you like a punch in the stomach, it's such a schlager''" and one memorable part going: "''If you don't want to ruin your chances of winning, you can steal something from
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* Ryan Adams' "Halloweenhead", right before the guitar solo.
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* Ryan Adams' Music/RyanAdams' "Halloweenhead", right before the guitar solo.
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* The song "School's Out" by Alice Cooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.
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* The song "School's Out" by Alice Cooper Music/AliceCooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.
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* In "Hook", Blues Traveler deconstructs the pop song by explaining the process in the lyrics.
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* In "Hook", Blues Traveler Music/BluesTraveler deconstructs the pop song by explaining the process in the lyrics.
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* In "Gold Soundz" by Pavement, the lyrics 'And they're coming to the chorus now' come just before the chorus.
* Lou Reed's "Walk on the Wild Side" has the lyric 'And the coloured girls go, doo dodoo,' etc. right before they do in the song.
* Bright Eyes' song "False Advertising" features the lyrics 'Now all anyone's listening for are the mistakes' right before a member of the band apologises for a mistake she's made.
* In the rather awkwardly titled Wire song "Map Ref. 41°N 93°W", lead singer Colin Newman actually sings the the word 'chorus' before the band dives into the first one. This maybe to flag up the unusually lengthy sequence of verses that appear before this, and is a good example of their experimentation with song structures.
* Lou Reed's "Walk on the Wild Side" has the lyric 'And the coloured girls go, doo dodoo,' etc. right before they do in the song.
* Bright Eyes' song "False Advertising" features the lyrics 'Now all anyone's listening for are the mistakes' right before a member of the band apologises for a mistake she's made.
* In the rather awkwardly titled Wire song "Map Ref. 41°N 93°W", lead singer Colin Newman actually sings the the word 'chorus' before the band dives into the first one. This maybe to flag up the unusually lengthy sequence of verses that appear before this, and is a good example of their experimentation with song structures.
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* In "Gold Soundz" by Pavement, Music/{{Pavement}}, the lyrics 'And they're coming to the chorus now' come just before the chorus.
*Lou Reed's Music/LouReed's "Walk on the Wild Side" has the lyric 'And the coloured girls go, doo dodoo,' etc. right before they do in the song.
*Bright Eyes' Music/BrightEyes' song "False Advertising" features the lyrics 'Now all anyone's listening for are the mistakes' right before a member of the band apologises for a mistake she's made.
* In the rather awkwardly titledWire Music/{{Wire}} song "Map Ref. 41°N 93°W", lead singer Colin Newman actually sings the the word 'chorus' before the band dives into the first one. This maybe to flag up the unusually lengthy sequence of verses that appear before this, and is a good example of their experimentation with song structures.
*
*
* In the rather awkwardly titled
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Changed line(s) 73 (click to see context) from:
-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...""What rhymes with hug me?""...Hey, hey, hey
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-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...""What ''What rhymes with hug me?""...me?''...Hey, hey, hey
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Changed line(s) 73 (click to see context) from:
-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...What rhymes with hug me?...Hey, hey, hey
to:
-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...What ""What rhymes with hug me?...me?""...Hey, hey, hey
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* Music/RobinThicke hung a lampshade in his song "Blurred Lines":
-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...What rhymes with hug me?...Hey, hey, hey
-->I feel so lucky...Hey, hey, hey...You wanna hug me?...Hey, hey, hey...What rhymes with hug me?...Hey, hey, hey
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* Music/DreamTheater lampshaded their chart success by calling their GreatestHitsAlbum ''Greatest Hit (...And 21 Other Pretty Cool Songs)''.
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* Music/DreamTheater lampshaded their chart success by calling their GreatestHitsAlbum ''Greatest Hit (...And 21 Other Pretty Cool Songs)''.Songs)'', since they only had one radio hit ("Pull Me Under").
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* The original single version of "Forming" by The Germs ends with Darby Crash ad-libbing a [[SelfDeprecation self-deprecating]] critique of the song itself:
-->You're playing it all wrong. The drums are too slow, the bass is too fast, the chords are wrong, we're makin' the ending too long...[[ScrewThisImOuttaHere I quit]].
-->You're playing it all wrong. The drums are too slow, the bass is too fast, the chords are wrong, we're makin' the ending too long...[[ScrewThisImOuttaHere I quit]].
to:
* The original single version of "Forming" by The Germs Music/TheGerms ends with Darby Crash ad-libbing a [[SelfDeprecation self-deprecating]] critique of the song itself:
-->You're playing it all wrong. The drums are too slow, the bass is too fast, the chords are wrong, we'remakin' making the ending too long...[[ScrewThisImOuttaHere I quit]].
-->You're playing it all wrong. The drums are too slow, the bass is too fast, the chords are wrong, we're
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Changed line(s) 69 (click to see context) from:
-->...playin' it all wrong, the drums are too slow, the bass is too fast, the chords are wrong, we're makin' the ending too long... aw, quit.
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* Music/DreamTheater lampshaded their chart success by calling their GreatestHitsAlbum ''Greatest Hit (...And 21 Other Pretty Cool Songs)''.
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Duplicate entry.
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* Britney Spears' "Womanizer" has a conspicuous shot of a Nokia cell phone near the start. One of the appointments just visible in the frame is about a ProductPlacement meeting.
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Changed line(s) 71 (click to see context) from:
* Robby Roadsteamer's "They Laid Your Father Off From The Dick Factory" has an intro with an obviously synthesized flute lead - during said intro, Robby starts griping in-character about how it "sounds like a fuckin' keyboard effect!"
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* Robby Roadsteamer's "They Laid Your Father Off From The Dick Factory" has an intro with an obviously synthesized flute lead - during said intro, Robby starts griping in-character about how it the flute "sounds like a fuckin' keyboard effect!"
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Changed line(s) 71 (click to see context) from:
* Robby Roadsteamer's "They Laid Your Father Off From The Dick Factory" has an intro with an obviously synthesized flute lead - Robby immediately starts griping in-character about how it "sounds like a fuckin' keyboard effect!"
to:
* Robby Roadsteamer's "They Laid Your Father Off From The Dick Factory" has an intro with an obviously synthesized flute lead - during said intro, Robby immediately starts griping in-character about how it "sounds like a fuckin' keyboard effect!"
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* Robby Roadsteamer's "They Laid Your Father Off From The Dick Factory" has an intro with an obviously synthesized flute lead - Robby immediately starts griping in-character about how it "sounds like a fuckin' keyboard effect!"
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* TheBeatles with "Only a Northern Song":
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* TheBeatles Music/TheBeatles with "Only a Northern Song":
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* The original single version of "Forming" by The Germs ends with Darby Crash ad-libbing a [[SelfDeprecation self-deprecating]] critique of the song itself:
-->...playin' it all wrong, the drums are too slow, the bass is too fast, the chords are wrong, we're makin' the ending too long... aw, quit.
-->...playin' it all wrong, the drums are too slow, the bass is too fast, the chords are wrong, we're makin' the ending too long... aw, quit.
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** LedZeppelin includes a similar nod to James Brown in "The Crunge". Robert Plant unsuccessfully attempts to get the band to go to the bridge and says "Has anyone seen the bridge? Where's that confounded bridge?"
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** LedZeppelin Music/LedZeppelin includes a similar nod to James Brown in "The Crunge". Robert Plant unsuccessfully attempts to get the band to go to the bridge and says "Has anyone seen the bridge? Where's that confounded bridge?"
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----
to:
----
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Changed line(s) 18,26 (click to see context) from:
-->"If you're listening to this song\\
You may think the chords are going wrong\\
But they're not\\
He just wrote it like that\\
When you're listening late at night\\
You may think the bands are not quite right\\
But they are\\
They just play it like that"
* The song "School's Out" by Alice Cooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.\\
You may think the chords are going wrong\\
But they're not\\
He just wrote it like that\\
When you're listening late at night\\
You may think the bands are not quite right\\
But they are\\
They just play it like that"
* The song "School's Out" by Alice Cooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.\\
to:
-->"If you're listening to this song\\
Yousong
-->You may think the chords are goingwrong\\
Butwrong
-->But they'renot\\
Henot
-->He just wrote it likethat\\
Whenthat
-->When you're listening late atnight\\
Younight
-->You may think the bands are not quiteright\\
Butright
-->But theyare\\
Theyare
-->They just play it like that"
* The song "School's Out" by Alice Cooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.\\
You
-->You may think the chords are going
But
-->But they're
He
-->He just wrote it like
When
-->When you're listening late at
You
-->You may think the bands are not quite
But
-->But they
They
-->They just play it like that"
* The song "School's Out" by Alice Cooper lampshades how much he (and presumably the band) wanted to stick with the wordplay of the term 'principals' despite it being a hard word to match.
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* The ArcadeFire song "We Used To Wait" ends with a repetition of the chorus and
-->We used to wait for it, we used to wait for it\\
And now we're screaming, sing the chorus again\\
I used to wait for it, I used to wait for it\\
Hear my voice screaming, sing the chorus again\\
Wait for it! Wait for it! Wait for it...!
-->We used to wait for it, we used to wait for it\\
And now we're screaming, sing the chorus again\\
I used to wait for it, I used to wait for it\\
Hear my voice screaming, sing the chorus again\\
Wait for it! Wait for it! Wait for it...!
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** Lloyd Cole And The Commotions' "Forest Fire" [[DeadpanSnarker remarks]] at the end that all the forest fire imagery in the song is "Just a simple metaphor/It's for a burning love".
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** Lloyd Cole And The Commotions' "Forest Fire" [[DeadpanSnarker remarks]] at the end that all the forest fire imagery in the song is "Just a simple metaphor/It's for a burning love".
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* BritneySpears
** "Womanizer" has a conspicuous shot of a Nokia cell phone near the start. One of the appointments just visible in the frame is about a product placement meeting.
** The start of the video for "If U Seek Amy" spells out the "hidden" message in the lyrics very blatantly before the song begins.
** "Piece Of Me" is one long lamp shade hanging regarding her relationship with the press.
** In the video for "Hold It Against Me" Britney pokes fun at a rumor from early in her career that she was an alien by crash landing to Earth as a pop star who shortly after takes the world by storm at the beginning of the video.
** The Soprano and Gravel elements "Big Fat Bass (Feat. will.i.am)" is lampshaded with the lyric: "I can be the treble, you can be the bass".
** Overprotected (Darkchild Remix) video has a woman obviously from a radio news channel saying how "Britney shows up at awards show half naked again".
** "Womanizer" has a conspicuous shot of a Nokia cell phone near the start. One of the appointments just visible in the frame is about a product placement meeting.
** The start of the video for "If U Seek Amy" spells out the "hidden" message in the lyrics very blatantly before the song begins.
** "Piece Of Me" is one long lamp shade hanging regarding her relationship with the press.
** In the video for "Hold It Against Me" Britney pokes fun at a rumor from early in her career that she was an alien by crash landing to Earth as a pop star who shortly after takes the world by storm at the beginning of the video.
** The Soprano and Gravel elements "Big Fat Bass (Feat. will.i.am)" is lampshaded with the lyric: "I can be the treble, you can be the bass".
** Overprotected (Darkchild Remix) video has a woman obviously from a radio news channel saying how "Britney shows up at awards show half naked again".
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* LadyGaga's rant about "SURPRISE!! A pop show, and the bitch can SIIIING!!" Shouted during one of her shows. Also, due to context, heavily implied to be a no-so-subtle Take That at her contemporaries.
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* LadyGaga's rant about statement to her fans during her show "SURPRISE!! A pop show, and the bitch can SIIIING!!" Shouted during one of her shows. Also, due to context, heavily implied to be a no-so-subtle Take That at her contemporaries.
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* LadyGaga's rant about "SURPRISE!! A pop show, and the bitch can SIIIING!!" Shouted during one of her shows. Also, due to context, heavily implied to be a no-so-subtle Take That at her contemporaries.
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* The Naked And Famous song called "Girls Like You". The chorus and hook being "Don't you know people write songs about girls like you?" (this being one of them)
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* In the rather awkwardly titled Wire song "Map Ref. 41°N 93°W", lead singer Colin Newman actually sings the the word 'chorus' before the band dives into the first one. This maybe to flag up the unusually lengthy sequence of verses that appear before this, and is a good example of their experimentation with song structures.
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**"Circus Fish" by Vermillion Lies does this as well:
-->"You are my little garden trowel\\
I don't know what to rhyme with trowel"
-->"You are my little garden trowel\\
I don't know what to rhyme with trowel"
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Deleted line(s) 47 (click to see context) :
----
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*Bright Eyes' song "False Advertising" features the lyrics 'Now all anyone's listening for are the mistakes' right before a member of the band apologises for a mistake she's made.
----
----
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Changed line(s) 47 (click to see context) from:
----
to:
* Lou Reed's "Walk on the Wild Side" has the lyric 'And the coloured girls go, doo dodoo,' etc. right before they do in the song.
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Well we got no class\\
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Changed line(s) 33 (click to see context) from:
Because the hook brings you back\\
to:
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* In "Gold Soundz" by Pavement, the lyrics 'And they're coming to the chorus now' come just before the chorus.