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Changed line(s) 133 (click to see context) from:
* DoNotTauntCthulhu: When Josef Menegle enters his OneWingedAngel form, Peter [[CallingTheOldManOut calls him out for his actions]] while making a {{pun}} on how his efforts were "all for a WildGooseChase". Menegle responds by knocking Peter to the wall with HardLight, rendering him unconscious. {{Downplayed|Trope}}, as Peter regains his consciousness after a brief moment, and shoots Menegle out of the sky.
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* DoNotTauntCthulhu: When Josef Menegle enters his OneWingedAngel form, Peter [[CallingTheOldManOut [[TheReasonYouSuckSpeech calls him out for his actions]] while making a {{pun}} on how his efforts were "all for a WildGooseChase". Menegle responds by knocking Peter to the wall with HardLight, rendering him unconscious. {{Downplayed|Trope}}, as Peter regains his consciousness after a brief moment, and shoots Menegle out of the sky.
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* BerserkButton: Being called a "goose" is one for Menegle.
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%%%* EarnYourHappyEnding
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* DeathByIrony: Josef Menegle takes the form of a swan as a OneWingedAngel, and is shot out of the sky... like a bird.
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* DidYouJustTauntCthulhu: When Josef Menegle enters his OneWingedAngel form, Peter [[CallingTheOldManOut calls him out for his actions]] while making a {{pun}} on how his efforts were "all for a WildGooseChase". Menegle responds by knocking Peter to the wall with HardLight, rendering him unconscious for a brief moment.
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* DoNotTauntCthulhu: When Josef Menegle enters his OneWingedAngel form, Peter [[CallingTheOldManOut calls him out for his actions]] while making a {{pun}} on how his efforts were "all for a WildGooseChase". Menegle responds by knocking Peter to the wall with HardLight, rendering him unconscious. {{Downplayed|Trope}}, as Peter regains his consciousness after a brief moment, and shoots Menegle out of the sky.
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Changed line(s) 224 (click to see context) from:
* NiceJobFixingItVillain: The gun with Sgt. Olga uses to shoot Anne Frank later winds up in the hands of Peter, who shoots the OneWingedAngel Menegle out of the sky with ImprobableAimingSkills.
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* NiceJobFixingItVillain: The gun with which Sgt. Olga uses to shoot Anne Frank with later winds up in the hands of Peter, who shoots the OneWingedAngel Menegle out of the sky with ImprobableAimingSkills.
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* DidYouJustTauntCthulhu: When Josef Menegle enters his OneWingedAngel form, Peter [[CallingTheOldManOut calls him out for his actions]] while making a {{pun}} on how his efforts were "all for a WildGooseChase". Menegle responds by knocking Peter to the wall with HardLight, rendering him unconscious for a brief moment.
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* NiceJobFixingItVillain: The gun with Sgt. Olga uses to shoot Anne Frank later winds up in the hands of Peter, who shoots the OneWingedAngel Menegle out of the sky with ImprobableAimingSkills.
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Changed line(s) 274 (click to see context) from:
* ThatRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "That Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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* ThatRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "That Reminds Me Of A Song..." Song" (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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Changed line(s) 274 (click to see context) from:
* ThatsRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "That Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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* ThatsRemindsMeOfASong: ThatRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "That Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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Changed line(s) 274 (click to see context) from:
* ThisRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "This Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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* ThisRemindsMeOfASong: ThatsRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "This "That Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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* ThisRemindsMeOfASong: Various songs in the film are questionable in their relevance to the story. The most egrigous offender is "This Reminds Me Of A Song..." (sic), a duet between Kitty and Anne in which the the former tries to cheer the latter up with a {{medley}} of [[NothingButHits the most popular songs of that era]].
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* NotHelpingYourCase: The film was made partially to deflect criticism that Creator/WaltDisney - and by extension his company - is anti-Semitic. The company's lack of willingness to promote the film, along with [[DisneyOwnsThisTrope legal troubles with the Anne Frank Fonds]], have done nothing to qualm these comments.
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* NotHelpingYourCase: The film was made partially to deflect criticism that Creator/WaltDisney - and by extension his company - is anti-Semitic. The film's [[{{Disneyfication}} handling of its subject matter]], the company's [[OldShame lack of willingness to promote the film, along with film]], and [[DisneyOwnsThisTrope legal troubles with the Anne Frank Fonds]], Fonds]] have done nothing to qualm these comments.
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Changed line(s) 230 (click to see context) from:
* NotHelpingYourCase: The film was made partially to deflect criticism that Creator/WaltDisney - and by extension his company - is anti-Semitic. The company's lack of willingness to promote the film, along with [[DisneyOwnsThisTrope legal troubles from the Anne Frank Fonds]], have done nothing to qualm these comments.
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* NotHelpingYourCase: The film was made partially to deflect criticism that Creator/WaltDisney - and by extension his company - is anti-Semitic. The company's lack of willingness to promote the film, along with [[DisneyOwnsThisTrope legal troubles from with the Anne Frank Fonds]], have done nothing to qualm these comments.
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* NotHelpingYourCase: The film was made partially to deflect criticism that Creator/WaltDisney - and by extension his company - is anti-Semitic. The company's lack of willingness to promote the film, along with [[DisneyOwnsThisTrope legal troubles from the Anne Frank Fonds]], have done nothing to qualm these comments.
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Changed line(s) 192 (click to see context) from:
* ItsPersonalWithTheDragon: {{Justified|Trope}}; Sgt. Olga spends the bulk of the film trying to capture (and later kill) Anne Frank, and this thus the greatest personal threat to her. She doesn't even see [[BigBad Josef Menegle]] until TheClimax.
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* ItsPersonalWithTheDragon: {{Justified|Trope}}; Sgt. Olga spends the bulk of the film trying to capture (and later kill) Anne Frank, and this is thus the Anne's greatest personal threat to her. She threat. Anne doesn't even see [[BigBad Josef Menegle]] until TheClimax.
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* ItsPersonalWithTheDragon: {{Justified|Trope}}; Sgt. Olga spends the bulk of the film trying to capture (and later kill) Anne Frank, and this thus the greatest personal threat to her. She doesn't even see [[BigBad Josef Menegle]] until TheClimax.
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* ImagineSpot: After listening to Winston Churchill's Autumn 1942 radio broadcast, the Annex residents imagine themselves on various WWII battles while singing "This Is Not The End (But The End Of Beginning)". This includes [[ArtisticLicenseHistory battles that historically wouldn't have occurred until later in the war]], including the Normandy landings and the Battle of Iwo Jima; clearly, Disney was going for SmallReferencePools.
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* ImagineSpot: After listening to Winston Churchill's Autumn 1942 radio broadcast, the Annex residents imagine themselves on various WWII battles while singing "This Is Not The End (But The End Of Beginning)". This includes [[ArtisticLicenseHistory battles that historically wouldn't have occurred until later in the war]], including the Normandy landings and the Battle of Iwo Jima; clearly, Disney was going for SmallReferencePools.
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* KnightTemplar: What else do you call someone whose idea of peace is to have everyone worship him and live in fear for their lives?
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* KnightTemplar: KnightTemplar:
** Josef Menegle. What else do you call someone whose idea of peace is to have everyone worship him and live in fear for their lives?
** Josef Menegle. What else do you call someone whose idea of peace is to have everyone worship him and live in fear for their lives?
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* IAmSong: "Anne Frank" at the beginning of the movie.
Deleted line(s) 190 (click to see context) :
* IAmSong: "Anne Frank" at the beginning of the movie.
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Changed line(s) 191 (click to see context) from:
* ImagineSpot: After listening to WinstonChurchill's Autumn 1942 radio broadcast, the Annex residents imagine themselves on various WWII battles while singing "This Is Not The End (But The End Of Beginning)". This includes [[ArtisticLicenseHistory battles that historically wouldn't have occurred until later in the war]], including the Normandy landings and the Battle of Iwo Jima; clearly, Disney was going for SmallReferencePools.
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* ImagineSpot: After listening to WinstonChurchill's Winston Churchill's Autumn 1942 radio broadcast, the Annex residents imagine themselves on various WWII battles while singing "This Is Not The End (But The End Of Beginning)". This includes [[ArtisticLicenseHistory battles that historically wouldn't have occurred until later in the war]], including the Normandy landings and the Battle of Iwo Jima; clearly, Disney was going for SmallReferencePools.
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Changed line(s) 139 (click to see context) from:
** Private Ludvig.
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** Private Ludvig. His mom's face is [[GhostAmnesia his only remaining memory as a zombie]], and remembering that Sgt. Olga killed her and him is what prompts his HeelFaceTurn.
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* ImagineSpot: After listening to WinstonChurchill's Autumn 1942 radio broadcast, the Annex residents imagine themselves on various WWII battles while singing "This Is Not The End (But The End Of Beginning)". This includes [[ArtisticLicenseHistory battles that historically wouldn't have occurred until later in the war]], including the Normandy landings and the Battle of Iwo Jima; clearly, Disney was going for SmallReferencePools.
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Changed line(s) 192 (click to see context) from:
* JewishAmericanPrincess: Half-literally, as Anne was originally intended to be a part of the DisneyPrincess lineup. She also embodies some of the nature of the trope, even though she's nicer than the norm for this trope.
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* JewishAmericanPrincess: Half-literally, as Anne was originally intended to be a part of the DisneyPrincess Franchise/DisneyPrincess lineup. She also embodies some of the nature of the trope, even though she's nicer than the norm for this trope.
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Changed line(s) 135 (click to see context) from:
* EarlyInstallmentWeirdness: For the Disney Renaissance. It was in production the same time as ''WesternAnimation/{{The Little Mermaid|1989}}'', and both Music/AlanMenken and Howard Ashman were too preoccupied with that project to give [[AlanSmithee the directors of this film]] any real guidance. Therefore, this film uses all of the tropes found in Disney's films during this period, but without [[TropeCodifier an understanding how to apply them]]; at times, it resembles more like Disney's imitators, such as ''WesternAnimation/QuestForCamelot'' or ''WesternAnimation/TomAndJerryTheMovie''.
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* EarlyInstallmentWeirdness: For the Disney Renaissance. It was in production the same time as ''WesternAnimation/{{The Little Mermaid|1989}}'', and both Music/AlanMenken and Howard Ashman were too preoccupied with that project to give [[AlanSmithee the directors of this film]] any real guidance. Therefore, this film uses all of the tropes found in Disney's films during this period, but without [[TropeCodifier an understanding how to apply them]]; them; at times, it resembles more like Disney's imitators, such as ''WesternAnimation/QuestForCamelot'' or ''WesternAnimation/TomAndJerryTheMovie''.
* IHateSong: Anne initially begins "Nothing But Endive" with a rant on how they have endive with every meal, until Mrs. Van Pels leads it into an extravagent OdeToFood, with kitchen-themed {{spectacle}} rivaling that of [[WesternAnimation/BeautyAndTheBeast "Be Our Guest"]].
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* JewishAmericanPrincess
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* JewishAmericanPrincessJewishAmericanPrincess: Half-literally, as Anne was originally intended to be a part of the DisneyPrincess lineup. She also embodies some of the nature of the trope, even though she's nicer than the norm for this trope.
* JewishComplaining: All of the Secret Annex residents have their fair share of this. Anne herself dedicates ''two'' songs to complaining: [[IWantSong "Living Free"]] and [[IHateSong "Nothing But Endive"]]. [[JustifiedTrope It's hard to blame them with their difficult circumstances]].
* JewishComplaining: All of the Secret Annex residents have their fair share of this. Anne herself dedicates ''two'' songs to complaining: [[IWantSong "Living Free"]] and [[IHateSong "Nothing But Endive"]]. [[JustifiedTrope It's hard to blame them with their difficult circumstances]].
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* JewsLoveToArgue: Mr. and Mrs. Van Pels are heard arguing in the background of some scenes, whether it's on the decisions they made for survival [[ArsonMurderAndJaywalking or the best Disney film]]. Anne intervenes and chastises them at one point.
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* JewsLoveToArgue: Mr. and Mrs. Van Pels are heard arguing in the background of some certain scenes, whether it's on whether they made the right decisions they made for survival prior to hiding in the Annex [[ArsonMurderAndJaywalking or the best which Disney film]].film is the best]]. Anne intervenes and chastises them at one point.
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Changed line(s) 120 (click to see context) from:
* DisneyOwnsThisTrope: Surrisingly ''not'' Disney this time, but the Anne Frank Fonds at the time this film was made. The ''[[OldShame other]]'' reason for this film's absence from the Franchise/DisneyAnimatedCanon is because it was produced under the assumption that ''Literature/TheDiaryOfAYoungGirl'' was in the PublicDomain, unaware it needed to be authorized by the Anne Frank Fonds. When the latter group filed their claims, [[PowerfulAndHelpless Disney's legal team knew they had no chance]]: not only were they clearly in the wrong, but the public backlash would have been too severe had it been taken to court (not to mention the film itself being UnderminedByReality). Therefore, they agreed on an undisclosed settlement, along with heavy royalties and stipulations with each copy of the film.
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* DisneyOwnsThisTrope: Surrisingly Surprisingly ''not'' Disney this time, but the Anne Frank Fonds at the time this film was made. The ''[[OldShame other]]'' reason for this film's absence from the Franchise/DisneyAnimatedCanon is because it was produced under the assumption that ''Literature/TheDiaryOfAYoungGirl'' was in the PublicDomain, unaware it needed to be authorized by the Anne Frank Fonds. When the latter group filed their claims, [[PowerfulAndHelpless Disney's legal team knew they had no chance]]: not only were they clearly in the wrong, but the public backlash would have been too severe had it been taken to court (not to mention the film itself being UnderminedByReality). Therefore, they agreed on an undisclosed settlement, along with heavy royalties and stipulations with each copy of the film.
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Changed line(s) 120 (click to see context) from:
* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. This is the ''[[OldShame other]]'' reason for this film's absence from the Franchise/DisneyAnimatedCanon.
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* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Surrisingly ''not'' Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by this time, but the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. This is the time this film was made. The ''[[OldShame other]]'' reason for this film's absence from the Franchise/DisneyAnimatedCanon.Franchise/DisneyAnimatedCanon is because it was produced under the assumption that ''Literature/TheDiaryOfAYoungGirl'' was in the PublicDomain, unaware it needed to be authorized by the Anne Frank Fonds. When the latter group filed their claims, [[PowerfulAndHelpless Disney's legal team knew they had no chance]]: not only were they clearly in the wrong, but the public backlash would have been too severe had it been taken to court (not to mention the film itself being UnderminedByReality). Therefore, they agreed on an undisclosed settlement, along with heavy royalties and stipulations with each copy of the film.
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Changed line(s) 120 (click to see context) from:
* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. This is the ''[[OldShame other]]'' reason for this film's absence from the DisneyAnimatedCanon.
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* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. This is the ''[[OldShame other]]'' reason for this film's absence from the DisneyAnimatedCanon.Franchise/DisneyAnimatedCanon.
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Changed line(s) 120 (click to see context) from:
* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. The ''[[OldShame other]]'' reason for this film's absence from the DisneyAnimated Canon.
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* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. The This is the ''[[OldShame other]]'' reason for this film's absence from the DisneyAnimated Canon.DisneyAnimatedCanon.
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Added DiffLines:
* DisneyOwnsThisTrope: {{Inverted|Trope}}; would you believe The Walt Disney Corporation actually tried to make an unauthorized film adaptation? Apparently, they assumed ''Literature/TheDiaryOfAYoungGirl'' was in the public domain, when in fact it was owned by the Anne Frank Fonds at the time. All the lawyers in the world couldn't have prevented the ensuing public backlash for going to court against an organization dedicated to Anne Frank, so Disney instead opted to pay an undisclosed settlement out of court, along with hefty royalties and stipulations. The ''[[OldShame other]]'' reason for this film's absence from the DisneyAnimated Canon.
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Changed line(s) 21 (click to see context) from:
* AlanSmithee: The movie went through several directors during development and filming with all of them ultimately deciding to abandon the project, which explains the film's uneven pacing and tone at points. Among the directors that worked on this project were Creator/TimBurton (who left to work on ''Film/{{Batman|1989}}''), Creator/JerryLewis, and Creator/MelBrooks.
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* AlanSmithee: The movie went through several directors during development and filming with all of them ultimately deciding to abandon the project, which explains the film's uneven pacing and tone at points. Among the directors that worked on this project were Creator/TimBurton (who left to work on ''Film/{{Batman|1989}}''), Creator/JerryLewis, and Creator/MelBrooks. Indeed, the only director that's credited in the finished cut is "Alan Smithee".
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Changed line(s) 38 (click to see context) from:
** After Anne is captured and sent to Aushwitz, Sgt. Olga's animation becomes surprisingly smooth as she threatens Anne to run a film reel of ''Film/TriumphOftheWill''.
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** After Anne is captured and sent to Aushwitz, Sgt. Olga's animation becomes surprisingly smooth as she threatens Anne to run a film reel of ''Film/TriumphOftheWill''.''Film/TriumphOfTheWill''.
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Changed line(s) 28 (click to see context) from:
* AmericaWonWorldWarII: Surprisingly averted; in this version of the story, the Jews just save themselves. The army that parades through Amsterdam in the final scene is American, though.
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* AmericaWonWorldWarII: Surprisingly averted; AmericaWonWorldWarII:
** {{Averted|trope}} within the film itself; in this version of the story, the Jews just save themselves. The army that parades through Amsterdam in the final scene is American, though.
** {{Averted|trope}} within the film itself; in this version of the story, the Jews just save themselves. The army that parades through Amsterdam in the final scene is American, though.