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No meta moment, see this query. No spoiler tag in moment page either, see Spoilers Off. Also comment out ZCE.
Changed line(s) 3,6 (click to see context) from:
* Really, just about any scene between Lara and Sam.
* Pretty much the entirety of Lara's father/daughter relationship with Roth.
* Lara refusing to [[spoiler:leave the distressed co-pilot of the rescue plane for dead.]]
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
* Pretty much the entirety of Lara's father/daughter relationship with Roth.
* Lara refusing to [[spoiler:leave the distressed co-pilot of the rescue plane for dead.]]
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
to:
* Lara refusing to
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
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None
Changed line(s) 6 (click to see context) from:
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
to:
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.development.
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None
Changed line(s) 4 (click to see context) from:
* Lara refusing to [[spoiler:leave the distressed co-pilot of the rescue plane for dead.]]
to:
* Lara refusing to [[spoiler:leave the distressed co-pilot of the rescue plane for dead.]]]]
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
* A meta example: the credits end with a section titled "Survivors were born" - a nod to the game's TagLine - followed by a list of names that can only be children born to the dev team while TR was in development.
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None
Changed line(s) 4 (click to see context) from:
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]]leave the distressed co-pilot of the rescue plane for dead.)
to:
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]]leave [[spoiler:leave the distressed co-pilot of the rescue plane for dead.)]]
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None
Changed line(s) 4 (click to see context) from:
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]leave the distressed co-pilot of the rescue plane for dead.)
to:
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]leave [[NoOneGetsLeftBehind]]leave the distressed co-pilot of the rescue plane for dead.)
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None
Changed line(s) 3 (click to see context) from:
* Pretty much the entirety of Lara's father/daughter relationship with Roth.
to:
* Pretty much the entirety of Lara's father/daughter relationship with Roth.Roth.
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]leave the distressed co-pilot of the rescue plane for dead.)
* Lara refusing to [[spoiler: [[NoOneGetsLeftBehind]leave the distressed co-pilot of the rescue plane for dead.)
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None
Changed line(s) 2 (click to see context) from:
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.
to:
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.
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Name error correction.
Changed line(s) 1 (click to see context) from:
* Most of the flashback scenes serve as this, giving us a good look at the endearing storytelling of Grim, as well as Jonas's big brother attitude towards Lara.
to:
* Most of the flashback scenes serve as this, giving us a good look at the endearing storytelling of Grim, as well as Jonas's Jonah's big brother attitude towards Lara.
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None
Changed line(s) 2 (click to see context) from:
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.
to:
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.them.
* Pretty much the entirety of Lara's father/daughter relationship with Roth.
* Pretty much the entirety of Lara's father/daughter relationship with Roth.
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Changed line(s) 1 (click to see context) from:
* Most of the flashback scenes serve as this, giving us a good look at the endearing storytelling of Grim and Jonas's big brother attitude towards Lara.
to:
* Most of the flashback scenes serve as this, giving us a good look at the endearing storytelling of Grim and Grim, as well as Jonas's big brother attitude towards Lara.
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Adding examples
Added DiffLines:
* Most of the flashback scenes serve as this, giving us a good look at the endearing storytelling of Grim and Jonas's big brother attitude towards Lara.
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.
* Really, just about any scene between Lara and Sam. There's a reason the shippers have gone bananas over them.