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Deleted line(s) 2,3 (click to see context) :
* In the 1999 film adaptation, Young Lucius runs to a store of dummy hands and presents them to his mutilated traumatized aunt in hopes of cheering her. Her smile speaks volumes.
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and presumably, the cycle of revenge and bloodthirst. He walks with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and presumably, the cycle of revenge and bloodthirst. He walks with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
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Changed line(s) 3 (click to see context) from:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and presumably, the cycle of revenge and bloodthirsty. He walks with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
to:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and presumably, the cycle of revenge and bloodthirsty.bloodthirst. He walks with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
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Changed line(s) 3 (click to see context) from:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
to:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk presumably, the cycle of revenge and bloodthirsty. He walks with him in his arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
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Changed line(s) 3 (click to see context) from:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk with him in his arms toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
to:
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk with him in his arms arms, departing the colosseum of bloodshed toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
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Changed line(s) 2 (click to see context) from:
* In the 1999 film adaptation, Young Lucius runs to a store of dummy hands and presents them to his mutilated traumatized aunt in hopes of cheering her. Her smile speaks volumes.
to:
* In the 1999 film adaptation, Young Lucius runs to a store of dummy hands and presents them to his mutilated traumatized aunt in hopes of cheering her. Her smile speaks volumes.volumes.
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk with him in his arms toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
* The revised ending of the 1999 film by Julie Taymor, where Young Lucius, who had been taught to hate the black Moors, taking pity on Aaron's infant son, freeing him from the cage, and walk with him in his arms toward a sunrise just peeping over the horizon. The visuals and the gestures speak for itself.
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Changed line(s) 1 (click to see context) from:
* The fact that Titus and his (remaining) family members all want to be the one to sacrifice a hand in return for the safe release of his sons.
to:
* The fact that Titus and his (remaining) family members all want to be the one to sacrifice a hand in return for the safe release of his sons.sons.
* In the 1999 film adaptation, Young Lucius runs to a store of dummy hands and presents them to his mutilated traumatized aunt in hopes of cheering her. Her smile speaks volumes.
* In the 1999 film adaptation, Young Lucius runs to a store of dummy hands and presents them to his mutilated traumatized aunt in hopes of cheering her. Her smile speaks volumes.
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Added DiffLines:
*The fact that Titus and his (remaining) family members all want to be the one to sacrifice a hand in return for the safe release of his sons.
