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**** Also, after Blondie shoots Angel Eyes the first time, Tuco is desperately fanning his empty gun...and pointing it up at belly or chest height, not down on the ground where Angel Eyes has fallen. So I think he is trying to kill Blondie at that point.

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**** [[CompletelyMissingThePoint Wrong, wrong, wrong]], he deliberately aggravated a group of men who wouldn't hesitate to shoot him, basically outright stated he was going to kill them before even approaching them (''"Get three coffins ready"''), and then proceeds to kill them, and all for a offhand comment about his mule.

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**** [[CompletelyMissingThePoint Wrong, wrong, wrong]], he deliberately aggravated a group of men who wouldn't hesitate to shoot him, basically outright stated he was going to kill them before even approaching them (''"Get three coffins ready"''), and then proceeds to kill them, and all for a offhand comment about his mule.
**** In the corresponding scene in ''Yojimbo'', Sanjuro gets the same effect by approaching a group of hardened killers and telling them they have "gentle faces," and that anger makes them look "even sweeter."


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** The simpler view is that the film is ''not'' a prequel, and the characters don't exist in the same continuity at all. Blondie's too smart and self-interested to blow a fortune that size, or even to stay in that part of the country in wartime after making so much. If it ''is'' a prequel then it ends with a massive irony...since Blondie ends with a fortune in gold; but Manco ends ''For a Few Dollars More'' with a much smaller fortune...in Confederate paper money.
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** Related question: What's Blondie supposed to write ''with'', and why would Angel Eyes trust him to write anything at all? [[spoiler: As, indeed, he does not.]]
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**It's possible Blondie was just following his moral code. Throughout the movie he doesn't shoot anyone until they try to shoot him.
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** When Tuco first makes his new gun, he listens to the clicks. It's possible he was checking if it was waterproof.


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** The Man with No Name was playing a ''serious'' BatmanGambit with Tuco. Yes, he unloaded Tuco's gun, but there was always the possibility of Tuco checking his gun at any point before the big stand off. Had Tuco checked, things would have been a lot more suspenseful. The Man with No Name knew this, and took the risk.
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* It might have just been in the suds and not in the water itself.

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* ** It might have just been in the suds and not in the water itself.
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* Blondie knew he had tampered with Tuco's gun, so the only threat to him in the duel was Angel Eyes. Why then did he wait so long for Angel Eyes to make the first move when he could have just shot him quickly? In fact, why call the duel at all if he could have just shot Angel Eyes while following Tuco to the graveyard?

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* The scene where Tuco pulls the revolver from under the soap suds... how was it still operable? I didn't post this in FridgeLogic because some types of guns ''are'' waterproof... but I don't think such existed at the time the film is set?

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* The scene where Tuco pulls the revolver from under the soap suds... how was it still operable? I didn't post this in FridgeLogic because some types of guns ''are'' waterproof... but I don't think such existed at the time the film is set? set?
* It might have just been in the suds and not in the water itself.
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* The scene where Tuco pulls the revolver from under the soap suds... how was it still operable? I didn't post this in FridgeLogic because some types of guns ''are'' waterproof... but I don't think such existed at the time the film is set?
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** I think the implication is ''play unless you want to be next''.
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** The captain says he'd like to see the bridge destroyed because of the senselessness of fighting for it. When he was mortally wounded, Blondie decides to grant his dying wish.
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* Why do the Confederate prisoners play music for the camp guards when they know that every time they do, one of their own is tortured? If they refuse to play, the guards cannot beat up prisoners without it being heard throughout the camp, and it's not as if the guards can threaten them to play because the [[ReasonableAuthorityFigure commandant]] is quite firmly against brutality and would probably stand up for his prisoners if only they would voice their fears and suspicions.

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** The battle was over control of the bridge. Without the bridge, there's no reason for either side to fight a pitched battle anymore, but both sides do still bombard the other with artillery after the bridge is destroyed.
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**** He spent much of the movie's first half trying to kill him until Blondie accidentally got a secret Tuco needed, so I say he definitely would have killed him.
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Random commas make me think of Christopher Walken talking.


* But just remember, dynamite, wasn't invented yet, the boxes say explosives and they contain black powder sticks Also, One of the famous stylistic elements of this film is that nothing in its universe exists until Leone puts it in the frame. That convention begins with the opening scene when a empty ghost town is populated by a pan onto a man's face in closeup. The Union pickets didn't exist until they appeared on a previously empty road to capture Tuco and Blondie, who then step off the road and into the massive trenchworks which had not existed only moments before.
* Things appear when and where they are needed in order to advance the story. Those events create an otherworldly aura for the whole film, and personally I think the technique enhances the willing suspension of disbelief.

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* ** But just remember, dynamite, dynamite wasn't invented yet, the boxes say explosives and they contain black powder sticks Also, One of the famous stylistic elements of this film is that nothing in its universe exists until Leone puts it in the frame. That convention begins with the opening scene when a empty ghost town is populated by a pan onto a man's face in closeup. The Union pickets didn't exist until they appeared on a previously empty road to capture Tuco and Blondie, who then step off the road and into the massive trenchworks which had not existed only moments before.
* ** Things appear when and where they are needed in order to advance the story. Those events create an otherworldly aura for the whole film, and personally I think the technique enhances the willing suspension of disbelief.
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The grave wasn\'t empty. It had a skeleton in it.


* At the end of the movie, they dig up the grave with the name Blondie gave, but it's empty. He tells them he'll write the real name under a rock. So wait a minute... Why did Angel Eyes and Tuco think that Blondie just happened to know the name of somebody else who was buried at that graveyard, so he could give an accurate fake name? Surely they would have known immediately that he was lying. After all, Blondie didn't even know which graveyard they were headed to.

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* At the end of the movie, they dig up the grave with the name Blondie gave, but it's empty.just a normal coffin with a body in it. He tells them he'll write the real name under a rock. So wait a minute... Why did Angel Eyes and Tuco think that Blondie just happened to know the name of somebody else who was buried at that graveyard, so he could give an accurate fake name? Surely they would have known immediately that he was lying. After all, Blondie didn't even know which graveyard they were headed to.
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** They were conscripted for as long as that bridge was there- they were let go because the bridge was gone. Plus crossing up or downriver carries several dangers (eg. running into troops, running into Angel Eyes, stray mortar, etc.). But aside from all that, the battle for the bridge was "a senseless waste of human life", and Blondie at least has something of a conscience; Tuco less so, but he agrees that it would be better for everyone if the bridge vanished, and Blondie might just be a [[JustForPun good / bad / ugly]] influence on him in that respect.
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*Why did Tuco and Blondie need to blow up that bridge to get across the river? I assumed they weren't just leaving because they needed the bridge to get across, but then they destroyed the bridge to make the armies leave. Why? Why not just go up or downriver a bit and cross there? It's not like the armies wouldn't let them go, as soon as the bridge was destroyed they left without them.
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* Is Tuco really guilty of the vast majority of the crimes he is accused of committing during each of the attempts to hang him? I'm not saying he isn't a criminal because he clearly is but morally speaking he doesn't seem all that different from Blondie's character and so I'm assuming he isn't necessarily all that bad a guy.

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* Is Tuco really guilty of the vast majority of the crimes he is accused of committing during each of the attempts to hang him? I'm not saying he isn't a criminal because he clearly is but morally speaking he doesn't seem all that different from Blondie's character and so I'm assuming he isn't necessarily all that bad a guy. guy.
** Considering the con he's running with Blondie, it wouldn't be surprising if he's claimed credit for some crimes he hasn't actually committed in order to drive up his bounty. Alternately, he ''is'' that bad a guy, and it just wasn't important for the plot that the audience actually see him committing those crimes.
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** I see it not only as a deconstruction of westerns but as a deconstruction of the entire film medium itself. In many ways, "gbu" is essentially a minimalist film. It takes everything you would find in a typical movie and reduces it to its bare essentials. The characters are reduced to moral labels, and the plot is basically an excuse to get them to interact until they are finally pit against each other. Even being so simple, it is everything that a great movie should ever hope to be. By deconstructing the entire film medium, it defines the heart of every movie ever made, leaves everything else out, and blows it up to epic proportions with the use of amazing storytelling.
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** Or he could be one of those types of guys who can't live the quiet, easy life; tried it, got restless, ended up riding into the wild again.
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* Is Tuco really guilty of the vast majority of the crimes he is accused of committing during each of the attempts to hang him? I'm not saying he isn't a criminal because he clearly is but morally speaking he doesn't seem all that different from Blondie's character and so I'm assuming he isn't necessarily all that bad a guy.
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**** He aims at Angel Eyes. The only question is would he have shot Blondie afterwards?

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* If The Good, The Bad, and The Ugly is meant to be a prequel to A Fistful Of Dollars and For A Few Dollars More, which can be inferred by the Civil War aspect of its story and the Man With No Name not having his famous poncho until the end of the movie, then why does Clint Eastwood's character still do bounty hunting? At the end of the movie Blondi (as Tuco calls him) walks off with 100,000 dollars, which if adjusted for inflation and interest would make him a multimillionaire in today's money, he should have been able to live a fairly easy life after that. He is shown to be an opportunist so I guess that much money wasn't enough for him?

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* If The Good, The Bad, and The Ugly is meant to be a prequel to A Fistful Of Dollars and For A Few Dollars More, More -- which can be inferred by the Civil War aspect of its story and the Man With No Name not having his famous poncho until the end of the movie, movie -- then why does Clint Eastwood's character still do bounty hunting? At the end of the movie Blondi (as Tuco calls him) walks off with 100,000 dollars, which if adjusted for inflation and interest would make him a multimillionaire in today's money, he should have been able to live a fairly easy life after that. He is shown to be an opportunist so I guess that much money wasn't enough for him?


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*** On that note would Tuco have tried to shoot Blondie if his gun did have bullets or was he going for an EnemyMine where he and Blondie would double team Angel Eyes? Tuco came off as having some what of a FireForgedFriends thing going on with Blondie near the end.
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** Technically, he doesn't take it, he has it tied on a rope. When he "takes" it, he actually grabs the rope and pulls it up. That could have tricked him about the weight difference.
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* Shouldn't Tuco have noticed his gun was empty? He took it out of its holster just before the big climax, and any experienced gunman knows the difference between the weight of an empty gun or a loaded gun. And don't just say it's because he's stupid, because he actually ''made'' that gun and he's a master when it comes to street smarts.
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** Maybe someone set upon him and took the money.

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** Italowesterns in general and the dollars trilogy in detail deconstruct the idea of a unreasonably good and fast gunslinger, which is almost impossible to kill or bring down. A guy that invincible has no one to anwer to and can't be made responsible for anything. Therefore he can do whatever he likes, totally ignoring all limitations put on him by law enforcement. That's the reason why Blondie is "The Good" only through worse antagonists, and why he is short of a fullblown sociopath (he shot some men in the beginning of A Handful of Dollars for insulting his mule).
*** Actually he demanded that they apologize (to the mule, so that the mule wouldnt kick their asses), and they stopped laughing and reached for their guns, so he killed them.

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** Italowesterns in general and the dollars trilogy in detail deconstruct the idea of a unreasonably good and fast gunslinger, which is almost impossible to kill or bring down. A guy that invincible has no one to anwer answer to and can't be made responsible for anything. Therefore he can do whatever he likes, totally ignoring all limitations put on him by law enforcement. That's the reason why Blondie is "The Good" only through worse antagonists, and why he is short of a fullblown full blown sociopath (he shot some men in the beginning of A Handful of Dollars for insulting his mule).
*** Actually he demanded that they apologize (to the mule, so that the mule wouldnt wouldn't kick their asses), and they stopped laughing and reached for their guns, so he killed them.


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* If The Good, The Bad, and The Ugly is meant to be a prequel to A Fistful Of Dollars and For A Few Dollars More, which can be inferred by the Civil War aspect of its story and the Man With No Name not having his famous poncho until the end of the movie, then why does Clint Eastwood's character still do bounty hunting? At the end of the movie Blondi (as Tuco calls him) walks off with 100,000 dollars, which if adjusted for inflation and interest would make him a multimillionaire in today's money, he should have been able to live a fairly easy life after that. He is shown to be an opportunist so I guess that much money wasn't enough for him?
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** To be fair, it's a primitive battlefield triage. They don't exactly have the luxury or picking and choosing where they're going to operate, since they can't move the patients very far very quickly without risking them dying in transit. It's a place behind cover making it difficult for anyone to see (and thus shoot) them, so needs must, really.

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** To be fair, it's a primitive battlefield triage. They don't exactly have the luxury or picking and choosing where they're going to operate, since they can't move the patients very far very quickly without risking them dying in transit. It's a place behind cover making it difficult for anyone to see (and thus shoot) them, which automatically makes it better than out in the open, so needs must, really.
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** To be fair, it's a primitive battlefield triage. They don't exactly have the luxury or picking and choosing where they're going to operate, since they can't move the patients very far very quickly without risking them dying in transit. It's a place behind cover making it difficult for anyone to see (and thus shoot) them, so needs must, really.

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