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** Well, in addition to being a metaphor, it's a bloody big door. As the previous tropers said, it's often the case that prison guards may not take the time to search inside a cell before securing a prisoner in it. Even if they do, it's an exceptional guard who will inspect the door itself. Those who do, will probably fall victim to the WeirdnessCensor.
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*** It is a metaphor. A locked door can just as easily keep someone out as it can keep someone in.

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*** ** It is a metaphor. A locked door can just as easily keep someone out as it can keep someone in.
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*** It is a metaphor. A locked door can just as easily keep someone out as it can keep someone in.
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Up To Eleven is a defunct trope


*** Many real-life societies used to have (or some perhaps still have) concept of words being considered ''so'' offensive that starting a fight in response to them was taken as completely acceptable. "Suicide/by being bloody stupid" is this concept taken UpToEleven.

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*** Many real-life societies used to have (or some perhaps still have) concept of words being considered ''so'' offensive that starting a fight in response to them was taken as completely acceptable. "Suicide/by being bloody stupid" is this concept taken UpToEleven.up to eleven.
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** Nowhere does it say that the bolts are actually engaged at any time during Vimes' or Vetinari's stay in the cell. Since Vetinari had had no indication that someone was coming to finally drag him off and execute him, he would have had no indclination to bolt the door.

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** Nowhere does it say that the bolts are actually engaged at any time during Vimes' or Vetinari's stay in the cell. Since Vetinari had had no indication that someone was coming to finally drag him off and execute him, he would have had no indclination inclination to bolt the door.
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** At this point, it's likely that the only creatures Sybil has ever prepared a meal for are her dragons. Her idea of a "nutritious" breakfast might well '''be''' "burnt crunchy bits", considering their diet literally includes coal oil and charcoal.

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* In Guards! Guards!, Vimes appears to have no idea that he is related to a noble family. PlotHole or was it not part of his character yet? (I've only read the Watch books, so...)
** I doubt Terry Pratchett had planned the history of Stoneface Vimes etc when he wrote Guards! Guards! Even so, it's not really a PlotHole. The Vimes family haven't been nobles for several hundred years. Remind the [=GG=]-era Vimes that his great-great-great-great-grandfather was a nobleman who lost his rank for killing the king, and he'd just say "Yeah? So what?"

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* In Guards! Guards!, ''Guards! Guards!'', Vimes appears to have no idea that he is related to a noble family. PlotHole or was it not part of his character yet? (I've only read the Watch books, so...)
** I doubt Terry Pratchett had planned the history of Stoneface Vimes etc when he wrote Guards! Guards! ''Guards! Guards!'' Even so, it's not really a PlotHole. The Vimes family haven't been nobles for several hundred years. Remind the [=GG=]-era Vimes that his great-great-great-great-grandfather was a nobleman who lost his rank for killing the king, and he'd just say "Yeah? So what?"


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** But was he cynical ''because'' of the regicide by Old Stoneface? Or was ''Old Stoneface'' just as cynical (because it runs in the family) and hence, sufficiently disenchanted with monarchy to go through with Lorenzo's execution in the first place?
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** Heads of the Assassins' Guild probably change as frequently as Archchancellors of Unseen University at times


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** Nowhere does it say that the bolts are actually engaged at any time during Vimes' or Vetinari's stay in the cell. Since Vetinari had had no indication that someone was coming to finally drag him off and execute him, he would have had no indclination to bolt the door.
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** I think the door has a keyhole on both the inside and the outside, and both the guards and Vetinari have a key. Also, the unlock mechanism is visible from the inside, I guess.
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[[/folder]]

[[folder:If Vetinari locked the dungeon from the inside, how did the Palace Guard throw Vimes in?]]
* Still making my way through the book so maybe it's answered later on, but this seems a bit... interesting. It can't be that Vetinari unlocked it before they showed up and then locked it after Vimes got chucked in, because when Vimes finds him he's in the middle of shaving, and the door's locked by the time Vetinari shows it to him.
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** Could be Skrp is one of the rats that abandoned the University just prior to Coin's arrival in ''Sourcery''. Some of the pests that cleared out while they could were driving little carts as they went.
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** A very brief reference in ''Discworld/NightWatch'' suggests that Vimes never knew his father, and that his mother told him his dad was run over by a cart when he was small. (It's also implied that [[spoiler: this was a lie, indicating that Vimes Sr. either died a much nastier death or abandoned his family.]]) If Vimes never knew his dad, it's only logical that he wouldn't know much about his father's family, at least until Carrot's remarks spurred him to look into it.

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** A very brief reference in ''Discworld/NightWatch'' ''Literature/NightWatchDiscworld'' suggests that Vimes never knew his father, and that his mother told him his dad was run over by a cart when he was small. (It's also implied that [[spoiler: this was a lie, indicating that Vimes Sr. either died a much nastier death or abandoned his family.]]) If Vimes never knew his dad, it's only logical that he wouldn't know much about his father's family, at least until Carrot's remarks spurred him to look into it.



** It definitely seems to be a thing that he hasn't quite come into his ability to handle unexpected situations yet. He gets some CharacterDevelopment throughout the series, and it hasn't happened yet. It's not just the slightly wrongheaded attempts to handle the dragon; "'They were laughing at me,' said the Patrician. 'I could tell!'" is ''amazingly'' petulant and emotional compared with his later behavior. He's clearly pretty clever about running the city when it's not any more wild and crazy than usual, but he hasn't been through enough major crises yet to handle them beyond trying to not get killed or turned into a lizard. It's only around ''Discworld/FeetOfClay'' where he starts coming out ahead from setbacks rather than just trying to do damage control.

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** It definitely seems to be a thing that he hasn't quite come into his ability to handle unexpected situations yet. He gets some CharacterDevelopment throughout the series, and it hasn't happened yet. It's not just the slightly wrongheaded attempts to handle the dragon; "'They were laughing at me,' said the Patrician. 'I could tell!'" is ''amazingly'' petulant and emotional compared with his later behavior. He's clearly pretty clever about running the city when it's not any more wild and crazy than usual, but he hasn't been through enough major crises yet to handle them beyond trying to not get killed or turned into a lizard. It's only around ''Discworld/FeetOfClay'' ''Literature/FeetOfClay'' where he starts coming out ahead from setbacks rather than just trying to do damage control.



* I admit this isn't a plothole, but shouldn't the Head of the Assassin's Guild still be [[spoiler:Dr. Cruces]]? After all, the events of Discworld/MenAtArms haven't happened yet.

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* I admit this isn't a plothole, but shouldn't the Head of the Assassin's Guild still be [[spoiler:Dr. Cruces]]? After all, the events of Discworld/MenAtArms Literature/MenAtArms haven't happened yet.
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** Well, the dragon was new territory for Vetinary, and you're also disregarding other instances of {{Magnificent Bastard}}ry. Don't forget how magnificently he played the Guild of Thieves into keeping crime under control themselves and building a cell he can get out of at his leisure in case he gets thrown in it. Let's not forget how he tormented the BigBad near the end of the book.

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** Well, the dragon was new territory for Vetinary, Vetinari, and you're also disregarding other instances of {{Magnificent Bastard}}ry. Don't forget how magnificently he played the Guild of Thieves into keeping crime under control themselves and building a cell he can get out of at his leisure in case he gets thrown in it. Let's not forget how he tormented the BigBad near the end of the book.
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To fix some grammar issues.


* It has always bugged me that Sam "This is how you play Lawful Good" Vimes is willing to accept all the various interesting ways it is possible to commit "suicide" in Ankh-Morpork. Like going into a dwarf bar and ordering a "short beer," etc. etc. While that makes for a clever one-off joke, what it basically means is that Sam Vimes' City Watch deliberately turns a blind eye to MURDER on a regular basis. Calling it "suicide" takes all the blame off of the murderers and all the responsibility off the Watch to do something about it. And that's not the attitude of the LawfulGood, that's the attitude of a DirtyCoward.
** It's probably nothing more sinister than the sort of dark humour that people in jobs such as police work tend to get due to the job they do being pretty grim at times. The series never actually says they dismiss these cases as less than murder, just that these cases are called suicides in a darkly humourous way, plus there are scenes of these and/or similar situations (pub brawls for example) in plenty of the books where the attackers ARE arrested.

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* It has always bugged me that Sam "This is how you play Lawful Good" LawfulGood" Vimes is willing to accept all the various interesting ways it is possible to commit "suicide" in Ankh-Morpork. Like going into a dwarf bar and ordering a "short beer," etc. etc. While that makes for a clever one-off joke, what it basically means is that Sam Vimes' City Watch deliberately turns a blind eye to MURDER on a regular basis. Calling it "suicide" takes all the blame off of the murderers and all the responsibility off the Watch to do something about it. And that's not the attitude of the LawfulGood, that's the attitude of a DirtyCoward.
** It's probably nothing more sinister than the sort of dark humour that people in jobs such as police work tend to get get, due to the job they do being pretty grim at times. The series never actually says they dismiss these cases as less than murder, just that these cases are called suicides in a darkly humourous way, plus there are scenes of these and/or similar situations (pub brawls for example) in plenty of the books where the attackers ARE arrested.



** Vimes believes in protecting the innocent, presumably he doesn't extend the definition of innocent to what we would call {{troll}}ing (although if you called it that in Ankh-Morpork then you'd almost certainly just have committed suicide). Remember they have a "Being Bloody Stupid" law, so they are almost certainly breaking that, how fortunate that breaking it is also its own punishment. As long as it is done off the streets then the peace has been kept.

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** Vimes believes in protecting the innocent, presumably innocent. Presumably he doesn't extend the definition of innocent to what we would call {{troll}}ing (although if you called it that in Ankh-Morpork then you'd almost certainly just have committed suicide). Remember they have a "Being Bloody Stupid" law, so they are almost certainly breaking that, how that. How fortunate that breaking it is also its own punishment. As long as it is done off the streets then the peace has been kept.



** No 'probably' about it. Remember (in a book I can't remember offhand) where he prevents Detritus firing the Piecemaker because he might hit an innocent person, "Even in Ankh-Morpork."
** There's also the possibility that the city in which the 'Being Bloody Stupid' act is actually enshrined into law also has decided that asking a Troll if he has rocks in his head is legally regarded as suicide.

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** No 'probably' about it. Remember (in a book I can't remember offhand) where he prevents Detritus firing the Piecemaker because he might hit an innocent person, "Even "even in Ankh-Morpork."
** There's also the possibility that the city in which the 'Being Bloody Stupid' act is actually enshrined into law also has decided that asking a Troll troll if he has rocks in his head is legally regarded as suicide.
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** Oh, he's certainly cynical no matter what, but we learn later that it's partly because of his regicidal ancestor.
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* Vimes is a basic cynical cop who tends to be distrustful and critical of ''any'' leader of authority, whether they were a king or a Patrician. I doubt if it was anything personal involving his history.
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** Or, simply, the "understanding" is that Carrot's reasonably sure she is in fact a female.
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[[/folder]]

[[folder:The Head of the Assassin's Guild]]
* I admit this isn't a plothole, but shouldn't the Head of the Assassin's Guild still be [[spoiler:Dr. Cruces]]? After all, the events of Discworld/MenAtArms haven't happened yet.
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* The rats are implied to talk, since Vetinari knows at least one rat's name, says they bring him news, and tells Skrp what to tell the kitchen staff, but we never actually see them talk on-page, and Vimes seems to have enough trouble getting his head around the concept of rats ''understanding'' human speech. So I can't help wondering whether these are actual talking rats like in ''The Amazing Maurice'' or whether they're not quite ''that'' advanced but have their own way of communicating which Vetinari can somehow understand. Given the occasional AmbiguouslyHuman jokes about him, it would make a kind of sense if he has a sort of vampire-like affinity with rats...

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* The rats are implied to talk, since Vetinari knows at least one rat's name, says they bring him news, and tells Skrp what to tell the kitchen staff, but we never actually see them talk on-page, on-page (Skrp is only seen communicating by twitching his nose and whiskers, like if he can talk he prefers not to), and Vimes seems to have enough trouble getting his head around the concept of rats ''understanding'' human speech. So I can't help wondering whether these are actual talking rats like in ''The Amazing Maurice'' or whether they're not quite ''that'' advanced but have their own way of communicating which Vetinari can somehow understand. Given the occasional AmbiguouslyHuman jokes about him, it would make a kind of sense if he has a sort of vampire-like affinity with rats...
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[[/folder]]

[[folder:Talking rats?]]
* The rats are implied to talk, since Vetinari knows at least one rat's name, says they bring him news, and tells Skrp what to tell the kitchen staff, but we never actually see them talk on-page, and Vimes seems to have enough trouble getting his head around the concept of rats ''understanding'' human speech. So I can't help wondering whether these are actual talking rats like in ''The Amazing Maurice'' or whether they're not quite ''that'' advanced but have their own way of communicating which Vetinari can somehow understand. Given the occasional AmbiguouslyHuman jokes about him, it would make a kind of sense if he has a sort of vampire-like affinity with rats...
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[[/folder]]

[[folder:Sybil vs Bacon]]
From the main page:
* ''Considering Lady Sybil's subsequent campaign to bar Vimes from his beloved bacon sandwiches, it's a bit jarring for her to serve him an artery-clogging breakfast fry-up after the attack on the Watch House.''
** ''To be fair, that's CharacterDevelopment and understandable. When you're just meeting someone and trying to be friends, you don't start off by imposing a dietary regime on him. A wife/mother trying to ensure her husband eats healthy so he'll live a long time is another matter; the "no burnt crunchy bits" thing doesn't start until after Fifth Elephant, when Sybil becomes pregnant.''
** Just to put ''my'' two cents in, also, in ''Guards, Guards'' Vimes thinks of himself as "skinny", then in ''Feet of Clay'' he thinks he's been putting on weight since he got married, and in ''Night Watch'' Rosie Palm points out he could stand to lose a bit. So when Sybil serves him a big greasy fryup, he probably looks like he could do with some feeding up, but eventually he puts on some pudge so she goes on her anti-bacon crusade. All things in moderation and all that.
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** I always interpreted that line to mean Sam Vimes was a bastard and his mum didn't want to explain that to her son.#

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** I always interpreted that line to mean Sam Vimes was a bastard and his mum didn't want to explain that to her son.#
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** HiddenInPlainSight/WeirdnessCensor? After all, guards are not paid for their insights on prison architecture - this is Somebody Else's Problem.

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** HiddenInPlainSight/WeirdnessCensor? HiddenInPlainSight or WeirdnessCensor? After all, guards are not paid for their insights on prison architecture - this is Somebody Else's Problem.
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** HiddenInPlainSight/WeirdnessCensor? After all, guards are not paid for their insights on prison architecture - this is Somebody Else's Problem.
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ce


*** Many real-life societies used to have (or perhaps still have) concept of being considered words so offensive that starting a fight in response to them was taken as completely acceptable. "Suicide/by being bloody stupid" is this concept taken UpToEleven.

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*** Many real-life societies used to have (or some perhaps still have) concept of words being considered words so ''so'' offensive that starting a fight in response to them was taken as completely acceptable. "Suicide/by being bloody stupid" is this concept taken UpToEleven.
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** Well - three points:
***Vimes is a cop - he (at least at the early stages of his character development) does not make the rules, he just lives with them, although he's arguably rather comfortable with ''this'' one.
***Many real-life societies used to have (or perhaps still have) concept of being considered words so offensive that starting a fight in response to them was taken as completely acceptable. "Suicide/by being bloody stupid" is this concept taken UpToEleven.
*** This is Ankh-Morpork, city where Assassins' and Thieves' Guild are completely legit operations.
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** It definitely seems to be a thing that he hasn't quite come into his ability to handle unexpected situations yet. He gets some CharacterDevelopment throughout the series, and it hasn't happened yet. It's not just the slightly wrongheaded attempts to handle the dragon; "'They were laughing at me,' said the Patrician. 'I could tell!'" is ''amazingly'' petulant and emotional compared with his later behavior. He's clearly pretty clever about running the city when it's not any more wild and crazy than usual, but he hasn't been through enough major crises yet to handle them beyond trying to not get killed or turned into a lizard.

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** It definitely seems to be a thing that he hasn't quite come into his ability to handle unexpected situations yet. He gets some CharacterDevelopment throughout the series, and it hasn't happened yet. It's not just the slightly wrongheaded attempts to handle the dragon; "'They were laughing at me,' said the Patrician. 'I could tell!'" is ''amazingly'' petulant and emotional compared with his later behavior. He's clearly pretty clever about running the city when it's not any more wild and crazy than usual, but he hasn't been through enough major crises yet to handle them beyond trying to not get killed or turned into a lizard. It's only around ''Discworld/FeetOfClay'' where he starts coming out ahead from setbacks rather than just trying to do damage control.
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** It definitely seems to be a thing that he hasn't quite come into his ability to handle unexpected situations yet. He gets some CharacterDevelopment throughout the series, and it hasn't happened yet. It's not just the slightly wrongheaded attempts to handle the dragon; "'They were laughing at me,' said the Patrician. 'I could tell!'" is ''amazingly'' petulant and emotional compared with his later behavior. He's clearly pretty clever about running the city when it's not any more wild and crazy than usual, but he hasn't been through enough major crises yet to handle them beyond trying to not get killed or turned into a lizard.

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