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* Why do the cosmic beings in the Mythos take so many weird forms,like Y'golonac [[spoiler:"YOU FOOL! YOU'VE DOOMED US ALL!"]]:Takes the form of a obese male with no head and mouths on his hands.

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* Why do the cosmic beings in the Mythos take so many weird forms,like forms, like Y'golonac [[spoiler:"YOU FOOL! YOU'VE DOOMED US ALL!"]]:Takes the form of a obese male with no head and mouths on his hands.
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* Something seems inconsistent about the power of the great old ones (like cthulhu). In ''Literature/TheCallOfCthulhu'' Cthulhu is knocked out when someone rams a yacht into his head, and in ''VideoGame/CallOfCthulhuDarkCornersOfTheEarth'' Hydra and Dagon are both killed by the player with conventional weaponry (well, Hydra was killed with a Yithian Engergy Gun), yet I've also heard that they are extremely powerful and could end humanity on a whim. So are they immortal badass gods or can they be killed?

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* Something seems inconsistent about the power of the great old ones (like cthulhu).Cthulhu). In ''Literature/TheCallOfCthulhu'' Cthulhu is knocked out when someone rams a yacht into his head, and in ''VideoGame/CallOfCthulhuDarkCornersOfTheEarth'' Hydra and Dagon are both killed by the player with conventional weaponry (well, Hydra was killed with a Yithian Engergy Gun), yet I've also heard that they are extremely powerful and could end humanity on a whim. So are they immortal badass gods or can they be killed?
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** You english speakers are struggling for nothing. Some languages, like portuguese, actually have the "lh" sound, and for us pronouncing "Cthulhu" would be resonaly easy.

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** You english English speakers are struggling for nothing. Some languages, like portuguese, Portuguese, actually have the "lh" sound, and for us pronouncing "Cthulhu" would be resonaly easy.
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** The majority of the cosmic beings in the Cthulhu Mythos are beyond human. ''Way'' beyond. They do not share our ideas of what 'good looks' are, they hardly share our ideas of what 'up' is. [[YouCannotGraspTheTrueForm You cannot grasp the true form]], [[StarfishAliens starfish aliens]] and [[AlienGeometries alien geometries]] are in full effect here, as well as the occasional [[BrownNote brown note]].

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** The majority of the cosmic beings in the Cthulhu Mythos are beyond human. ''Way'' beyond. They do not share our ideas of what 'good looks' are, they hardly share our ideas of what 'up' is. [[YouCannotGraspTheTrueForm You cannot grasp the true form]], [[StarfishAliens starfish aliens]] YouCannotGraspTheTrueForm, {{starfish aliens}} and [[AlienGeometries alien geometries]] {{alien geometries}} are in full effect here, as well as the occasional [[BrownNote brown note]].
BrownNote.



** It's part of the chaotic nature of the shared and ever-expanding mythology. DependingOnTheWriter, the Great Old Ones and such are extremely alien SufficientlyAdvancedAliens, or actual demonic gods with actual supernatural powers. Sometimes they're barely aware of humanity's existence, other times we're critical to their long-term plans. It all depends on which "version" of the Mythos you buy into. Similar things can happen with actual mythology. Are the Greek gods paragons of good values and loving patrons of humanity, or are they flawed characters with as many faults as good points, or are they complete [[JerkassGod jerkasses]] who screw with people ForTheEvulz? Depends on your interpretation. Is Loki of Norse mythology just a trickster archetype who keeps the other Asgardian gods on their toes, or is he the Norse Pantheon's Satan-equivalent, always trying to bring about chaos, death, and destruction just because? For that matter, is Satan actually a force a pure evil, trying to overthrow God and bring about Hell On Earth, or is just an adversary for the righteous to overcome, and become better for facing down and defeating a challenge? If you buy into a version of the Mythos where the Great Old Ones are deeply invested in humanity for whatever reason, [[HeWhoMustNotBeNamed That Y Guy]] makes perfect sense. If you buy into a version where the universe at large barely notices humanity exists, and doesn't give a shit when it does, then yeah, he doesn't fit.

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** It's part of the chaotic nature of the shared and ever-expanding mythology. DependingOnTheWriter, the Great Old Ones and such are extremely alien SufficientlyAdvancedAliens, {{Sufficiently Advanced Alien}}s, or actual demonic gods with actual supernatural powers. Sometimes they're barely aware of humanity's existence, other times we're critical to their long-term plans. It all depends on which "version" of the Mythos you buy into. Similar things can happen with actual mythology. Are the Greek gods paragons of good values and loving patrons of humanity, or are they flawed characters with as many faults as good points, or are they complete [[JerkassGod jerkasses]] who screw with people ForTheEvulz? Depends on your interpretation. Is Loki of Norse mythology just a trickster archetype who keeps the other Asgardian gods on their toes, or is he the Norse Pantheon's Satan-equivalent, always trying to bring about chaos, death, and destruction just because? For that matter, is Satan actually a force a pure evil, trying to overthrow God and bring about Hell On Earth, or is just an adversary for the righteous to overcome, and become better for facing down and defeating a challenge? If you buy into a version of the Mythos where the Great Old Ones are deeply invested in humanity for whatever reason, [[HeWhoMustNotBeNamed That Y Guy]] makes perfect sense. If you buy into a version where the universe at large barely notices humanity exists, and doesn't give a shit when it does, then yeah, he doesn't fit.
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*** That wasn't Lovecraft. That was Lin Carter's ''The Hounds of Tindalos'', where the narrator continues to write his final words as he's being eaten alive by the titular creatures. Lovecraft's own prose doesn't have quite as egregious examples, and the few, like "{{Literature/Dagon}}" or ''The Haunter of the Dark'', clearly have the narrator [[ApocalypticLog frantically scribbling their final notes]], in hopes that they manage to get their last words down before the creature breaks in, and tend to cut off at a critical point. In ''The Colour from Space'' the narrator has no personal experience of the events at all, and the person he interviews survived after only glimpsing the Colour a couple of times.
*** ''The Hounds of Tindalos'' was by Frank Belknap Long, not Lin Carter.

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*** That wasn't Lovecraft. That was Lin Carter's Creator/LinCarter's ''The Hounds of Tindalos'', where the narrator continues to write his final words as he's being eaten alive by the titular creatures. Lovecraft's own prose doesn't have quite as egregious examples, and the few, like "{{Literature/Dagon}}" or ''The Haunter of the Dark'', clearly have the narrator [[ApocalypticLog frantically scribbling their final notes]], in hopes that they manage to get their last words down before the creature breaks in, and tend to cut off at a critical point. In ''The Colour from Space'' the narrator has no personal experience of the events at all, and the person he interviews survived after only glimpsing the Colour a couple of times.
*** ''The Hounds of Tindalos'' was by Frank Belknap Long, not Lin Carter.Creator/LinCarter.



*** Lin Carter made Xoth Cthulhu's origin, in "Out of the Ages".

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*** Lin Carter Creator/LinCarter made Xoth Cthulhu's origin, in "Out of the Ages".
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** If Jesus is the physical manifestation of a deity, one immensely more powerful than the witch, and a cross was used to kill him for ~3 days then [[fridgebrilliance it makes perfect sense for a deity to fear the cross]]. So rather than the cross being a symbol of the divine in this context it's a symbol ''against'' the divine.

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** If Jesus is the physical manifestation of a deity, one immensely more powerful than the witch, and a cross was used to kill him for ~3 days then [[fridgebrilliance [[FridgeBrilliance it makes perfect sense for a deity to fear the cross]]. So rather than the cross being a symbol of the divine in this context it's a symbol ''against'' the divine.
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** Basically the narrator realizes that the creepy people he was with the night before weren't human, and may have been either a colony of worms pretending to men, human corpses controlled by worms, or giant worms themselves.
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** Who knows? Ask [[{{God}}Yahweh]].

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** Who knows? Ask [[{{God}}Yahweh]].[[{{God}} Yahweh]].
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** The Dunwich Horror implies very strongly that Cthulhu belong to a different (and lesser) class of being than the true Old Ones (definitely including Yog-Sototh, possibly Shub-Niggurath too). In the Necronomicon quote in that story their relation is described as "Great Cthulhu is their cousin, yet can he spy Them only dimly" (capitalization of pronouns is from the story). Likewise, the goal of the Old Ones in Dunwich (The implication seems to be that Cthulhu is much more part of this dimension than Beings like Yog - hence why he would be more vulnerable,

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** The Dunwich Horror implies very strongly that Cthulhu belong to a different (and lesser) class of being than the true Old Ones (definitely including Yog-Sototh, possibly Shub-Niggurath too). In the Necronomicon quote in that story their relation is described as "Great Cthulhu is their cousin, yet can he spy Them only dimly" (capitalization of pronouns is from the story). Likewise, the goal of the Old Ones in Dunwich (The The implication seems to be that Cthulhu is much more part of this dimension than Beings like Yog - hence why he would be more vulnerable,
vulnerable. Call of Cthulhu also implies it when it mentions that Cthulhu and co are partly of flesh and blood and have visible forms, whereas in Dunwich Yog and friends exist altogether beyond the realm of perception.
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** The Dunwich Horror implies very strongly that Cthulhu belong to a different (and lesser) class of being than the true Old Ones (definitely including Yog-Sototh, possibly Shub-Niggurath too). In the Necronomicon quote in that story their relation is described as "Great Cthulhu is their cousin, yet can he spy Them only dimly" (capitalization of pronouns is from the story). Likewise, the goal of the Old Ones in Dunwich (The implication seems to be that Cthulhu is much more part of this dimension than Beings like Yog - hence why he would be more vulnerable,
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** Elder Gods come close. What you propose could be possible but fans don't seem to like the idea of overly benevelont eldritch beings.
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*** The stars explicitly ''were'' right.
--->The Thing of the idols, the green, sticky spawn of the stars, had awaked to claim his own. The stars were right again, and what an age-old cult had failed to do by design, a band of innocent sailors had done by accident. After vigintillions of years great Cthulhu was loose again, and ravening for delight.
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*** Personally, my reading of the ''Alert'' incident is that it ultimately didn't do anything to Cthulhu in a physical sense but was still enough for him to basically decide, "Screw it, I'm too old for this crap. I'm going back to bed."
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*** That wasn't Lovecraft. That was Lin Carter's ''The Hounds of Tindalos'', where the narrator continues to write his final words as he's being eaten alive by the titular creatures. Lovecraft's own prose doesn't have quite as egregious examples, and the few, like "{{Literature/Dagon}}" or ''The Haunter of the Dark'', clearly have the narrator frantically scribbling their final notes, in hopes that they manage to get their last words down before the creature breaks in, and tend to cut off at a critical point. In ''The Colour from Space'' the narrator has no personal experience of the events at all, and the person he interviews survived after only glimpsing the Colour a couple of times.

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*** That wasn't Lovecraft. That was Lin Carter's ''The Hounds of Tindalos'', where the narrator continues to write his final words as he's being eaten alive by the titular creatures. Lovecraft's own prose doesn't have quite as egregious examples, and the few, like "{{Literature/Dagon}}" or ''The Haunter of the Dark'', clearly have the narrator [[ApocalypticLog frantically scribbling their final notes, notes]], in hopes that they manage to get their last words down before the creature breaks in, and tend to cut off at a critical point. In ''The Colour from Space'' the narrator has no personal experience of the events at all, and the person he interviews survived after only glimpsing the Colour a couple of times.
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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two rat's asses about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?

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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two rat's asses about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing hurting just as many people anyway)?as a genuinely malevolent entity would)?
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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two carps about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?

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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two carps rat's asses about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?
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* Let's say I write a HeroicFantasy story that happens to include a LawfulGood blacksmith god named Valkix, said to have hammered the world into being. Now let's say that several decades later, a completely different writer reads my book, decides they like the sound of the name, and so uses it in a PlanetaryRomance work for their ChaoticNeutral sea god of tsunamis and typhoons, born from the Sky god's first ever toilet-trashing bout of diarrhea. Few people would see any logic in claiming that these two very different gods were the same being just because the NamesTheSame, so why is the general consensus in this fandom that Ambrose Bierce's good-natured god of shepards is the same entity as Lovecraft's and Dereleth's Evil* god of [[OddJobGods nihilism and decadence]]?

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* Let's say I write a HeroicFantasy story that happens to include a LawfulGood blacksmith god goddess named Valkix, said to have hammered the world into being. Now let's say that several decades later, a completely different writer reads my book, decides they like the sound of the name, and so uses it in a PlanetaryRomance work for their ChaoticNeutral sea god of tsunamis and typhoons, born from the Sky god's first ever toilet-trashing bout of diarrhea. Few people would see any logic in claiming that these two very different gods were the same being just because the NamesTheSame, so why is the general consensus in this fandom that Ambrose Bierce's good-natured god of shepards is the same entity as Lovecraft's and Dereleth's Evil* god of [[OddJobGods nihilism and decadence]]?
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* Let's say I write a HeroicFantasy story that happens to include a LawfulGood blacksmith god named Valkix, said to have hammered the world into being. Now let's say that several decades later, a completely different writer reads my book, decides they like the sound of the name, and so uses it in a PlanetaryRomance work for their ChaoticNeutral sea god of tsunamis and typhoons, born from the Sky god's first ever toilet-trashing bout of diarrhea. Few people would see any logic in claiming that these two very different gods were the same being just because the NamesTheSame, so why is the general consensus in this fandom that Ambrose Bierce's good-natured god of shepards is the same entity as Lovecraft's and Dereleth's evil* god of [[OddJobGods nihilism and decadence]]?

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* Let's say I write a HeroicFantasy story that happens to include a LawfulGood blacksmith god named Valkix, said to have hammered the world into being. Now let's say that several decades later, a completely different writer reads my book, decides they like the sound of the name, and so uses it in a PlanetaryRomance work for their ChaoticNeutral sea god of tsunamis and typhoons, born from the Sky god's first ever toilet-trashing bout of diarrhea. Few people would see any logic in claiming that these two very different gods were the same being just because the NamesTheSame, so why is the general consensus in this fandom that Ambrose Bierce's good-natured god of shepards is the same entity as Lovecraft's and Dereleth's evil* Evil* god of [[OddJobGods nihilism and decadence]]?
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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two carps about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?

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* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two carps about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?anyway)?
* Let's say I write a HeroicFantasy story that happens to include a LawfulGood blacksmith god named Valkix, said to have hammered the world into being. Now let's say that several decades later, a completely different writer reads my book, decides they like the sound of the name, and so uses it in a PlanetaryRomance work for their ChaoticNeutral sea god of tsunamis and typhoons, born from the Sky god's first ever toilet-trashing bout of diarrhea. Few people would see any logic in claiming that these two very different gods were the same being just because the NamesTheSame, so why is the general consensus in this fandom that Ambrose Bierce's good-natured god of shepards is the same entity as Lovecraft's and Dereleth's evil* god of [[OddJobGods nihilism and decadence]]?
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* Can somebody spoonfeed me the ending to The Festival? It might be the antiquated speech but I didn't quite understand the twist of the final paragraphs.

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* Can somebody spoonfeed me the ending to The Festival? It might be the antiquated speech but I didn't quite understand the twist of the final paragraphs.paragraphs.
* So a recurring analogy is that humans are as ants to the Great Old Ones and Outer Gods, us being so far beneath them that we don't matter to them at all, such that they wouldn't give two carps about bulldozing over our entire colony just to build a parking lot, assuming they even realized we were there. Extending this analogy, the least of them, Nyarlathotep, is the bratty half-pint kid killing ants with a magnifying glass because ItAmusedMe... but following this train of thought, shouldn't there also be a benevolent antithesis to Nyarly as per a kid with an ant farm? Why is it that everything in this setting that's different from or more powerful than humans is by that very fact malevolent (or at the least [[InformedAttribute allegedly ambivalent]], since even the "ambivalent" ones usually end up killing people anyway)?
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* What the hell was it that got summoned by accident in TheCaseOfCharlesDexterWard? I mean, it's one of the few genuinely helpful supernatural entities in Lovecraft's works and there's absolutely no indication of who or what it was. I know that NothingIsScarier was his thing but sometimes a ''hint'' would be nice.

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* What the hell was it that got summoned by accident in TheCaseOfCharlesDexterWard? Literature/TheCaseOfCharlesDexterWard? I mean, it's one of the few genuinely helpful supernatural entities in Lovecraft's works and there's absolutely no indication of who or what it was. I know that NothingIsScarier was his thing but sometimes a ''hint'' would be nice.
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** Seeing deep sea creatures as aliens is pretty understandable, really.

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** Seeing deep sea creatures as aliens is pretty understandable, really.really.
* Can somebody spoonfeed me the ending to The Festival? It might be the antiquated speech but I didn't quite understand the twist of the final paragraphs.
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** If Jesus is the physical manifestation of a deity, one immensely more powerful than the witch, and a cross was used to kill him for ~3 days then [[fridgebrilliance it makes perfect sense for a deity to fear the cross]]. So rather than the cross being a symbol of the divine in this context it's a symbol ''against'' the divine.
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* Since tentacly things seem to be a recurring thing with Lovecraft's monsters, has he ever explained his fear of octopi and sea life? If letters exist, I want to read them.

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* Since tentacly things seem to be a recurring thing with Lovecraft's monsters, has he ever explained his fear of octopi and sea life? If letters exist, I want to read them.them.
** Seeing deep sea creatures as aliens is pretty understandable, really.
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** In ''Literature/TheShadowOutOfTime'' the Yithian method of swapping minds actually relies on technology; in particular, a Yithian in a human host body who wants to return back home has to build or arrange for the construction of their own appropriate device to do so, they can't just withdraw whenever they wish. Thus, it'd still be the Yithian mind stuck in that brain cylinder -- possibly for the rest of its life, if the Mi-go didn't feel cooperative and nobody else came to rescue it either.
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* If a Yithian swaps minds with a human and then a Mi-go stuffs that human's brain inside a cylinder before they swap back, whose mind is stuck in the brain in a cylinder? Is the human mind snapped back to their own brain, which is now in a cylinder? Or is the Yithian trapped inside the brain? Or does it depend on the writer?

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* If a Yithian swaps minds with a human and then a Mi-go stuffs that human's brain inside a cylinder before they swap back, whose mind is stuck in the brain in a cylinder? Is the human mind snapped back to their own brain, which is now in a cylinder? Or is the Yithian trapped inside the brain? Or does it depend on the writer?writer?
* Since tentacly things seem to be a recurring thing with Lovecraft's monsters, has he ever explained his fear of octopi and sea life? If letters exist, I want to read them.
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** As I recall, Through The Gates Of The Silver Key was Lovecraft revising/ghost-writing someone else's story that was based on Theosophist mysticism, so for the purposes of that story I think "super-archetype" means that at the root of everyone's soul is an aspect of this "super-archetype" entity, whatever that is - essentially, we are all avatars of some cosmic thing, we just don't know it. And in answer to your second question, yes, probably. Lovecraft was hugely racist and xenophobic, he was shocked when he discovered one of his ancestors was Welsh, and the whole point of The Shadow Over Innsmouth is how horrifying it would be if you discovered your genetics weren't pure. It's quite likely he meant to evoke similar horror by suggesting that even our souls are inextricably connected to alien outer gods. I have no idea why you brought up Nietzche though.
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*** Thing is, Lovecraft wasn't a great writer. At all. He had some cracking ideas and his Mythos was an amazing concept just because of the framework that these unimaginably alien and powerful beings couldn't care less about humanity but his prose was, in many cases, absolutely dire. There's one story in particular (I want to say the Colour Out of Space but I'm not 100% on that) where a character is writing his journal when something bursts through his window. The final line of the story is something along the lines of 'oh no, htey're outside now, they're coming through the window, arrrgh.' Because obviously when being attacked by an alien monstrosity you'd be sure to make sure your death-scream was recorded.

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*** Thing is, Lovecraft wasn't a great writer. At all. He had some cracking ideas and his Mythos was an amazing concept just because of the framework that these unimaginably alien and powerful beings couldn't care less about humanity but his prose was, in many cases, absolutely dire. There's one story in particular (I want to say the Colour Out of Space but I'm not 100% on that) where a character is writing his journal when something bursts through his window. The final line of the story is something along the lines of 'oh no, htey're they're outside now, they're coming through the window, arrrgh.' Because obviously when being attacked by an alien monstrosity you'd be sure to make sure your death-scream was recorded.




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*** Ahhhh indeed. Robert M. Price cites all of the above in "[[https://archive.org/stream/Twilight_Zone_v03n03_1983-08_noads?ui=embed#page/n16/mode/1up Famous Last Words]]", for his ''Crypt of Cthulhu'' fanzine, reprinted in ''Twilight Zone'' magazine for August 1983. He points out that it's only when these things are supposed to be written documents that they seem silly, rather than, say, over the phone (like in "The Dunwich Horror").[[note]]This issue of TZ is the "[[https://archive.org/stream/Twilight_Zone_v03n03_1983-08_noads#page/n0/mode/1up Supernatural Cats]]" edition, so of course there's also an interview with the Old Gentleman and a reprint of "Something About Cats." The Pulp Magazine Archive has [[https://archive.org/details/pulpmagazinearchive?and%5B%5D=twilight+zone&sort=publicdate all the Twilight Zone magazines in their entirety for free]]).[[/note]]
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* If Earth and Humans (and perhaps even our own plane of existence) are so pitiful and insignificant, why are so gosh-darn many cosmic and other miscellaneous "higher" beings hanging out here? <<|ItJustBugsMe|>>

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* If Earth and Humans (and perhaps even our own plane of existence) are so pitiful and insignificant, why are so gosh-darn many cosmic and other miscellaneous "higher" beings hanging out here? <<|ItJustBugsMe|>>
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** I like to imagine there is an alien author that writes about eldritch humans and their unfathomable penis-fingers.

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