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oops, not backstage


* While Hades and Persephone wait around at the start of Act 1 for their scenes, there's a table set up backstage to play dominoes.

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* While Hades and Persephone wait around at the start of Act 1 for their scenes, there's a table set up backstage to play dominoes.
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maybe it's just me but Imagining them doing that in Hadestown is really funny.

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* While Hades and Persephone wait around at the start of Act 1 for their scenes, there's a table set up backstage to play dominoes.
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* Near the end of “Way Down Hadestown”, Hades lowers his sunglasses to look at her, hearing what she said and realizing how easy it would be to manipulate her. [[{{Bathos}} Cue Hermes yelling “ALL ABOARD” while still holding the shiny green umbrella he got in “Living It Up On Top”.]] Almost like he’s trying to distract Hades.

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* Near the end of “Way Down Hadestown”, Hades lowers his sunglasses to look at her, Eurydice, hearing what she said and realizing how easy it would be to manipulate her. [[{{Bathos}} Cue Hermes yelling “ALL ABOARD” while still holding the shiny green umbrella he got in “Living It Up On Top”.]] Almost like he’s trying to distract Hades.
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* "I CONDUCT THE ELECTRIC CITY" is followed by two beats on the snare drum, and Hades clearing his throat, as if he and the band realize he got caught up in the scenery-chewing and went a little hard.

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* "I CONDUCT THE ELECTRIC CITY" is followed by the lights going out onstage, two beats on the snare drum, drum in the music, and Hades clearing his throat, as if he and the band realize he got caught up in the scenery-chewing and went a little hard.
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changed trope tag


* In "Hey, Little Songbird", after the verse containing "See how the vipers and vultures surround you?", the Fates wave subtly to Eurydice.

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* In "Hey, Little Songbird", after the verse containing "See how the vipers and vultures surround you?", the Fates smirk and [[MickeyMousing wave subtly to Eurydice.]]
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* Near the end of “Way Down Hadestown”, Hades lowers his sunglasses to look at her, hearing what she said and realizing how easy it would be to manipulate her. [[Bathos Cue Hermes yelling “ALL ABOARD” while still holding the shiny green umbrella he got in “Living It Up On Top”.]] Almost like he’s trying to distract Hades.

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* Near the end of “Way Down Hadestown”, Hades lowers his sunglasses to look at her, hearing what she said and realizing how easy it would be to manipulate her. [[Bathos [[{{Bathos}} Cue Hermes yelling “ALL ABOARD” while still holding the shiny green umbrella he got in “Living It Up On Top”.]] Almost like he’s trying to distract Hades.



* In the OBCR, when Orpheus starts singing Epic III, Hades interrupts the intro to sardonically say, "Oh, it's about me."
** The fact that during the start of Epic III, Hades is sitting on a stool and has draped himself across as much of the set as he can reach.

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* In the OBCR, when When Orpheus starts singing Epic III, "Epic III", Hades interrupts the intro to sardonically say, "Oh, it's about me."
** The fact that during the start of Epic III, "Epic III", Hades is sitting on a stool and has draped himself across as much of the set as he can reach.
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None

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* Near the end of “Way Down Hadestown”, Hades lowers his sunglasses to look at her, hearing what she said and realizing how easy it would be to manipulate her. [[Bathos Cue Hermes yelling “ALL ABOARD” while still holding the shiny green umbrella he got in “Living It Up On Top”.]] Almost like he’s trying to distract Hades.


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** He also dramatically puts them on before trying to seduce Eurydice, like he’s TheCasanova.
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** This is also a little [[Pun crack in the]] [[BreakingTheFourthWall fourth wall]]: Persephone's line is the last before intermission, so she's literally asking the audience if anyone wants a drink after such a dark section of the show.

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** This is also a little [[Pun [[JustForPun crack in the]] [[BreakingTheFourthWall fourth wall]]: Persephone's line is the last before intermission, so she's literally asking the audience if anyone wants a drink after such a dark section of the show.
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** This is also a little [[Pun crack in the]][[BreakingTheFourthWall fourth wall]]: Persephone's line is the last before intermission, so she's literally asking the audience if anyone wants a drink after such a dark section of the show.

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** This is also a little [[Pun crack in the]][[BreakingTheFourthWall the]] [[BreakingTheFourthWall fourth wall]]: Persephone's line is the last before intermission, so she's literally asking the audience if anyone wants a drink after such a dark section of the show.
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None

Added DiffLines:

** This is also a little [[Pun crack in the]][[BreakingTheFourthWall fourth wall]]: Persephone's line is the last before intermission, so she's literally asking the audience if anyone wants a drink after such a dark section of the show.
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None


* The [[MeetCute Meet Cute]] between Orpheus and Eurydice near the end of "Road to Hell," [[CrashIntoHello bumping into each other]] and becoming flustered as Hermes watches gleefully.

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* The [[MeetCute Meet Cute]] MeetCute between Orpheus and Eurydice near the end of "Road to Hell," [[CrashIntoHello bumping into each other]] and becoming flustered as Hermes watches gleefully. gleefully.
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It is an insult to call it a "soundtrack".


* In the soundtrack version of "Livin' It Up On Top", during the dance break you can hear Hermes yell, "Come on, green thang!" to Persephone.

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* In the soundtrack cast album version of "Livin' It Up On Top", during the dance break you can hear Hermes yell, "Come on, green thang!" to Persephone.
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* In the soundtrack version of "Livin' It Up On Top", during the dance break you can hear Hermes yell, "Come on, green thang!" to Persephone.
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None


* The [[MeetCute]] between Orpheus and Eurydice near the end of "Road to Hell," bumping into each other and becoming flustered as Hermes watches gleefully.

to:

* The [[MeetCute]] [[MeetCute Meet Cute]] between Orpheus and Eurydice near the end of "Road to Hell," [[CrashIntoHello bumping into each other other]] and becoming flustered as Hermes watches gleefully.
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None

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* The [[MeetCute]] between Orpheus and Eurydice near the end of "Road to Hell," bumping into each other and becoming flustered as Hermes watches gleefully.
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* As the cast members are getting into places at the beginning of the show, Hermes come in to officially open it up by doing some moves and getting an “a’ight!” out of both his cast members and the audience.

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* As the cast members are getting into places at the beginning of the show, Hermes come comes in to officially open it up by doing some moves and getting an “a’ight!” out of both his cast members and the audience.



* Orpheus’s EstablishingCharacterMoment: Getting inspired by a rag he was wiping tables with and waving to the audience with a big, goofy grin on his face when Hermes introduces him.

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* Orpheus’s EstablishingCharacterMoment: Getting inspired by a rag he was wiping tables with and waving to the audience with a big, goofy grin on his face when Hermes introduces him.him (after Orpheus misses his first cue).

Changed: 79

Removed: 77

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* As the cast members are getting into places at the beginning of the show, Hermes come in to officially open it up by doing some
moves and getting an “a’ight!” out of both his cast members and the audience.

to:

* As the cast members are getting into places at the beginning of the show, Hermes come in to officially open it up by doing some
some moves and getting an “a’ight!” out of both his cast members and the audience.
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Added example

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* Orpheus and Eurydice’s reunion in Hadestown, while mostly tender and heartwarming, has a funny moment in the middle: Eurydice asks Orpheus if he heard her call his name before she left, to which he bluntly replies, “No.”
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None

Added DiffLines:

* As the cast members are getting into places at the beginning of the show, Hermes come in to officially open it up by doing some
moves and getting an “a’ight!” out of both his cast members and the audience.


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* Orpheus’s EstablishingCharacterMoment: Getting inspired by a rag he was wiping tables with and waving to the audience with a big, goofy grin on his face when Hermes introduces him.


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* A small moment mixed with heartwarming, [[FunnyBackgroundEvent but as “Livin’ It Up” starts playing and the rest of the cast members are getting to reintroducing Persephone, she is excitedly packing for her trip back above and plants a quick kiss on a pissed off, mopey Hades before going her way.]] While you do sympathize with Hades for being left alone half of the year and for his deteriorating marriage, it’s nevertheless cute and funny.
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* Hades is the BigBad of the play and king of Hadestown. He's also a king who wears sunglasses in the winter.
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updated lyrics that were changed


* When Orpheus introduces himself to Eurydice, he says he plays a lyre (in reality, an electric guitar), and Eurydice quips, "Oh, a 'lyre' ''and'' a player!"

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* When Orpheus introduces himself to Eurydice, he says he plays a lyre (in reality, an electric guitar), and Eurydice quips, "Oh, a 'lyre' ''and'' a player!"player, too!"
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** The fact that during the start of Epic III, Hades is sitting on a stool and has draped himself across as much of the set as he can reach.

to:

** The fact that during the start of Epic III, Hades is sitting on a stool and has draped himself across as much of the set as he can reach.reach.
* At the start of "Promises", Eurydice recognizes that Orpheus finished his song. While more of a soft question in the cast recording, Orpheus's response in the live show is an excited "Yes! Now what do I do?"
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* In "Hey, Little Songbird", after the verse containing "See how the vipers and vultures surround you?", the Fates wave subtly to Eurydice.



* In the OBCR, when Orpheus starts singing Epic III, Hades interrupts the intro to sardonically say, "Oh, it's about me."

to:

* In the OBCR, when Orpheus starts singing Epic III, Hades interrupts the intro to sardonically say, "Oh, it's about me.""
** The fact that during the start of Epic III, Hades is sitting on a stool and has draped himself across as much of the set as he can reach.
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None

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* At the end of "Why We Build The Wall", the bleak, grim number where Hades indoctrinates his slaves and successfully entices Eurydice into signing her life to him, [[MoodWhiplash Persephone pops in casually asking, "Anybody want a drink?"]].
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* "Come Home With Me" starts off with Hermes telling Orpheus not to come on too strong when approaching Eurydice. Orpheus then immediately asks her to come home with him and proposes marriage right after, completely disregarding Hermes' advice.

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* "Come Home With Me" starts off with Hermes telling Orpheus not to come on too strong when approaching Eurydice. Orpheus then immediately asks her to come home with him and proposes marriage right after, (followed immediately by a proposal of marriage), completely disregarding Hermes' advice.
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* "Come Home With Me" starts off with Hermes telling Orpheus not to come on too strong when approaching Eurydice. Orpheus then immediately tells her to come home with him, completely disregarding Hermes' advice.

to:

* "Come Home With Me" starts off with Hermes telling Orpheus not to come on too strong when approaching Eurydice. Orpheus then immediately tells asks her to come home with him, him and proposes marriage right after, completely disregarding Hermes' advice.
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* "I CONDUCT THE ELECTRIC CITY" is followed by two beats on the snare drum, and Hades clearing his throat, as if he and the band realize he got caught up in the scenery-chewing and went a little hard.

to:

* "I CONDUCT THE ELECTRIC CITY" is followed by two beats on the snare drum, and Hades clearing his throat, as if he and the band realize he got caught up in the scenery-chewing and went a little hard.hard.
* In the OBCR, when Orpheus starts singing Epic III, Hades interrupts the intro to sardonically say, "Oh, it's about me."
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None

Added DiffLines:

* "Come Home With Me" starts off with Hermes telling Orpheus not to come on too strong when approaching Eurydice. Orpheus then immediately tells her to come home with him, completely disregarding Hermes' advice.
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* Pretty much the moment Hades first opens his mouth and says, "I missed ya" in "Way Down Hadestown". Never fails to get a laugh every night.

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* Pretty much the moment Hades first opens his mouth and says, "I missed ya" in "Way Down Hadestown". Never fails to get a laugh every night.night.
* "I CONDUCT THE ELECTRIC CITY" is followed by two beats on the snare drum, and Hades clearing his throat, as if he and the band realize he got caught up in the scenery-chewing and went a little hard.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* During "Road to Hell", Hermes refers to the Fates as "three old women who dressed the same", after which, the Fates shoot him a dirty look.
* When Orpheus introduces himself to Eurydice, he says he plays a lyre (in reality, an electric guitar), and Eurydice quips, "Oh, a 'lyre' ''and'' a player!"
* Pretty much the moment Hades first opens his mouth and says, "I missed ya" in "Way Down Hadestown". Never fails to get a laugh every night.

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