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** What got me was rereading ''ComicBook/TopTen'' after reading the Smax special, which looks just like a completely plot-unrelated spinoff, but was actually planned all along and starts getting foreshadowed in about issue five or so. -- GloatingSwine
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** What got me was rereading ''ComicBook/TopTen'' after reading the Smax special, which looks just like a completely plot-unrelated spinoff, but was actually planned all along and starts getting foreshadowed in about issue five or so. -- GloatingSwineGloatingSwine
** Not to be a wet blanket how is "this is a brilliant and layered work" fridge brilliance of any kind? It's just zero context praising.
** Not to be a wet blanket how is "this is a brilliant and layered work" fridge brilliance of any kind? It's just zero context praising.
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Changed line(s) 3 (click to see context) from:
** What got me was rereading ''TopTen'' after reading the Smax special, which looks just like a completely plot-unrelated spinoff, but was actually planned all along and starts getting foreshadowed in about issue five or so. -- GloatingSwine
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** What got me was rereading ''TopTen'' ''ComicBook/TopTen'' after reading the Smax special, which looks just like a completely plot-unrelated spinoff, but was actually planned all along and starts getting foreshadowed in about issue five or so. -- GloatingSwine
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* I'd read all of Creator/AlanMoore's ''TopTen'' in one go, and was literally at the fridge when I realized, no it wasn't just a fun police procedural with superheroes, it was the ''best'' police procedural out there. Furthermore, it is actually Alan Moore's most sophisticated work, because unlike some of his better known work, he never relies on any the characters being messed in the head or being in a nigh-apocalyptic scenario in order to keep the story going or to keep the reader interested; for all intents and purposes, they're just average ordinary people, facing average ordinary problems, and '''damn''' do you root for them and care about them. -- LexiDizzle
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* I'd read all of Creator/AlanMoore's ''TopTen'' it in one go, and was literally at the fridge when I realized, no it wasn't just a fun police procedural with superheroes, it was the ''best'' police procedural out there. Furthermore, it is actually Alan Moore's most sophisticated work, because unlike some of his better known work, he never relies on any the characters being messed in the head or being in a nigh-apocalyptic scenario in order to keep the story going or to keep the reader interested; for all intents and purposes, they're just average ordinary people, facing average ordinary problems, and '''damn''' do you root for them and care about them. -- LexiDizzle
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Changed line(s) 2 (click to see context) from:
* I'd read all of AlanMoore's ''TopTen'' in one go, and was literally at the fridge when I realized, no it wasn't just a fun police procedural with superheroes, it was the ''best'' police procedural out there. Furthermore, it is actually Alan Moore's most sophisticated work, because unlike some of his better known work, he never relies on any the characters being messed in the head or being in a nigh-apocalyptic scenario in order to keep the story going or to keep the reader interested; for all intents and purposes, they're just average ordinary people, facing average ordinary problems, and '''damn''' do you root for them and care about them. -- LexiDizzle
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* I'd read all of AlanMoore's Creator/AlanMoore's ''TopTen'' in one go, and was literally at the fridge when I realized, no it wasn't just a fun police procedural with superheroes, it was the ''best'' police procedural out there. Furthermore, it is actually Alan Moore's most sophisticated work, because unlike some of his better known work, he never relies on any the characters being messed in the head or being in a nigh-apocalyptic scenario in order to keep the story going or to keep the reader interested; for all intents and purposes, they're just average ordinary people, facing average ordinary problems, and '''damn''' do you root for them and care about them. -- LexiDizzle
