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** [[spoiler: Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]
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** [[spoiler: Given [[spoiler:Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]
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* The love-potion victims being separated from their paramours was probably to prevent them making any life-long regrets after an antidote was procured.
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No longer a trope.
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** What's more ironic: the superstition about seeing the bride before her wedding resulted from the belief that if the groom saw the bride before the wedding, he'd get cold feet and bail out. In Roland's case, it wasn't so much cold feet as it was [[YourCheatingHeart his cheating heart]] that doomed their wedding plans, even before he saw Marianne.
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** What's more ironic: the superstition about seeing the bride before her wedding resulted from the belief that if the groom saw the bride before the wedding, he'd get cold feet and bail out. In Roland's case, it wasn't so much cold feet as it was [[YourCheatingHeart his cheating heart]] heart that doomed their wedding plans, even before he saw Marianne.
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* It’s fitting that the more saccharine songs are the ones that signify phony feelings and false intentions. After all, they’re just [[StealthPun sweet talk]].
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Changed line(s) 14 (click to see context) from:
* When the opening song turns into a duet, Roland never actually finishes the line "I can’t help falling in love with you" with the words "''with you''." It subtlety reassures what the audience might [[ForegoneConclusion already know]] at that point (that Roland doesn’t actually love Marianne) and quickly foreshadows the fact that he’s seeing someone behind her back.
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* When the opening song turns into a duet, Roland never actually finishes the line "I can’t help falling in love with you" with the words "''with you''." It subtlety subtly reassures what the audience might [[ForegoneConclusion already know]] at that point (that Roland doesn’t actually love Marianne) Marianne), and quickly foreshadows the fact that he’s seeing someone behind her back.back.
** Additionally, when Marianne and Roland are singing their duet of “I Can’t Help Falling In Love With You,” notice that whenever Roland looks directly over at Marianne, he seems to be looking at her daisy crown more than her face—more foreshadowing that he’s in it for the crown, not the girl.
***To go even further, it’s clear that Roland isn’t in love with Marianne, and likely not with his nameless lover, either. So who or what is he singing to? ''The crown.''
** Additionally, when Marianne and Roland are singing their duet of “I Can’t Help Falling In Love With You,” notice that whenever Roland looks directly over at Marianne, he seems to be looking at her daisy crown more than her face—more foreshadowing that he’s in it for the crown, not the girl.
***To go even further, it’s clear that Roland isn’t in love with Marianne, and likely not with his nameless lover, either. So who or what is he singing to? ''The crown.''
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Changed line(s) 22 (click to see context) from:
* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered ''very'' beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.
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* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered ''very'' beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.Griselda arranged.
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Changed line(s) 22 (click to see context) from:
* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.
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* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered ''very'' beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.
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Changed line(s) 21 (click to see context) from:
** [[spoiler: Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]
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** [[spoiler: Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]]]
* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.
* All those flytrap plants that the Bog King triggered to close so Marianne could walk across them probably suffered badly from wasting their energy and digestive enzymes without catching anything. This is probably even sadder if you're a goblin, as flytraps are evidently considered beautiful by them, as evinced by their appearance as a table decoration at the romantic dinner arranged by the Bog King's mother.
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Changed line(s) 14 (click to see context) from:
* When the opening song turns into a duet, Roland never actually finishes the line "I can’t help falling in love with you" with "you." It subtlety reassures what the audience might already know at that point (that Roland doesn’t actually love Marianne) and quickly foreshadows the fact that he’s seeing someone behind her back.
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* When the opening song turns into a duet, Roland never actually finishes the line "I can’t help falling in love with you" with "you.the words "''with you''." It subtlety reassures what the audience might [[ForegoneConclusion already know know]] at that point (that Roland doesn’t actually love Marianne) and quickly foreshadows the fact that he’s seeing someone behind her back.
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* The Bog King appears to be [[spoiler:out of a house and home]] after the events of the movie.
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* The Bog King appears to be [[spoiler:out of a house and home]] after the events of the movie.movie.
** [[spoiler: Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]
** [[spoiler: Given that he and Marianne are likely going to marry and bond the two kingdoms together, I can imagine Bog's kingdom getting some assistance from Marianne's kingdom. Even if she might have to strong-arm one or two fairies...]]
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Added DiffLines:
* When the opening song turns into a duet, Roland never actually finishes the line "I can’t help falling in love with you" with "you." It subtlety reassures what the audience might already know at that point (that Roland doesn’t actually love Marianne) and quickly foreshadows the fact that he’s seeing someone behind her back.
