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** It's a little of both probably. Will can completely relate with him but he can't relate to Will. He wants friendship, but let's be honest...this is Hannibal Lecter.

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** It's a little of both probably. Will can completely relate with him but he can't relate to Will. He wants friendship, but let's be honest... this is Hannibal Lecter.



* Eddie Izzard's acting style as Dr. Abel Gideon is closely mirrored on that of Anthony Hopkins as Hannibal Lecter in ''The Silence of the Lambs''. Which is brilliant when you realise that he's been coerced through psychic driving by Dr. Chilton into believing he is the Chesapeake Ripper, i.e. Hannibal. Given that the Hannibal of the show is wildly different from that of the films, this is the showrunners' attempt at creating contrast between them, and also carries the implication that the creepy scenery-chewing Hannibal mannerisms would be more typical from a man ''pretending'' to be a ruthless super-intelligent cannibal than from a real one.
** Add to that the symbolic naming - Abel was the first murder victim in Biblical history, and Gideon was the second leader of the Jewish people after their flight from Egypt. Both characters played second fiddle to the better-remembered Cain and Moses, just as Dr. Gideon is a pale reflection of two versions of Hannibal Lecter.

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* Eddie Izzard's acting style as Dr. Abel Gideon is closely mirrored on mirrors that of Anthony Hopkins as Hannibal Lecter in ''The Silence of the Lambs''.''TheSilenceOfTheLambs''. Which is brilliant when you realise that he's been coerced through psychic driving by Dr. Chilton into believing he is the Chesapeake Ripper, i.e. Hannibal. Given that the Hannibal of the show is wildly different from that of the films, this is the showrunners' attempt at creating contrast between them, and also carries the implication that the creepy scenery-chewing Hannibal mannerisms would be more typical from a man ''pretending'' to be a ruthless super-intelligent cannibal than from a real one.
** Add to that the symbolic naming - naming: Abel was the first murder victim in Biblical history, and Gideon was the second leader of the Jewish people after their flight from Egypt. Both characters played second fiddle to the better-remembered Cain and Moses, just as Dr. Gideon is a pale reflection of two versions of Hannibal Lecter.
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*** [[spoiler: Or it could already have been in the sink before Will threw up in it.]]
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*** [[spoiler: Will has fugue states and seizures, during which he has no awareness of his surroundings. After Hannibal murdered and mutilated Abigail, he probably took her ear and some blood to the cabin where she told him she'd left Will. If Will was in a fugue state, Hannibal could have fed him the ear, smeared the blood under his fingernails, and scratched him to create the illusion of a struggle.]]
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** How the hell did [[spoiler: Lecter manage to get Abigail's ear into Will's mouth?!?!]]
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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing (a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in stringing instruments, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder (that ''he himself moved'' during the course of the fight) to pin and break Tobias's arm, then an almost nonchalant larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses his handkerchief to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias's head with it, he uses the handkerchief to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Then he delicately folds up and tucks it back into his pocket, as neat as you please; you'd never think he moved it at all. Hannibal: 3. Tobias, Franklin, FBI: 0.]]

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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing (a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in stringing instruments, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder (that ''he himself moved'' during the course of the fight) to pin and break Tobias's arm, then an almost nonchalant larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses his handkerchief to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias's head with it, he uses the handkerchief to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Then he delicately folds up and tucks it the handkerchief back into his pocket, as neat as you please; you'd never think he moved it at all. Hannibal: 3. Tobias, Franklin, FBI: 0.]]
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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing (a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in stringing instruments, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder (that ''he himself moved'' during the course of the fight) to pin and break Tobias's arm, then an almost nonchalant larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses his handkerchief to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias's head with it, he uses the handkerchief to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Then he delicately folds the it up and tucks it back into his pocket, as neat as you please. Hannibal: 3. Tobias, Franklin, FBI: 0.]]

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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing (a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in stringing instruments, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder (that ''he himself moved'' during the course of the fight) to pin and break Tobias's arm, then an almost nonchalant larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses his handkerchief to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias's head with it, he uses the handkerchief to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Then he delicately folds the it up and tucks it back into his pocket, as neat as you please.please; you'd never think he moved it at all. Hannibal: 3. Tobias, Franklin, FBI: 0.]]
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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Bay Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing(a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in violins, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder(that ''he himself moved'' during the course of the fight) to pin and break Tobias' arm, then an almost nonchalant larnyx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias' head with it, he uses the tablecloth to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Hannibal: 3. Tobias, Franklin, FBI: 0.]]

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* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Bay Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing(a killing (a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in violins, stringing instruments, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder(that ladder (that ''he himself moved'' during the course of the fight) to pin and break Tobias' Tobias's arm, then an almost nonchalant larnyx larynx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth his handkerchief to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias' Tobias's head with it, he uses the tablecloth handkerchief to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head.head. Then he delicately folds the it up and tucks it back into his pocket, as neat as you please. Hannibal: 3. Tobias, Franklin, FBI: 0.]]



*** Also, Hannibal has made it clear on multiple occasions that he wants Will to quit profiling. This would not only save Will's sanity(which was decaying rapidly due to mental stress), but keep Will from discovering that Hannibal is a serial killer. [[spoiler:And if Will quits, Hannibal can easily treat Will's encephalitis with medication(Treatment includes immunotherapy—a heavy-duty dose of steroids and other drugs aimed at suppressing the body’s attack on itself. Typically, Dr. Najjar said, the treatment is effective, and most severe symptoms improve within three to four week after treatment begins.) which Hannibal could falsely label as anti-depressants, supporting the whole, "profiling is bad" diagnosis Hannibal's been pushing for months.]]

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*** Also, Hannibal has made it clear on multiple occasions that he wants Will to quit profiling. This would not only save Will's sanity(which sanity (which was decaying rapidly due to mental stress), but keep Will from discovering that Hannibal is a serial killer. [[spoiler:And if Will quits, Hannibal can easily treat Will's encephalitis with medication(Treatment medication (treatment includes immunotherapy—a immunotherapy — a heavy-duty dose of steroids and other drugs aimed at suppressing the body’s body's attack on itself. Typically, Dr. Najjar said, the treatment is effective, and most severe symptoms improve within three to four week after treatment begins.) begins) which Hannibal could falsely label as anti-depressants, supporting the whole, whole "profiling is bad" diagnosis bad for you" concept Hannibal's been pushing for months.]]
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* Hannibal's psychiatrist, colleague and confidante is named Bedelia DuMaurier. The surname is an obvious reference to writer Daphne DuMaurier, creator of "Jamaica Inn", "Rebecca" and "The Birds", the latter two of which got used as the basis for Alfred Hitchcock films. Given that Hannibal allegedly got a patient who attacked DuMaurier to swallow his own tongue, is it that much of a stress to notice that, as when the Hopkins-Lecter did this, he was protecting a young woman whose surname is connected to birds?

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* Hannibal's psychiatrist, colleague and confidante is named Bedelia DuMaurier. [=DuMaurier=]. The surname is an obvious reference to writer Daphne DuMaurier, [=DuMaurier=], creator of "Jamaica Inn", "Rebecca" and "The Birds", the latter two of which got used as the basis for Alfred Hitchcock films. Given that Hannibal allegedly got a patient who attacked DuMaurier [=DuMaurier=] to swallow his own tongue, is it that much of a stress to notice that, as when the Hopkins-Lecter did this, he was protecting a young woman whose surname is connected to birds?
** ''{{Rebecca}}'' also has strong themes of gaslighting -- which is appropriate, given Hannibal's... relationship styles.
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to:

* Hannibal's psychiatrist, colleague and confidante is named Bedelia DuMaurier. The surname is an obvious reference to writer Daphne DuMaurier, creator of "Jamaica Inn", "Rebecca" and "The Birds", the latter two of which got used as the basis for Alfred Hitchcock films. Given that Hannibal allegedly got a patient who attacked DuMaurier to swallow his own tongue, is it that much of a stress to notice that, as when the Hopkins-Lecter did this, he was protecting a young woman whose surname is connected to birds?
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* When Hannibal hid the body of the man whom Abigail killed in self-defense, he wasn't merely trying to protect her. He knew that covering up the killing would give him leverage with Abigal that he could use to manipulate her later. Time will tell if his relationship with Abigail will be [[PetTheDog fatherly]], [[ManipulativeBastard manipulative]], or both.

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* When Hannibal hid the body of the man whom Abigail killed in self-defense, he wasn't merely trying to protect her. He knew that covering up the killing would give him leverage with Abigal that he could use to manipulate her later. Time will tell if his His relationship with Abigail will be eventually becomes both [[PetTheDog fatherly]], fatherly]] and [[ManipulativeBastard manipulative]], or both.manipulative]].
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* In ''Rôti'', Will is just beginning to sense glimmerings of the Chesapeake Ripper through his hallucinations - e.g., a forest of antlers - because he's getting into the head of Dr. Gideon, who thinks and/or thought he was the Ripper. He's essentially perceiving the Ripper/Hannibal's true nature through the empathetic equivalent of a thick fog, or misted glasses.

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* Eddie Izzard's acting style as Dr. Abel Gideon is closely mirrored on that of Anthony Hopkins as Hannibal Lecter in ''The Silence of the Lambs''. Which is brilliant when you realise that he's been coerced through psychic driving by Dr. Chilton into believing he is the Chesapeake Ripper, i.e. Hannibal. Given that the Hannibal of the show is wildly different from that of the films, this is the showrunners' attempt at creating contrast between them, and also carries the implication that the creepy scenery-chewing Hannibal mannerisms would be more typical from a man ''pretending'' to be a ruthless super-intelligent cannibal than from a real one.
** Add to that the symbolic naming - Abel was the first murder victim in Biblical history, and Gideon was the second leader of the Jewish people after their flight from Egypt. Both characters played second fiddle to the better-remembered Cain and Moses, just as Dr. Gideon is a pale reflection of two versions of Hannibal Lecter.
Is there an issue? Send a MessageReason:
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** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]

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** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]]]

[[AC:Fridge Horror]]
* The degree to which Garrett Jacob Hobbs' relationship with his daughter resembles abuse or incest -- as if it weren't bad enough on its own. The rhetoric of "I have to do this to you so I don't do it to anyone else" as well as its inverse (what actually happens to Abigail and which she [[spoiler:herself buys into, helping her father capture other girls out of fear for herself]] is horribly common and is a big part of why survivors of rape and incest don't speak out, or feel guilty themselves for the fact that their abusers ''do'' hurt other people. Abigail's fear that will think she's complicit in it/tainted as a result or that living with her dad ''has'' warped her beyond repair [[spoiler:especially as she played along to save her own life]] is also realistic for someone who grew up in the shadow of another kind of monstrous crime. Hobbs might not be sexually assaulting the girls he kills, but obsessively hunting girls who resemble his teenage daughter as a symbolic way of keeping her from ever ever leaving him (and the somewhat infantilizing way he re-dresses the girl whose body he returns) really don't bode well.
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* Hannibal claims that Will is his friend, and yet he manipulates and deceives Will without remorse. [[spoiler: For example, he knows that Will's mental state is deteriorating due to encephalitis, but he withholds this information.]] Hannibal may be lying about being Will's friend, or, because Hannibal is a sociopath, it may be that he ''has no clue what friendship actually looks like.''

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* Hannibal claims that Will is his friend, and yet he manipulates and deceives Will without remorse. [[spoiler: For example, he knows that Will's mental state is deteriorating due to encephalitis, [[http://www.bottomlinepublications.com/content/article/health-a-healing/autoimmune-encephalitis-the-brain-disease-that-makes-people-seem-crazy anti-NDMA encephalitis]], but he withholds this information.]] Hannibal may be lying about being Will's friend, or, because Hannibal is a sociopath, it may be that he ''has no clue what friendship actually looks like.''



*** Also, Hannibal has made it clear on multiple occasions that he wants Will to quit profiling. This would not only save Will's sanity(which was decaying rapidly due to mental stress), but keep Will from discovering that Hannibal is a serial killer. [[spoiler:And if Will quits, Hannibal can easily treat Will's encephalitis with medication(Treatment includes immunotherapy—a heavy-duty dose of steroids and other drugs aimed at suppressing the body’s attack on itself. Typically, Dr. Najjar said, the treatment is effective, and most severe symptoms improve within three to four week after treatment begins.) which Hannibal could falsely label as anti-depressants, supporting the whole, "profiling is bad" diagnosis Hannibal's been pushing for months.]]




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* Of course Will loves dogs, he can figure put exactly what the dogs want to communicate to him thanks to his super-empathy, and with dogs being way simpler than people, he doesn't feel uncomfortable with them.



** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]
* Of course Will loves dogs, he can figure put exactly what the dogs want to communicate to him thanks to his super-empathy, and with dogs being way simpler than people, he doesn't feel uncomfortable with them.

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** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]
* Of course Will loves dogs, he can figure put exactly what the dogs want to communicate to him thanks to his super-empathy, and with dogs being way simpler than people, he doesn't feel uncomfortable with them.
]]
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** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]

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** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]]]
* Of course Will loves dogs, he can figure put exactly what the dogs want to communicate to him thanks to his super-empathy, and with dogs being way simpler than people, he doesn't feel uncomfortable with them.
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* Miriam Lass [[spoiler: discovers that Hannibal is the Ripper because she]] found a copy of ''The Wound Man'' in his office, just like Will did in the books. In ''Sorbet'', Will shows a slide of ''The Wound Man'' to his class right before a slide of Miriam.

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* Miriam Lass [[spoiler: discovers that Hannibal is the Ripper because she]] found a copy of ''The Wound Man'' in his office, just like Will did in the books. In ''Sorbet'', Will shows a slide of ''The Wound Man'' to his class right before a slide of Miriam.Miriam.

[[AC: Fridge Logic]]
* A few of the killings we see would be ''really'' difficult, if not impossible to pull off:
** The Angel Maker [[spoiler: kills and suspends himself from the rafters. This involved somehow making "wings" of the flesh on his back, (how he reached it is anyone's guess,) hanging them from the ceiling, before tying himself into the correct position. Even if we accept that he was somehow immune to the agony, shock and crippling blood-loss, it would still be virtually impossible for him to kill himself in that way]].
** In ''Trou Normand'' the killer who makes a massive totem pole of his victims is [[spoiler: an old man, who is shown to be very weak and frail, despite somehow managing to tie dozens of bodies to a huge pole of wood, and then somehow standing the pole upright. The latter would have to have been done with heavy machinery, but we don't see him have access to any.]]
** In Episode 10 it's hard to see how the killer [[spoiler: being a sick woman, would have the brute strength necessary to drag her victim under the bed the way she did, even ignoring the fact that fitting two struggling bodies under a normal-sized bed would leave very little room for her to build up any leverage or momentum.]]
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* Miriam Lass [[spoiler: discovers that Hannibal is the Ripper because she]] found a copy of ''The Wounded Man'' in his office, just like Will did in the books. In ''Sorbet'', Will shows a slide of ''The Wounded Man'' to his class right before a slide of Miriam.

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* Miriam Lass [[spoiler: discovers that Hannibal is the Ripper because she]] found a copy of ''The Wounded Wound Man'' in his office, just like Will did in the books. In ''Sorbet'', Will shows a slide of ''The Wounded Wound Man'' to his class right before a slide of Miriam.
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** It's a little of both probably. Will can completely relate with him but he can't relate to Will. He wants friendship, but let's be honest...this is Hannibal Lecter.

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** It's a little of both probably. Will can completely relate with him but he can't relate to Will. He wants friendship, but let's be honest...this is Hannibal Lecter.Lecter.
* Miriam Lass [[spoiler: discovers that Hannibal is the Ripper because she]] found a copy of ''The Wounded Man'' in his office, just like Will did in the books. In ''Sorbet'', Will shows a slide of ''The Wounded Man'' to his class right before a slide of Miriam.
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* Hannibal claims that Will is his friend, and yet he manipulates and deceives Will without remorse. [[spoiler: For example, he knows that Will's mental state is deteriorating due to encephalitis, but he withholds this information.]] Hannibal may be lying about being Will's friend, or, because Hannibal is a sociopath, it may be that he ''has no clue what friendship actually looks like.''

to:

* Hannibal claims that Will is his friend, and yet he manipulates and deceives Will without remorse. [[spoiler: For example, he knows that Will's mental state is deteriorating due to encephalitis, but he withholds this information.]] Hannibal may be lying about being Will's friend, or, because Hannibal is a sociopath, it may be that he ''has no clue what friendship actually looks like.''''
**It's a little of both probably. Will can completely relate with him but he can't relate to Will. He wants friendship, but let's be honest...this is Hannibal Lecter.
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whoops how do I grammar


* In "Buffet Froid" we finally get some insight into why the Angel Killer saw Will with his head on fire. [[spoiler:Will have severe encephalitis, which means his head is ''literally'' inflamed.]]

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* In "Buffet Froid" we finally get some insight into why the Angel Killer saw Will with his head on fire. [[spoiler:Will have has severe encephalitis, which means his head is ''literally'' inflamed.]]
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* In "Buffet Froid" we finally get some insight into why the Angel Killer saw Will with his head on fire. [[spoiler:Will have severe encephalitis, which means his head is ''literally'' inflamed.]]

to:

* In "Buffet Froid" we finally get some insight into why the Angel Killer saw Will with his head on fire. [[spoiler:Will have severe encephalitis, which means his head is ''literally'' inflamed.]]]]
* Hannibal claims that Will is his friend, and yet he manipulates and deceives Will without remorse. [[spoiler: For example, he knows that Will's mental state is deteriorating due to encephalitis, but he withholds this information.]] Hannibal may be lying about being Will's friend, or, because Hannibal is a sociopath, it may be that he ''has no clue what friendship actually looks like.''
Is there an issue? Send a MessageReason:
None


* When Hannibal hid the body of the man whom Abigail killed in self-defense, he wasn't merely trying to protect her. He knew that covering up the killing would give him leverage with Abigal that he could use to manipulate her later. Time will tell if his relationship with Abigail will be [[PetTheDog fatherly]], [[ManipulativeBastard manipulative]], or both.

to:

* When Hannibal hid the body of the man whom Abigail killed in self-defense, he wasn't merely trying to protect her. He knew that covering up the killing would give him leverage with Abigal that he could use to manipulate her later. Time will tell if his relationship with Abigail will be [[PetTheDog fatherly]], [[ManipulativeBastard manipulative]], or both.both.
* In "Buffet Froid" we finally get some insight into why the Angel Killer saw Will with his head on fire. [[spoiler:Will have severe encephalitis, which means his head is ''literally'' inflamed.]]
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[[AC: Fridge Brilliance]]



* It only makes sense that Abigail's a ManipulativeBitch when you consider the fact that [[spoiler: she recruited girls for her father to kill. She's had a lot of practice in lies and subterfuge.]]

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* It only makes sense that Abigail's a ManipulativeBitch when you consider the fact that [[spoiler: she recruited girls for her father to kill. She's had a lot of practice in lies and subterfuge.]]]]
* When Hannibal hid the body of the man whom Abigail killed in self-defense, he wasn't merely trying to protect her. He knew that covering up the killing would give him leverage with Abigal that he could use to manipulate her later. Time will tell if his relationship with Abigail will be [[PetTheDog fatherly]], [[ManipulativeBastard manipulative]], or both.
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** What more some people thought Hannibal really should have [[spoiler: done better in the fight (Tobias did seem to have an edge until the end), but he was making sure that he looked beat up when the law arrived. After all, an opera-loving psychiatrist shouldn't be able to easily dispatch a psychopathic murderer who took down two cops. Hannibal: 4. FBI: 0.]]
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** What more some people thought Hannibal really should have [[spoiler: done better in the fight (Tobias did seem to have an edge until the end), but he was making sure that he looked beat up when the law arrived. After all, an opera-loving psychiatrist shouldn't be able to easily dispatch a psychopathic murderer who took down two cops. Hannibal: 4. FBI: 0.]]
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* It only makes sense that Abigail's a ManipulativeBitch when you consider the fact that [[spoiler: she recruited girls for her father to kill. She's had a lot of practice.]]

to:

* It only makes sense that Abigail's a ManipulativeBitch when you consider the fact that [[spoiler: she recruited girls for her father to kill. She's had a lot of practice.practice in lies and subterfuge.]]

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'''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Bay Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing(a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in violins, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder(that ''he himself moved'' during the course of the fight) to pin and break Tobias' arm, then an almost nonchalant larnyx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias' head with it, he uses the tablecloth to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Hannibal: 3. Tobias, Franklin, FBI: 0.]]

to:

* '''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Bay Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing(a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in violins, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder(that ''he himself moved'' during the course of the fight) to pin and break Tobias' arm, then an almost nonchalant larnyx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias' head with it, he uses the tablecloth to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Hannibal: 3. Tobias, Franklin, FBI: 0.]]
* It only makes sense that Abigail's a ManipulativeBitch when you consider the fact that [[spoiler: she recruited girls for her father to kill. She's had a lot of practice.
]]
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Added DiffLines:

'''''All''''' of "Fromage". [[spoiler:The entire hour is Hannibal manipulating people who are annoying the hell out of him into situations in which he can kill them without exposing himself. It starts with Franklin inadvertently passing on a "message" from the killer-of-the-week Tobias, which prompts Hannibal to invite Tobias for dinner so as to sound him out - only for Tobias to not only admit that, yes, he's a killer, but that he knows that Hannibal is the Chesapeake Bay Ripper. Afterwards, Hannibal plays the situation like a fine instrument; Tobias admits that his latest killing(a trombonist made into an cello by chemically treating his vocal chords into strings) will draw the FBI to him simply as an expert in violins, and Tobias plans on killing them before escaping; Hannibal wants to keep Graham alive, so he passes on Franklin's "message" to keep him on his toes. When Tobias escapes from Graham and shows up at Franklin's next therapy session, Hannibal takes the opportunity to kill his annoying fanboy, knowing that Tobias will be blamed for it. He then engages Tobias in combat, and purposefully takes a few nasty-looking but otherwise superficial wounds before proceeds to '''[[CurbStompBattle curb stomp]]''' Tobias; first using a rope-a-dope on a rather conveniently placed ladder(that ''he himself moved'' during the course of the fight) to pin and break Tobias' arm, then an almost nonchalant larnyx strike that drops Tobias like a sack of potatoes. Following that, he not only uses a tablecloth to pick up a heavy statue - [[ArcSymbol of a deer, no less]] - before smashing Tobias' head with it, he uses the tablecloth to tip over the table it was on - no fingerprints means it looks like Tobias fell against it, dropping the statue on his own head. Hannibal: 3. Tobias, Franklin, FBI: 0.]]

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