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** Near the end of the film, when the narrator is trying to stop Tyler's plan to blow up a bunch of office buildings, he turns himself into the police detectives and insists on telling them that they're making a mistake, that he is not Tyler, etc. and the detectives (who are in on the plan) tell him "You told us you'd say all of that" because [[spoiler: Tyler anticipated that the narrator would try to stop Tyler's plans, whether or not he ever found that Tyler is just a split personality of his, so Tyler gave the detectives the heads-up.]]

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** Near the end of the film, when the narrator is trying to stop Tyler's plan to blow up a bunch of office buildings, he turns himself into the police detectives detectives. When they try to slice his testicles off, and insists on telling them that they're making a mistake, that he is not Tyler, etc. and the detectives (who are in on the plan) tell him "You told us you'd say all of that" because [[spoiler: Tyler anticipated that the narrator would try to stop Tyler's plans, whether or not he ever found that Tyler is just a split personality of his, so Tyler gave the detectives the heads-up.]]
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**Near the end of the film, when the narrator is trying to stop Tyler's plan to blow up a bunch of office buildings, he turns himself into the police detectives and insists on telling them that they're making a mistake, that he is not Tyler, etc. and the detectives (who are in on the plan) tell him "You told us you'd say all of that" because [[spoiler: Tyler anticipated that the narrator would try to stop Tyler's plans, whether or not he ever found that Tyler is just a split personality of his, so Tyler gave the detectives the heads-up.]]
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** When Jack is beating himself up in his boss's room, he says that it reminds him of his first fight with Tyler, but he doesn't know why. Later, we realize that it is because [[spoiler: Tyler is a figure of the narrator's imagination, so when they were first fighting, he was beating himself up.]]

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** When Jack is beating himself up in his boss's room, he says that it reminds him of his first fight with Tyler, but he doesn't know why. Later, we realize that it is because [[spoiler: Tyler is a figure split personality of the narrator's imagination, narrator's, so when they were first fighting, he was beating himself up.]]
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* During his argument with the narrator in the car, Tyler reveals that it was he who blew up the narrator's apartment, despite the fact that Tyler would have had to have done it before they met on the plane; that's because [[spoiler: Tyler is a split personality of the narrator's.]]

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* ** During his argument with the narrator in the car, Tyler reveals that it was he who blew up the narrator's apartment, despite the fact that Tyler would have had to have done it before they met on the plane; that's because [[spoiler: Tyler is a split personality of the narrator's.]]
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*During his argument with the narrator in the car, Tyler reveals that it was he who blew up the narrator's apartment, despite the fact that Tyler would have had to have done it before they met on the plane; that's because [[spoiler: Tyler is a split personality of the narrator's.]]
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* The film is choke full of examples of FridgeBrilliance, many of them being plot points and scenes that only make sense upon a second viewing when you know the twist:

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* The film is choke chock full of examples of FridgeBrilliance, many of them being plot points and scenes that only make sense upon a second viewing when you know the twist:
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*** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the narrator sleeps.]]

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*** **** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the narrator sleeps.]]

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*** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the narrator sleeps.]]



** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the narrator sleeps.]]
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** After the narrator peeks in on Tyler and Marla having sex, Tyler opens the door and briefly talks to the narrator. As the narrator leaves, Marla asks Tyler who he was talking to, because as far as she knows, they're the only two people in the house.
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** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the latter sleeps.]]

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** Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the latter narrator sleeps.]]
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*** Next to the narrator's doctor while the doctor is flippantly sugesting the narrator check out the testicular cancer support groups

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*** Next to the narrator's doctor while the doctor is flippantly sugesting suggesting the narrator check out the testicular cancer support groups
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*** Next to the narrator's doctor while the doctor is flippantly sugesting the narrator check out the tesicular cancer support groups

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*** Next to the narrator's doctor while the doctor is flippantly sugesting the narrator check out the tesicular testicular cancer support groups
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**Tyler appears in the film in the form of subliminal flashes four times before he is introduced proper in the story:
***In the narrator's office at work, when he is talking about how everything seems so far away when one has prolonged insomnia
***Next to the narrator's doctor while the doctor is flippantly sugesting the narrator check out the tesicular cancer support groups
***At that group's first meeting the narrator attends
***As the narrator watches Marla walk down the street after one of the meetings but doesn't follow her
**Those first three times Tyler appears are before the narrator has cured his insomnia, and at this point [[spoiler: the narrator is still subconsciously creating Tyler, hence the brief subliminal hallucinations]], while during the fourth time he appears, [[spoiler: it is during a brief period when his insomnia returns, and Tyler starts re-appearing during the narrator's waking hours since he is unable to be let out by taking over the narrator's body when the latter sleeps.]]
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** When the narrator gives Marla his contact information after they decide to split up the support groups, she asks him his name and a bus passes between them, then the scene cuts away before the bus moves out of the way. For the rest of the film, Marla thinks the narrator's name is Tyler Durden(even though she doesn't address him until near the end shortly before the reveal) because [[spoiler: while the bus was passing between them, he blacked out and became Tyler, introducing himself as Tyler Durden, and then woke up as his main personality sometime later.]]

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** When the narrator gives Marla his contact information after they decide to split up the support groups, she asks him his name and a bus passes between them, then the scene cuts away before the bus moves out of the way. For the rest of the film, Marla thinks the narrator's name is Tyler Durden(even though she doesn't address start addressing him until near the end shortly before the reveal) end) because [[spoiler: while the bus was passing between them, he blacked out and became Tyler, introducing himself as Tyler Durden, and then woke up as his main personality sometime later.]]


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**Several times throughout the film, the narrator says "I know this because Tyler knows this."
**When the narrator and Marla first talk at one of the support groups, he tells her that he has been coming to the groups for a little over a year, during which time he has been free of insomnia. Later, Tyler says that he has been living in the Paper Street house for about a year.
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** When the narrator gives Marla his contact information after they decide to split up the support groups, she asks him his name and a bus passes between them, then the scene cuts away before the bus moves out of the way. For the rest of the film, Marla thinks the narrator's name is Tyler Durden(even though she doesn't address him until near the end shortly before the reveal) because [[spoiler: while the bus was passing between them, he blacked out and became Tyler, introducing himself as such, and then woke up as his main personality sometime later.]]

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** When the narrator gives Marla his contact information after they decide to split up the support groups, she asks him his name and a bus passes between them, then the scene cuts away before the bus moves out of the way. For the rest of the film, Marla thinks the narrator's name is Tyler Durden(even though she doesn't address him until near the end shortly before the reveal) because [[spoiler: while the bus was passing between them, he blacked out and became Tyler, introducing himself as such, Tyler Durden, and then woke up as his main personality sometime later.]]
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** When the narrator and Tyler walk up to the convenience store, Tyler takes a gun out of the narrator's backpack and the narrator asks Tyler "Is that a gun? Please tell me that's not a gun." Despite the fact that it's ''his'' backpack.

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** When the narrator and Tyler walk up to the convenience store, Tyler takes a gun out of the narrator's backpack and the narrator asks Tyler "Is that a gun? Please tell me that's not a gun." Despite the fact that it's ''his'' ''his own'' backpack.



** During the montage early in the film in which the narrator explains how his job requires him to fly around the country, he asks at one point "If you woke up in a different place, at a different time, could you wake up as a different person?" and the camera follows Tyler.

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** During the montage early in the film in which the narrator explains how his job requires him to fly around the country, he asks at one point "If you woke wake up in a different place, at a different time, could you wake up as a different person?" and the camera follows Tyler.
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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a week or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was flying around the country as Tyler setting up the new fight club chapters.]]

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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a week or even longer, more time, has passed, during which time [[spoiler: the narrator was not really asleep but was flying around the country as Tyler setting up the new fight club chapters.]]
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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a week or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was lfying around the country as Tyler setting up the new fight club chapters.]]

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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a week or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was lfying flying around the country as Tyler setting up the new fight club chapters.]]
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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a weel or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was lfying around the country as Tyler setting up the new fight club chapters.]]

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** After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a weel week or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was lfying around the country as Tyler setting up the new fight club chapters.]]
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**After the car accident scene, the narrator lies in bed recovering with a large bruise on his face while Tyler talks, then Tyler gets up and leaves with a briefcase in hand. The next day when the narrator wakes up, the bruise is gone. [[YourMileageMayVary Some]] may view this as a continuity error, while [[YourMileageMayVary others]] may treat it as an indication that several days, perhaps a weel or even longer, has passed, during which time [[spoiler: the narrator was not really asleep but was lfying around the country as Tyler setting up the new fight club chapters.]]



** When the narrator asks Marla what she gets out of her relationship with Tyler, she dodges the question and asks "What do ''you'' get out of it?" The narrator think she is asking about ''his'' relationship with Tyler, but she is actually asking about the narrator's relationship with ''her.'' The narrator then starts to investigate the sounds of Tyler making a ruckus in the basement, but Marla says she doesn't hear anything.

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** When the narrator asks Marla what she gets out of her relationship with Tyler, she dodges the question and asks "What do ''you'' get out of it?" The narrator think thinks she is asking about ''his'' relationship with Tyler, but she is actually asking about the narrator's relationship with ''her.'' The narrator then starts to investigate the sounds of Tyler making a ruckus in the basement, but Marla says she doesn't hear anything.
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** During the one scene in the film when the narrator behaves ''exactly'' like Tyler, when he's threatening his boss after the latter finds the list of fight club rules in the copy machine, he says in voiceover (presumably literally): "Tyler's words were coming out of my mouth."

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** During the one scene in the film when in which the narrator behaves ''exactly'' like Tyler, when he's threatening his boss after the latter finds the list of fight club rules in the copy machine, he says in voiceover (presumably literally): "Tyler's words were coming out of my mouth."



** When the narrator and Tyler first start smacking car bumpers with baseball bats, Tyler hits the car first, but the alarm is triggered only after the narrator hits.

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** When the narrator and Tyler first start smacking bashing car bumpers with baseball bats, Tyler hits the car first, but the alarm is triggered only after the narrator hits.



** During the scene in the car when the narrator and Tyler are arguing, the two Space Monkeys in the backseat look uneasily at each other at one point, because [[spoiler: the narrator/Tyler was driving the car and was talking to himself.]]
** Tyler gave the whole go-out-and-lose-a-fight assignment [[spoiler: so that the narrator wouldn't realize they were the same person. Tyler needed to cover up the injuries and no one would have agreed to fight the narrator after seeing Lou's brutal beating. If the narrator didn't get beat-up, he was bound to wonder why he was injured when it was Tyler who had been in the fight.]]

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** During the scene in the car when the narrator and Tyler are arguing, the two Space Monkeys in the backseat look uneasily at each other at one point, because [[spoiler: the narrator/Tyler was is driving the car and was is talking to himself.]]
** Tyler gave gives the whole go-out-and-lose-a-fight assignment [[spoiler: so that the narrator wouldn't realize they were the same person. Tyler needed to cover up the injuries and no one would have agreed to fight the narrator after seeing Lou's brutal beating. If the narrator didn't get beat-up, he was bound to wonder why he was injured when it was Tyler who had been in the fight.]]


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**When the narrator gives Marla his contact information after they decide to split up the support groups, she asks him his name and a bus passes between them, then the scene cuts away before the bus moves out of the way. For the rest of the film, Marla thinks the narrator's name is Tyler Durden(even though she doesn't address him until near the end shortly before the reveal) because [[spoiler: while the bus was passing between them, he blacked out and became Tyler, introducing himself as such, and then woke up as his main personality sometime later.]]
**When Marla calls the narrator at his new house, he asks her how she got the phone number, and she tells him that he left a forwarding number when they exchanged information.
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** During the scene in the car when the narrator and Tyler are arguing, the two Space Monkey in the backseat look uneasily at each other at one point, because [[spoiler: the narrator/Tyler was driving the car and was talking to himself.]]

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** During the scene in the car when the narrator and Tyler are arguing, the two Space Monkey Monkeys in the backseat look uneasily at each other at one point, because [[spoiler: the narrator/Tyler was driving the car and was talking to himself.]]



*** It makes the Jack's/Tyler's response, "Well then it suits you" even harsher than at first glance. He's essentially confirming that he only sees Marla as an object to be used and thrown away. No wonder she storms off afterwards.

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*** It makes the Jack's/Tyler's narrator's/Tyler's response, "Well then it suits you" even harsher than at first glance. He's essentially confirming that he only sees Marla as an object to be used and thrown away. No wonder she storms off afterwards.


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** When the narrator asks Marla what she gets out of her relationship with Tyler, she dodges the question and asks "What do ''you'' get out of it?" The narrator think she is asking about ''his'' relationship with Tyler, but she is actually asking about the narrator's relationship with ''her.'' The narrator then starts to investigate the sounds of Tyler making a ruckus in the basement, but Marla says she doesn't hear anything.
**When the narrator and the Space Monkeys are watching the news report showing the defaced office building, the narrator asks them "What did you guys do?" and they start to laugh, as if he had a made a joke about not knowing what was going on.
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**The narrator first discovers Marla in his house when she walks into his kitchen and starts acting all flirty, saying "I can hardly believe anything about last night." The narrator then asks "What are you doing in my house?" and she angrily storms out, because [[spoiler: it was Marla and the narrator, whom she thinks is Tyler, who had sex the night before.]] When Tyler then comes in and starts to explain how he and Marla met, the narrator tells us "I already knew the story before he told it." The movie then flashes back to show Tyler walking up to Marla's apartment and knocking on the door. She answers it, eagerly pulls him inside, and says "You got here fast!" because [[spoiler: it was really the narrator who showed up and she had been talking with him on the phone a few minutes earlier.]]
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* The film is choke full of examples of Fridge Brilliance, many of them being plot points and scenes that only make sense upon a second viewing when you know the twist:

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* The film is choke full of examples of Fridge Brilliance, FridgeBrilliance, many of them being plot points and scenes that only make sense upon a second viewing when you know the twist:



**When the airport employee "lends" Tyler the car, he pulls up, gets out, and says "Don't worry, Mr. Durden. Airport parking, long-term," but looks at the narrator, not Tyler. The narrator and Tyler then both enter through the driver's door and after the car flips over and falls into the ditch, Tyler crawls out of the ''passenger'' side, and pulls the narrator out of the ''driver's'' side.
**During the scene in the car when the narrator and Tyler are arguing, the two Space Monkey in the backseat look uneasily at each other at one point, because [[spoiler: the narrator/Tyler was driving the car and was talking to himself.]]



** When the Narrator is attempting to explain himself to Marla after the reveal, she's furious with him because, as she put it, "Your whacked-out bald freaks hit me with a f**cking broom, they almost broke my arm! They were burning their fingertips off with lye, the stench was unbelievable." The lye part is easily understandable, but the broom part always kind of went over my head until one day it just dawned on me: they hit her because she was standing on the porch, just like Tyler did to them when they were trying to gain entry into the house!

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** When *When the Narrator is attempting to explain himself to Marla after the reveal, she's furious with him because, as she put it, "Your whacked-out bald freaks hit me with a f**cking broom, they almost broke my arm! They were burning their fingertips off with lye, the stench was unbelievable." The lye part is easily understandable, but the broom part always kind of went over my head until one day it just dawned on me: they hit her because she was standing on the porch, just like Tyler did to them when they were trying to gain entry into the house!

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** Near the end of the movie, while the narrator is flying all over the country looking for Tyler, he informs us in voiceover: "I was living in a state of perpetual de-ja-vu. Everywhere I went I felt like I'd already been there."
**

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** Near the end of the movie, while the narrator is flying all over the country looking for Tyler, he informs us in voiceover: "I was living in a state of perpetual de-ja-vu.deja vu. Everywhere I went I felt like I'd already been there."
** During the montage early in the film in which the narrator explains how his job requires him to fly around the country, he asks at one point "If you woke up in a different place, at a different time, could you wake up as a different person?" and the camera follows Tyler.
**In one scene, the narrator returns home from work early and starts cleaning a blood stain on his trousers while Tyler and Marla noisly have sex upstairs. When the police detective calls and the narrator answers the phone, the sounds of lovemaking instantly stop.
**On the airplane, the narrator remarks how he and Tyler have the exact same briefcase. Tyler then opens his, but we never see the contents of the narrator's.
**When the narrator and Tyler enter Lou's Tavern for the first fight club meeting in the basement, the guy standing by the front door nods only to the narrator.
**When the narrator and Tyler first start smacking car bumpers with baseball bats, Tyler hits the car first, but the alarm is triggered only after the narrator hits.

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* In ''{{Fight Club}}'', when Jack is beating himself up in his boss's room, he says that it reminds him of his first fight with Tyler, but he doesn't know why. Later, we realize that it is because [[spoiler: Tyler is a figure of the narrator's imagination, so when they were first fighting, he was beating himself up.]]

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* In ''{{Fight Club}}'', The film is choke full of examples of Fridge Brilliance, many of them being plot points and scenes that only make sense upon a second viewing when you know the twist:
**When
Jack is beating himself up in his boss's room, he says that it reminds him of his first fight with Tyler, but he doesn't know why. Later, we realize that it is because [[spoiler: Tyler is a figure of the narrator's imagination, so when they were first fighting, he was beating himself up.]]]]
**During the one scene in the film when the narrator behaves ''exactly'' like Tyler, when he's threatening his boss after the latter finds the list of fight club rules in the copy machine, he says in voiceover (presumably literally): "Tyler's words were coming out of my mouth."
**When the narrator and Tyler walk up to the convenience store, Tyler takes a gun out of the narrator's backpack and the narrator asks Tyler "Is that a gun? Please tell me that's not a gun." Despite the fact that it's ''his'' backpack.
**Near the end of the movie, while the narrator is flying all over the country looking for Tyler, he informs us in voiceover: "I was living in a state of perpetual de-ja-vu. Everywhere I went I felt like I'd already been there."
**
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** When the Narrator is attempting to explain himself to Marla after the reveal, she's furious with him because, as she put it, "Your whacked-out bald freaks hit me with a f**cking broom, they almost broke my arm! They were burning their fingertips off with lye, the stench was unbelievable." The lye part is easily understandable, but the broom part always kind of went over my head until one day it just dawned on me: they hit her because she was standing on the porch, just like Tyler did to them when they were trying to gain entry into the house!
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*** It makes the Jack's/Tyler's response, "Well then it suits you" even harsher than at first glance. He's essentially confirming that he only sees Marla as an object to be used and thrown away. No wonder she storms off afterwards.

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