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*** The line "I am the storm that is approaching" is a callback to ''VideoGame/DevilMayCry3DantesAwakening'', when Arkham tells Vergil that "a storm is approaching" in reference to the coming conflict with Dante and Lady.

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*** The line "I am the storm that is approaching" is a callback ContinuityNod to ''VideoGame/DevilMayCry3DantesAwakening'', when Arkham tells Vergil that "a storm is approaching" in reference to the coming conflict with Dante and Lady.
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** Vergil's ability to teleport to an enemy impaled with a Mirage Blade might come off as an application of a UtilityWeapon at first, but the spectral blades actually deal [[CherryTapping minimal damage]] whenever he impales targets using his "Trick" techniques. If the [[OneHitKill Heaven or Hell]] mode didn't make it obvious enough, then The Void's damage counter will.

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** Vergil's ability to teleport to an enemy impaled with a Mirage Blade might come off as an application of a UtilityWeapon at first, but the spectral blades actually deal [[CherryTapping minimal damage]] whenever he impales targets using his "Trick" techniques.techniques, so it's possible to pre-emptively kill the target you're teleporting to. If the [[OneHitKill Heaven or Hell]] mode didn't make it obvious enough, then The Void's damage counter will.
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* As Dante destroys the Qliphoth Blood Clots in Mission 12, he quips "When in doubt, smack it" as if it's their family motto. This might come off as a random one-liner at first, but it's a [[ContinuityNod subtle reference]] to a recurring element in the series wherein a character literally [[PercussiveMaintenance hits or attacks an object to make it work]] or to solve something. In ''[=DMC3=]'', Dante hits his jukebox to make it play music, strikes a puzzle box to move it forward, and kicks the ornamental spear that activates a mechanism. In ''[=DMC4=]'', the jammed drawbridge controls only worked after a frustrated Nero shot it with his revolver, the Gyro Blades are manipulated by weapon strikes, and Dante managed to skip the Dice Game by cutting the die in half.
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*** The line "I am the storm that is approaching" is a callback to ''VideoGame/DevilMayCry3'', when Arkham tells Vergil that "a storm is approaching" in reference to the coming conflict with Dante and Lady.

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*** The line "I am the storm that is approaching" is a callback to ''VideoGame/DevilMayCry3'', ''VideoGame/DevilMayCry3DantesAwakening'', when Arkham tells Vergil that "a storm is approaching" in reference to the coming conflict with Dante and Lady.



* It is revealed that the Angelo armours were created by Machiavelli, the creator of Artemis and Pandora, by the order of Mundus. However, Trish has claimed that Machiavelli is dead by the time of the ''DMC'' Anime. This can only mean that, once he perfected the Angelo armour with Nelo Angelo, Mundus likely killed him. If the ''Visions of V'' manga is to be believed, then the Nelo Angelo armour already was created by the end of ''VideoGame/DevilMayCry3'', meaning not only was Mundus preparing for his war against the Sons of Sparda long before he had Vergil enslaved, Machiavelli was likely long dead by the time of the original game.

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* It is revealed that the Angelo armours were created by Machiavelli, the creator of Artemis and Pandora, by the order of Mundus. However, Trish has claimed that Machiavelli is dead by the time of the ''DMC'' Anime. This can only mean that, once he perfected the Angelo armour with Nelo Angelo, Mundus likely killed him. If the ''Visions of V'' manga is to be believed, then the Nelo Angelo armour already was created by the end of ''VideoGame/DevilMayCry3'', ''VideoGame/DevilMayCry3DantesAwakening'', meaning not only was Mundus preparing for his war against the Sons of Sparda long before he had Vergil enslaved, Machiavelli was likely long dead by the time of the original game.[[VideoGame/DevilMayCry1 first game]].

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** Was Dante stabbing himself with Rebellion to awaken his Sin Devil Trigger really a shot in the dark? Before doing so, he openly ponders why Sparda gave him Rebellion - Yamato clearly has the ability to cut through dimensions and ''separate'' man and devil, but what kind of special power did the Rebellion have? He recklessly tests it out by stabbing himself, discovering that Rebellion's power is to ''unify'' man and devil.



** There's a certain irony in how Dante and Vergil reach their full power. Dante reaches his full power by truly embracing his demonic heritage, while Vergil reaches his full power by embracing the humanity he had discarded.



* There's a certain irony in how Dante and Vergil reach their full power. Dante reaches his full power by truly embracing his demonic heritage, while Vergil reaches his full power by embracing the humanity he had discarded.



* Was Dante stabbing himself with Rebellion to awaken his Sin Devil Trigger really a shot in the dark? Before doing so, he openly ponders why Sparda gave him Rebellion - Yamato clearly has the ability to cut through dimensions and ''separate'' man and devil, but what kind of special power did the Rebellion have? He recklessly tests it out by stabbing himself, discovering that Rebellion's power is to ''unify'' man and devil, as Dante literally and figuratively "absorbs Sparda" and the Rebellion to finally unlock his true potential. He finally gets his own Devil Arm in the process, Devil Sword Dante, showing that he truly has become a demon - not a demonic tyrant like his brother Urizen, but a demonic liberator like his father Sparda.
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* Dante and Vergil's conversation before destroying the Qliphoth (in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's oddly grumpy considering he was just smirking at Nero moments prior, and avoids Dante's prying remarks about the reunion. When Dante jokes that his attitude will make Nero never let him see his grandkids, [[OOCIsSeriousBusiness it hits a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'', understanding that he went a bit too far. Vergil's delivery of "Now... don't get in my way" is subdued and melancholy, and Dante gets the hint and goes back to cheesy battle talk.

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* Dante and Vergil's conversation before destroying the Qliphoth (in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's oddly grumpy considering he was just smirking at Nero moments prior, and avoids Dante's prying remarks about the reunion. When Dante jokes that his attitude will make Nero never let him see his grandkids, an unpopular grandfather, [[OOCIsSeriousBusiness it hits a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'', understanding that he went a bit too far. Vergil's delivery of "Now... don't get in my way" is subdued and melancholy, and Dante gets the hint and goes back to cheesy battle talk.
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** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's idiocy. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which indeed stems from the childhood heartbreak that he fails to let his brother repair.

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** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's idiocy. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, a desire which indeed stems from the childhood heartbreak that he fails to let his brother repair.
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** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's idiocy. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which indeed stems from the void in his heart that he fails to let his brother repair.

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** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's idiocy. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which indeed stems from the void in his heart childhood heartbreak that he fails to let his brother repair.
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* Dante and Vergil's conversation before destroying the Qliphoth (in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's oddly grumpy considering he was just smirking at Nero moments prior, and avoids Dante's prying remarks about the reunion. When Dante jokes that his attitude will make Nero never let him see his grandkids, [[OOCIsSeriousBusiness it hits a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'', understanding that he went a bit too far. Vergil's subsequent "Now... don't get in my way" is very subdued and melancholy, and Dante gets the hint and goes back to the cheesy battle talk.
** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's incompetence. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which is indeed based on his desire to fill the void in his heart that he won't let love repair.

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* Dante and Vergil's conversation before destroying the Qliphoth (in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's oddly grumpy considering he was just smirking at Nero moments prior, and avoids Dante's prying remarks about the reunion. When Dante jokes that his attitude will make Nero never let him see his grandkids, [[OOCIsSeriousBusiness it hits a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'', understanding that he went a bit too far. Vergil's subsequent delivery of "Now... don't get in my way" is very subdued and melancholy, and Dante gets the hint and goes back to the cheesy battle talk.
** When Dante jokes that Vergil was CompensatingForSomething with the Qliphoth, the latter rebuts that it was to compensate for Dante's incompetence. idiocy. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which is indeed based on his desire to fill stems from the void in his heart that he won't fails to let love his brother repair.

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* Dante and Vergil's conversation before destroying the Qliphoth (as seen in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's in an especially grumpy mood, considering he was just smirking in fascination less than a minute ago, and tries to avoid Dante's prying remarks about the reunion. When Dante jokes that his abrasiveness will never let him see his grandkids, [[OOCIsSeriousBusiness it seems to hit a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'' and puts his hands up, understanding that he went a bit too far. Vergil's subsequent "Now... don't get in my way" is very subdued and melancholy, and Dante gets the hint and goes back to the cheesy battle talk to lighten the mood.

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* Dante and Vergil's conversation before destroying the Qliphoth (as seen in (in the epilogue of the ''Special Edition'') says a lot about how much Vergil was affected learning he has a son. He's in an especially oddly grumpy mood, considering he was just smirking in fascination less than a minute ago, at Nero moments prior, and tries to avoid avoids Dante's prying remarks about the reunion. When Dante jokes that his abrasiveness attitude will make Nero never let him see his grandkids, [[OOCIsSeriousBusiness it seems to hit hits a sore spot]], as Vergil threatens him with Yamato and Dante uncharacteristically ''flinches'' and puts his hands up, ''flinches'', understanding that he went a bit too far. Vergil's subsequent "Now... don't get in my way" is very subdued and melancholy, and Dante gets the hint and goes back to the cheesy battle talk to lighten talk.
** When Dante jokes that Vergil was CompensatingForSomething with
the mood.Qliphoth, the latter rebuts that it was to compensate for Dante's incompetence. This has a double meaning: Vergil summoned the Qliphoth to gain unlimited power, which is indeed based on his desire to fill the void in his heart that he won't let love repair.
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* The Devil Breakers being fragile due to Nico packing a lot a power into such a small thing is within possibility. ''Before the Nightmare'' adds further Brilliance in that they're all rush jobs when taking into account the one-month time limit before the Qliphoth completely takes over the Human World, and that she has to make the new ones on the fly throughout the entire game.

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* The Devil Breakers being fragile due to Nico packing a lot a power into such a small thing is within possibility. ''Before the Nightmare'' adds further Brilliance in that they're all rush jobs when taking into account the one-month time limit before the Qliphoth completely takes over the Human World, and that she has to make the new ones on the fly throughout the entire game. Additionally, Nero is using them very frequently in extreme combat situations, which would only accelerate how quickly they'd start to fall apart from overuse.
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* In "The Void" [[TrainingDummy training area]], the player can determine how much damage is dealt by a combo or attack thanks to an HUD element that shows a numerical counter. This small, yet neat feature can provide additional context to some attacks and mechanics:
** Nero's Devil Trigger doesn't directly boost the damage of his Red Queen's attacks; the extra, supplemented damage comes from the slashes/swipes made by the spectral projections.
** Vergil's ability to teleport to an enemy impaled with a Mirage Blade might come off as an application of a UtilityWeapon at first, but the spectral blades actually deal [[CherryTapping minimal damage]] whenever he impales targets using his "Trick" techniques. If the [[OneHitKill Heaven or Hell]] mode didn't make it obvious enough, then The Void's damage counter will.
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* It's only until Mission 17 where Nero learns that Urizen is actually Vergil (V narrates the revelation to him, albeit leaving out the specific part about Urizen being a "half of Vergil"). This coincides with the WhamEpisode of the [[VideoGame/DevilMayCry1 first]] ''Devil May Cry'' game; it's only until Mission 17 where Dante realizes that Nelo Angelo is his brother Vergil.
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* It is revealed that the Angelo armours were created by Machiavelli, the creator of Artemis and Pandora, by the order of Mundus. However, Trish has claimed that Machiavelli is dead by the time of the ''DMC'' Anime. This can only mean that, once he perfected the Angelo armour with Nelo Angelo, Mundus likely killed him. If the ''Visions of V'' manga is to be believed, than the Nelo Angelo armour already was created by the end of ''VideoGame/DevilMayCry3'', meaning not only was Mundus preparing for his war against the Sons of Sparda long before he had Vergil enslaved, Machiavelli was likely long dead by the time of the original game.

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* It is revealed that the Angelo armours were created by Machiavelli, the creator of Artemis and Pandora, by the order of Mundus. However, Trish has claimed that Machiavelli is dead by the time of the ''DMC'' Anime. This can only mean that, once he perfected the Angelo armour with Nelo Angelo, Mundus likely killed him. If the ''Visions of V'' manga is to be believed, than then the Nelo Angelo armour already was created by the end of ''VideoGame/DevilMayCry3'', meaning not only was Mundus preparing for his war against the Sons of Sparda long before he had Vergil enslaved, Machiavelli was likely long dead by the time of the original game.
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* When playing as Dante in Mission 13, he will comment on the smell of the environment and concludes that they are going down the right path, or that Urizen already went down the Qliphoth. These dialogue lines are likely [[ContinuityNod subtle references]] to a similar event in ''[=DMC4=]'' wherein Dante was able to detect Dagon hiding in the fog just because of the latter's [[TheNoseKnows stink]]. Later in Mission 16, Dante also remembers Cerberus from ''[=DMC3=]'' as a "stinky little pooch". Putting the three scenarios together creates the implication that demons in the world of ''Devil May Cry'' emit a foul odor.

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* When playing as Dante in Mission 13, he will comment on the smell of the environment and concludes that they are going down the right path, or that Urizen already went down the Qliphoth. These dialogue lines are likely [[ContinuityNod subtle references]] to a similar event in ''[=DMC4=]'' wherein Dante was able to detect Dagon hiding in the fog just because of the latter's [[TheNoseKnows stink]].stench]]. Later in Mission 16, Dante also remembers Cerberus from ''[=DMC3=]'' as a "stinky little pooch". Putting the three scenarios together creates the implication that demons in the world of ''Devil May Cry'' emit a foul odor.
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Moving from Nightmare Fuel as it was misused there.

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* The arrival of Urizen and the other demons is accompanied by the mass genocide and slaughter of the citizens of Red Grave City. Given that Dante and the gang got their asses kicked in the prologue, and the fact that the city has "gone through hell and back, taken over by the underworld" in the aftermath, imagine what might've happened if Nero and V didn't manage to escape, it might've been the closest to an EndOfTheWorldAsWeKnowIt scenario for the franchise.
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* V has to sacrifice his Devil Trigger gauge in order to keep Nightmare summoned on the field. Not only does this serve as a NecessaryDrawback because Nightmare is an invincible ally, it also subtly alludes to a detail from ''[=DMC1=]''; the original Nightmare that Dante fought in Mallet Island has the ability to drain his Devil Trigger runes. This ties into the more obvious similarities between the Nightmare familiar of this game, and the "tank" Nightmare of that game, such as having a core inside their liquid body, and their ability to fire a [[EnergyWeapon huge laser beam]].

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* V has to sacrifice his Devil Trigger gauge in order to keep Nightmare summoned on the field. Not only does this serve as a NecessaryDrawback because Nightmare is an invincible ally, it also subtly alludes to a detail some details from ''[=DMC1=]''; the original Nightmare "tank" boss that Dante fought in Mallet Island has the ability to drain his Devil Trigger runes, while the Nightmare-Beta gun can fire more powerful shots by consuming his DT runes. This ties These tie into the more obvious similarities between the Nightmare familiar of this game, and the "tank" Nightmare of that game, such as having a core inside their liquid body, and their ability to fire a [[EnergyWeapon huge laser beam]].
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* V has to sacrifice his Devil Trigger gauge in order to keep Nightmare summoned on the field. Not only does this serve as a NecessaryDrawback because Nightmare is an invincible ally, it also subtly alludes to a detail from ''[=DMC1=]''; the original Nightmare that Dante fought in Mallet Island has the ability to drain his Devil Trigger runes. This ties into the more obvious similarities between the Nightmare familiar of this game, and the "tank" Nightmare of that game, such as having a core inside their liquid body, and their ability to fire a [[EnergyWeapon huge laser beam]].
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* Mission 12 reveals that there's a statue and shrine dedicated to Sparda in Red Grave City, implying that prior to the demon invasion, the locale is a TownWithADarkSecret wherein demon worship happened long ago (and Sparda is most likely a patron deity). But what's more unsettling is that the hidden path underneath the statue needs a lot of blood before it can be opened. Assuming that this mechanism was active prior to the demon invasion (wherein the Qliphoth's Blood Clots aren't present in the area yet), where's the blood coming from?

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* The visual effects make it easy to notice which part of a demon's body is struck by your attacks. If Nero is shooting a Hell Caina while both of them are standing still, most of his shots will hit the Hell Caina's face or forehead, reinforcing the implication that the devil hunters actually aim for the demons' heads if possible. This "shoot-the-head" tactic was already demonstrated a lot in the cutscenes of the previous games, but ''[=DMC5=]'' made it obvious as a gameplay aesthetic.

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* The visual effects make it easy to notice which part of a demon's body is struck by your attacks. If Nero or Dante is shooting a Hell Caina while both of them are standing still, most of his their shots will hit the Hell Caina's face or forehead, reinforcing the implication that the devil hunters actually aim for the demons' heads if possible. This "shoot-the-head" tactic was already demonstrated a lot in the cutscenes of the previous games, but ''[=DMC5=]'' made it obvious as a gameplay aesthetic.


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* When playing as Dante in Mission 13, he will comment on the smell of the environment and concludes that they are going down the right path, or that Urizen already went down the Qliphoth. These dialogue lines are likely [[ContinuityNod subtle references]] to a similar event in ''[=DMC4=]'' wherein Dante was able to detect Dagon hiding in the fog just because of the latter's [[TheNoseKnows stink]]. Later in Mission 16, Dante also remembers Cerberus from ''[=DMC3=]'' as a "stinky little pooch". Putting the three scenarios together creates the implication that demons in the world of ''Devil May Cry'' emit a foul odor.
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* Nightmare's "Illegal Move" skill allows it to instantly teleport to the target. Although it was named after a chess terminology as a part of V's general ChessMotifs, the skill's name can also make sense from another perspective. Nightmare is essentially a MightyGlacier - something that hits hard but moves very slow. Having a teleportation ability eliminates the "moves very slow" part and [[SubvertedTrope subverts the trope]]. If the enemies expect this giant golem to remain slow but it suddenly appears right in front of their faces, they might go OhCrap and declare the move as "illegal".

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* Nightmare's "Illegal Move" skill allows it to instantly teleport to the target. Although it was named after a chess terminology as a part of V's general ChessMotifs, the skill's name can also make sense from another perspective. in a different way. Nightmare is essentially a MightyGlacier - MightyGlacier; something that hits hard but moves very slow. Having a teleportation ability eliminates the "moves very slow" part and [[SubvertedTrope subverts the trope]]. If the enemies expect this giant golem to remain slow but it slow, its ability to suddenly appears appear right in front of their faces, they might go OhCrap and declare the move as "illegal".faces can be deemed "illegal" from their perspective.
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* The number 5 is associated several times with V, as it's made obvious by his debut on the fifth game of the main continuity, and his OneLetterName being the Roman numeral version of 5. His first playable segment is Mission 4, which is actually the fifth mission if the Prologue is counted separately. One of the first quotes that he reads from his book ("He who desires but acts not, breeds pestilence.") is the 5th proverb from William Blake's Proverbs of Hell.
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* When Nero fights Urizen in Mission 8, he manages to damage Urizen's crystal enough to break through his shield, prompting the Demon King to angrily rip himself from his throne and fight Nero on foot. However, if Nero manages to break through the shield in the Prologue, Urizen not only remains seated, but looks winded until the shield comes back. Why is that? It's because Urizen is ''still weak'' in the Prologue. Much like V, Urizen is living on borrowed time, and he was only able to remain so strong because he was hooked up to the Qliphoth like it was an oversized demonic IV. In the Prologue, Urizen was only sitting in his throne for a few days at most, and the Qliphoth hadn't truly started its harvest of the population of Red Grave. The fight in Mission 8 takes place a whole month later, and Urizen had been juicing himself on human blood the whole time. It's no wonder he's able to stand and fight on his own by that point!
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* V playing the opening for Niccolò Paganini's Caprice No. 24 for a taunt isn't just because it's a famously difficult piece, or an arbitrary choice - it's a reference to how Niccolò Paganini was rumored to be associated with the devil [[DealWithTheDevil due to his skill]] in his lifetime.
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* In contrast to Shadow and Griffon turning into V's PowerTattoos when they're not yet summoned, Nightmare turning into [[PowerDyesYourHair the black coloration of V's natural white hair]] makes a lot of sense because Nightmare is a [[BlobMonster liquid-based creature]]. Becoming a ''hair dye'', of all things, is both within the realm of Nightmare's abilities, and is also practical for V.
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* Nightmare's "Illegal Move" skill allows it to instantly teleport to the target. Although it was named after a chess terminology as a part of V's general ChessMotifs, the skill's name can also make sense from another perspective. Nightmare is essentially a MightyGlacier - something that hits hard but moves very slow. Having a teleportation ability eliminates the "moves very slow" part and [[SubvertedTrope subverts the trope]]. If the enemies expect this giant golem to remain slow but it suddenly appears right in front of their faces, they might go OhCrap and declare the move as "illegal".
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* It may seem odd that Vergil was able to cut himself into two beings; his demon half becoming Urizen and his human half becoming V. However, one might recall that Vergil's favored weapon is Yamato. Rebellion and Yamato were said to be swords of Sparda with special capabilities. What is Yamato's? [[DimensionalCutter The ability to cut through dimensions!]] This power has been used to separate, as well as combine the Demon and Human World (Remember the Hellgates from ''[=DMC4=], for example?). Therefore, Vergil using it to split himself into his demon and human sides, as well as them eventually converging back together, is quite possible when one considers its abilities to do so.

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* It may seem odd that Vergil was able to cut himself into two beings; his demon half becoming Urizen and his human half becoming V. However, one might recall that Vergil's favored weapon is Yamato. Rebellion and Yamato were said to be swords of Sparda with special capabilities. What is Yamato's? [[DimensionalCutter The ability to cut through dimensions!]] This power has been used to separate, as well as combine the Demon and Human World (Remember the Hellgates from ''[=DMC4=], ''[=DMC4=]'', for example?). Therefore, Vergil using it to split himself into his demon and human sides, as well as them eventually converging back together, is quite possible when one considers its abilities to do so.
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* The visual effects make it easy to notice which part of a demon's body is struck by your attacks. If Nero is shooting a Hell Caina while both of them are standing still, most of his shots will hit the Hell Caina's face or forehead, reinforcing the implication that the devil hunters actually aim for the demons' heads if possible. This "shoot-the-head" tactic was already demonstrated a lot in the cutscenes of the previous games, but ''[=DMC5=]'' made it obvious as a gameplay aesthetic.
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* When all Devil Breaker "Magazine" slot upgrades are purchased, Nero can have up to [[LimitedLoadout eight Devil Breakers stocked in his inventory]]. The base game has eight types of Devil Breakers (Overture, Gerbera, Punch Line, Helter Skelter, Tomboy, Buster Arm, Rawhide, Ragtime), so it possible for the player to have exactly one of each Devil Breaker at their disposal.
* Nero can fire up to three shots for each Color Up reload, which is indicated by his HUD having three bullet icon slots. If you observe closely, each individual icon is drawn like two bullets stacked on top of each other (for up to six bullets when the gun is fully loaded). This isn't just a stylistic design choice because it [[GameplayAndStoryIntegration neatly ties]] with how his Blue Rose revolver works according to its FlavorText and lore. The gun is customized with a six-slot cylinder, and it fires two bullets every time Nero pulls the trigger.


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* V isn't just reading random William Blake poetry in cutscenes; his quote is relevant in one way or another to the circumstances he's currently facing. For example:
** When he introduced himself to Dante, V quotes "I have no name, I am but two days old..." and passes it off as a joke. However, it is a {{Foreshadowing}} and V isn't actually kidding. He came to Dante's shop on May 3, exactly two days after he and Urizen were split off from Vergil on May 1.
** He says "The cut worm forgives the plow." when he [[FinishingMove finishes off]] Nidhogg. He might've likely used "worm" to allude to Nidhogg being a parasite to the Qliphoth.
** He says "The hours of folly are measured by the clock, But of wisdom: no clock can measure." when he kills the Elder Geryon horse. The "clock" and "hours" reference the concept of time, and the Elder Geryon is a demon horse that can [[TimeMaster manipulate time]].
** He says "While thy branches mix with mine, and our roots together join." as an obvious FiveSecondForeshadowing to his plan of merging back with Urizen to form Vergil.
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For consistency, the weapon is officially named "Dr. Faust".


* The Faust Hat is a Devil Arm that takes the form of the NiceHat worn by the Fausts in ''VideoGame/DevilMayCry4'', and that it attacks by using your Red Orbs which serve as currency in-game. Given the game has microtransactions so you can easily get Red Orbs, it's possible for it to not just [[CastFromMoney cast from Dante's money]], but [[BribingYourWayToVictory YOURS as well!]]

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* The Dr. Faust Hat is a Devil Arm that takes the form of the NiceHat worn by the Fausts in ''VideoGame/DevilMayCry4'', and that it attacks by using your Red Orbs which serve as currency in-game. Given the game has microtransactions so you can easily get Red Orbs, it's possible for it to not just [[CastFromMoney cast from Dante's money]], but [[BribingYourWayToVictory YOURS as well!]]



* Doctor Faust is unlike any Devil Arm that comes before it, using red orbs as ammunition. This makes sense when you realize that, unlike every other Devil Arm, Dr Faust wasn't created from a Devil, but a common demon. A [[EliteMook powerful demon,]] but still pathetic compared to the likes of Goliath and Cavaliere. It makes sense that a weapon created from a being of lesser power needs something to compensate for its inherent disadvantage.

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* Doctor Dr. Faust is unlike any Devil Arm that comes before it, using red orbs as ammunition. This makes sense when you realize that, unlike every other Devil Arm, Dr Dr. Faust wasn't created from a Devil, but a common demon. A [[EliteMook powerful demon,]] but still pathetic compared to the likes of Goliath and Cavaliere. It makes sense that a weapon created from a being of lesser power needs something to compensate for its inherent disadvantage.

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