History FranchiseOriginalSin / Fallout

** By a similar count, the first few games dipped themselves in a RaygunGothic aesthetic that conjured up visions of old-school [[TheFifties 1950s]] [[{{Eagleland}} Americana]] and PatrioticFervor. But they were also a dark and twisted satire of that ideal, and Pre-War America was near-universally treated as hypocritical, violent, imperialistic, and prejudiced. As the series went on, though, the patriotic fervor elements of the series became increasingly less satirical. Though there were still attempts made, such as the Mass Fusion subplot in ''4'', they were counterbalanced by the cartoonishly overblown nationalism and associated imagery being either played straight or [[DoNotDoThisCoolThing treated in such a manner that they might as well have been]]. Compare the treatment of Frank Horrigan and Liberty Prime, for an example. Both are marvels of old American super-science and in-universe {{Memetic Badass}}es with cartoonishly violent personalities that embody the warlike nature of America, but where Frank is still treated dead seriously as the ultimate villain and FinalBoss of ''Fallout 2'', Liberty Prime ''assists'' the protagonist while spouting propagandistic lines in such a cartoonishly-overblown fashion that it becomes endearing, so much that even though he's technically utilized ''against'' the genocidal [[TheRemnant remnants]] of the American government [[UnbuiltTrope in his first appearance]], [[MisaimedFandom not many people remembered him that way]].
** Furthermore, Bethesda Softworks and Zenimax's growing obsession with ''Fallout''[='=]s branding, plastering things like Nuka-Cola or Vault Boys everywhere they could manage, saw things that were meant to satirize the hyper-capitalist ideals of Pre-War America being [[MisaimedMarketing taken and used to sell merch]]. The result was a series originally meant to lampoon patriotic '50s nostalgia now trading heavily on its aesthetic without a hint of irony. The drippingly patriotic introduction to ''Fallout 76'', in which America's tricentennial is celebrated with the ribbon-cutting ceremony for the completion of Vault 76 (a video that, in past games, would probably have been presented as a piece of in-universe ''propaganda''), was merely the point at which it seemed that the last traces of satire were scrubbed from the series.

* When ''VideoGame/Fallout76'' came out, it was lambasted almost immediately as the worst ''VideoGame/{{Fallout}}'' game ever made, with unflattering comparisons to ''VideoGame/FalloutBrotherhoodOfSteel'' (the previous undisputed title holder in the eyes of fans) for its [[ObviousBeta buggy gameplay]], [[ExcusePlot lack of story]], and [[SeriesContinuityError mangling of the lore]]. Many of these flaws can be found going back all the way to the acclaimed first two games.

* A more minor example is the series' use of weapons. As visible [[https://www.imfdb.org/wiki/Fallout:_A_Post-Nuclear_Role-Playing_Game here,]] a good portion of the first game's guns, including ballistics, were fictional (at best attributed to real-life manufacturers) and not especially pretty to look at. Being an RPG first and an isometric shooter second, though, this wasn't too distracting because weapons were more tools than key parts of gameplay. The second game also increased the number of realistic weapons, but when the series transitioned to the FirstPersonShooter genre with ''Fallout 3'', the player was forced to look at these ugly weapons that made little mechanical sense for much of the game. It wasn't ''too'' bad, though, because the fictional firearms were about even in number with ones that were visibly based on real weapons and made more mechanical sense, and ''New Vegas'' made up for a lot of it by including several more real-world weapons that looked better and were easier to understand. However, ''Fallout 4'' then doubled down on the problems, with even the purpose-built firearms being nonsensical (even the guns that can be easily understood are near-universally [[RightHandedLeftHandedGuns set up for left-handed use]] despite that everyone in the Commonwealth fires everything from the right), and that's on the rare occasion you even see one of them and not the ugly-as-sin, scrap-built "pipe" weapons, which thanks to the expanded gun modification system can be set up in every caliber for every purpose, and as such are used by just about everyone, everywhere. This wasn't helped by a good third of the arsenals in ''3'' and ''4'', fictional or otherwise, turning out to be [[ScrappyWeapon widely disliked]] or borderline [[JokeWeapon intentionally unusable]] without many upgrades and the right perks to try and mitigate their problems, so it's no wonder there are hours of content online complaining about the weapons from both a realism ''and'' gameplay standpoint and that mods to add real firearms or make in-game ones more realistic are so popular (the game's gunplay is often praised, so long as you download mods to get guns that are nice to look at). The Bethesda arsenals also tend to have somewhat obvious gaps and redundancies (two 10mm pistols in ''3'', but the one you get first is objectively superior to the other; another pistol that has no reason to be used because it shares ammo with a much more powerful rifle; no .45 semi-autos or pump shotguns in either game; the lever-action rifle in ''4'' needs unique ammo instead of the 10mm or .44 it could fire in real life; etc.) that can make players long for real guns to do the undone jobs.

** The protagonist's rather heavy backstory and motivation to rescue their son was widely criticized, with people noting that it constrained roleplay heavily and [[PlotTumor consumed the plot]]. But providing the protagonist with some level of backstory and an overarching goal they set out to achieve was the case in every prior ''Fallout''. The difference was that in the prior games, the level of backstory had essentially been "you are a vault dweller/tribe member/courier", and there was enough leeway in dialogue to have your character [[RefusalOfTheCall just not really care about that goal]]. ''Fallout 3'' is where the issue of a character having a defined backstory began, with the player character having their life before leaving Vault 101 detailed as the tutorial and having a father who they can interact with in the story. However, while the game was pushy about finding your father, the game also allowed you to back off from the main quest without it feeling unnatural since your character had no idea where your father went, and players were still free to roleplay their character as potentially not really wanting to find their dad. ''Fallout 4'' more decisively defines your character's background and their feelings on their missing baby, which disappointed anyone who wanted to roleplay as something besides a concerned parent. Furthermore, because the game pushed your character to find their missing son, it created a major source of disconnect between the player and the character, as it made no sense to do sidequests over finding your son. In ''3'', your character can ignore finding their dad if they wanted because while they do want to know where he went, their actual initial objective is just to survive, and spending time doing anything other than the main quest can be brushed off as your character figuring their dad can probably take care of himself, with it being possible to have conversations even with people directly related to the main quest without ever bringing up your missing father. A parent searching for their baby who was kidnapped, however, is a far more emotionally urgent task than a child looking for their father who willingly entered the Wasteland, on top of any conversation with anyone related to the main quest [[RailRoading practically forcing you]] to ask if they know about your missing son, making this disconnect harder to ignore.

* One of the more common critiques of ''VideoGame/Fallout3''[='=]s story is that you have no option to join the Enclave and are effectively {{railroad|ing}}ed into wiping them out. This was true in ''VideoGame/Fallout2'' as well, but the Enclave in ''2'' are established as more or less a death cult [[MyCountryRightOrWrong worshiping the old United States]], and they regard everyone other than themselves in the wasteland, the player character included, as degenerates who must be exterminated for the good of humanity. Asking to join them would effectively be [[PressXToDie asking to immediately die]]. Even in the original game, joining the mutants simply results in a NonStandardGameOver. By contrast, the Enclave in ''3'' are nowhere near as evil, have nowhere near as much reason to hate the PC, and seem to just be another imperialist power among many in the wasteland. They do have a plan that approaches the genocidal nature of their plan in ''2'', but most of the Enclave is not on board with it, and you can stop it halfway through the game and they'll keep going. Indeed, bafflingly, you can ''help'' the most unreasonable factions of the Enclave accomplish that plan, ''which will kill you'', but you can't join the more reasonable factions that only want to control the water supply without irradiating it (which, not for nothing, is the ''exact same goal'' that the Brotherhood of Steel, aka ''the Good Guys'', have), making it an even more baffling place to draw the line. Tellingly, both Bethesda and Obsidian would respond to this in future games, allowing you to join every faction, including the ones set up as the most obvious villains of their respective stories - even the Enclave, in ''76'' - while giving them [[WellIntentionedExtremist logical reasons for their villainy]] rather than a Saturday morning cartoon motivation of being evil [[CardCarryingVillainy just because they're evil]].

** [[https://www.youtube.com/watch?v=Y5YnT_ktwho This video]] by [=ItsJabo=] argues that this is a problem with the quest "When Freedom Calls", wherein the player acquires a suit of PoweredArmor and a [[GatlingGood minigun]] to take out several Raiders and a Deathclaw. Even specifically among the 3D ''Fallouts'' it's not the first one to give the player ATasteOfPower to deal with a much stronger enemy than they're meant to be taking on at the level you're expected to be doing the quest at - ''Fallout 3'' has "Following in His Footsteps", an early-game quest which famously climaxes with the player acquiring a Fat Man mini-nuke launcher to take on a Super Mutant Behemoth. ''Fallout 3'' handled it better for several reasons: the quest takes you quite a ways into the heart of the Capital Wasteland for that setpiece, meaning you invariably have to spend time doing sidequests just to acquire the gear and reach the level where you can reasonably survive the regular encounters in that part of the game, and it evens the odds by giving you a powerful weapon that is [[AwesomeButImpractical highly limited in its uses outside of that setpiece]] between the cost of keeping it in serviceable condition, the rarity of its ammo, and the fact that it's highly wasteful on anything smaller than another Behemoth, of which there are only four others in the game outside of that quest. In contrast, ''Fallout 4'' puts this setpiece in an area that barely takes ten minutes to reach from where you start the game, meaning you haven't contended with anything more dangerous than a few nearly-harmless bugs and poorly-equipped raiders, and it gives you both power armor and a gun with a thousand bullets, neither of which are limited in their use beyond the need for fusion cores found in every other building and the second-most-common ammo type in the game, which [[DiscOneNuke trivialize everything you deal with from that point]], even once you break out of the low-level opening area, unless you make a conscious effort to ''not'' use it.

* One of the more common critiques of ''VideoGame/Fallout3''[='=]s story is that you have no option to join the Enclave and are effectively {{railroad|ing}}ed into wiping them out. This was true in ''VideoGame/Fallout2'' as well, but the Enclave in ''2'' are established as more or less a death cult [[MyCountryRightOrWrong worshiping the old United States]], and they regard everyone other than themselves in the wasteland, the player character included, as degenerates who must be exterminated for the good of humanity. Asking to join them would effectively be [[PressXToDie asking to immediately die]]. Even in the original game, joining the mutants simply results in a NonStandardGameOver. By contrast, the Enclave in ''3'' are nowhere near as evil, have nowhere near as much reason to hate the PC, and seem to just be another imperialist power among many in the wasteland. They do have a plan that approaches the genocidal nature of their plan in ''2'', but most of the Enclave is not on board with it, and you can stop it halfway through the game and they'll keep going. Indeed, bafflingly, you can ''help'' the most unreasonable factions of the Enclave accomplish that plan, ''which will kill you'', but you can't join the more reasonable factions that only want to control the water supply without irradiating it (which, not for nothing, is the ''exact same goal'' that the Brotherhood of Steel, aka ''the Good Guys'', have), making it an even more baffling place to draw the line. Tellingly, both Bethesda and Obsidian would respond to this in future games, allowing you to join every faction, including the ones set up as the most obvious villains of their respective stories - even the Enclave, in ''76'' - while giving them [[WellIntentionedExtremist logical reasons for their villainy]] rather than a Saturday morning cartoon motivation of being evil [[ForTheEvulz just because they're evil]].

* One of the more common critiques of ''VideoGame/Fallout3''[='=]s story is that you have no option to join the Enclave and are effectively {{railroad|ing}}ed into wiping them out. This was true in ''VideoGame/Fallout2'' as well, but the Enclave in ''2'' are established as more or less a death cult worshiping the old United States, and they regard the player character as a degenerate who must be exterminated for the good of humanity. Asking to join them would effectively be [[PressXToDie asking to immediately die]]. Even in the original game, joining the mutants simply results in a NonStandardGameOver. By contrast, the Enclave in ''3'' are nowhere near as evil, have nowhere near as much reason to hate the PC, and seem to just be another imperialist power among many in the wasteland. They do have a plan that approaches the genocidal nature of their plan in ''2'', but most of the Enclave is not on board with it, and you can stop it halfway through the game and they'll keep going. Indeed, bafflingly, you can ''help'' the most unreasonable factions of the Enclave accomplish that plan, ''which will kill you'', but you can't join the more reasonable factions that only want to control the water supply without irradiating it (which, not for nothing, is the ''exact same goal'' that the Brotherhood of Steel, aka ''the Good Guys'', have), making it an even more baffling place to draw the line.

** ''VideoGame/FalloutNewVegas'' downplayed the importance of the KarmaMeter, with a player's karma only affecting a handful of perks and whether the ending describes them as a prick or not. It was widely seen as a good move, as it helped get away from the many StupidEvil and BlackAndWhiteMorality moments of ''3'' (where most of the "evil" options consist of simply killing named [=NPCs=] on sight, driving yourself by nothing more than bloodlust and spite), and moved the game in the direction of the more intriguingly grey factions, where the question is less between "good" and "evil" and more between a free but [[ObstructiveBureaucrat inefficient]] democracy, a stable but [[WellIntentionedExtremist authoritarian]] dictatorship, or [[TakeAThirdOption kicking both of them out]]. When ''Fallout 4'' did away with the karma system entirely, though, it became a real problem, as the developers were no longer obligated to provide "good karma/bad karma" opportunities in the game. Without the need to let the player act out and be a jerk, a lot of other roleplay aspects fell by the wayside, leading to ''4''[='=]s [[ButThouMust memetically railroaded conversations]] where your options to someone's requests almost universally boil down to "agree", "make a sarcastic quip the other guy [[SarcasmBlind takes as an agreement]]", or "put it off until you're ready to agree". It didn't help that ''4''[='=]s factions just weren't as popular as ''New Vegas''[='=]s, meaning defining oneself by faction loyalty felt like a lost cause.

** By a similar count, the first few games dipped themselves in a RaygunGothic aesthetic that conjured up visions of old-school [[TheFifties 1950s]] [[{{Eagleland}} Americana]] and PatrioticFervor. But they were also a dark and twisted satire of that ideal, and Pre-War America was near-universally treated as hypocritical, violent, imperialistic, and prejudiced. As the series went on, though, the patriotic fervor elements of the series became increasingly less satirical. Though there were still attempts made, such as the Mass Fusion subplot in ''4'', they were counterbalanced by the cartoonishly overblown nationalism and associated imagery being either played straight or [[DoNotDoThisCoolThing treated in such a manner that they might as well have been]]. Compare the treatment of Frank Horrigan and Liberty Prime, for an example. Both are marvels of old American super-science and in-universe {{Memetic Badass}}es with cartoonishly violent personalities that embody the warlike nature of America, but where Frank is still treated dead seriously as the ultimate villain and FinalBoss of ''Fallout 2'', Liberty Prime ''assists'' the protagonist while spouting propagandistic lines in such a cartoonishly-overblown fashion that, even though he's technically utilized ''against'' the genocidal [[TheRemnant remnants]] of the American government [[UnbuiltTrope in his first appearance]], [[MisaimedFandom not many people remembered him that way]].

** The protagonist's rather heavy backstory and motivation to rescue their son was widely criticized, with people noting that it constrained roleplay heavily and [[PlotTumor consumed the plot]]. But providing the protagonist with some level of backstory and an overarching goal they set out to achieve was the case in every prior ''Fallout''. The difference was that in the prior games, the level of backstory had essentially been "you are a vault dweller/tribe member/courier", and there was enough leeway in dialogue to have your character [[RefusalOfTheCall just not really care about that goal]]. ''Fallout 3'' is where the issue of a character having a defined backstory began, with the player character having their life before leaving Vault 101 detailed as the tutorial and having a father who they can interact with in the story. However, while the game was pushy about finding your father, the game also allowed you to back off from the main quest without it feeling unnatural since your character had no idea where your father went, and players were still free to roleplay their character as potentially not really wanting to find their dad. ''Fallout 4'' more decisively defines your character's background and their feelings on their missing baby, which disappointed anyone who wanted to roleplay as something besides a concerned parent. Furthermore, because the game pushed your character to find their missing son, it created a major source of disconnect between the player and the character, as it made no sense to do sidequests over finding your son, while in ''3'', your character could ignore finding their dad if they wanted because while they did want to know where he went, their actual initial objective was just to survive and spending time doing anything other than the main quest could be brushed off as your character figuring their dad could probably take care of himself. A parent searching for their baby who was kidnapped, however, is a far more emotionally urgent task than a child looking for their father who willingly entered the Wasteland, making this disconnect harder to ignore.

** By a similar count, the first few games dipped themselves in a RaygunGothic aesthetic that conjured up visions of old-school [[TheFifties 1950s]] [[{{Eagleland}} Americana]] and PatrioticFervor. But they were also a dark and twisted satire of that ideal, and Pre-War America was near-universally treated as hypocritical, violent, imperialistic, and prejudiced. As the series went on, though, the patriotic fervor elements of the series became increasingly less satirical. Though there were still attempts made, such as the Mass Fusion subplot in ''4'', they were counterbalanced by the cartoonishly overblown nationalism and associated imagery being either played straight or [[DoNotDoThisCoolThing treated in such a manner that they might as well have been]]. Compare the treatment of Frank Horrigan and Liberty Prime, for an example. Both are marvels of old American super-science and in-universe {{Memetic Badass}}es with cartoonishly violent personalities that embody the warlike nature of America, but where Frank is treated dead seriously as the ultimate villain and FinalBoss of ''Fallout 2'', Liberty Prime's dialogue is treated as a giant joke as he ''assists'' the protagonist, meaning that, even though he's technically utilized ''against'' the genocidal [[TheRemnant remnants]] of the American government [[UnbuiltTrope in his first appearance]], [[MisaimedFandom not many people remembered him that way]].
** Furthermore, Bethesda Softworks and Zenimax's growing obsession with ''Fallout''[='=]s branding, plastering things like Nuka-Cola or Vault Boys everywhere they could manage, saw things that were meant to satirize the hyper-capitalist ideals of Pre-War America being [[MisaimedMarketing taken and used to sell merch]]. The result was a series originally occasionally lampooned patriotic '50s nostalgia now trading heavily on its aesthetic with a far greater sense of irony. The patriotic introduction to ''Fallout 76'', in which America's tricentennial is celebrated with the ribbon-cutting ceremony for the completion of Vault 76 (a video that was presented as a piece of in-universe propaganda, [[MisaimedFandom though that seems to have gone over some people's heads]]).

** The early games stuck pretty firmly to their WarIsHell message, but [[DoNotDoThisCoolThing often had trouble maintaining it]]. While it was possible to get through the whole game without killing anyone personally, you could also blow any character into a pile of LudicrousGibs with a large arsenal of weapons. On the other hand, many of the best rewards and endings were found by playing it safe and avoiding direct conflict, the actual combat system wasn't great, and the villains were invariably people who sought out violence as a first resort. But as ActionizedSequel after actionized sequel came out, the focus shifted far more towards "blowing up people for fun and profit", culminating in ''Fallout 76'', where your primary objective is to save humanity by... taking control of and using the same nuclear weapons against a far greater threat to humanity.
** By a similar count, the first few games dipped themselves in a RaygunGothic aesthetic that conjured up visions of old-school [[TheFifties 1950s]] [[{{Eagleland}} Americana]] and PatrioticFervor. But they were also a dark and twisted satire of that ideal, and Pre-War America was near-universally treated as hypocritical, violent, imperialistic, and prejudiced. As the series went on, though, the patriotic fervor elements of the series became increasingly satirical. Though there were still attempts made, such as the Mass Fusion subplot in ''4'', they were counterbalanced by the cartoonishly overblown nationalism and associated imagery being either played straight or [[DoNotDoThisCoolThing treated in such a manner that they might as well have been]]. Compare the treatment of Frank Horrigan and Liberty Prime, for an example. Both are marvels of old American super-science and in-universe {{Memetic Badass}}es with cartoonishly violent personalities that embody the warlike nature of America, but where Frank is treated dead seriously as the ultimate villain and FinalBoss of ''Fallout 2'', Liberty Prime's dialogue is treated as a giant joke as he ''assists'' the protagonist, meaning that, even though he's technically utilized ''against'' the genocidal [[TheRemnant remnants]] of the American government [[UnbuiltTrope in his first appearance]], [[MisaimedFandom not many people remembered him that way]].

* ''VideoGame/Fallout2'' is generally very well-loved, but if there's one ''very'' vocal complaint about it, it's the [[ReferenceOverdosed excess of pop culture references]] [[DenserAndWackier and humor]]. The first game had its fair share of this, like being able to randomly encounter the [[Series/DoctorWho TARDIS]] or troopers quoting movies on occasion, but these were more {{Easter Egg}}s than anything, and they were used fairly sparingly or still made some sense in context. In the second game, they show up a lot more and are much easier to find, which often damages the game's dramatic tone and story -- after all, it's a little hard to feel sorry for the plight of a slave when they're blatantly quoting ''Film/BackToTheFuture'', or take the backstory of an in-game army base seriously when it's got a [[AIIsACrapshoot rogue AI]] canonically named ''[[{{Franchise/Terminator}} Skynet]]''. It's not for no reason that ''New Vegas'' essentially provided the option to turn many of the pop-culture references off by locking a lot of it behind the "[[WeirdnessMagnet Wild Wasteland]]" trait. The "Bethouts" not doing this is often seen as a case of not getting the memo.

** The early games stuck pretty firmly to their WarIsHell message, but [[DoNotDoThisCoolThing often had trouble maintaining it]]. While it was possible to get through the whole game without killing anyone personally, you could also blow any character into a pile of LudicrousGibs with a large arsenal of weapons. On the other hand, many of the best rewards and endings were found by playing it safe and avoiding direct conflict, the actual combat system wasn't great, and the villains were invariably people who sought out violence as a first resort. But as ActionizedSequel after actionized sequel came out, the focus shifted far more towards "blowing up people for fun and profit", culminating in ''Fallout 76'', where your primary objective is to save humanity by... taking control of and using the same nuclear weapons that ''killed'' most of humanity.
** By a similar count, the first few games dipped themselves in a RaygunGothic aesthetic that conjured up visions of old-school [[TheFifties 1950s]] [[{{Eagleland}} Americana]] and PatrioticFervor. But they were also a dark and twisted satire of that ideal, and Pre-War America was near-universally treated as hypocritical, violent, imperialistic, and prejudiced. As the series went on, though, the patriotic fervor elements of the series became increasingly less satirical. Though there were still attempts made, such as the Mass Fusion subplot in ''4'', they were counterbalanced by the cartoonishly overblown nationalism and associated imagery being either played straight or [[DoNotDoThisCoolThing treated in such a manner that they might as well have been]]. Compare the treatment of Frank Horrigan and Liberty Prime, for an example. Both are marvels of old American super-science and in-universe {{Memetic Badass}}es with cartoonishly violent personalities that embody the warlike nature of America, but where Frank is the ultimate villain and FinalBoss of ''Fallout 2'', Liberty Prime ''assists'' the protagonist and keeping him around is an objective in multiple games, meaning that, even though he's technically utilized ''against'' the genocidal [[TheRemnant remnants]] of the American government [[UnbuiltTrope in his first appearance]], [[MisaimedFandom not many people remembered him that way]]. Furthermore, Bethesda Softworks and Zenimax's growing obsession with ''Fallout''[='=]s branding, plastering things like Nuka-Cola or Vault Boys everywhere they could manage, saw things that were meant to satirize the hyper-capitalist ideals of Pre-War America being [[MisaimedMarketing taken and used to sell merch]]. The result was a series originally meant to lampoon patriotic '50s nostalgia now trading heavily on its aesthetic without irony. The drippingly patriotic introduction to ''Fallout 76'', in which America's tricentennial is celebrated with the ribbon-cutting ceremony for the completion of Vault 76 (a video that, in past games, would probably have been presented as a piece of in-universe ''propaganda''), was merely the point at which it seemed that the last traces of satire were scrubbed from the series.

** The early games stuck pretty firmly to their WarIsHell message, but [[DoNotDoThisCoolThing often had trouble maintaining it]]. While it was possible to get through the whole game without killing anyone personally, you could also blow any character into a pile of LudicrousGibs with a large arsenal of weapons. On the other hand, many of the best rewards and endings were found by playing it safe and avoiding direct conflict, the actual combat system wasn't great, and the villains were invariably people who sought out violence as a first resort. But as ActionizedSequel after actionized sequel came out, the focus shifted far more towards "blowing up people for fun and profit", culminating in ''Fallout 76'', where taking control of and using one of the same nuclear weapons that killed most of humanity in order to save humanity is your primary objective.

** The protagonist's rather heavy backstory and motivation to rescue their son was widely criticized, with people noting that it constrained roleplay heavily and [[PlotTumor consumed the plot]]. But providing the protagonist with some level of backstory and an overarching goal they set out to achieve was the case in every prior ''Fallout''. The difference was that in the prior games, the level of backstory had essentially been "you are a vault dweller/tribe member/courier", and there was enough leeway in dialogue to have your character [[RefusalOfTheCall just not really care about that goal]]. ''Fallout 3'' is where the issue of a character having a defined backstory began, with the player character having their life before leaving Vault 101 detailed as the tutorial and having a father who they can interact with in the story. However, while the game was pushy about finding your father, the game also allowed you to back off from the main quest without it feeling unnatural since your character had no idea where your father went, and players were still free to roleplay their character as potentially not really wanting to find their dad. ''Fallout 4'' more decisively defines your character's background and their feelings on their missing baby, which disappointed anyone who wanted to roleplay as something besides a concerned parent. Furthermore, because the game pushed your character to find their missing son, it created a major source of disconnect between the player and the character, as it made no sense to do sidequests over finding your son, while in ''3'', your character could ignore finding their dad if they wanted because while they did want to know where he went, their actual initial objective was just to survive and spending time doing anything other than the main quest could be brushed off as your character figuring their dad could probably take care of himself.

** [[https://www.youtube.com/watch?v=Y5YnT_ktwho This video]] by [=ItsJabo=] argues that this is a problem with the quest "When Freedom Calls", wherein the player acquires a suit of PoweredArmor and a [[GatlingGood minigun]] to take out several Raiders and a Deathclaw. Even specifically among the 3D ''Fallouts'' it's not the first one to give the player ATasteOfPower to deal with a much stronger enemy than they're meant to be taking on at the level you're expected to be doing the quest at - ''Fallout 3'' has "Following in His Footsteps", an early-game quest which famously climaxes with the player acquiring a Fat Man mini-nuke launcher to take on a Super Mutant Behemoth. ''Fallout 3'' handled it better for several reasons: the quest takes you quite a ways into the heart of the Capital Wasteland for that setpiece, meaning you invariably have to spend time doing sidequests just to reach the level where you can reasonably survive the regular encounters in that part of the game, and it evens the odds by giving you a powerful weapon that is [[AwesomeButImpractical highly limited in its uses outside of that setpiece]] between the cost of keeping it in serviceable condition, the rarity of its ammo, and the fact that it's highly wasteful on anything smaller than another Behemoth, of which there are only four others in the game outside of that quest. In contrast, ''Fallout 4'' puts this setpiece in an area that barely takes ten minutes to reach from where you start the game, meaning you haven't contended with anything more dangerous than a few nearly-harmless bugs and poorly-equipped raiders, and it gives you both power armor and a gun with a thousand bullets, neither of which are limited in their use beyond the need for fusion cores found in every other building and the second-most-common ammo type in the game, which [[DiscOneNuke trivialize everything you deal with from that point]], even once you break out of the low-level opening area, unless you make a conscious effort to ''not'' use it.

* ''VideoGame/Fallout2'' is generally very well-loved, but if there's one ''very'' vocal complaint about it, it's the [[ReferenceOverdosed excess of pop culture references]] [[DenserAndWackier and humor]]. The first game had its fair share of this, like being able to randomly encounter the [[Series/DoctorWho TARDIS]] or troopers quoting movies on occasion, but these were more {{Easter Egg}}s than anything, and they were used fairly sparingly or still made some sense in context. In the second game, they show up a lot more and are much easier to find, which often damages the game's dramatic tone and story -- after all, it's a little hard to feel sorry for the plight of a slave when they're blatantly quoting ''Film/BackToTheFuture'', or take the backstory of an in-game army base seriously when it's got a [[AIIsACrapshoot rogue AI canonically named]] [[{{Franchise/Terminator}} ''Skynet'']]. It's not for no reason that ''New Vegas'' essentially provided the option to turn many of the pop-culture references off by locking a lot of it behind the "[[WeirdnessMagnet Wild Wasteland]]" trait. The "Bethouts" not doing this is often seen as a case of not getting the memo.

** [[https://www.youtube.com/watch?v=Y5YnT_ktwho This video]] by [=ItsJabo=] argues that this is a problem with the quest "When Freedom Calls", wherein the player acquires a suit of PoweredArmor and a [[GatlingGood minigun]] to take out several Raiders and a Deathclaw. Even specifically among the 3D ''Fallouts'' it's not the first one to give the player ATasteOfPower to deal with a much stronger enemy than they're meant to be taking on at the level you're expected to be doing the quest at - ''Fallout 3'' has "Following in His Footsteps", an early-game quest which famously climaxes with the player acquiring a Fat Man mini-nuke launcher to take on a Super Mutant Behemoth. ''Fallout 3'' handled it better for several reasons: the quest takes you quite a ways into the heart of the Capital Wasteland, meaning you invariably have to spend time doing sidequests just to reach the level where you can reasonably survive the regular encounters in that part of the game, and the powerful weapon it hands you to even the odds is [[AwesomeButImpractical highly limited in its uses outside of that setpiece]] between the cost of keeping it in serviceable condition, the rarity of its ammo, and the fact that it's highly wasteful on anything smaller than another Behemoth, of which there are only four others in the game outside of that quest. In contrast, ''Fallout 4'' puts this setpiece in an area that barely takes ten minutes to reach from where you start the game, meaning you haven't contended with anything more dangerous than a few nearly-harmless bugs and poorly-equipped raiders, and - since power armor only needs fusion cores, the minigun doesn't need maintenance and comes with over a thousand bullets in a common caliber, and that you're still in an area that otherwise only has weak bugs and low-tier raiders - the gear it gives you to even the odds [[DiscOneNuke trivializes everything you deal with from that point]] unless you make a conscious effort to ''not'' use it.

** [[https://www.youtube.com/watch?v=Y5YnT_ktwho This video]] by [=ItsJabo=] argues that this is a problem with the quest "When Freedom Calls", wherein the player acquires a suit of PoweredArmor and a [[GatlingGood minigun]] to take out several Raiders and a Deathclaw. Even specifically among the 3D ''Fallouts'' it's not the first one to give the player ATasteOfPower to deal with a much stronger enemy than they're meant to be taking on at the level you're expected to be doing the quest at - ''Fallout 3'' has "Following in His Footsteps", an early-game quest which famously climaxes with the player acquiring a Fat Man mini-nuke launcher to take on a Super Mutant Behemoth. ''Fallout 3'' handled it better for several reasons: the quest takes you quite a ways into the heart of the Capital Wasteland, meaning you invariably have to spend time doing sidequests just to reach the level where you can reasonably survive the regular encounters in that part of the game, and the powerful weapon it hands you to even the odds is [[AwesomeButImpractical highly limited in its uses outside of that setpiece]] between the cost of keeping it in serviceable condition, the rarity of its ammo, and the fact that it's simply overkill on anything smaller than another Behemoth, of which there are only four others in the game outside of that quest. In contrast, ''Fallout 4'' puts this setpiece in an area that barely takes ten minutes to reach from where you start the game, meaning you haven't contended with anything more dangerous than a few nearly-harmless bugs and poorly-equipped raiders, and the gear you're given to even the odds [[DiscOneNuke trivializes everything you deal with from that point]] unless you make a conscious effort to ''not'' use it, especially given it will take quite a while before you move on from those bugs and low-tier raiders - power armor no longer requires a perk to wear and is limited only in its need for fusion cores to power it, the minigun needs no maintenance and comes with over a thousand bullets, and it doesn't take all that long before you'll find yourself swimming in fusion cores and 5mm ammo to keep using both of them through the whole game.
** On the subject of power armor, ''Fallout 4'' isn't the first one that lets you get a suit of it far earlier than you'd expect, as ''Fallout 3'' again has the "Operation Anchorage" DLC that you can take on almost as soon as you enter the wastes, the end result of which is free power armor training and a nigh-indestructible suit of it. Again, ''Fallout 3'' handled it better: this requires you to buy and play DLC rather than being in the base game; it requires you to go through the DLC in question, which still means it's a few hours of gameplay between you leaving the tutorial area and getting power armor; and power armor in ''3'' is simply less broken on principle than in ''4'', treated as a regular suit of armor (as in, worn in place of your regular outfit) that just happens to have a minor Strength boost and noticeably higher defense than most other options (the only truly broken aspect of the suit you get for completing the DLC is its sky-high durability, which [[GoodBadBugs wasn't even intended]]), rather than an armored suit worn over your existing outfit that boosts your Strength much higher, makes you immune to falling damage, and makes you nearly immune to weapons fire and radiation alike.

** On the subject of power armor, ''Fallout 4'' isn't the first one that lets you get a suit of it far earlier than you'd expect, as ''Fallout 3'' again has the "Operation Anchorage" DLC that you can take on almost as soon as you enter the wastes, the end result of which is free power armor training and a nigh-indestructible suit of it. Again, ''Fallout 3'' handled it better: this requires you to buy and play DLC rather than being in the base game; it requires you to go through the DLC in question, which still means it's a few hours of gameplay between you leaving the tutorial area and getting power armor; and power armor in ''3'' is simply less broken on principle than in ''4'', treated as a regular suit of armor (as in, worn in place of your regular outfit) that just happens to have a minor Strength boost and noticeably higher defense than most other options (the only truly broken aspect of the suit you get for completing the DLC is its sky-high durability), rather than an armored suit worn over your existing outfit that boosts your Strength much higher, makes you immune to falling damage, and makes you nearly immune to weapons fire and radiation alike.

** [[https://www.youtube.com/watch?v=Y5YnT_ktwho This video]] by [=ItsJabo=] argues that this is a problem with the quest "When Freedom Calls", wherein the player acquires a suit of PoweredArmor and a [[GatlingGood minigun]] to take out several Raiders and a Deathclaw. Even specifically among the 3D ''Fallouts'' it's not the first one to give the player ATasteOfPower to deal with a much stronger enemy than they're meant to be taking on at the level you're expected to be doing the quest at - ''Fallout 3'' has "Following in His Footsteps", an early-game quest which famously climaxes with the player acquiring a Fat Man mini-nuke launcher to take on a Super Mutant Behemoth. ''Fallout 3'' handled it better for several reasons: the quest takes you quite a ways into the heart of the Capital Wasteland, meaning you invariably have to spend time doing sidequests just to reach the level where you can reasonably survive the regular encounters in that part of the game, and the powerful weapon it hands you to even the odds is [[AwesomeButImpractical highly limited in its uses outside of that setpiece]] between the cost of keeping it in serviceable condition and the rarity of its ammo. In contrast, ''Fallout 4'' puts this setpiece in an area that barely takes ten minutes to reach from where you start the game, meaning you haven't contended with anything more dangerous than a few nearly-harmless bugs and poorly-equipped raiders, and the gear you're given to even the odds [[DiscOneNuke trivializes everything you deal with from that point]], especially given it will take quite a while before you move on from those bugs and low-tier raiders - power armor no longer requires a perk to wear and is limited only in its need for fusion cores to power it, the minigun needs no maintenance and comes with over a thousand bullets, and it doesn't take all that long before you'll find yourself swimming in fusion cores and 5mm ammo to keep using both of them through the whole game.

* ''VideoGame/Fallout2'' is generally very well-loved, but if there's one ''very'' vocal complaint about it, it's [[DenserAndWackier the excess of pop culture references and humor]]. The first game had its fair share of this, like being able to randomly encounter the [[Series/DoctorWho TARDIS]] or troopers quoting movies on occasion, but these were more {{Easter Egg}}s than anything, and they were used fairly sparingly or still made some sense in context. In the second game, they show up a lot more and are much easier to find, which often damages the game's dramatic tone and story -- after all, it's a little hard to take the plight of a slave seriously when they're blatantly quoting ''Film/BackToTheFuture''. It's not for no reason that ''New Vegas'' essentially provided the option to turn the silly stuff off by locking a lot of it behind the "[[WeirdnessMagnet Wild Wasteland]]" trait. The "Bethouts" not doing this is often seen as a case of not getting the memo.

** Ditto for the bugs, which Bethesda games have ''always'' been notorious for - even ''New Vegas'', by an entirely different developer, was infamously broken on release and still has several bugs that are all but guaranteed to happen in a fully-patched game. The thing was, in the past the series' thriving and robust [[GameMod modding community]] was able to step in and fix broken gameplay mechanics through unofficial patches. Many fans felt that modders saved even Bethesda's buggiest releases, and that mods were necessary to get the best possible experience. ''Fallout 76'', on the other hand, was an online-only game and thus couldn't be modded, meaning that not only could modders not bail out Bethesda this time, but the strain of running an always-online experience created new avenues for Bethesda's programming to go wrong.
** When ''Fallout 3'' came out, one of the more common gripes from old-school fans was the [[ItsTheSameNowItSucks apparent lack of advancement of the setting]]--despite the change from the West Coast to the East Coast and the timeline jumping forward by several decades, plenty of things from the old games are present that really shouldn't be there (such as caps, Super Mutants, the Brotherhood, and the Enclave), often having undergone {{Flanderization}} in the process, while the Capital Wasteland itself feels far less developed in terms of civilization than the West Coast (such as the prominence of old pre-War buildings that are still covered in rubble, even when they're still in use). This was largely tamped down, though, because ''3'' was meant to be a reintroduction to the series after ten years where the only releases were semi-obscure spinoffs, and the reaction would likely have been even worse if the first new ''Fallout'' game in a decade didn't feel post-apocalyptic and lacked any iconic elements. However, ''4'', released after the series had reestablished itself for a new generation, was seen as having largely doubled down on these elements to the point of introducing multiple {{Series Continuity Error}}s (including several characters who operate clearly-successful businesses out of rubble-covered buildings with skeletons in them that the owner just strangely refuses to remove), and the fanbase proved significantly less forgiving. It didn't help that ''New Vegas'' had avoided most of those same problems in the interim (by both being set in a ''newly'' war-torn borderland between two emerging post-war nation-entities, also having New Vegas itself set up to serve as a contrast and example of re-emerging civilization, and being a plausible location to put a capstone on some of the lingering plotlines from the Black Isle days), nor that most of Bethesda's new additions to the series lore got at best a lukewarm reception or were seen as largely derivative. When ''76'' announced that ''another'' game would somehow crowbar in the Enclave, Super Mutants, the Brotherhood, and caps, before most of those things should even exist, much less have expanded to West Virginia, the jokes about how Bethesda can't make anything new became a lot less niche.
** Every game has featured some degree of retconning, continuity errors, or problematic lore. Even the first game has some funky continuity in places (deathclaws are treated as borderline cryptids in the Hub but are common knowledge in the Boneyard just a little ways south of the Hub), but this could be explained away as different settlements not keeping up with one another as much in the earlier years of the post-apocalypse. Later games, though, tended to retcon more important things in dumber ways and for dumber reasons--for instance, ''4'' accidentally introduced that Jet is a pre-war invention (making the impact of an entire questline and main character of ''2'' null and void), that ghouls don't need food or water (rendering the entire question of the Necropolis in ''1'' pointless), and that Enclave power armor is pre-war (meaning the Enclave apparently [[OrcusOnHisThrone just sat on their butts for over a century]]). This relates to the above, as some of the silliest retcons were the result of attempts to add in "iconic" factions. ''76'''s retcon that the Brotherhood somehow managed to fully establish their organization and expand from California to West Virginia in ''less than thirty years'', with the only reason given being a HandWave of them having a satellite, was just the point where even fans who hadn't played the old games realized things couldn't add up.

** ''VideoGame/FalloutNewVegas'' downplayed the importance of the KarmaMeter, with a player's karma only affecting a handful of perks and whether the ending describes them as a prick or not. It was widely seen as a good move, as it helped get away from the many StupidEvil and BlackAndWhiteMorality moments of ''3'' (where most of the "evil" options consist of simply killing [=NPCs=] instead of talking to and doing things for them, driving yourself by nothing more than bloodlust and spite), and moved the game in the direction of the more intriguingly grey factions. When ''Fallout 4'' did away with the karma system entirely, though, it became a real problem, as the developers were no longer obligated to provide "good karma/bad karma" opportunities in the game. Without the need to let the player act out and be a jerk, a lot of other roleplay aspects fell by the wayside, leading to ''4''[='=]s [[ButThouMust memetically railroaded conversations]] where your options to someone's requests almost universally boil down to "yes", "make a sarcastic quip but still agree", or "put it off until you're ready to say yes". It didn't help that ''4''[='=]s factions just weren't as popular as ''New Vegas''[='=]s, meaning defining oneself by faction loyalty felt like a lost cause.

** Every game has featured some degree of retconning, continuity errors, or problematic lore. Even the first game has some funky continuity in places (deathclaws are treated as borderline cryptids in the Hub but are common knowledge in the Boneyard). Later games, though, tended to retcon more important things in dumber ways and for dumber reasons--for instance, ''4'' accidentally introduced that Jet is a pre-war invention (making the impact of an entire questline and main character of ''2'' null and void), that ghouls don't need food or water (rendering the entire question of the Necropolis in ''1'' pointless), and that Enclave power armor is pre-war (meaning the Enclave apparently [[OrcusOnHisThrone just sat on their butts for over a century]]). This relates to the above, as some of the silliest retcons were the result of attempts to add in "iconic" factions. ''76'''s retcon that the Brotherhood somehow managed to fully establish their organization and expand from California to West Virginia in ''less than thirty years'', with the only reason given being a HandWave of them having a satellite, was just the point where even fans who hadn't played the old games realized things couldn't add up.

* A more minor example is the series' use of weapons. As visible [[https://www.imfdb.org/wiki/Fallout:_A_Post-Nuclear_Role-Playing_Game here,]] a good portion of the first game's guns, including ballistics, were fictional (at best attributed to real-life manufacturers) and not especially pretty to look at. Being an RPG first and an isometric shooter second, though, this wasn't too distracting because weapons were more tools than key parts of gameplay. The second game also increased the number of realistic weapons, but when the series transitioned to the First-Person Shooter genre with ''Fallout 3'', the player was forced to look at these ugly weapons that made little mechanical sense for much of the game, which only got worse with ''Fallout 4'' and its over-prevalence of the ugly-as-sin, scrap-built "pipe" weapons, which thanks to the expanded gun modification system could be set up in every caliber for every purpose, and as such are used by just about everyone, everywhere. This wasn't helped by a good third of the arsenals in ''3'' and ''4'' turning out to be [[ScrappyWeapon widely disliked]] or borderline [[JokeWeapon intentionally unusable]] without many upgrades and the right perks to try and mitigate their problems, so it's no wonder there are hours of content online complaining about the weapons from both a realism ''and'' gameplay standpoint and that mods to add real firearms or make in-game ones more realistic are so popular (the game's gunplay is often praised, so long as you download mods to get guns that are nice to look at). The Bethesda arsenals also tend to have somewhat obvious gaps and redundancies (two 10mm pistols in ''3'', one of which is objectively superior to the other; another pistol that has no reason to be used because it shares ammo with a much more powerful rifle; no .45 semi-autos or pump shotguns in either game; the lever-action rifle in ''4'' needs unique ammo instead of the 10mm or .44 it could fire in real life; etc.) that can make players long for real guns to do the undone jobs.

** ''VideoGame/FalloutNewVegas'' downplayed the importance of the KarmaMeter, with a player's karma only affecting a handful of perks and whether the ending describes them as a prick or not. It was widely seen as a good move, as it helped get away from the many StupidEvil and BlackAndWhiteMorality moments of ''3'' (where most of the "evil" options consist of simply killing [=NPCs=] instead of talking to and doing things for them, driving yourself by nothing more than bloodlust and spite), and moved the game in the direction of the more intriguingly grey factions. When ''Fallout 4'' did away with the karma system entirely, though, it became a real problem, as the developers were no longer obligated to provide "good karma/bad karma" opportunities in the game. Without the need to let the player act out and be a jerk, a lot of other roleplay aspects fell by the wayside, leading to ''4''[='=]s [[ButThouMust memetically railroaded conversations]] where your options to someone's requests almost universally boil down to "yes" or "make a sarcastic quip but still agree". It didn't help that ''4''[='=]s factions just weren't as popular as ''New Vegas''[='=]s, meaning defining oneself by faction loyalty felt like a lost cause.

* One of the more common critiques of ''VideoGame/Fallout3''[='=]s story is that you have no option to join the Enclave and are effectively {{railroad|ing}}ed into wiping them out. This was true in ''VideoGame/Fallout2'' as well, but the Enclave in ''2'' are established as more or less a death cult worshiping the old United States, and they regard the player character as a degenerate who must be exterminated for the good of humanity. Asking to join them would effectively be a PressXToDie button. Even in the original game, joining the mutants simply results in a NonStandardGameOver. By contrast, the Enclave in ''3'' are nowhere near as evil, have nowhere near as much reason to hate the PC, and seem to just be another imperialist power among many in the wasteland. They do have a plan that approaches the genocidal nature of their plan in ''2'', but most of the Enclave is not on board with it, and you can stop it halfway through the game and they'll keep going. Indeed, bafflingly, you can ''help'' the most unreasonable factions of the Enclave accomplish that plan, ''which will kill you'', but you can't join the more reasonable factions that only want to control the water supply without irradiating it, (which, not for nothing, is the ''exact same goal'' that the Brotherhood of Steel, aka ''the Good Guys'', have) making it an even more baffling place to draw the line.

* A more minor example is the series use of weapons. As visible [[https://www.imfdb.org/wiki/Fallout:_A_Post-Nuclear_Role-Playing_Game here,]] a good portion of the first game's guns, including ballistics, were fictional (at best attributed to real-life manufacturers) and not especially pretty to look at. Being an RPG first and an isometric shooter second, though, this wasn't too distracting because weapons were more tools than key parts of gameplay. The second game also increased the number of realistic weapons, but when the series transitioned to the First-Person Shooter genre with ''Fallout 3'', the player was forced to look at these ugly weapons that made little mechanical sense for much of the game, which only got worse with ''Fallout 4'' and its over-prevalence of the ugly-as-sin, scrap-built "pipe" weapons, which thanks to the expanded gun modification system could be set up in every caliber for every purpose, and as such are used by just about everyone, everywhere. This wasn't helped by a good third of the arsenals in ''3'' and ''4'' turning out to be [[ScrappyWeapon widely disliked]] or borderline [[JokeWeapon intentionally unusable]] without many upgrades and the right perks to try and mitigate their problems, so it's no wonder there are hours of content online complaining about the weapons from both a realism ''and'' gameplay standpoint and that mods to add real firearms or make in-game ones more realistic are so popular (the game's gunplay is often praised, so long as you download mods to get guns that are nice to look at). The Bethesda arsenals also tend to have somewhat obvious gaps and redundancies (two 10mm pistols in ''3'', one of which is objectively superior to the other; another pistol that has no reason to be used because it shares ammo with a much more powerful rifle; no .45 semi-autos or pump shotguns in either game; the lever-action rifle in ''4'' needs unique ammo instead of the 10mm or .44 it could fire in real life; etc.) that can make players long for real guns to do the undone jobs.