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It had a difficult UsefulNotes/ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[CreatorBacklash not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.

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It had a difficult UsefulNotes/ScriptLifeCycle.MediaNotes/ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[CreatorBacklash not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.
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Dewicking per TRS decision.


* BiTheWay: Keynes.
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[[quoteright:310:https://static.tvtropes.org/pmwiki/pub/images/wittgenstein_5.jpg]]
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* ReluctantWarrior: Wittgenstein goes off to fight for the Austrian side in WorldWarOne only because he hopes that the [[SecretTestOfCharacter proximity of death will bring him closer to God]]. It doesn't work.

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* ReluctantWarrior: Wittgenstein goes off to fight for the Austrian side in WorldWarOne UsefulNotes/WorldWarI only because he hopes that the [[SecretTestOfCharacter proximity of death will bring him closer to God]]. It doesn't work.
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The adult Wittgenstein is played by Karl Johnson, who would go on to play another [[{{Characters/Rome}} philosophical stoic]]. Also features a memorable early-ish appearance by TildaSwinton as Bertrand Russell's {{Cloudcuckoolander}} mistress, [[RichBoredom Lady Ottoline Morrell]].

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The adult Wittgenstein is played by Karl Johnson, who would go on to play another [[{{Characters/Rome}} philosophical stoic]]. Also features a memorable early-ish appearance by TildaSwinton Creator/TildaSwinton as Bertrand Russell's {{Cloudcuckoolander}} mistress, [[RichBoredom Lady Ottoline Morrell]].
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* AsideGlance: Ottoline gives one of these when she's reading aloud from Bertie's letter about Wittgenstein.
-->'''Ottoline''': [''reading aloud''] "His disposition is that of the artist, intuitive and moody. He affects me, just as I affect you. I get to know every turn and twist of the ways in which I irritate and depress you...[''AsideGlance, beat'']...from watching how--" [''CUT to:'']
-->'''Bertie''': [''reading aloud''] "...he irritates and depresses me."


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* PrecisionFStrike: Young Wittgenstein drops one, aged 12.[[note]]Seventeen years ahead of ''Film/KickAss'', trivia fans.[[/note]]
-->'''Young Wittgenstein''': God, the English are a queer bunch. Lady Ottoline Morrell was the queerest. She was fucking the gardener ''and'' Russell. All the fun was in the country houses. Everyone else was miserable.
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* MathematiciansAnswer:
-->'''Keynes''': [''after one of Wittgenstein's tutorials''] That was quite masterly.
-->'''Wittgenstein''': It was frightful.
-->'''Keynes''': I don't know. Made me feel like a vegetable.
-->'''Wittgenstein''': [''suspicious''] How could it possibly? It doesn't feel like anything to be a vegetable.
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Moved to the Trivia tab.


* FakeNationality: English actor Karl Johnson playing Austrian philosopher Ludwig Wittgenstein.
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1993 sort-of-{{Biopic}} of the [[ThePhilosopher philosopher]] LudwigWittgenstein, directed by British filmmaker Derek Jarman. Notable for serious LampshadeHanging of its studio set, in which brightly coloured costumes stand out against black-draped backgrounds, and in general a high degree of BreakingTheFourthWall in the form of its onscreen and distinctly LemonyNarrator, who is Wittgenstein himself as a 12-year-old boy.

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1993 sort-of-{{Biopic}} of the [[ThePhilosopher philosopher]] LudwigWittgenstein, Creator/LudwigWittgenstein, directed by British filmmaker Derek Jarman. Notable for serious LampshadeHanging of its studio set, in which brightly coloured costumes stand out against black-draped backgrounds, and in general a high degree of BreakingTheFourthWall in the form of its onscreen and distinctly LemonyNarrator, who is Wittgenstein himself as a 12-year-old boy.

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It had a difficult ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[CreatorBacklash not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.

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It had a difficult ScriptLifeCycle.UsefulNotes/ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[CreatorBacklash not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.



!!Provides examples of:

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!!Provides examples of:!!Tropes:


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* CampStraight: John Maynard Keynes, as camp as a row of tents and yet deeply in love with his ballerina wife Lydia Lopokova.

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* CampStraight: Camp Bi, really: John Maynard Keynes, as camp as a row of tents tents, having a casual snog with a handsome male student, and yet deeply in love with his ballerina wife Lydia Lopokova.Lopokova. Once more, TruthInTelevision: Keynes in real life was quite open about his affairs with handsome young guys, and then in 1921 he fell in love with Lopokova and, after he married her, remained faithful to her until his death 20 years later.
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It had a difficult ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[{{Understatement}} not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.

to:

It had a difficult ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[{{Understatement}} [[CreatorBacklash not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.
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* FreudWasRight: Wittgenstein doesn't think so. TruthInTelevision again: Wittgenstein's real-life sister Gretl was actually analysed by Freud, and while Wittgenstein read and was impressed by Freud, he couldn't help being sceptical.
-->'''Wittgenstein''': You've been reading Sigmund Freud.
-->'''Bertrand Russell''': What of it?
-->'''Wittgenstein''': It's dangerous stuff. Believe me. It takes one Viennese to know another.
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* CompositeCharacter: Wittgenstein's sister Hermine (Sally Dexter) is a composite of two of Wittgenstein's real-life sisters, Margarethe and Hermine.


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* FreudWasRight: Wittgenstein doesn't think so. TruthInTelevision again: Wittgenstein's real-life sister Gretl was actually analysed by Freud, and while Wittgenstein read and was impressed by Freud, he couldn't help being sceptical.
-->'''Wittgenstein''': You've been reading Sigmund Freud.
-->'''Bertrand Russell''': What of it?
-->'''Wittgenstein''': It's dangerous stuff. Believe me. It takes one Viennese to know another.

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-->'''Wittgenstein''': I've decided to commit suicide.
-->'''Ottoline Morrell''': [[SpotOfTea Tea before you go?]]

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-->'''Wittgenstein''': I've decided to commit suicide.
-->'''Ottoline Morrell''': [[SpotOfTea Tea So what are you planning to do for the rest of your life.
-->'''Wittgenstein''': I shall start by committing suicide.
-->'''Bertrand Russell''': Champagne
before you go?]] go?



* StraightGay: All the gay characters are this, Wittgenstein most of all. Justified in his case in that he wasn't entirely comfortable with his sexuality. Wittgenstein's biographer Ray Monk has asserted that Wittgenstein wasn't entirely comfortable with sexuality as such.

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* StraightGay: All Many of the gay characters are this, Wittgenstein most of all. Justified in his case in that he wasn't entirely comfortable with his sexuality. Wittgenstein's biographer Ray Monk has asserted that Wittgenstein wasn't entirely comfortable with sexuality as such.
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* MoreDakka: Wittgenstein, armed with a Bergmann MP18, attempts to use Dakka to achieve enlightenment.

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* MoreDakka: Wittgenstein, armed with a Bergmann MP18, MP 18, attempts to use Dakka to achieve enlightenment.
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* SmartPeopleSpeakTheQueensEnglish: Played largely straight but averted in the case of Wittgenstein, who's the smartest person in the movie: Karl Johnson's Austrian accent is sometimes ''hilarious''. (Also not TruthInTelevision: in real life, Wittgenstein spoke English with Received Pronounciation, and had barely a trace of an Austrian accent.) Also averted with Johnny, who's a philosophy student from OopNorth.
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* FakeNationality: English actor Karl Johnson playing Austrian philosopher Ludwig Wittgenstein.
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* BiTheWay: Keynes.


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* MoreDakka: Wittgenstein, armed with a Bergmann MP18, attempts to use Dakka to achieve enlightenment.
* NoNameGiven: Johnny.

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The adult Wittgenstein is played by Karl Johnson, who would go on to play another [[{{Characters/Rome}} philosophical stoic]].

to:

The adult Wittgenstein is played by Karl Johnson, who would go on to play another [[{{Characters/Rome}} philosophical stoic]]. \n Also features a memorable early-ish appearance by TildaSwinton as Bertrand Russell's {{Cloudcuckoolander}} mistress, [[RichBoredom Lady Ottoline Morrell]].



* HeroicSelfDeprecation: Wittgenstein is prone to this: again, TruthInTelevision.
-->'''Wittgenstein''': ''[on his deathbed]'' You know, I would have liked to construct a philosophical work made entirely out of jokes.
-->'''Keynes''': Why didn't you?
-->'''Wittgenstein''': Sadly, I [[NoSenseOfHumour didn't have a sense of humour]].



* StraightGay: All the gay characters are this, Wittgenstein most of all. Justified in his case in that he wasn't entirely comfortable with his sexuality (his biographer Ray Monk has asserted that Wittgenstein wasn't entirey

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* StraightGay: All the gay characters are this, Wittgenstein most of all. Justified in his case in that he wasn't entirely comfortable with his sexuality (his sexuality. Wittgenstein's biographer Ray Monk has asserted that Wittgenstein wasn't entireyentirely comfortable with sexuality as such.
* TribalFacePaint: Ottoline Morrell wears this in one scene and doesn't seem to think that there's anything weird about it.
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Created article

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1993 sort-of-{{Biopic}} of the [[ThePhilosopher philosopher]] LudwigWittgenstein, directed by British filmmaker Derek Jarman. Notable for serious LampshadeHanging of its studio set, in which brightly coloured costumes stand out against black-draped backgrounds, and in general a high degree of BreakingTheFourthWall in the form of its onscreen and distinctly LemonyNarrator, who is Wittgenstein himself as a 12-year-old boy.

It had a difficult ScriptLifeCycle. The original draft was written by Eng Lit academic Terry Eagleton. Contrary to his reputation as a left-wing maverick, Eagleton delivered a rather low-key, realistic script, but Jarman didn't think it was [[RuleOfFun fun]] enough and he heavily rewrote Eagleton's version, [[{{Understatement}} not entirely to the latter's unqualified delight]]. Jarman injected a lot of visual jokes and generally [[RuleOfFunny upped the level of humour]], and the result was widely praised as one of the more original and thoughtful films ever made about a philosopher. When Eagleton's and Jarman's screenplays were published in one volume, it was pointed out that whereas in Eagleton's script the characters just talked about Wittgenstein's ideas, in Jarman's movie the ideas themselves are dramatised.

Jarman made the film while suffering from AIDS, and it was the last feature he made before his eyesight deteriorated to the point that he could no longer direct conventional films; his final film ''Blue'' consists of just a blue screen and a complex soundtrack of voices.

The adult Wittgenstein is played by Karl Johnson, who would go on to play another [[{{Characters/Rome}} philosophical stoic]].

----
!!Provides examples of:
* AnachronismStew: Wittgenstein is taunted by Lycra-wearing girls with 20th century racing bikes.
* BunnyEarsLawyer: Wittgenstein as an adult. Every account of Wittgenstein's real-life behaviour confirms that this is TruthInTelevision.
* CampStraight: John Maynard Keynes, as camp as a row of tents and yet deeply in love with his ballerina wife Lydia Lopokova.
* DeadpanSnarker: Bertrand Russell and Ottoline Morrell.
-->'''Wittgenstein''': I've decided to commit suicide.
-->'''Ottoline Morrell''': [[SpotOfTea Tea before you go?]]
* LittleGreenMen: Young Wittgenstein has regular conversations with one of these, a Martian who's on Earth to try and figure out human behaviour.
* ReluctantWarrior: Wittgenstein goes off to fight for the Austrian side in WorldWarOne only because he hopes that the [[SecretTestOfCharacter proximity of death will bring him closer to God]]. It doesn't work.
* StraightGay: All the gay characters are this, Wittgenstein most of all. Justified in his case in that he wasn't entirely comfortable with his sexuality (his biographer Ray Monk has asserted that Wittgenstein wasn't entirey

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