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Unnecessary potholes from ban evader.
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* OhCrap: After convincing the villagers that [[Main/ReligionIsWrong Baradagi is not real and that they shouldn't believe in such nonsense]], the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''[[Main/RealAfterAll is real]]'' to everyone's horror.
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* OhCrap: After convincing the villagers that [[Main/ReligionIsWrong Baradagi is not real and that they shouldn't believe in such nonsense]], nonsense, the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''[[Main/RealAfterAll is real]]'' ''is real'' to everyone's horror.
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None
Changed line(s) 25 (click to see context) from:
* OhCrap: After convincing the villagers that Baradagi is not real and that they shouldn't believe in such nonsense, the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''[[Main/RealAfterAll is real]]'' to everyone's horror.
to:
* OhCrap: After convincing the villagers that [[Main/ReligionIsWrong Baradagi is not real and that they shouldn't believe in such nonsense, nonsense]], the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''[[Main/RealAfterAll is real]]'' to everyone's horror.
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None
Changed line(s) 25 (click to see context) from:
* OhCrap: After convincing the villagers that Baradagi is not real and that they shouldn't believe in such nonsense, the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''is real'' to everyone's horror.
to:
* OhCrap: After convincing the villagers that Baradagi is not real and that they shouldn't believe in such nonsense, the villagers huddle around Gen and his mother reuniting with one another...and then Varan emerges from his lake, proving that he ''is real'' ''[[Main/RealAfterAll is real]]'' to everyone's horror.
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TRS cleanup
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* AndNowForSomethingCompletelyDifferent: After the opening credits, which are set against the backdrop of the mountainous area where the first half of the movie takes place, the audience is treated to an opening narration about the mysteries of the twentieth century, set against the backdrop of rocket ships launching off into space. This has absolutely no impact on anything that takes place in the movie and is only referenced at the end of the film when the narrator says that Varan "vanished in a veil of mystery," after the other bomb explodes inside of him.
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Varan is a {{Kaiju}} movie produced by Creator/{{Toho}} Co, Ltd. in 1958. The film originally began life as a made-for-TV movie developed by Toho for American audiences. When the American producers backed out, Toho took what was left and decided to make a theatrical film out of it, while filming new sequences and removing some other ones of little consequence. Because the film was originally intended for television, and this being the 1950's, the film was shot in black-and-white. To make sure everything matched, the new footage for the film was also shot in black-and-white, making this the last theatrical monster movie to be released by Toho in black-and-white.
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Varan is a {{Kaiju}} movie produced by Creator/{{Toho}} Co, Ltd. in 1958. The film originally began life as a made-for-TV movie developed by Toho for American audiences. When the American producers backed out, Toho took what was left and decided to make a theatrical film out of it, while filming new sequences and removing some other ones of little consequence. Because the film was originally intended for television, and this being the 1950's, 1950s, the film was shot in black-and-white. To make sure everything matched, the new footage for the film was also shot in black-and-white, making this the last theatrical monster movie to be released by Toho in black-and-white.
