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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996.[[note]]A 49th tribute film with archival footage of Atsumi was released in 1997. A reboot of the series is scheduled to be released in December 2019.[[/note]] It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996.[[note]]A 49th tribute film with archival footage of Atsumi was released in 1997. A reboot of the series is scheduled to be series, starring the actor who played little Mitsuo in this film as a middle-aged man with romantic difficulties of his own, was released in December 2019.[[/note]] It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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* WalkingTheEarth: Tora's fate at the end of all the Tora-San films. In this one he takes off again after Aya dies, once more wandering around Japan selling his goods.
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* WalkingTheEarth: Tora's fate at the end of all the Tora-San films. In this one he takes off again after Aya dies, once more wandering around Japan selling his goods.goods.
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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996.[[note]]A 49th tribute film with archival footage of Atsumi was released in 1997. A reboot of the series is scheduled to be released in December 2019.[[/note]] It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996.[[note]]A 49th tribute film with archival footage of Atsumi was released in 1997. A reboot of the series is scheduled to be released in December 2019.[[/note]] It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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* DownerEnding: Somewhat more melancholy than most of the Tora-san films, which usually had a BittersweetEnding / DidNotGetTheGirl ending. In this one Tora is left WalkingTheEarth again after Aya, who quite obviously loves him, dies.
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* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya.
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* TrophyWife: Aya's backstory. Dialogue reveals that she was married after the war to a sleazy profiteer making money off the American occupation. The marriage was not a happy one and after a while she got divorced.
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya. Aya for her part is unhappy despite her pampered life, having never known true love.
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya. Aya for her part is unhappy despite her pampered life, having never known true love.
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[[quoteright:256:https://static.tvtropes.org/pmwiki/pub/images/1652bf16_99c5_4b8c_b381_0e160b6092ff.jpeg]]
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* OldRetainer: Aya's elderly maid, who is seen weeping after her mistress died, wishing that it was her instead.
* {{Tearjerker}}: Aya dies right after she seems to have found happiness with Tora.
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* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya.
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* TravelingSalesman: Tora is a traveling street peddler who sells various knickknacks.
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorceeAya.Aya.
* VictorianNovelDisease: Aya has the typical terminal illness which still leaves her looking beautiful and doesn't seem to have any symptoms at all, except in her last scene where she's looking paler than normal.
* VoiceoverLetter: Near the end a shot of a letter on a desk is accompanied by Masako's narration, as she reports that she has found work in Niigata.
* WalkingTheEarth: Tora's fate at the end of all the Tora-San films. In this one he takes off again after Aya dies, once more wandering around Japan selling his goods.
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee
* VictorianNovelDisease: Aya has the typical terminal illness which still leaves her looking beautiful and doesn't seem to have any symptoms at all, except in her last scene where she's looking paler than normal.
* VoiceoverLetter: Near the end a shot of a letter on a desk is accompanied by Masako's narration, as she reports that she has found work in Niigata.
* WalkingTheEarth: Tora's fate at the end of all the Tora-San films. In this one he takes off again after Aya dies, once more wandering around Japan selling his goods.
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* RichInDollarsPoorInSense: Masako makes fun of her mom, noting that pampered, sheltered Aya has no idea what anything costs. Aya, who regrets the way she's spent her life, is embarrassed.
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* TranslatedCoverVersion
** At Masako's school, the kids are singing a version of "Old Folks at Home" with Japanese lyrics.
** And at Aya's funeral, the mourners sing "Nearer My God to Thee" with Japanese lyrics.
** At Masako's school, the kids are singing a version of "Old Folks at Home" with Japanese lyrics.
** And at Aya's funeral, the mourners sing "Nearer My God to Thee" with Japanese lyrics.
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Torajirō Kuruma, aka "Tora-san" the vagabond traveling salesman, comes home to his family, all of whom, with the partial exception of his sister Sakura, regard him as a social embarrassment. In this installment Tora's shameless flirting with Masako, his young nephew's twenty-ish schoolteacher, leads to a violent family argument and Tora's departure from the family home. His sister upbraids him for coming on to a younger woman, pointing out that Masako is young enough to be Tora's daughter and it would be more appropriate for him to go out with someone like Masako's mother.
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Torajirō Kuruma, aka "Tora-san" the vagabond traveling salesman, comes home to his family, all of whom, with the partial exception of his sister Sakura, regard him as a social embarrassment. In this installment Tora's shameless flirting with Masako, his young nephew's nephew Mitsuo's twenty-ish schoolteacher, leads to a violent family argument and Tora's departure from the family home. His sister upbraids him for coming on to a younger woman, pointing out that Masako is young enough to be Tora's daughter and it would be more appropriate for him to go out with someone like Masako's mother.
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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996. It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996. [[note]]A 49th tribute film with archival footage of Atsumi was released in 1997. A reboot of the series is scheduled to be released in December 2019.[[/note]] It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
* ContinuityNod: Besides the regular appearance of Tora's family, this installment has a scene where Tora encounters two actors (Yoshio Yoshida and Mari Okamoto), part of a traveling theatrical troupe. They previously appeared in film #8, ''Tora-san's Love Call''.
* DreamSequence: The opening is a comical dream sequence in which Tora dreams of himself a a Creator/HumphreyBogart-esque haunted hero in a setting that looks a lot like ''Film/{{Casablanca}}''.
* DreamSequence: The opening is a comical dream sequence in which Tora dreams of himself a a Creator/HumphreyBogart-esque haunted hero in a setting that looks a lot like ''Film/{{Casablanca}}''.
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* StrictlyFormula: The "Tora-san" films all had a formula. Tora would come home from his wanderings, get into a fight with his family, and fall in love with a "madonna", only to fail to get the girl, usually when the girl fell for someone else. This film tweaks the formula a bit in that it's death, not another man, that separates Tora from his latest LoveInterest.
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* HypocriticalHumor: Tora complains about how his brother-in-law Hiroshi works in a print shop when Tora wanted Sakura to marry a college graduate. Aya guilelessly asks "Which college did you graduate from?", which forces Tora to confess that he didn't graduate from college either.
* {{Jerkass}}: The normally good-hearted Tora can sometimes forget himself and act like this. The arrival of lovely Masako at the family home causes Tora to not just shamelessly flirt with her, but also to arrogantly monopolize the conversation at dinner, preventing Mitsuo's parents from getting a word in edgewise. This leads to an ugly argument which results in Tora leaving the house.
* StrictlyFormula: The "Tora-san" films all had a formula. Tora would come home from his wanderings, get into a fight with his family, and fall in love with a "madonna", only to fail to get the girl, usually when the girl fell for someone else. This film tweaks the formula a bit in that it's death, not another man, that separates Tora from his latestLoveInterest.LoveInterest.
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya.
* {{Jerkass}}: The normally good-hearted Tora can sometimes forget himself and act like this. The arrival of lovely Masako at the family home causes Tora to not just shamelessly flirt with her, but also to arrogantly monopolize the conversation at dinner, preventing Mitsuo's parents from getting a word in edgewise. This leads to an ugly argument which results in Tora leaving the house.
* StrictlyFormula: The "Tora-san" films all had a formula. Tora would come home from his wanderings, get into a fight with his family, and fall in love with a "madonna", only to fail to get the girl, usually when the girl fell for someone else. This film tweaks the formula a bit in that it's death, not another man, that separates Tora from his latest
* UptownGirl: Tora's family, who are a little too concerned with his love life, get upset when Tora starts spending time with rich upper-crust divorcee Aya.
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This is a work in progress. More to come.
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''Tora's Pure Love'' is a 1976 film directed by Creator/YojiYamada.
Torajirō Kuruma, aka "Tora-san" the vagabond traveling salesman, comes home to his family, all of whom, with the partial exception of his sister Sakura, regard him as a social embarrassment. In this installment Tora's shameless flirting with Masako, his young nephew's twenty-ish schoolteacher, leads to a violent family argument and Tora's departure from the family home. His sister upbraids him for coming on to a younger woman, pointing out that Masako is young enough to be Tora's daughter and it would be more appropriate for him to go out with someone like Masako's mother.
Enter Masako's actual mother, Aya (Creator/MachikoKyo). Aya has just come home after spending three years in hospitals. Aya remembers Tora's family and the candy shop where they still live. She also remembers Tora from when he was younger, and the two of them hit it off. Soon an unlikely romance is blooming between the traveling salesman and the highborn lady--but what neither Tora nor Aya know is that Aya is terminally ill.
This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996. It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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!!Tropes:
* GirlOfTheWeek: Every episode of the Tora-san series had Tora falling in love with a different woman. This time it's Aya, a wealthy society lady who is terminally ill.
* StrictlyFormula: The "Tora-san" films all had a formula. Tora would come home from his wanderings, get into a fight with his family, and fall in love with a "madonna", only to fail to get the girl, usually when the girl fell for someone else. This film tweaks the formula a bit in that it's death, not another man, that separates Tora from his latest LoveInterest.
Torajirō Kuruma, aka "Tora-san" the vagabond traveling salesman, comes home to his family, all of whom, with the partial exception of his sister Sakura, regard him as a social embarrassment. In this installment Tora's shameless flirting with Masako, his young nephew's twenty-ish schoolteacher, leads to a violent family argument and Tora's departure from the family home. His sister upbraids him for coming on to a younger woman, pointing out that Masako is young enough to be Tora's daughter and it would be more appropriate for him to go out with someone like Masako's mother.
Enter Masako's actual mother, Aya (Creator/MachikoKyo). Aya has just come home after spending three years in hospitals. Aya remembers Tora's family and the candy shop where they still live. She also remembers Tora from when he was younger, and the two of them hit it off. Soon an unlikely romance is blooming between the traveling salesman and the highborn lady--but what neither Tora nor Aya know is that Aya is terminally ill.
This is the 18th of '''forty-eight films''' in the "Otoko wa Tsurai yo" Or ''It's Tough Being a Man'' or "Tora-San" series, all of which starred Kiyoshi Atsumi as Tora-san; the series started in 1969 and ran in Japanese theaters until Atsumi died in 1996. It's also the next-to-last film appearance for Machiko Kyo, a star of Japanese cinema going back to ''Film/{{Rashomon}}'' in 1950.
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!!Tropes:
* GirlOfTheWeek: Every episode of the Tora-san series had Tora falling in love with a different woman. This time it's Aya, a wealthy society lady who is terminally ill.
* StrictlyFormula: The "Tora-san" films all had a formula. Tora would come home from his wanderings, get into a fight with his family, and fall in love with a "madonna", only to fail to get the girl, usually when the girl fell for someone else. This film tweaks the formula a bit in that it's death, not another man, that separates Tora from his latest LoveInterest.
