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Production-wise, it was proceeded by ''Film/TerrorOfMechagodzilla''. Chronologically, it is proceeded by ''Film/Godzilla1954'' while it is followed by ''Film/GodzillaVsBiollante''.
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Production-wise, it was proceeded by ''Film/TerrorOfMechagodzilla''. Chronologically, In continuity, it is proceeded by ''Film/Godzilla1954'' while follows ''Film/Godzilla1954'', and it is followed by ''Film/GodzillaVsBiollante''.
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* StoryReset: set after [[Film/Godzilla1954 the first film,]] disregarding previous canon.
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* StoryReset: set Set after [[Film/Godzilla1954 the first film,]] disregarding previous canon.
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* EarlyInstallmentWeirdness: {{Downplayed}} as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie.
Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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* EarlyInstallmentWeirdness: {{Downplayed}} as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. \n Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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Not an example
Deleted line(s) 42 (click to see context) :
* DeathWail: Godzilla produces one when he is falling into Mt. Mihara in the Japanese "B" mix (never released on home video, but was issued in a stereo form on an LP release), the international dub (which uses the same "B" stems as a supposed mono Japanese release), and ''1985''.
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** Martin outright calls him this during his final monologue.
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* MrExposition: Steve Martin and Dr. Hayashida
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* MrExposition: Steve Martin and Dr. HayashidaHayashida.
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* NeverFoundTheBody: In the American version, Steve Martin makes this claim about the attack in 1956.
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* NeverFoundTheBody: In the American version, Steve Martin makes this claim about the attack attempt to kill Godzilla with the Oxygen Destroyer back in 1956.
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* EarlyInstallmentWeirdness: {{Downplayed}} as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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* EarlyInstallmentWeirdness: {{Downplayed}} as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie.
Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again afterthis.this.
** Along with this, the Godzilla’s design in this movie differs from the otherwise fairly consistent look of the Hesei era designs.
Subsequently, aside from ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after
** Along with this, the Godzilla’s design in this movie differs from the otherwise fairly consistent look of the Hesei era designs.
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A reprisal is a retaliatory attack; the correct name is Role Reprise. It's also Trivia.
Deleted line(s) 83 (click to see context) :
* RoleReprisal: The American version goes the extra mile to bring back Raymond Burr as Steve Martin, who first appeared in the American version of the original film.
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* ArmoredCoffins: The Super-X turns into one for its crew. While specifically stated to have been constructed to defend Japan, exactly what it was supposed to defend ''against'' was not so specific. We can assume Godzilla was not included in the mission parameters.
* ArmorIsUseless: Subverted. The Super-X is made out of space-age materials and given a special coating that allows it to withstand Godzilla's atomic ray; however, it only works for a limited number of blasts, and it does nothing to stop a skyscraper falling on top of it.
* ArmorIsUseless: Subverted. The Super-X is made out of space-age materials and given a special coating that allows it to withstand Godzilla's atomic ray; however, it only works for a limited number of blasts, and it does nothing to stop a skyscraper falling on top of it.
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* ArmoredCoffins: The Super-X Super X turns into one for its crew. While specifically stated to have been constructed to defend Japan, exactly what it was supposed to defend ''against'' was not so specific. We can assume Godzilla was not included in the mission parameters.
* ArmorIsUseless: Subverted. TheSuper-X Super X is made out of space-age materials and given a special coating that allows it to withstand Godzilla's atomic ray; however, it only works for a limited number of blasts, and it does nothing to stop a skyscraper falling on top of it.
* ArmorIsUseless: Subverted. The
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* RoaringRampageOfRevenge: Godzilla's second fight with the Super-X is actually one of these. He clearly recognizes the Super-X, and he is ''very, very pissed.'' Tokyo's business district is barely recognizable afterwards.
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* RoaringRampageOfRevenge: Godzilla's second fight with the Super-X Super X is actually one of these. He clearly recognizes the Super-X, Super X, and he is ''very, very pissed.'' pissed'' from it trying and nearly succeeding to kill him. Tokyo's business district is barely recognizable afterwards.thoroughly trashed by the end of the second fight, though not quite to the same extent as the 1954 film.
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* UnstoppableRage: When Godzilla sees the Super-X, after waking up, he remembers what it did to him, which in turn leads to Roaring Rampage of Revenge described above.
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* UnstoppableRage: When Godzilla sees the Super-X, Super X, after waking up, he remembers what it did to him, which in turn leads to Roaring Rampage of Revenge described above.
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Deleted line(s) 58 (click to see context) :
** An extra involved one in the American version as they bring back Steve Martin who appeared in the American version of the original movie.
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* RoleReprisal: The American version goes the extra mile to bring back Raymond Burr as Steve Martin, who first appeared in the American version of the original film.
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** An extra involved one in the American version as they bring back Steve Martin who appeared in the American version of the original movie.
* NeverFoundTheBody: In the American version, Steve Martin makes this claim about the attack in 1956.
* NeverFoundTheBody: In the American version, Steve Martin makes this claim about the attack in 1956.
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Changed line(s) 14 (click to see context) from:
Production-wise, it was proceeded by ''Film/TerrorOfMechagodzilla''. Chronologically, it is proceeded by ''Film/Godzilla1954'' while it is followed by ''Film/GodzillaVsBiolantte''.
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Production-wise, it was proceeded by ''Film/TerrorOfMechagodzilla''. Chronologically, it is proceeded by ''Film/Godzilla1954'' while it is followed by ''Film/GodzillaVsBiolantte''.''Film/GodzillaVsBiollante''.
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Production-wise, it was proceeded by ''Film/TerrorOfMechagodzilla''. Chronologically, it is proceeded by ''Film/Godzilla1954'' while it is followed by ''Film/GodzillaVsBiolantte''.
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Changed line(s) 76 (click to see context) from:
* RevisitingTheRoots: Following several films where he was a straight up heroic character, Godzilla is once again portrayed as an antagonistic figure, like the original 1954 incarnation.
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* RevisitingTheRoots: Following several films where he was a straight up heroic character, Godzilla is once again portrayed as an antagonistic yet tragic figure, like the original 1954 incarnation.
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* ShownTheirWork: Godzilla is attracted to the calls of birds because, as a dinosaur himself, he is related to them, something which is addressed in the movie itself. Keep in mind this was made in a time when the link between dinosaurs and birds was still a topic of much debate between the scientific community.
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* AdaptationalVillainy: The Russians in New World's edit.
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* AdaptationalVillainy: The Russians in New World's edit. In the original, the missile guidance ship Balashevo is damaged by Godzilla and sends out the signal for a satellite to launch an [=ICBM=] at Tokyo, with Colonel Kashirin bravely trying to stop the launch sequence before dying in a small explosion onboard the ship; in the New World edit, Kashirin exclaims that he ‘must launch that missile!’ and activates the launch sequence himself... only to die in a small explosion anyway.
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* AdvertisedExtra: The bum (Tetsuya Takeda) is shown in the poster along with Goro Maki (Ken Tanaka), Hiroshi Okumura (Shin Takuma), Naoko Okumura (Yasuko Sawaguchi), Makoto Hayashida (Yosuke Natsuki), and the Prime Minister (Seiki Mitamura). He only shows up when Godzilla attacks Tokyo in the third act.
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Changed line(s) 42 (click to see context) from:
* EarlyInstallmentWeirdness: Downplayed as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from [[Film/GodzillaVsBiollante Godzilla vs. Biollante]], the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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* EarlyInstallmentWeirdness: Downplayed {{Downplayed}} as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from [[Film/GodzillaVsBiollante Godzilla vs. Biollante]], ''Film/GodzillaVsBiollante'', the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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* StoryReset: set after [[Film/Godzilla1954 the first film,]] disregarding previous canon.
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* BilingualDialogue: In the Japanese version, the conversations with the diplomatic discussion to use nuclear weapons on Godzilla are as follows: The Prime Minister: Japanese (obviously), The American Ambassador: English, and the USSR ambassador (Russian). In the English version, The Prime Minister speaks English while the Russian ambassador still speaks Russian. Averted entirely in the International version, where everyone has been re-dubbed into English, the U.S. envoy included.
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* BilingualDialogue: In the Japanese version, the conversations with the diplomatic discussion to use nuclear weapons on Godzilla are as follows: The Prime Minister: Japanese (obviously), The the American Ambassador: English, Ambassador (English), and the USSR ambassador (Russian). In the English version, The Prime Minister speaks English while the Russian ambassador still speaks Russian. Averted entirely in the International version, where everyone has been re-dubbed into English, the U.S. envoy included.
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* PlotIrrelevantVillain: Shockirus, the man-sized, man-eating green lice who wiped out an entire boat crew. Though it doesn't really play much of a role in the plot, the producers probably placed him at the beginning to give Godzilla an AlwaysABiggerFish introduction.
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* RiddleForTheAges: Martin is seen thumbing a ''[[UsefulNotes/{{Taoism}} taichi]]'' amulet, the significance of which is never revealed.
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Changed line(s) 42 (click to see context) from:
* EarlyInstallmentWeirdness: Downplayed as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from [[Film/GodzillaVsBiollante Godzilla vs. Biollante]], the characters of this movie and their actions are never brought up again after this.
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* EarlyInstallmentWeirdness: Downplayed as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from [[Film/GodzillaVsBiollante Godzilla vs. Biollante]], the characters of this movie and their actions sans the Prime Minister are never brought up again after this.
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* EarlyInstallmentWeirdness: Downplayed as the Heisei era has a pretty consistent continuity from here to ''Destoroyah'' (the Super X for instance is brought back and modified 2 more times after this film), but characters like Miss Miki Saegusa are nowhere to be seen here, nor is the concept of psychics brought up once in this movie. Subsequently, aside from [[Film/GodzillaVsBiollante Godzilla vs. Biollante]], the characters of this movie and their actions are never brought up again after this.
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* RevisitingTheRoots: Following several films where he was a straight up heroic character, Godzilla is once again portrayed as an antagonistic figure, like the original 1954 incarnation.
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* CreditsMedley: ''Godzilla 1985'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
* CuttingOffTheBranches: Non-video game version. The American version places the events of ''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]'' in 1956, while Japanese continuity of the Heisei films likewise places the events of the first film in 1954 instead.
* CuttingOffTheBranches: Non-video game version. The American version places the events of ''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]'' in 1956, while Japanese continuity of the Heisei films likewise places the events of the first film in 1954 instead.
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* CreditsMedley: ''Godzilla 1985'' substitutes the rather jarring vocal synth-pop ''Goodbye Godzilla'' ballad with a simple mix of some of Koroku and Young's themes.
* CuttingOffTheBranches: Non-video gameversion.example. The American version places the events of ''[[Film/GodzillaKingOfTheMonsters1956 Godzilla: King of the Monsters!]]'' in 1956, while Japanese continuity of the Heisei films likewise places the events of the first film in 1954 instead.
* CuttingOffTheBranches: Non-video game
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** Major [=McDonough=] delivers "That's uh, quite an urban renewal program they got over there" as Godzilla levels his way through metropolitan Tokyo, to Steve Martin's annoyance. And the best part is that Raymond Burr actually (temporarily) broke character during that scene. It shows his displeasure of trying to turn the film LighterAndSofter,
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** Major [=McDonough=] delivers "That's uh, quite an urban renewal program they got over there" as Godzilla levels his way through metropolitan Tokyo, to Steve Martin's annoyance. And the best part is that Raymond Burr actually (temporarily) broke character during that scene. It shows his displeasure of trying to turn the film LighterAndSofter,LighterAndSofter.
** Martin sardonically recalls the effects of the 1962 ''Starfish Prime'' nuclear test after [=McDonough=] assures the EMP from the stratospheric explosion is "absolutely harmless".
** Martin sardonically recalls the effects of the 1962 ''Starfish Prime'' nuclear test after [=McDonough=] assures the EMP from the stratospheric explosion is "absolutely harmless".
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Changed line(s) 31,32 (click to see context) from:
* CreditsMedley: ''Godzilla 1985
'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
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* CreditsMedley: ''Godzilla 1985
''1985'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
''
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do not change G'85 examples to "1984"
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* CreditsMedley: ''Godzilla 1984'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
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* CreditsMedley: ''Godzilla 1984'' 1985
'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
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** Maki in response to Okumura in ''1984''. "I know why. It's very simple. He had enough to eat".
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** Maki in response to Okumura in ''1984''.''1985''. "I know why. It's very simple. He had enough to eat".
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** Kamijo, Maki's photographer, who never speaks a line in ''1984''.
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** Kamijo, Maki's photographer, who never speaks a line in ''1984''.''1985''.
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* InconsistentDub: Neither English version settles definitively on the pronunciation Naoko's name ("Nay-oko" or the more correct "Now-oko").
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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''[[NamesTheSame Godzilla]]'' or ''Godzilla 1985'', and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.
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The sixteenth ''Franchise/{{Godzilla}}'' film, also known as just ''[[NamesTheSame Godzilla]]'' or ''Godzilla 1985'', 1984'', and first after a nearly decade long break. It is a direct sequel to the original ''[[Film/Godzilla1954 Godzilla]]'' (even sharing the title in Japan) and ignores all other films. Godzilla returns after a thirty years absence and in the midst of high UsefulNotes/ColdWar tensions between the U.S.A. and Soviets. It is the first Godzilla film to feature Kenpachiro Satsuma in the role of Godzilla, and it would be the last movie to ''not'' feature any Ifukube music until 2002's ''[[Film/GodzillaAgainstMechagodzilla Godzilla X Mechagodzilla]]''.
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* CreditsMedley: ''Godzilla 1985'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
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* CreditsMedley: ''Godzilla 1985'' 1984'' substitutes the rather jarring ''Goodbye Godzilla'' with a simple mix of some of Koroku and Young's themes.
Changed line(s) 35 (click to see context) from:
** Maki in response to Okumura in ''1985''. "I know why. It's very simple. He had enough to eat".
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** Maki in response to Okumura in ''1985''.''1984''. "I know why. It's very simple. He had enough to eat".
Changed line(s) 62 (click to see context) from:
** Kamijo, Maki's photographer, who never speaks a line in ''1985''.
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** Kamijo, Maki's photographer, who never speaks a line in ''1985''.''1984''.
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Changed line(s) 17 (click to see context) from:
** Teruyoshi Nakano suggested Godzilla's eyes to emote a touch of sorrow.
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** Teruyoshi Nakano suggested Godzilla's eyes to emote a touch of sorrow. Director Koji Hashimoto stated in an interview "The existence of Godzilla itself is a dilemma. Godzilla is a living conflict of evil and sadness."