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* {{Bookends}}: The movie opens with Harold and Sarah's son singing the Three Dog Night song "Joy to the World" (more commonly known as "Jeremiah Was a Bullfrog") and ends with the actual song being played.

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* {{Bookends}}: {{Bookends}}:
**
The movie opens with Harold and Sarah's son singing the Three Dog Night song "Joy to the World" (more commonly known as "Jeremiah Was a Bullfrog") and ends with the actual song being played.played.
** The movie also opens with the death of Alex, a brilliant scholar but emotionally troubled, who had spent his post-college life drifting from job to job before trying to fix up an old house with Chloe. The film ends with Nick, Alex's similarly troubled and directionless former roommate, [[HopeSpot choosing to pick up where Alex left off and fix up the old house with Chloe]].



* ComfortingTheWidow: Michael repeatedly tries (and fails) to get close to Chloe.

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* ComfortingTheWidow: Michael repeatedly tries (and fails) to get close to Chloe. Harold and Nick voice their disapproval.



* DiscoDan: Harold refuses to have anything but 60s and 70s rock and pop music in the house, arguing "There is no other music".



* TheFriendNobodyLikes: Michael is a strong contender for this, with Sarah voicing her disapproval at him staying the weekend right at the beginning, Sam resenting him for an unfavourable magazine article, and Meg seeing him as a last resort for fathering the child she hopes to have. Nick runs a close second thanks to his drug dealing and cynical outlook.
* GoodAdulteryBadAdultery: Sarah and Alex's fling five years before the events of the film is portrayed in a sympathetic light, as is her offer of Harold to father Meg's baby. Compare them with Michael, whose attempts to cheat on his girlfriend are met with disapproval by Harold and Nick, and who is regarded by the women in the house as a borderline AbhorrentAdmirer. Zig-zagged with Sam and Karen.



* {{Hypocrite}}: Nick faces more than a little disapproval for his work as a drug dealer, but everyone in the house dips into his stash over the course of the weekend.



* NiceJobBreakingItHero: Harold opens the attic window in an attempt to free the trapped bat, but two more fly in instead.
-->'''Nick:''' Now it's a fair fight!



* StartToCorpse

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* StartToCorpseStartToCorpse: The late Alex appears on the funeral home table in the opening credits.
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* ComfortingTheWidow: Michael repeatedly tries (and fails) to get close to Chloe.


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* IntimateHealing: It's implied that Chloe helped treat Nick's inability to perform.

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one non example and a bit of wordcruft (admittedly being removed due to a TRS cleanup rather than on their own merits)


* ButIPlayOneOnTV: InUniverse; in the opening credits of ''J.T. Lancer'', we see Sam taking a running jump into his convertible, and landing perfectly in the seat. When the cop who pulls Nick over (see CorruptHick below) recognizes Sam, he offers to let the charge he's got against Nick slide if Sam will demonstrate that stunt for him; to everyone else's consternation, Sam agrees to do it. Naturally, since Sam is an actor and not a stuntman, he trips on the car door, falls, and hurts his arm (though not too badly).

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* ButIPlayOneOnTV: InUniverse; in the opening credits of ''J.T. Lancer'', we see Sam taking a running jump into his convertible, and landing perfectly in the seat. When the cop who pulls Nick over (see CorruptHick below) recognizes Sam, he offers to let the charge he's got against Nick slide if Sam will demonstrate that stunt for him; to everyone else's consternation, Sam agrees to do it. Naturally, since Sam is an actor and not a stuntman, he trips on the car door, falls, and hurts his arm (though not too badly).



* CorruptHick: Played with and subverted; Nick thinks the cop who pulled him over because he looks like a "Yankee drug dealer" is this, but he's willing to let the whole thing go when he recognizes Sam and asks him to recreate a stunt from his TV show (it doesn't go well). And then later, an angry Harold explains to Nick the cop had actually stopped the house from being broken into, and is a nice guy.
** Also, Nick ''is'' a "Yankee drug dealer".
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* SexMontage: The last evening at the house concludes in this, with Karen and Sam, Nick and Chloe, and Harold and Meg pairing off.
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* ADateWithRosiePalms: Implied by Chloe's admission to calling Nick's radio show when she was younger, worried that she was a pervert, and his advising her that it was okay as long as she kept up with her homework.
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* SpiritualSuccessor: While there was a (short-lived) direct TV adaptation called ''Hometown'', it could be argued that ''Series/{{thirtysomething}}'' is a better example.
** The film itself could be seen as one of these to Creator/JohnSayles' 1980 independent film ''Film/ReturnOfTheSecaucusSeven'', which similarly depicts a group of former Sixties radicals reuniting in the same house over a weekend.
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* ThanksgivingEpisode: Not stated definitively, but hinted at by the turkey dinner they sit down to, plus the group obsession with watching the Michigan football game.
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* BaitAndSwitch: Nick is about to confide in Meg about what happened to him in Vietnam. A moment later, the scene cuts to the living room, where everyone hears a bloodcurdling scream - from Meg finding a bat in the attic.
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* ShowerOfAngst: Sarah has one the evening after the funeral, likely inspired by both Alex's suicide and by her guilt over having an affair with Alex years before.
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** The film itself could be seen as one of these to Creator/JohnSayles' 1980 independent film ''Return of the Secaucus 7'', which similarly depicts a group of former Sixties radicals reuniting in the same house over a weekend.

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** The film itself could be seen as one of these to Creator/JohnSayles' 1980 independent film ''Return of the Secaucus 7'', ''Film/ReturnOfTheSecaucusSeven'', which similarly depicts a group of former Sixties radicals reuniting in the same house over a weekend.
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Badass Mustache and Badass Beard are being merged into Manly Facial Hair. Examples that don't fit or are zero-context are removed. To qualify for Manly Facial Hair, the facial hair must be associated with masculinity in some way. Please read the trope description before readding to make sure the example qualifies.


* {{Expy}}: J.T. Lancer, the character Sam plays on his TV show, seems a lot like [[Series/MagnumPI Thomas Magnum]], complete with CoolCar and BadassMustache.

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* {{Expy}}: J.T. Lancer, the character Sam plays on his TV show, seems a lot like [[Series/MagnumPI Thomas Magnum]], complete with CoolCar and BadassMustache.mustache.
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''The Big Chill'' is a 1983 {{dramedy}} film directed and co-written by Creator/LawrenceKasdan, featuring an EnsembleCast that's a veritable Who's Who of '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/KevinKline, Creator/MaryKayPlace, Creator/MegTilly, and Creator/JoBethWilliams.

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''The Big Chill'' is a 1983 {{dramedy}} film directed and co-written by Creator/LawrenceKasdan, featuring an EnsembleCast that's a veritable Who's Who of prominent '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/KevinKline, Creator/MaryKayPlace, Creator/MegTilly, and Creator/JoBethWilliams.
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''The Big Chill'' is a 1983 {{dramedy}} film directed and co-written by Creator/LawrenceKasdan, featuring an EnsembleCast that's a veritable Who's Who of '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/KevinKline, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/MaryKayPlace, Creator/MegTilly, and Creator/JoBethWilliams.

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''The Big Chill'' is a 1983 {{dramedy}} film directed and co-written by Creator/LawrenceKasdan, featuring an EnsembleCast that's a veritable Who's Who of '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/KevinKline, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/KevinKline, Creator/MaryKayPlace, Creator/MegTilly, and Creator/JoBethWilliams.
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''The Big Chill'' is a 1983 {{dramedy}} film directed by Creator/LawrenceKasdan and featuring a veritable Who's Who of '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/KevinKline, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/MegTilly, and Creator/JoBethWilliams.

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''The Big Chill'' is a 1983 {{dramedy}} film directed by Creator/LawrenceKasdan and co-written by Creator/LawrenceKasdan, featuring an EnsembleCast that's a veritable Who's Who of '80s actors, including Creator/TomBerenger, Creator/GlennClose, Creator/KevinKline, Creator/JeffGoldblum, Creator/WilliamHurt, Creator/MaryKayPlace, Creator/MegTilly, and Creator/JoBethWilliams.
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[[quoteright:299:https://static.tvtropes.org/pmwiki/pub/images/80s_netflix_050514_big_chill.jpg]]

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[[quoteright:299:https://static.[[quoteright:315:https://static.tvtropes.org/pmwiki/pub/images/80s_netflix_050514_big_chill.jpg]]
org/pmwiki/pub/images/the_big_chill.jpeg]]



A group of people who knew each other as college students and friends during the 1960s end up getting back together some 15 years later, after their friend Alex commits suicide. All of them had gone along their separate ways, but now have reason to look back and wonder where their idealism went -- they were campus liberals who, in TheEighties, have basically become [[BourgeoisBohemian yuppie establishment types]] suffering the angst of entering middle age in the Reagan era, [[LampshadeHanging lampshading]] the fact that, as one of them puts it, "No one had a cushier berth than we did". But along the way they renew their friendships, and sometimes even more, as they try to understand why Alex, with all of his potential, worked at menial jobs and then, for apparently no reason, decided to kill himself.

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A group of people who knew each other as college students and friends during the 1960s end up getting back together some 15 years later, after their friend Alex commits suicide. All of them had gone along their separate ways, but now have reason to look back and wonder where their idealism went -- they were campus liberals who, in TheEighties, have basically become [[BourgeoisBohemian yuppie establishment types]] suffering the angst of entering middle age in the Reagan era, [[LampshadeHanging lampshading]] the fact that, as one of them puts it, "No one had a cushier berth than we did". But along the way they renew their friendships, and sometimes even more, as they try to understand why Alex, with all of his potential, worked at menial jobs and then, for apparently no apparent reason, decided to kill himself.himself.
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* TradeYourPassionForGlory: None of the characters are living their youthful values, having cashed them in for steady, well-paying jobs; a fair bit of the film's angst is derived from this.

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* TradeYourPassionForGlory: None of the characters are living their youthful values, having cashed them in for steady, well-paying jobs; a jobs. A fair bit of the film's angst is derived from this.this, especially when the characters consider themselves next to the late Alex, who turned down a prestigious research appointment that he felt would compromise his principles.
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%%* PosthumousCharacter: Alex.

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%%* * PosthumousCharacter: Alex. Alex, whose suicide kicks off the plot.



%%* ShellShockedVeteran: Nick.

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%%* * ShellShockedVeteran: Nick.Nick went to Vietnam; the trauma is hinted to be responsible for his use of pills, among other [[TheLoinsSleepTonight side effects]].
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* TradeYourPassionForGlory: None of the characters are living their youthful values, having cashed them in for steady, well-paying jobs; a fair bit of the film's angst is derived from this.
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Removing reference to defunct trope


** Michael mentions that his former business partner was similarly affected after his wife left him [[BiTheWay for another woman]].

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** Michael mentions that his former business partner was similarly affected after his wife left him [[BiTheWay for another woman]].woman.



* PosthumousCharacter: Alex.
* PrettyInMink: Karen wears a couple of fur coats.

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* %%* PosthumousCharacter: Alex.
* %%* PrettyInMink: Karen wears a couple of fur coats.



* ShellShockedVeteran: Nick.

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* %%* ShellShockedVeteran: Nick.
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* ProductPlacement: When Harold gets sneakers for everyone through his company, the Nike and New Balance logos are clearly visible.
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* MST: The others make fun of Sam's show this way, joking about the outlandish scenes in the opening credits.

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* MST: {{MST}}: The others make fun of Sam's show this way, joking about the outlandish scenes in the opening credits.
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* TheLastOfTheseIsNotLikeTheOthers: Chloe is the lone member of the main cast who was not part of the circle of friends at the University of Michigan in the 60s, being the younger girlfriend of the late Alex.
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** Michael mentions that his former business partner was similarly affected after his wife left him [[SuddenlySexuality for another woman]].

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** Michael mentions that his former business partner was similarly affected after his wife left him [[SuddenlySexuality [[BiTheWay for another woman]].
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** Michael mentions that his former business partner was similarly affected after his wife left him [[SuddenSexuality for another woman]].

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** Michael mentions that his former business partner was similarly affected after his wife left him [[SuddenSexuality [[SuddenlySexuality for another woman]].
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* MST: The others make fun of Sam's show this way, joking about the outlandish scenes in the opening credits.

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* TheLoinsSleepTonight:
** Nick refers to having trouble performing, thanks to psychological trauma from his service.
** Michael mentions that his former business partner was similarly affected after his wife left him [[SuddenSexuality for another woman]].



* WhiteCollarCrime: Alex mentions an offer he received for his company, and the ensuing rise in share prices, to Nick, in an attempt to help him find "a new line of work" (i.e. anything other than drug dealing).

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* WhiteCollarCrime: Alex Harold mentions an offer he received for his company, and the ensuing rise in share prices, to Nick, in an attempt to help him find "a new line of work" (i.e. anything other than drug dealing).
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* WhiteCollarCrime: Alex mentions an offer he received for his company, and the ensuing rise in share prices, to Nick, in an attempt to help him find "a new line of work" (i.e. anything other than drug dealing).

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This is considered to be one of the [[OverlyNarrowSuperlative finest]] films to show former [[TheSixties Sixties]] campus liberals who, in TheEighties, basically became [[BourgeoisBohemian yuppie establishment types]], suffering the angst of entering middle age in the Reagan era while [[LampshadeHanging lampshading]] the fact that, as one of them puts it, "No one had a cushier berth than we did".

A group of people who knew each other as college students and friends during the 1960s end up getting back together some 15 years later after their friend Alex commits suicide. All of them have gone along their ways and now look back and wonder where their idealism went. Along the way, they renew their friendships, and sometimes even more, as they try to understand why Alex, with all of his potential, worked at menial jobs and then, for apparently no reason, decided to kill himself.

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This is considered to be one of the [[OverlyNarrowSuperlative finest]] films to show former [[TheSixties Sixties]] campus liberals who, in TheEighties, basically became [[BourgeoisBohemian yuppie establishment types]], suffering the angst of entering middle age in the Reagan era while [[LampshadeHanging lampshading]] the fact that, as one of them puts it, "No one had a cushier berth than we did".

A group of people who knew each other as college students and friends during the 1960s end up getting back together some 15 years later later, after their friend Alex commits suicide. All of them have had gone along their ways and separate ways, but now have reason to look back and wonder where their idealism went. Along went -- they were campus liberals who, in TheEighties, have basically become [[BourgeoisBohemian yuppie establishment types]] suffering the way, angst of entering middle age in the Reagan era, [[LampshadeHanging lampshading]] the fact that, as one of them puts it, "No one had a cushier berth than we did". But along the way they renew their friendships, and sometimes even more, as they try to understand why Alex, with all of his potential, worked at menial jobs and then, for apparently no reason, decided to kill himself.



* EverybodyLaughsEnding: After Michael's closing line to the movie.

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* EverybodyLaughsEnding: After Michael's closing line to the movie.line:



* GoodPeopleHaveGoodSex: Many of the characters end up having sex with each other. Meg has considered getting pregnant, so [[spoiler:Sarah decides to lend Meg her husband, Harold, for this purpose (and also to balance the books for own infidelity years earlier)]].

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* GoodPeopleHaveGoodSex: Many of the characters ([[spoiler: all but Michael]]) end up having sex with each other. Meg has considered getting pregnant, so [[spoiler:Sarah decides to lend Meg her husband, Harold, for this purpose (and also to balance the books for own infidelity years earlier)]].



* NothingButHits: The soundtrack contains literally nothing but huge hits from the '60s, including numerous Creator/{{Motown}} tunes and other favorites such as Music/ProcolHarum's "A Whiter Shade of Pale" and Music/CreedenceClearwaterRevival's "Bad Moon Rising".
* PosthumousCharacter: Alex

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* NothingButHits: UnbuiltTrope / TropeCodifier: The soundtrack contains literally nothing but huge hits from the '60s, including numerous Creator/{{Motown}} tunes and other favorites such as Music/ProcolHarum's "A Whiter Shade of Pale" and Music/CreedenceClearwaterRevival's "Bad Moon Rising".
Rising". However unlike most movies that would go on to use this trope, it's not actually ''set'' in that era but in the 1980s, and the songs reflect the tastes of a set of characters who by and large are romanticizing their youths, so naturally they would be the bigger hits of the time.
* PosthumousCharacter: AlexAlex.



* ShellShockedVeteran: Nick

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* ShellShockedVeteran: NickNick.



* TooGoodForThisSinfulEarth: invoked by Harold in his eulogy for Alex.

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* TooGoodForThisSinfulEarth: invoked Invoked by Harold in his eulogy for Alex.


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* UnbuiltTrope: So: a film about a bunch of grown-up Baby Boomers looking back on their youth and activism in The '60s, pondering how much better things were back then, all set to a soundtrack of awesome period music... and the entire dramatic thrust of the film is about how they completely sold out their ideals, which were hollow to begin with and ultimately ruined their lives, and that they're all clinging to the past. It sounds like something a disgruntled younger filmmaker might make to dismantle everything that their parents' generation stood for...but this is the film that unintentionally codified "Baby Boomer nostalgia" as a creative industry! Director and co-writer Lawrence Kasdan (then 34 years old, making him, if anything, one of the older Baby Boomers) was making a movie about his own generation, not that of his parents.
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No longer a trope.


* YourCheatingHeart: Karen is married with children, and cheats on Richard with Sam despite the latter urging her not to leave the former. She decides to stay with Richard in the end, though. Sarah also cheated on Harold in the past.

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* ButIPlayOneOnTV: InUniverse; in the opening credits of ''J.T. Lancer'', we see Sam taking a running jump into his convertible, and landing perfectly in the seat. When the cop who pulls Nick over (see CorruptHick below) recognizes Sam, he offers to let the charge he's got against Nick slide if Sam will demonstrate that stunt for him; to everyone else's consternation, Sam agrees to do it. Naturally, since Sam is an actor and not a stuntman, he trips on the car door, falls, and hurts his arm (though not too badly).



* {{Expy}}: The character Sam plays on his TV show seems a lot like [[Series/MagnumPI Thomas Magnum]], complete with CoolCar and BadassMustache.

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* {{Expy}}: The J.T. Lancer, the character Sam plays on his TV show show, seems a lot like [[Series/MagnumPI Thomas Magnum]], complete with CoolCar and BadassMustache.

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