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* BeCarefulWhatYouWishFor: Played with in a discussion between Gibbs and Dillinger.
-->'''Dillinger:''' ENCOM isn't the business you started in your garage anymore. We're building accounts in thirty different countries. New defense systems. We have one of the most sophisticated pieces of equipment in existence.\\
'''Gibbs:''' Oh, I know all that. Sometimes I wish I were back in that garage.\\
'''Dillinger:''' That can be arranged, Walter.
-->'''Dillinger:''' ENCOM isn't the business you started in your garage anymore. We're building accounts in thirty different countries. New defense systems. We have one of the most sophisticated pieces of equipment in existence.\\
'''Gibbs:''' Oh, I know all that. Sometimes I wish I were back in that garage.\\
'''Dillinger:''' That can be arranged, Walter.
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* BrainUploading: WordOfGod says that programs' resemblance to their Users is not a result of this, but is simply a reflection of their personalities.
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* BrainUploading: Seemingly in play, but defied. WordOfGod says that programs' resemblance to their Users is not a result of this, but is simply a reflection of their personalities.
* CharacterCatchphrase: The MCP is fond of finishing conversations by stating "End of line".
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** TRON vs. Sark. Quite literally at the end when the MCP makes Sark tower over his opponent.
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** TRON vs. Sark. Quite literally at the end when the MCP [[MakeMyMonsterGrow makes Sark tower over his opponent.opponent]].
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* DeityOfHumanOrigin: Programs revere their Users as humans revere Gods. The novelization lampshades this by having the characters wonder how far the hierarchy goes.
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* DeityOfHumanOrigin: Programs revere their Users as humans revere Gods.gods. The novelization lampshades this by having the characters wonder how far the hierarchy goes.
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* GladiatorGames: Ranging from Lightcycles to Killer Frisbees; all played to the death.
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* GladiatorGames: Ranging from Lightcycles to Killer Frisbees; all played to in each, the death.losers always die.
Changed line(s) 315 (click to see context) from:
* WeUsedToBeFriends: The MCP tries to cajole Flynn by talking about the Good Old Days when Flynn used to play chess against him. When Flynn says the LogicBomb on it, the MCP pleads in a surprisingly heartfelt manner, "Stop, please! You realize I cannot allow this!", [[DontMakeMeDestroyYou not taking any joy]] in being pushed into a GodzillaThreshold.
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* WeUsedToBeFriends: The MCP tries to cajole Flynn by talking about the Good Old Days when Flynn used to play chess against him. When Flynn says the deploys a LogicBomb on it, the MCP pleads in a surprisingly heartfelt manner, "Stop, please! You realize I cannot allow this!", [[DontMakeMeDestroyYou not taking any joy]] in being pushed into a GodzillaThreshold.
Changed line(s) 324 (click to see context) from:
--->'''Dillinger:''' ''[darkly]'' That can be arranged.
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--->'''Dillinger:''' ''[darkly]'' That can be arranged.arranged, Walter.
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Changed line(s) 1,2 (click to see context) from:
[[quoteright:299:https://static.tvtropes.org/pmwiki/pub/images/00000_000001_000.jpg]]
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* LivingProgram: The TropeCodifier, if not the TropeMaker! The whole universe setting is a civilization where everything from gaming sprites to accounting scripts are living, sentient beings.
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Changed line(s) 306 (click to see context) from:
* {{Underlighting}}: Used to make the computer world glow, for the TronLines in the original film, since having lights on the costumes was impractical at the time; ironically, this method ended up being so impractical that it was never repeated for another feature film. The writers referred to it as "backlit animation". [[Film/TronLegacy The sequel]] drops it in favor of having light strips on the suits.
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* {{Underlighting}}: Used to make the computer world glow, for the TronLines in the original film, since having lights on the costumes was impractical at the time; ironically, this method ended up being so impractical that it was never repeated for another feature film. The writers referred to it as "backlit animation". [[Film/TronLegacy The sequel]] drops it in favor of having light strips on the suits.suits, when it was much easier and cheaper to do.
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Changed line(s) 239 (click to see context) from:
* ThePasswordIsAlwaysSwordfish: Dillinger's password to access the Master Control Program is "Master." Kind of makes sense, since Dillinger got his position by stealing from Flynn, not being knowledgeable on his own - he isn't actually competent enough to know not to use a simple, obvious password like this.
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* ThePasswordIsAlwaysSwordfish: Dillinger's password to access the Master Control Program is "Master." Kind of makes sense, since Dillinger got his position by stealing from Flynn, not being knowledgeable on his own - he isn't actually competent enough to know not to use a simple, obvious password like this. this (further reflected by the fact that he doesn't even change the names on the games he stole from Flynn).
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* TheManBehindTheCurtain: After Tron has defeated the MCP it is revealed that it actually is a frail old man/program sitting at the core of its former gigantic virtual face, typing on a keyboard with trembling fingers. He then disappears inside of his program suit/hull, causing Sark to [[DecapitatedArmy get derezzed as well]].
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* TheManBehindTheCurtain: After Tron has defeated the MCP it is revealed that it actually is a frail old man/program sitting at the core of its former gigantic virtual face, typing on what is either a keyboard or maybe even a ''typewriter'' with trembling fingers. He then disappears inside of his program suit/hull, causing Sark to [[DecapitatedArmy get derezzed as well]].
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Changed line(s) 262 (click to see context) from:
* SceneryPorn: The film is full of it, which was almost the entire basis for Creator/RogerEbert's rave review.
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* SceneryPorn: The film is full of it, which was almost the entire basis for Creator/RogerEbert's rave review.review (he always loved a movie that showed him images he'd never seen before).
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Changed line(s) 172 (click to see context) from:
* HappinessInSlavery: The User-Believer Programs are delighted to serve their human creators and worship them as gods, seeing their service as the main focus of their existence. It is the ''villains'' of the franchise who seek freedom and autonomy from human commands.
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* HappinessInSlavery: The User-Believer Programs are delighted to serve their human creators and worship them as gods, seeing their service as the main focus of their existence. It is the ''villains'' of the franchise who seek freedom and autonomy from human commands. On the other hand, the villains are enslaving all the other programs for their own use.