Is there an issue? Send a MessageReason:
None
Changed line(s) 46 (click to see context) from:
--> '''Captain of the Guard:''' (''to Mimi'') '''You''' said you'd go '''''quietly'''''. (''to his men'') Burn the farm.
to:
--> '''Captain of the Guard:''' (''to Mimi'') '''You''' said you'd go '''''quietly'''''. (''to his men'') Burn down the farm.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* FanDisservice: Charlie runs around bare-ass naked after jumping out of the bath tub.
Added DiffLines:
* MsFanservice: Christina's naked body is seen in silhuette [[RuleOfSexy beneath her silk nightgown]], and Mimi ends up completely naked near the end of the film.
Added DiffLines:
* RousingSpeech: Subverted. When Mimi agrees to stay quiet as she's arrested (as to not have her farm burned down), she builds her initially quiet verbal resistance, into a patriotic speech about countrymen and revolution. This ends in her repeatedly shouting '''''"For Fraaance! For Fraaance!"''''', but the Captain of the Guard will have none of this:
--> '''Captain of the Guard:''' (''to Mimi'') '''You''' said you'd go '''''quietly'''''. (''to his men'') Burn the farm.
--> '''Captain of the Guard:''' (''to Mimi'') '''You''' said you'd go '''''quietly'''''. (''to his men'') Burn the farm.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
--> '''Louis:''' You told me it was a ''costume ball''!\\
'''Marie:''' I changed my mind.
'''Marie:''' I changed my mind.
Is there an issue? Send a MessageReason:
None
Changed line(s) 33,34 (click to see context) from:
* LemonyNarrator: The narrator not only comments on the scenes, but on characters and history, offering up his own opinions regarding motives, personalities, and plots. When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789'''', without regard to the time, day of the week, date, or how many weeks have passed.
--> '''Narrator:''' Later, that night...(music swells and stops) '''''1789'''''.
--> '''Narrator:''' Later, that night...(music swells and stops) '''''1789'''''.
to:
* LemonyNarrator: The narrator not only comments on the scenes, but on characters and history, offering up his own opinions regarding motives, personalities, and plots. plots.
--> '''Narrator:''' King Louis, whose tinkering with time pieces did not tell him that his ''own'' time was running out. Queen Marie, who tinkered with everything ''but'' time pieces - she didn't '''care''' what time it was. But the Duke '''d'Escargot''' knew what time it was - '''''his''''' tinkering was ''well-timed''.
** When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789'''', without regard to the time, day of the week, date, or how many weeks have passed.
--> ---> '''Narrator:''' Later, that night...(music swells and stops) '''''1789'''''.
--> '''Narrator:''' King Louis, whose tinkering with time pieces did not tell him that his ''own'' time was running out. Queen Marie, who tinkered with everything ''but'' time pieces - she didn't '''care''' what time it was. But the Duke '''d'Escargot''' knew what time it was - '''''his''''' tinkering was ''well-timed''.
** When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789'''', without regard to the time, day of the week, date, or how many weeks have passed.
Is there an issue? Send a MessageReason:
None
Changed line(s) 33 (click to see context) from:
* LemonyNarrator: The narrator not only comments on the scenes, but on characters and history, offering up his own opinions regarding motives, personalities, and plots. When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789.'''''
to:
* LemonyNarrator: The narrator not only comments on the scenes, but on characters and history, offering up his own opinions regarding motives, personalities, and plots. When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789.''''''''''1789'''', without regard to the time, day of the week, date, or how many weeks have passed.
--> '''Narrator:''' Later, that night...(music swells and stops) '''''1789'''''.
--> '''Narrator:''' Later, that night...(music swells and stops) '''''1789'''''.
Is there an issue? Send a MessageReason:
None
* HypocriticalHumor: The lead monk orders his men to assassinate the di Sisi brothers ''quickly and quietly''. But they immediately withdraw handguns and begin blasting away at what they think are the di Sisis sleeping in bed, screaming and shouting the whole time.
*LemonyNarrator: The narrator not only comments on the scenes, but on characters and history, offering up his own opinions regarding motives, personalities, and plots. When scenes switch, he reads the extremely bold context titles, and continuously reminds the audience that it's the year...'''''1789.'''''
Changed line(s) 37 (click to see context) from:
* ShoutOut: When Pierre is interrogated by the director of the insane asylum, he is asked who he and his brother (Philippe) are. He naturally answers, ''The Corsican Brothers'', as the di Sisis are (somewhat) brothers ''from'' [[UsefulNotes/Corsica Corsica]]. ''The Corsican Brothers'' is also the name of the "mismatched twins" novella by Creator/AlexandreDumas, which partially inspired this film.
to:
* ShoutOut: When Pierre is interrogated by the director of the insane asylum, he is asked who he and his brother (Philippe) are. He naturally answers, ''The Corsican Brothers'', as the di Sisis are (somewhat) brothers ''from'' [[UsefulNotes/Corsica Corsica]].the island of Corsica. ''The Corsican Brothers'' is also the name of the "mismatched twins" novella by Creator/AlexandreDumas, which partially inspired this film.
Is there an issue? Send a MessageReason:
None
Changed line(s) 37 (click to see context) from:
* ShoutOut: When Pierre is interrogated by the director of the insane asylum, he is asked who he and his brother (Philippe) are. He naturally answers, ''The Corsican Brothers'', as the di Sisis are (somewhat) brothers ''from'' UsefulNotes/Corsica. ''The Corsican Brothers'' is also the name of the "mismatched twins" novella by Creator/AlexandreDumas, which partially inspired this film.
to:
* ShoutOut: When Pierre is interrogated by the director of the insane asylum, he is asked who he and his brother (Philippe) are. He naturally answers, ''The Corsican Brothers'', as the di Sisis are (somewhat) brothers ''from'' UsefulNotes/Corsica.[[UsefulNotes/Corsica Corsica]]. ''The Corsican Brothers'' is also the name of the "mismatched twins" novella by Creator/AlexandreDumas, which partially inspired this film.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ShoutOut: When Pierre is interrogated by the director of the insane asylum, he is asked who he and his brother (Philippe) are. He naturally answers, ''The Corsican Brothers'', as the di Sisis are (somewhat) brothers ''from'' UsefulNotes/Corsica. ''The Corsican Brothers'' is also the name of the "mismatched twins" novella by Creator/AlexandreDumas, which partially inspired this film.
Is there an issue? Send a MessageReason:
None
Changed line(s) 8,9 (click to see context) from:
''Start the Revolution Without Me'' is a 1970 comedy film starring Creator/GeneWilder and Creator/DonaldSutherland as two sets of twins (one born from aristocrats, the other from peasants) who undergo a bizarre switch at birth after the doctor delivering them confuses the two sets; he switches one twin in each pair so each couple will get at least one of their own children. Years later, on the eve of UsefulNotes/TheFrenchRevolution, hilarity ensues as each pair plays a role in the upcoming events.
to:
''Start the Revolution Without Me'' is a 1970 historical comedy film starring film, spoofing both the [[UsefulNotes/TheFrenchRevolution French Revolution]] and the novella [[Creator/AlexandreDumas The Corsican Brothers]]. It stars Creator/GeneWilder and Creator/DonaldSutherland as two sets of twins (one born from aristocrats, set aristocratic, the other from peasants) peasantry) who undergo a bizarre switch are switched at birth after the delivery doctor delivering them confuses the two sets; he switches one twin in each pair mixes the pairs so that each couple will get gets at least one of their own children. babies. Years later, on the eve of UsefulNotes/TheFrenchRevolution, the French Revolution, hilarity ensues as each pair plays a role in the upcoming events.
Changed line(s) 13,15 (click to see context) from:
%% * AffectionateParody
* AgentPeacock: Pierre. He may be a dandy but he is a deadly one.
* ArtisticLicenseHistory: The film is somewhat of a parody of various historical fiction works about the French Revolution, and is not particularly concerned with historical accuracy.
* AgentPeacock: Pierre. He may be a dandy but he is a deadly one.
* ArtisticLicenseHistory: The film is somewhat of a parody of various historical fiction works about the French Revolution, and is not particularly concerned with historical accuracy.
to:
%% * AffectionateParody
AffectionateParody: [[Creator/AlexandreDumas The Corsican Brothers]].
* AgentPeacock: Pierre. He may be adandy dandy, but he is a physically deadly one.
* ArtisticLicenseHistory: The film is somewhat of a parody of various historical fiction works about the French Revolution, and is not particularly concerned with the historicalaccuracy.accuracy of events. The costuming, props, locations, and sets are, however, surprisingly historically accurate.
* AgentPeacock: Pierre. He may be a
* ArtisticLicenseHistory: The film is somewhat of a parody of various historical fiction works about the French Revolution, and is not particularly concerned with the historical
Changed line(s) 17,20 (click to see context) from:
%% * ButtMonkey: The King.
%% * CampGay: Pierre.
%% -->'''Philippe:''' ONE DAY, I SHALL BE KING!\\
%% '''Pierre:''' And I shall be Queen!
%% * CampGay: Pierre.
%% -->'''Philippe:''' ONE DAY, I SHALL BE KING!\\
%% '''Pierre:''' And I shall be Queen!
to:
%%
* CampGay:
%%
-->'''Philippe:'''
%%
'''Pierre:''' And I shall be
Changed line(s) 22 (click to see context) from:
%% * DistractedByTheSexy: Christina leads away a load of soldiers from the battle after all of her clothes have been ripped off.
to:
Changed line(s) 24,25 (click to see context) from:
%% * HairTriggerTemper: Philippe
%% * IdenticalStranger: The two pairs of identical twins also perfectly resemble the other pair.
%% * IdenticalStranger: The two pairs of identical twins also perfectly resemble the other pair.
to:
%%
* IdenticalStranger: The two pairs of
Changed line(s) 31,33 (click to see context) from:
%% * LargeHam: Philippe. But it is Creator/GeneWilder, what do you expect?
%% * LovableCoward: Both Charles and Claude, who will flee whenever danger erupts.
%% * MedievalMorons
%% * LovableCoward: Both Charles and Claude, who will flee whenever danger erupts.
%% * MedievalMorons
to:
%% * MedievalMorons
Changed line(s) 35,37 (click to see context) from:
%% * NoEnding: [[spoiler:Two modern pairs of Gene Wilder and Donald Sutherland show up and kill Orson Welles at the climax. Afterward both Donald Sutherlands are killed by the Gene Wilders. Then one Gene Wilder kills another. Just as the final Gene Wilder picks up the book to narrate the finish, the Man in the Iron Mask shows up and shoots him. Credits.]]
%% * ReallyGetsAround: Marie Antoinette
%% * SeparatedAtBirth: The two pairs of twins, with each family getting one from each pair.
%% * ReallyGetsAround: Marie Antoinette
%% * SeparatedAtBirth: The two pairs of twins, with each family getting one from each pair.
to:
%%
* ReallyGetsAround: Marie
%%
* SeparatedAtBirth:
Changed line(s) 39 (click to see context) from:
%% * SwappedRoles
to:
Changed line(s) 41,43 (click to see context) from:
%% * TrapDoor: The doctor at the mental hospital has one in his office.
%% * TwinSwitch
%% * UpperClassTwit: King Louis
%% * TwinSwitch
%% * UpperClassTwit: King Louis
to:
%%
*
%%
* UpperClassTwit: King
Is there an issue? Send a MessageReason:
None
Changed line(s) 23 (click to see context) from:
* EverybodyDiesEnding: Literally, only one character [[spoiler: The Man in the Iron Mask]] is alive at the end of the movie (everyone else has been [[spoiler: murdered]] or is dead through the passage of time.
to:
* EverybodyDiesEnding: Literally, only one character [[spoiler: The Man in the Iron Mask]] is alive at the end of the movie (everyone else has been [[spoiler: murdered]] or is dead through the passage of time.time).
Is there an issue? Send a MessageReason:
None
Changed line(s) 23 (click to see context) from:
* EveryoneDies: Literally, only one character [[spoiler: The Man in the Iron Mask]] is alive at the end of the movie (everyone else has been [[spoiler: murdered]] or is dead through the passage of time.
to:
* EveryoneDies: EverybodyDiesEnding: Literally, only one character [[spoiler: The Man in the Iron Mask]] is alive at the end of the movie (everyone else has been [[spoiler: murdered]] or is dead through the passage of time.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* EveryoneDies: Literally, only one character [[spoiler: The Man in the Iron Mask]] is alive at the end of the movie (everyone else has been [[spoiler: murdered]] or is dead through the passage of time.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* MummiesAtTheDinnerTable: Philippe's stuffed falcon, which he carries everywhere and shows more affection than his wife. Pointing out that it's dead is his foremost BerserkButton.
Is there an issue? Send a MessageReason:
None
Changed line(s) 6,7 (click to see context) from:
[[quoteright:220:https://static.tvtropes.org/pmwiki/pub/images/e55efa5cf2db8d80eee2f7f5ff6d2247.jpg]]
to:
